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Tacitus on Titus' Visit to the Temple of Venus at Paphos1
Studia Philologica Valentina ISSN: 1135-9560 Vol. 22, n.s. 19 (2020) 103-114 e-ISSN: 2695-8945 Tacitus on Titus’ Visit to the Temple of Venus at Paphos1 Spyridon Tzounakas <[email protected]> https://orcid.org/0000-0002-7779-0464 University of Cyprus Faculty of Letters Department of Classics and Philosophy P.O. Box 20537 CY - 1678 Nicosia (Cyprus) Fecha de recepción: 30/06/2020 Fecha de aceptación: 15/10/2020 ABSTRACT: This article deals with Titus’ visit to the temple of Venus at Paphos in the second book of Tacitus’ Historiae. I argue that apart from its other literary intentions already mentioned by scholars, this digression implicitly connects Titus not only with Aeneas but also with Julius Caesar. Titus’ affair with Berenice that recalls Caesar’s affair with Cleopatra, Tacitus’ allusions to Lucan’s De Bello Civili where Caesar’s visit to the tomb of Alexander the Great is described, the πόθος- Motiv and fortuna’s favour that characterise both Roman generals, all contribute to connect Titus with Caesar and allow the reader to view a parallel between the Flavian and the Julio-Claudian dynasty. Furthermore, the particular digression allows the historian to present certain aspects of his work and his historiographic practices and to reinforce his credibility. KEYWORDS: Tacitus – Titus – Lucan – Caesar – Paphian Venus As a result of its geographical position, cultural contribution and multifaceted presence in historical developments, Cyprus makes a frequent appearance not only in ancient Greek, but also in Latin literature. Roman writers usually view the island as an important point of transition from the Greek world to the East and to Egypt, while they rarely neglect to turn their attention to Cyprus’ connection to the worship of the goddess Venus. -
Ovid, Ceyx and Alcyone Section A
Eduqas GCSE Latin Component 3A Latin Literature (Narratives) Ovid, Ceyx and Alcyone Section A For examination in 2022 and 2023 © University of Cambridge School Classics Project, 2020 Section A Alcyone begs Ceyx to rethink his plans Following the strange transformation of his brother into a bird, Ceyx decides to visit an oracle of the god Apollo to discover the meaning of these events. Usually he would visit the oracle at Delphi, overland from their home in Greece, but the way is blocked by a hostile king. He decides instead to sail across the Aegean Sea to Asia and the oracle at Claros on the Ionian shore. In this passage he tells his wife his plan, and she reacts with alarm. Notes Teachers should not feel that they need to pass on to their students all the information from these notes; they should choose whatever they think is appropriate. The examination requires knowledge outside the text only when it is needed in order to understand the text. 1 The translation is ante (before [he left]) tamen (however) fidissima Alcyone (most faithful Alcyone) certam te facit (he made you certain) consilii sui (of his plan) The loving relationship between Alcyone and Ceyx is stressed by the superlative vocative fidissima (‘most faithful’). The delay between the adjective and the noun with which it agrees (Alcyone) causes the reader to dwell on the word. The strong bond between the two is one of the main themes of this text. facit: there are lots of verbs in the historic present tense in this text. These are present tense verbs but used to describe something happening in the past. -
Art and Culture: Memories from the Past Royal Monarchy of France
https://journal.hass.tsukuba.ac.jp/interfaculty Inter Faculty, 7 (2016): 101–116 https://journal.hass.tsukuba.ac.jp/interfaculty/article/view/109 DOI: 10.15068/00147455 Published: September 10, 2016 Article Art and Culture: Memories from the Past Royal Monarchy of France Margareta KASTBERG SJÖBLOM University of Franche-Comté (France) To cite this article: SJÖBLOM, M. (2016). Art and Culture: Memories from the Past Royal Monarchy of France. Inter Faculty, Vol. 7, pp.101–116. <https://doi.org/10.15068/00147455> [Accessed: 2021.9.24] This is an open access article under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. <https://creativecommons.org/licenses/by-nc-sa/4.0/> Inter Faculty ©2012 ICR (ISSN:1884-8575) Art and Culture Memories from the Past Royal Monarchy of France Margareta KASTBERG SJÖBLOM EA 4661 ELLIADD University of Franche-Comté Abstract This article focuses on the analysis of textual data and the extraction of lexical semantics. The techniques provided by different lexical statistics tools, such as Hyperbase (Brunet), today open the door to many avenues of research in the field of corpus linguistics, including reconstructing the major semantic themes of a textual corpus in a systematic way, thanks to a computer-assisted semantic extraction. The object used as a testing ground is a corpus made up by a patrimonial corpus which includes the entire repertoire of the first generation of French Opera librettos performed at the Royal Music Academy at the Palais Royal. The aim of the contribution is to show how an artistic genre can be a bearer of a political message and a vehicle for its propaganda. -
Ships in the Eastern Mediterranean During the Hellenistic Period N ANTET EDITED by EMMANUEL NANTET with a PREFACE by ALAIN BRESSON (
E Sailing from Polis to Empire MMANUEL Ships in the Eastern Mediterranean during the Hellenistic Period N ANTET EDITED BY EMMANUEL NANTET WITH A PREFACE BY ALAIN BRESSON ( ED Sailing from Polis to Empire What can the architecture of ancient ships tell us about their capacity to carry cargo or to .) navigate certain trade routes? How do such insights inform our knowledge of the ancient S economies that depended on mari� me trade across the Mediterranean? These and similar ques� ons lie behind Sailing from Polis to Empire, a fascina� ng insight into the prac� cali� es of trading by boat in the ancient world. Allying modern scien� fi c knowledge with Hellenis� c sources, this interdisciplinary collec� on brings together experts in various fi elds of ship archaeology to shed new light on the role played by ships and AILING sailing in the exchange networks of the Mediterranean. Covering all parts of the Eastern Mediterranean, these outstanding contribu� ons delve into a broad array of data – literary, epigraphical, papyrological, iconographic and archaeological – to understand the trade FROM routes that connected the economies of individual ci� es and kingdoms. Unique in its interdisciplinary approach and focus on the Hellenis� c period, this collec� on P digs into the ques� ons that others don’t think to ask, and comes up with (some� mes OLIS surprising) answers. It will be of value to researchers in the fi elds of naval architecture, Classical and Hellenis� c history, social history and ancient geography, and to all those with TO an interest in the ancient world or the seafaring life. -
Tales from the Greek Legends Free
FREE TALES FROM THE GREEK LEGENDS PDF Edward Ferrie,Benjamin Soames,Gustav Holst,Et Al | none | 01 Jun 2010 | NAXOS AUDIOBOOKS | 9789626340196 | English | Hong Kong, Hong Kong Greek Myths • Famous Stories, Myths and Legends of Ancient Greece The Greek mythology is a sum of fables told by the ancient Greeks to explain the existence of the world, some natural phenomena or just for pleasure, to intrigue the imagination of people. Most of these Ancient Greek myths survive till our days because they have been included in the works of famous ancient writers and historians. They are, of course, not based Tales from the Greek Legends rationalism but on the unbelievable and the supernatural. Some of the ancient Greek myths are shocking, but all are bound to captivate you. Add Tales from the Greek Legends Business Add your business. Sign In. Discover the most famous ancient Greek myths You will find below 29 Greek myths: Odysseus, Jason and the Argonauts, Theseus, the Amazons, Persphone and many more myths. Odysseus, the king of Ithaca, is probably the most famous hero of all times. His story is a myth with monsters, bad luck and much adventure. The story of Odysseus is actually the long trip of a man who has only one aim, to go back to his beloved homeland and his family. Odysseus left Troy after then years of war and started his journey to his home on Ithaca. However, this journey was long and adventurous. The myth of Jason, his fellow Argonauts and the trip to get the Tales from the Greek Legends Fleece has enthralled the world. -
Trojan War - Wikipedia, the Free Encyclopedia Trojan War from Wikipedia, the Free Encyclopedia for the 1997 Film, See Trojan War (Film)
5/14/2014 Trojan War - Wikipedia, the free encyclopedia Trojan War From Wikipedia, the free encyclopedia For the 1997 film, see Trojan War (film). In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen Trojan War from her husband Menelaus king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homer's Iliad. The Iliad relates a part of the last year of the siege of Troy; its sequel, the Odyssey describes Odysseus's journey home. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful Achilles tending the wounded Patroclus of all women and wife of Menelaus, fall in love with Paris, who (Attic red-figure kylix, c. 500 BC) took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean The war troops to Troy and besieged the city for ten years because of Paris' Setting: Troy (modern Hisarlik, Turkey) insult. -
Incest, Cannibalism, Filicide: Elements of the Thyestes Myth in Ovid’S Stories of Tereus and Myrrha
INCEST, CANNIBALISM, FILICIDE: ELEMENTS OF THE THYESTES MYTH IN OVID’S STORIES OF TEREUS AND MYRRHA Hannah Sorscher A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial ful- fillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2017 Approved by: Sharon L. James James J. O’Hara Emily Baragwanath © 2017 Hannah Sorscher ALL RIGHTS RESERVED ii ABSTRACT Hannah Sorscher: Incest, Cannibalism, Filicide: Elements of the Thyestes Myth in Ovid’s Stories of Tereus and Myrrha (Under the direction of Sharon L. James) This thesis analyzes key stories in Books 6–10 of Ovid’s Metamorphoses through a focus on the pair of stories that bookend the central section of the poem, the narratives of Tereus and Myrrha. These two stories exemplify the mythic types of the family-centered stories in Books 6– 10: Tereus’ is a tale of filicide (specifically, filial cannibalism), while Myrrha’s features incest. Ovid links these stories through themes and plot elements that are shared with the tragedy of Thyestes, a paradigmatic tragic myth encompassing both filial cannibalism and incest, otherwise untold in the Metamorphoses. Through allusions to Thyestes’ myth, Ovid binds together the se- quence of human dramas in the poem, beginning and ending with the Tereus and Myrrha stories. Furthermore, the poet reinforces and signals the connections between the stories through textual echoes, lexical formulations, and shared narrative elements. iii TABLE OF CONTENTS Introduction………………………………………………………………………………………..1 Thyestes…………………………………………………………………………………………...2 Lexical Connections……………………………………………………………………………...13 Conclusion…………………………………………………………………………………….....34 Works Cited…………………………………………………………………………………...…3 iv Introduction In the central books of Ovid’s Metamorphoses, six episodes share a dark but very Ovidi- an theme: the destruction of human families. -
Personification in Ovid's Metamorphoses
Personification in Ovid’s Metamorphoses: Inuidia, Fames, Somnus, Fama Maria Shiaele Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics August 2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2012 The University of Leeds Maria Shiaele yia tovç yoveiç /lov for mum and dad IV Acknowledgements Throughout all these years of preparing this dissertation many people stood by my side and supported me intellectually, emotionally and financially to whom I would like to express my sincere thanks here. First of all, my deep gratitude goes to my supervisors Professor Robert Maltby and Dr Kenneth Belcher, for their unfailing patience, moral support, valuable criticism on my work and considerable insights. I thank them for believing in me, for being so encouraging during difficult and particularly stressful times and for generously offering their time to discuss concerns and ideas. It has been a great pleasure working with them and learning many things from their wide knowledge and helpful suggestions. Special thanks are owned to my thesis examiners, Dr Andreas Michalopoulos (National and Kapodistrian University of Athens) and Dr Regine May (University of Leeds), for their stimulating criticism and valuable suggestions. For any remaining errors and inadequacies I alone am responsible. Many thanks go to all members of staff at the Department of Classics at Leeds, both academic and secretarial, for making Leeds such a pleasant place to work in. -
Durham E-Theses
Durham E-Theses Rethinking mythology in Greek museums through contemporary culture Antonopoulou, Marina How to cite: Antonopoulou, Marina (2010) Rethinking mythology in Greek museums through contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2511/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk lml'Hlm:ING MYTHOLOGY IN <mEEK »KUSE{]Ml$ THROUGH CONTEMPORARY ClJL1UllB MARINAANTONOPOULOU Appendices The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. 2 6 MAY 2010 Appendix 1 Socratis Malamas Date: 15/01/2005 Venue: Hotel'Olympia', Thessaloniki. Q: Could you tell me what is the first thing that comes to mind when you hear the words 'Greek mythology'? A: The usual, what we learned in school. -
CMBV-2006-Marin Marais. Sémélé.Pdf
Lundi 23 octobre 2006 — 19h30 Théâtre des Champs-Élysées Frontispice du livret de Sémélé, extrait du Recueil General des opera representez par l’Academie Royale de Musique depuis son etablissement, Tome neuvième, Paris, Christophe Ballard, 1710 SÉMÉLÉ - LE CONCERT SPIRITUEL - LUNDI 23 OCTOBRE 251 Sémélé Tragédie lyrique (1709) Musique de Marin Marais (1656-1728) Livret d’Antoine Houdar de La Motte (1672-1731) Sémélé: Blandine Staskiewicz, dessus Dorine: Bénédicte Tauran, bas-dessus Junon: Hjördis Thébault, bas-dessus Adraste: Emiliano Gonzalez-Toro, haute-contre Jupiter: Thomas Dolié, basse-taille Cadmus: Marc Labonnette, basse-taille Mercure: Stephan MacLeod, basse Le Concert Spirituel Direction : Hervé Niquet Alice Piérot (1er violon), Olivier Briand, Myriam Cambreling, Benjamin Chénier, Virginie Descharmes, Yannis Roger, dessus de violon Judith Depoutot, Marie-Liesse Barau, Géraldine Roux, hautes-contre de violon Alain Pégeot, Fanny Paccoud, tailles de violon Hilary Metzger, Julie Mondor, quintes de violon Tormod Dalen*, Nils de Dinechin, Annabelle Luis, basses de violon Yuka Saïtô*, viole de gambe Luc Devanne, contrebasse Philippe Allain-Dupré, flûte François Lazarevitch, flûte et musette Luc Marchal, Fabrice Gand, Benoit Richard, Yanina Yacubsohn, hautbois Laurent Le Chenadec, Nicolas André, Stéphane Tamby, bassons Claire Antonini*, Caroline Delume*, Bruno Helstroffer*, théorbes Sébastien d’Hérin*, Elisabeth Geiger*, clavecins Jean-Luc Machicot, trompette Stephen Eelhart, percussions (* Basse continue) 252 MARAIS, VIOLISTE À L’OPÉRA -
Majesty Real Estate
1 Majesty Real Estate Halcyon Villa 12 Alexandr Godovnikov · Tuesday, March 27th, 2018 Halcyon’s name and concept were derived from the story of Alcyone and Ceyx, from ancient Greek mythology. Ceyx angered the great god, Zeus, who orchestrated a shipwreck in which Ceyx perished. Grief-stricken, Alcyone threw herself into the sea. Out of compassion, the gods changed both Ceyx and Alcyone into halcyon birds, named after her. A type of kingfisher, the halcyon builds its nest on the surface of the ocean. During its nesting season in the fourteen days preceeding the winter solstice kingfisher charms the winds and waves so that the seas remain calm and its nest protected. Often spotted in the Limassol area, the kingfisher and its name have since become synonymous with serenity, safety and happiness. This seafront oasis offers a style of living unparalleled on the island… close to the city but seeming a million miles away. Only a short drive east from the center of Limassol, Halcyon is an ultra-luxury residential community with a beachfront setting that places it in a class all its own. This exclusive new community of just 14 luxurious villas features spacious, contemporary design set within a lush environment of carefully chosen landscape. Prestigious, internationally recognized design firms are bringing this community in to life. On the 1st floor there are 3 bedrooms On the ground floor there are 2 bedrooms, an office, a sauna, a laundry, a large kitchen combined with a lounge Number of bathrooms 7 Garage area 36 m² Number of parking spaces -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard.