Free Jazz in the Classroom: an Ecological Approach to Music Educationi
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NYC Jazz Record
execution. Added inventiveness is found on Dresser’s GLOBE UNITY: BRAZIL composition “Yeller Grace”, which blends “Yellow Rose of Texas”, “Amazing Grace” and the National Anthem into a barely recognizable yet fully engaging mix. And they show plenty of versatility, as piano and bass converse equally well within the sweeping, legato passages of “For My Mother” or the jarring, playful bounces of “Big Mama”. But the true highlight is their interplay on Dresser’s composition “Mattress on a Stick”, which leads with a breathtakingly lyrical bass introduction, over Moser’s sparse and haunting choice Patience of chords. Each tune was recorded straight to two Stéphane Kerecki/John Taylor (Zig-Zag Territoires) entirely clean, un-mixed tracks, the depth of the tones All Strung Out astounding, providing a truly intimate experience. Piano Masters Series, Vol. 2 Denman Maroney/Dominic Lash (Kadima Collective) Philippe Baden Powell (Adventure Music) Duetto Mark Dresser/Diane Moser (CIMP) For more information, visit outhere-music.com/zigzag, Tempo (feat. Eddie Gomez) Tania Maria (Naïve) by Sam Spokony kadimacollective.com and cimprecords.com. Moser and Constelação Brazilian Trio (Motéma Music) In these three albums, we find each piano/bass duo Dresser are at Cornelia Street Café Sep. 6th. See Calendar. by Tom Greenland approaching the world of free improvisation with The world’s fifth largest country, home of bossa different modes of thought and intensity. nova, samba and birthplace of Tom Jobim, Airto Patience, by French bassist Stéphane Kerecki and Moreira, Milton Nascimento and Hermeto Pascoal British pianist John Taylor, reveals the strong influence (to name only a few), Brazil has deeply impacted of the classic dynamic that once existed between jazz. -
Chris Potter Circuits Quartet
03 Abr 2019 Erik Friedlander’s 21:00 Sala Suggia “Throw a glass” CICLO JAZZ Chris Potter Circuits Quartet Erik Friedlander’s “Throw a glass” Friedlander tomou contacto com a música muito cedo – cres‑ ceu numa casa cheia de música, começa a estudar guitarra com Erik Friedlander violoncelo apenas cinco anos e aos oito dedica ‑se ao violoncelo. Tocou e gravou Uri Caine piano com inúmeros artistas, incluindo The Mountain Goats, John Zorn, Mark Helias contrabaixo Dave Douglas e Courtney Love. O desejo de participar activamente Ches Smith bateria no turbilhão de estilos musicais que o cercava levou ‑o a encontrar novas formas de tocar violoncelo. Estas descobertas são as direc‑ Sob a inspiração das misteriosas esculturas de copos de absinto de trizes do seu trabalho como intérprete e compositor, com um catá‑ Picasso expostas no Museu de Arte Moderna (MoMA), Erik Fried- logo muito variado e original. lander e a sua banda The Throw criaram um álbum conceptual sobre a história sombria desta bebida e do seu uso como alucinogénio. Uri Caine nasceu em Filadélfia e começou a estudar piano com Friedlander formou o quarteto para uma actuação no The Stone Bernard Peiffer e composição com George Rochberg. Desde que em Nova Iorque e ficou logo “impressionado com a química que tive‑ se mudou para Nova Iorque, em 1985, gravou 33 álbuns como líder. mos”. Durante dois dias o grupo gravou Artemisia, um disco sobre Recentemente gravou Space Kiss (2017) com o Lutoslawski Quartet, aquela inspiração e a sua origem. “Muitas vezes estamos à procura Calibrated Thickness (2016) com o seu trio e Callithump (2015) com da grande revelação e a perder o milagre diário que está ali à vista de as suas composições para piano solo. -
Sarah Weaver Events Archive 2016
SARAH WEAVER EVENTS ARCHIVE 2016 12/20/16 SLM ENSEMBLE SOLO AND CHAMBER WORKS FOR PEACE – THE CELL THEATRE, NYC SLM Ensemble: Solo and Chamber Works for Peace December 20, 2016 8:00pm $20/$15 Students & Seniors Location: the cell 338 W. 23rd St, New York City Tickets: http://www.thecelltheatre.org/events/2016/12/20/slm-ensemble-solo-and-chamber- works-for-peace Musicians from the SLM Ensemble perform solo and chamber music compositions and improvisations for peace. Musicians: Jane Ira Bloom, soprano saxophone, Yoon Sun Choi, voice, Julie Ferrara, oboe, english horn, Joe McPhee, saxophone, trumpet, Zafer Tawil, oud, ney, Arab percussion, Dave Taylor, bass trombone, Min Xiao-Fen, pipa, Sarah Weaver, composer, computer The SLM Ensemble is a New York City based experimental music large ensemble created by co- artistic directors bassist/composer Mark Dresser and conductor/composer Sarah Weaver. The SLM Ensemble performs and records works for large ensemble, solo and chamber works, film/multimedia, and the telematic medium via the internet by Dresser, Weaver, and at times collaborating composers. The modular roster is composed of diverse pioneering musicians of our time. The name SLM is an acronym “Source Liminal Music” as well as a tri-consonantal root of words from several languages that mean “peace”. 11/29/16 REASONS OF RESONANCE: GERRY HEMINGWAY, SARAH WEAVER, BETH WARSHAFSKY – THE CELL THEATRE, NYC Reasons of Resonance Tuesday November 29, 2016 8:00PM $20/$15 Students & Seniors Location: the cell 338 W. 23rd Street, New York City Tickets: http://www.thecelltheatre.org/events/2016/11/29/reasons-of-resonance Solo performance by percussionist/composer Gerry Hemingway of collaborative works with composer Sarah Weaver and visual artist Beth Warshafsky. -
NEA-Annual-Report-1980.Pdf
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1980. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1981 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Deputy Chairman’s Statement 8 Dance 10 Design Arts 32 Expansion Arts 52 Folk Arts 88 Inter-Arts 104 Literature 118 Media Arts: Film/Radio/Television 140 Museum 168 Music 200 Opera-Musical Theater 238 Program Coordination 252 Theater 256 Visual Arts 276 Policy and Planning 316 Deputy Chairman’s Statement 318 Challenge Grants 320 Endowment Fellows 331 Research 334 Special Constituencies 338 Office for Partnership 344 Artists in Education 346 Partnership Coordination 352 State Programs 358 Financial Summary 365 History of Authorizations and Appropriations 366 Chairman’s Statement The Dream... The Reality "The arts have a central, fundamental impor In the 15 years since 1965, the arts have begun tance to our daily lives." When those phrases to flourish all across our country, as the were presented to the Congress in 1963--the illustrations on the accompanying pages make year I came to Washington to work for Senator clear. In all of this the National Endowment Claiborne Pell and began preparing legislation serves as a vital catalyst, with states and to establish a federal arts program--they were communities, with great numbers of philanthro far more rhetorical than expressive of a national pic sources. -
Scanned Using Book Scancenter 5022
mu.die of the University of Hartford presents a FACULTY RECITAL by DANIEL POLLACK Pianist •••• PROGRAM I {!,ffJ ORGAN PRELUDE ING MINOR Bach..Siloti SONATINE Ravel Modere Mouvement de Menuet Anime II FANTAISIE IN C MAJOR OPUS 17 Schumann Durchaus fantastisch und leidenschaf tligh vorzutragen Maessig. Durchaus energisch Langsam g~ragen. Durchweg leise zu halten INTE.RMISSION / -: III ¿ ff t BALLADE IN F MAJOR Chopin TIIREE ETIJDES Chopin OPUS 10, NO. 11 IN E FLAT MAJOR OPUS 25, NO. a IN D FLAT MAJOR OPUS 25, NO. 11 IN A MINOR NOCTIJRNE IN C SHARP MINOR OPUS POSTHUMOUS Chopin IV MEPHISTO WAL1Z BALDWIN PIANO Wednesday, January 4, 1967 Millard Auditorium, 8: 30 p.m. NOTE: If you wish to receive notice of our concerts and are not on our mailing list, please leave your name and address at the lobby desk during intermission. - -··· -· ---------------------- . - . - ... .. -· - ·-~ A CONCERT OF MUSIC BY ARNOLD FRANCHETTI Thu.rsday, Jan:u.ary 12 at 8:30 P.M. PROGRAM -WAR BAI ..I,ADES PreI1.iiere Per:f or.11.-ian.ce ·1 Ballade by Kathleen Lombardo 2 and 3 Ballades by Elizabeth Randall-Mills Richard Provost, guitar Mary Collier*, soprano BRASS QUINTET Ronald Kutik, Roger Murtha, trumpet; Robert Meyers, James Roberts, trombone; Ronald Apperson, tuba Edward Mi I ler, conductor CONCERTINO Canzona Cuckoo Notturno Rondel lo Daniel Kobialka, '66, violin soloist Nancy Turetzky, alto flute, flute, piccolo; Bertram Turetzky, double bass; Tele Lesbines, percussion; Myron Press*, piano Henry Larsen, conductor INTERMISSION *Guest Artist I L -------------------------------------- . CONCERTO IN DO Preniiere Per:for1I1.an.ce IN TWO MOVEMENTS Commissioned by the Library of Congress, 1962, in memory of Natalie and Serge Koussevitzky. -