Media's Positive and Negative Frames in Reporting Celebrity Deaths
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Text Bruce Hainley
Kouros by Yves Saint Laurent 1. Brad Renfro, Skeet Ulrich, Axl Rose, Leif Garrett—I’m listing those things or people I find immediately identifiable in this Hawkins painting of 2017 that I’m looking at in a fairly hi-res digital reproduction, while sitting under a canopy in the noonday sun of Cornino, clear across the entire island of Sicily from Taormina— two different Morandi still lifes (at the top and near the bottom of the painting), numerous b/w reproductions of various Greco-Roman and/or Greco-Roman-like statuary (a few Hercules-es, some hermaphrodites), a vivid pink and yellow de Kooning, Richard Lindner’s Ice (1966), a particular guy with a prominent red kanji or ideogram tattoo on his left pectoral whose name it kills me I can’t recall at the moment and with/by whom Hawkins was obsessed/distracted for a year or more, a few Japanese male models ditto (i.e., the artist was obsessed/distracted with/by them, too, and it kills me I can’t think of their names [not Daisuke Ueda, not Seijo, not Osamu Mukai]), an Egon Schiele self-portrait (?), perhaps a bit of a Rudolf Schwarzkogler perf, Lon Chaney (maybe Bela Lugosi) on an elaborate Hollywood-set staircase as Dracula. Walking down an ersatz West Village street, Tom Cruise has fallen into daydreaming again, triggered by a man and woman kissing deeply in front of a gaudy shop (windows trimmed in neon, lace, Christmas lights); he flashes on Nicole and her fantasy naval officer going at it: this time she’s almost naked, his strong hand fingers her pussy. -
Elvis Presley Music
Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It -
Sobriety First, Housing Plus Meet the Man Who Runs a Homeless Program with a 93 Percent Success Rate and Why He Says Even He Couldn’T Solve San Francisco’S Crisis
Good food and drink Travel tips The Tablehopper says get ready for hops Bay Area cannabis tours p.18 at Fort Mason p.10 Visiting Cavallo Point — Susan Dyer Reynolds’s favorite things p.11 The Lodge at the Golden Anthony Torres scopes out Madrone Art Bar p.12 Gate p.19 MARINATIMES.COM CELEBRATING OUR 34TH YEAR VOLUME 34 ISSUE 09 SEPTEMBER 2018 Reynolds Rap Sobriety first, housing plus Meet the man who runs a homeless program with a 93 percent success rate and why he says even he couldn’t solve San Francisco’s crisis BY SUSAN DYER REYNOLDS Detail of Gillian Ayres, 1948, The Walmer Castle pub near Camberwell School of Art, with Gillian Ayres (center) hris megison has worked with the home- and Henry Mundy (to the right of Ayres). PHOTO: COURTESY OF GILLIAN AYRES less for nearly three decades. He and his wife, Tammy, helped thousands of men get off the Cstreets, find employment, and earn their way back into Book review: ‘Modernists and Mavericks: Bacon, Freud, society. But it was a volunteer stint at a winter emergency shelter for families where they saw mothers and babies Hockney and The London Painters,’ by Martin Gayford sleeping on the floor that gave them the vision for their organization Solutions for Change. The plan was far from BY SHARON ANDERSON tionships — artists as friends, as photographs and artworks, Gayford traditional: Shelter beds, feeding programs, and conven- students and teachers, and as par- draws on extensive interviews with tional human services were replaced with a hybrid model artin gayford’s latest ticipants who combined to define artists to build an intimate history of where parents worked, paid rent, and attended onsite book takes on the history painting from Soho bohemia in the an era. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Larry Lasker
LARRY LASKER Although I grew up with parents in the movie business, I always intended to make a career in medicine. After college I returned to work with the doctor I had worked for during summer vacations, but started spending more and more time hanging out at the American Film Institute, where my brother Albert (now Alex) was enrolled, attending seminars and screenings and crewing for student films, until the doctor finally suggested I seemed more interested in movies than medicine and maybe I should get that out of my system... I worked as a prop man for a while and then landed a job as a script reader with United Artists, a job my brother had vacated to write his first screenplay, and I read so many lousy scripts with fancy names attached to them I finally decided I could do at least as badly myself and quit after a year and a half to write one with my college friend Walter Parkes. I had seen a TV show about Stephen Hawking and was fascinated by the idea that one day he might figure out the unified field theory but, due to his condition, wouldn't be able to communicate it to anyone. This suggested he needed someone to mentor, who could understand him, and this in turn suggested the character of a troubled kid who was was too smart for his environment. When I was a reader, I learned that executives almost never read anything themselves, they read "coverage', the 2 or 3 pages we readers write to summarize scripts ‐‐ and even the 15‐ or 20‐page "treatments" writers submit for script proposals. -
Wooster, OH), 2006-04-21 Wooster Voice Editors
The College of Wooster Open Works The oV ice: 2001-2011 "The oV ice" Student Newspaper Collection 4-21-2006 The oW oster Voice (Wooster, OH), 2006-04-21 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice2001-2011 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 2006-04-21" (2006). The Voice: 2001-2011. 140. https://openworks.wooster.edu/voice2001-2011/140 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 2001-2011 by an authorized administrator of Open Works. For more information, please contact [email protected]. Wdoster Voice VOL. CXXII, lie ISSUE XXIV Serving the College of Wooster since 1883 Friday, April 21, 2006 "A liberal arts education is supposed to provide you with a value system, a standard, a set of ideas, not a job. Caroline Bird Wooster this incoming cia looks bright Laura McHugh coming in, now through the week of become industry standard to report it." There are many good things about the May 1st." May 1 is National 'This is a very talented group of class of '09," said Chief Staff Writer Gueldenzoph. Candidates Response Date, the cut-o- ff students from all over" he said. Those However, he said that having only 14 Week With a new academic year right day for confirmation. While they have who applied 46 states and represent 45 African Americans in the class stood V around the corner, Dean of only' received 192 confirmations, countries. -
Friday Essay: Clueless at 25—Like, a Totally Important Teen Film
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Macrossan, Phoebe & Ford, Jessica (2020) Friday Essay: Clueless at 25 - like, a totally important teen film. The Conversation, 17 July 2020. [Featured article] This file was downloaded from: https://eprints.qut.edu.au/202965/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-No Derivative Works 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// theconversation.com/ friday-essay-clueless-at-25-like-a-totally-important-teen-film-140749 Friday Essay: Clueless at 25 — like, a totally important teen film 17/7/2020 Phoebe Macrossan, Jessica Ford While many teen films fade away never to be heard of again, Clueless, a loose adaptation of Jane Austen’s Emma, has remained in the cultural consciousness since its 1995 release. -
Transcript Sidney Lumet
TRANSCRIPT A PINEWOOD DIALOGUE WITH SIDNEY LUMET Sidney Lumet’s critically acclaimed 2007 film Before the Devil Knows You’re Dead, a dark family comedy and crime drama, was the latest triumph in a remarkable career as a film director that began 50 years earlier with 12 Angry Men and includes such classics as Serpico, Dog Day Afternoon, and Network. This tribute evening included remarks by the three stars of Before the Devil Knows Your Dead, Ethan Hawke, Marissa Tomei, and Philip Seymour Hoffman, and a lively conversation with Lumet about his many collaborations with great actors and his approach to filmmaking. A Pinewood Dialogue with Sidney Lumet shooting, “I feel that there’s another film crew on moderated by Chief Curator David Schwartz the other side of town with the same script and a (October 25, 2007): different cast, and we’re trying to beat them.” (Laughter) “You know, trying to wrap the movie DAVID SCHWARTZ: (Applause) Thank you, and ahead of them. It’s like a race.” I remember welcome, everybody. Sidney Lumet, as I think all saying that “you know if this movie works, then of you know, has received a number of salutes I’m going to have to rethink my whole idea of and awards over the years that could be process, because I can not imagine that this will considered lifetime achievement awards—which work!” (Laughter) I’ve never seen such a might sometimes imply that they’re at the end of deliberate—I’m going to steal your words, Phil, their career. But that’s certainly far from the case, but—a focus of energy, and use of energy. -
River Phoenix Eulogy Final
Maggie Lloyd Ceremonial Speech Hi everyone, my name is Maggie. Some of you may be unfamiliar with the life of River Phoenix and his tragic overdose on October 31, 1993. River Phoenix was America’s golden boy--not just another good-looking Hollywood child-star. It is true that he was a man on the rise: He received Golden Globe and Academy Award nominations before the age of 20 and at the time of his death directors sought after him to star in what would become some of America’s most well known movies including, The Basketball Diaries, Total Eclipse, and Titanic. Ironically, all of these parts went to Leonardo DiCaprio after River’s untimely death. At just 15 River was moving viewers to tears with his performance in the Stephen King film, Stand By Me. His noteworthy portrayal of friendship in this film is a reflection of the genuine, caring friend he was in real life. This thoughtful disposition of his is what I want you all to remember. Beyond all of these accomplishments I have listed, what I would like you all to understand is that River was a caring and passionate person. It seems like everyone who came in contact with River Phoenix respected where he was heading in life. He was devoted to his passions. He had a love for music and a love for this earth. River popularized veganism and won PETA’S humanitarian award in 1992. Even at a young age, he passionately devoted his time to bettering the world. That is why it was such a shock when tragedy struck. -
West Hollywood, California's Go-To-Guide to the City's Three
West Hollywood, California’s go-to-guide to the City’s Three Districts The Sunset Strip After decades of notoriety, the Sunset Strip continues to blaze its own path as a world-famous cultural landmark, setting trends in music, hotels, dining and shopping. This most famous stretch of Sunset Boulevard begins and ends in West Hollywood, and like the city it calls home, it is constantly breaking new ground and reinventing itself. Though it’s often been portrayed in movies like Sunset Boulevard, Almost Famous and Rock of Ages, visitors say that nothing compares to seeing the Sunset Strip up close and in person. Bordered on the west by Beverly Hills and on the east by Hollywood, this iconic 1.5 mile stretch of Sunset Boulevard features an array of world-class hotels, nightclubs, restaurants, shops and spas. Through the years, the Sunset Strip has seen it all, starting with the seedy glitz of the 1920s, when Prohibition fueled the rise of nightclubs and speakeasies. Because West Hollywood was not yet an incorporated city, this strip of Sunset Boulevard was lightly policed, making the Strip the perfect playground for the rebellious denizens of early Hollywood. By the 1940s, swanky nightclubs like Ciro’s, Trocadero and Mocambo reigned supreme, attracting A-list celebrity clientele like Marilyn Monroe along with less savory characters like gangster Bugsy Siegel, who called the Strip his stomping grounds. In the 1960s, the Sunset Strip became the major gathering place for the counterculture movement in Los Angeles. Janis Joplin, Jimi Hendrix and Jim Morrison were fixtures of the Strip and the surrounding West Hollywood landscape. -
NAME E-Book 2012
THE HISTORY OF THE NAME National Association of Medical Examiners Past Presidents History eBook 2012 EDITION Published by the Past Presidents Committee on the Occasion of the 46th Annual Meeting at Baltimore, Maryland Preface to the 2012 NAME History eBook The Past Presidents Committee has been continuing its effort of compiling the NAME history for the occasion of the 2016 NAME Meeting’s 50th Golden Anniversa- ry Meeting. The Committee began collecting historical materials and now solicits the histories of individual NAME Members in the format of a guided autobiography, i.e. memoir. Seventeen past presidents have already contributed their memoirs, which were publish in a eBook in 2011. We continued the same guided autobiography format for compiling historical ma- terial, and now have additional memoirs to add also. This year, the book will be combined with the 2011 material, and some previous chapters have been updated. The project is now extended to all the NAME members, who wish to contribute their memoirs. The standard procedure is also to submit your portrait with your historical/ memoir material. Some of the memoirs are very short, and contains a minimum information, however the editorial team decided to include it in the 2012 edition, since it can be updated at any time. The 2012 edition Section I – Memoir Series Section II - ME History Series – individual medical examiner or state wide system history Presented in an alphabetic order of the name state Section III – Dedication Series - NAME member written material dedicating anoth- er member’s contributions and pioneer work, or newspaper articles on or dedicated to a NAME member Plan for 2013 edition The Committee is planning to solicit material for the chapters dedicated to specifi- cally designated subjects, such as Women in the NAME, Standard, Inspection and Accreditation Program. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy.