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Guión Y Dirección De Un Cortometraje
Clase magistral "Creando un icono del terror" con George Donald “Don” Mancini Madrid, 24 de octubre de 2018 Organizado por: Actividad promovida por el Consejo Territorial de SGAE en Madrid DESTINATARIOS: Guionistas, directores, escritores y profesionales del audiovisual que estén interesados en conocer el nacimiento, evolución y desarrollo del personaje de la saga de películas de terror Child's Play: Chucky. 1 CONTENIDOS: George Donald expondrá en una charla abierta los aspectos más relevantes de la construcción del personaje Chucky. Chucky, que debutó en el cine hace treinta años, es uno de los iconos más importantes del cine de terror del siglo XX y durante esta clase tendremos la oportunidad de entender cómo se creó un personaje que, a día de hoy, es capaz de reinventarse para no dejar de sorprender y asustar al espectador. El nacimiento, la evolución, el desarrollo o el proceso de caracterización serán algunos de los aspectos a tratar por su creador además de compartir con los asistentes su experiencia profesional tanto en el ámbito cinematográfico como televisivo. PROFESOR: Don Mancini Es un guionista, productor y director de cine. Conocido internacionalmente por ser el creador de Chucky y guionista de toda su saga, integrada por un total de siete películas. La franquicia nació en 1988 con Muñeco diabólico (Child's Play) seguida de Muñeco diabólico 2 (1990), Muñeco diabólico 3 (1991), La novia de Chucky (Bride of Chucky. 1998), La semilla de Chucky (Seed of Chucky. 2004), La maldición de Chucky (Curse of Chucky. 2013) y Cult of Chucky (2017). Ha sido director además de sus últimas secuelas; La semilla de Chucky, La maldición de Chucky y Cult of Chucky. -
PDF Download a Skeleton Key to Twin Peaks
A SKELETON KEY TO TWIN PEAKS : ONE EXPERIENCE OF THE RETURN PDF, EPUB, EBOOK JB Minton | 422 pages | 28 Dec 2020 | Follow My Bliss Publishing | 9781732639119 | English | none A Skeleton Key To Twin Peaks : One Experience Of The Return PDF Book Powered by SailThru. Charlie 4 episodes, Carel Struycken Your country's customs office can offer more details, or visit eBay's page on international trade. Watch What Crappens. Opens image gallery Image not available Photos not available for this variation. Tommy 1 episode, Customer Reviews See All. Doctor Ben 1 episode, Thanks for telling us about the problem. Tom Paige 1 episode, Sophie 1 episode, When John and I sat down to start planning this new podcast, in which we will discuss themes of Twin Peaks The Return, he and I agreed on this theme for Episode 1 immediately. David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Farmer 1 episode, Travis Hammer Red's bodyguard uncredited unknown episodes. Trouble 1 episode, Alex Reyme Charlie 4 episodes, Keep Phoenix New Times Free However, I will not deny the author the right to have whatever theory he likes and I praise him for his excellent deductive skills, keen eye, and ability to forge connections I never thought of. Rebekah Del Rio 1 episode, The Red Room Podcast. The Veils 1 episode, This role is one she cannot escape, one with which she will forever be identified. You can help by participating in our "I Support" membership program, allowing us to keep covering Phoenix with no paywalls. -
Twin Peaks’ New Mode of Storytelling
ARTICLES PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING MIKHAIL L. SKOPTSOV ABSTRACT Following the April 1990 debut of Twin Peaks on ABC, the TV’, while disguising instances of authorial manipulation evi- vision - a sequence of images that relates information of the dent within the texts as products of divine internal causality. narrative future or past – has become a staple of numerous As a result, all narrative events, no matter how coincidental or network, basic cable and premium cable serials, including inconsequential, become part of a grand design. Close exam- Buffy the Vampire Slayer(WB) , Battlestar Galactica (SyFy) and ination of Twin Peaks and Carnivàle will demonstrate how the Game of Thrones (HBO). This paper argues that Peaks in effect mode operates, why it is popular among modern storytellers had introduced a mode of storytelling called “visio-narrative,” and how it can elevate a show’s cultural status. which draws on ancient epic poetry by focusing on main char- acters that receive knowledge from enigmatic, god-like figures that control his world. Their visions disrupt linear storytelling, KEYWORDS allowing a series to embrace the formal aspects of the me- dium and create the impression that its disparate episodes Quality television; Carnivale; Twin Peaks; vision; coincidence, constitute a singular whole. This helps them qualify as ‘quality destiny. 39 SERIES VOLUME I, SPRING 2015: 39-50 DOI 10.6092/issn.2421-454X/5113 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X ARTICLES > MIKHAIL L. SKOPTSOV PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING By the standards of traditional detective fiction, which ne- herself and possibly The Log Lady, are visionaries as well. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Things I Hate About You DVD-0812 27 Dresses DVD-8204 1000 Eyes of Dr. Mabuse DVD-0048 28 Days Later DVD-4333 10th Victim DVD-5591 DVD-6187 12 DVD-1200 28 Weeks Later c.2 DVD-4805 c.2 12 and Holding DVD-5110 3 Women DVD-4850 12 Angry Men DVD-0850 3 Worlds of Gulliver DVD-4239 12 Monkeys DVD-3375 3:10 to Yuma DVD-4340 12 Years a Slave DVD-7691 30 Days of Night DVD-4812 1776 DVD-0397 300 DVD-6064 1900 DVD-4443 35 Shots of Rum DVD-4729 1984 (Hurt) DVD-4640 39 Steps DVD-0337 DVD-6795 4 Little Girls DVD-0051 1984 (Obrien) DVD-6971 400 Blows DVD-0336 2 Autumns, 3 Summers DVD-7930 42 DVD-5254 2 or 3 Things I Know About Her DVD-6091 50 First Dates DVD-4486 20 Million Miles to Earth DVD-3608 500 Years Later DVD-5438 2001: A Space Odyssey DVD-0260 61 DVD-4523 2010: The Year We Make Contact DVD-3418 70's DVD-0418 2012 DVD-4759 7th Voyage of Sinbad DVD-4166 2012 (Blu-Ray) DVD-7622 8 1/2 DVD-3832 21 Up South Africa DVD-3691 8 Mile DVD-1639 24 Season 1 (Discs 1-3) DVD-2780 Discs 9 to 5 DVD-2063 25th Hour DVD-2291 9.99 DVD-5662 9/1/2015 9th Company DVD-1383 Adventures of Ozzie and Harriet DVD-0831 A.I. -
34Fb838c108c681d14cd3ad36994a0a5.Pdf
WHAT IS START-UP? START UP is a television program that offers its viewers an up-close and personal look into the world of the modern American entrepreneur. As complicated as starting a business may seem, START UP attempts to demystify the process by sharing the real life experiences of average Americans who are taking control of their own destiny. With a hip, modern style and a unique approach to traditional interview-based television, START UP is a truly original show that intends to inspire, educate and entertain viewers in a way that is neither dramatized nor exaggerated. It offers a sense of integrity that the producer’s feel is missing in mainstream reality television today. Start Up Season One, sponsored by General Motors, American Express and Walsh College, began airing on September 16, 2013 with a very strong national carriage. The show is airing in over 50% of U.S. households and is expected to reach over 80% of U.S. households by January 2014. With several markets waiting to schedule the program in a prime- time position in January, the show is being very well received by PBS (PTV) Program Directors all over the country. The carriage numbers we’ve received are rare for a first season program, and we are expecting to only increase our carriage into Season 2 and 3. As we are committed to an initial 3 year broadcast contract, we will embark on production of Season 2 on February 1, 2014. We appreciate the continued support of our program and look forward to being able to provide you mass exposure both on-air and online to further the message of your high quality brand. -
ARTH7 Gender, Race, Sexuality: Episodes in Modernism 1900-1945 Professor David Getsy First-Year Seminar, Department of Art Histo
ARTH7 G e n d e r , R a c e , S e x u a l i t y : E p i s o d e s i n M o d e r n i s m 1 9 0 0 - 1 9 4 5 Professor David Getsy First-year seminar, Department of Art History, Dartmouth College Winter 2003 • 10A / 10.00-11.50 Tuesday Thursday / x-hour 3.00-3.50 Wednesday office hours: 1.00-2.30 Tuesday / office: 307 Carpenter Hall c o u r s e d e s c r i p t i o n This discussion-based, writing-intensive seminar will introduce key concepts for modernism in the visual arts and will stress current critical approaches to the study of visual culture. Focusing on the development of modernism in the first half of the twentieth century in Europe and America, we will explore a series of episodes in which artists and critics engaged with questions of gender, race, sexuality, and identity. We will examine cases in which artists and critics subverted or critiqued cultural norms as well as cases in which the work of modernist artists reflected and relied upon dominant assumptions about race, sexuality, and gender. Themes studied will include: primitivism, gender performance, the politics of museum display, feminism in history and scholarship, cultural hybridity, the role of subcultures, and the politics of representation. Artists and movements discussed will include Picasso, Duchamp, Vorticism, Harlem Renaissance, Cadmus, Kahlo, Hepworth, and Surrealism. s t r u c t u r e o f t h e c o u r s e Each two-hour session will be focused primarily on discussion of images, texts, and course themes. -
British History, Tradition and Culture Parliament and Government
British history, tradition and culture What should you watch? What does it tell you about? What is the format? Where can you watch it? Andrew Marr’s History of How has Britain changed since 1945 and what role has Television documentary Available as part of a DVD box set from Amazon Modern Britain politics played in that process? Five one-hour episodes from £26.37 or as a standalone DVD from £17.84 Television drama The reign of Queen Elizabeth II and major events during Three series The Crown this period. How the monarchy, government and politics Available on Netflix Ten episodes per series interact is a key feature of this series. 45-60 minutes per episode Parliament and Government What should you watch? What does it tell you about? What is the format? Where can you watch it? A behind-the-scenes look at the work of Members of Television documentary Inside the Commons Available on DVD from Amazon for £12.64 Parliament and House of Commons officials Four one-hour episodes Like Inside the Commons, this follows some larger-than- Currently being shown on London Live, which you Television documentary Meet the Lords life characters in the House of Lords, one of Britain’s may be able to watch via Sky, Virgin, YouView or Three one-hour episodes oldest, most eccentric and important institutions. Freeview – details here Two episodes are currently available on YouTube Michael Cockerell uncovers the workings of the Home Home Office: The Dark Department The Great Offices of Television documentary Office, the Foreign & Commonwealth Office and the Foreign -
Analyse Ludique De La Franchise Saw
Université de Montréal Analyse ludique de la franchise Saw Par Janie Brien Département d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade M.A. en études cinématographiques Décembre 2012 © Janie Brien, 2012 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : Analyse ludique de la franchise Saw présenté par : Janie Brien a été évalué(e) par un jury composé des personnes suivantes : Carl Therrien président-rapporteur Bernard Perron directeur de recherche Richard Bégin membre du jury i Résumé La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. Mots-clés Cinéma d’horreur, jeu, puzzle, torture. ii Abstract The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles. -
1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3
1. 10 Rules for Sleeping Around 2. 10 Things I Hate About You 3. 10,000 BC 4. 101 Dalmatians 5. 102 Dalmations 6. 10th Kingdom 7. 11-11-11 8. 12 Monkeys 9. 127 Hours 10. 13 Assassins 11. 13 Tzameti 12. 13th Warrior 13. 1408 14. 2 Fast 2 Furious 15. 2001: A Space Odyssey 16. 2012 17. 21 & Over 18. 25th Hour 19. 28 Days Later 20. 28 Weeks Later 21. 30 Days of Night 22. 30 Days of Night: Dark Days 23. 300 24. 40 Year Old Virgin 25. 48 Hrs. 26. 51st State 27. 6 Bullets 28. 8 Mile 29. 9 Songs 30. 9 ½ Weeks 31. A Clockwork Orange 32. A Cock and Bull Story 33. A Very Harold & Kumar 3D Christmas 34. A-Team 35. About Schmidt 36. Abraham Lincoln: Vampire Hunter 37. Accepted 38. Accidental Spy 39. Ace Ventura: Pet Detective 40. Ace Ventura: When Nature Calls 41. Ace Ventura, Jr. 42. Addams Family 43. Addams Family Reunion 44. Addams Family Values 45. Adventureland 46. Adventures of Baron Munchausen 47. Adventures of Mary-Kate & Ashley: The Case of the Christmas Caper 48. Adventures of Mary-Kate & Ashley: The Case of the Fun House Mystery 49. Adventures of Mary-Kate & Ashley: The Case of the Hotel Who-Done-It 50. Adventures of Mary-Kate & Ashley: The Case of the Logical Ranch 51. Adventures of Mary-Kate & Ashley: The Case of the Mystery Cruise 52. Adventures of Mary-Kate & Ashley: The Case of the SeaWorld Adventure 53. Adventures of Mary-Kate & Ashley: The Case of the Shark Encounter 54. -
Laboratorio Dell'immaginario 30 Anni Di Twin Peaks
laboratorio dell’immaginario issn 1826-6118 rivista elettronica http://archiviocav.unibg.it/elephant_castle 30 ANNI DI TWIN PEAKS a cura di Jacopo Bulgarini d’Elci, Jacques Dürrenmatt settembre 2020 CAV - Centro Arti Visive Università degli Studi di Bergamo LUCA MALAVASI “Do you recognize that house?” Twin Peaks: The Return as a process of image identification In the fourth episode of the new season of Twin Peaks (2017), also known as Twin Peaks: The Return, Bobby Briggs – formerly a young loser and wrangler, and now a deputy at the Twin Peaks Sheriff’s Department – meets Laura Palmer, his high school girlfriend. Her photographic portrait, previously displayed among the trophies and other photos in a cabinet at the local high school they attended (we see it at the beginning of the first episode),1 sits on the table of a meeting room. It had been stored in one of the two containers used to hold the official documents in the investigation into Lau- ra’s murder; like two Pandora’s boxes, these containers have been opened following a statement from the Log: “Something is missing”. That ‘something’ – Margaret Lanterman (‘The Log Lady’) clarifies to deputy Hawk – concerns Agent Cooper and, consequently, his investigation into Laura Palmer’s death. The scene is rather moving, not least because, after four episodes, viewers finally hear the famous and touching Laura Palmer’s theme for the first time.2 As the music starts, we see Bobby’s face, having entered the meeting room where Frank Truman, Tommy Hawks, Lucy, and Andy are gathered. He literally freezes in front of Lau- ra’s framed image, and a ‘dialog’ begin between the two ex-lovers; 1 It’s the same portrait showed at the beginning of the first season, actually the portrait of Laura Palmer. -
Steven Price
STEVEN PRICE COMPOSER CREDITS AWARDS & NOMINATIONS ACADEMY AWARD 2013 GRAVITY Best Original Score BAFTA AWARD 2013 GRAVITY Original Music GOLDEN GLOBE AWARD GRAVITY NOMINATION 2013 Best Original Score CRITICS CHOICE AWARD 2013 GRAVITY Best Score WORLD SOUNDTRACK AWARD GRAVITY NOMINATIONS Film Composer of the Year and Best Original Film Score of the Year FEATURE FILMS FURY Bill Block, John Lesher, Ethan Smith, prods. Columbia Pictures David Ayer, dir. THE WORLD’S END Tim Bevan, Eric Fellner, prods. Working Title Edgar Wright, dir. GRAVITY David Heyman, Geyer Kosinski, prods. Warner Bros Alfonso Cuaron, dir. MARLEY Charles Steel, prod. Cowboy Films Kevin Macdonald, dir. ATTACK THE BLOCK Nira Park, James Wilson, prods. Big Talk Joe Cornish, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Additional Music Edgar Wright, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Richard Curtis, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Steve Bendelack, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 STEVEN PRICE SEED OF CHUCKY David Kirschner, Corey Sienega, prods. Rogue Features Don Mancini, dir. *Additional Music AROUND THE WORLD IN 80 DAYS Bill Badalato, Hal Lieberman, prods. Walden Media / Disney Frank Coraci, dir. *Additional Music GLADIATRESS Graham Broadbent, Bruce Davey, Icon Entertainment Damian Jones, prods. *Additional Music Brian Grant, dir. LEAGUE OF EXTRAORDINARY Trevor Albert, Don Murphy, prods. GENTLEMEN Stephen Norrington, dir. Fox Pictures *Additional Music ASHES AND SAND Andrew Holmes, prod. Open Road Productions Bob Blagden, dir. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.