The Marvelous Wonderettes
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LEGISLATIVE RESOLUTION Paying Tribute to the Life and Many Accomplish- Ments of Ellie Greenwich, One of the Greatest Songwriters of All Time
LEGISLATIVE RESOLUTION paying tribute to the life and many accomplish- ments of Ellie Greenwich, one of the greatest songwriters of all time WHEREAS, It is the custom of this Legislative Body to honor and pay tribute to the memory of those individuals whose creative talents contributed to the entertainment and cultural enrichment of the citizens of the State of New York; and WHEREAS, Attendant to such concern, and in full accord with its long- standing traditions, it is the sense of this Legislative Body, repres- enting the people of the State of New York, to pay tribute to the life and many accomplishments of Ellie Greenwich, one of the greatest song- writers of all time, who died on Wednesday, August 26, 2009, at the age of 68; and WHEREAS, Born on October 23, 1940, in Brooklyn, New York, Ellie Green- wich was instrumental in shaping and popularizing the "girl group" sound of the early 1960s that included such acts as the Ronettes, the Shan- gri-Las and the Crystals, becoming, in the process, one of the most respected pop songwriters of the era; and WHEREAS, She met budding songwriter Jeff Barry and, following a release as Ellie Gee And The Jets, the couple formed the Raindrops in 1963; the group enjoyed a US Top 20 hit with "The Kind Of Boy You Can't Forget"; and WHEREAS, Ellie Greenwich and Jeff Barry enjoyed a sustained period of success with a series of notable compositions, including "Do Wah Diddy Diddy" (the Exciters/Manfred Mann), "I Wanna Love Him So Bad" (the Jelly Beans) and "Hanky Panky" (Tommy James And The Shondells); and -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here. -
2021 Jimmy Awards Qualifying Roles
2021 Jimmy Awards Qualifying Roles SHOWS FOR WHICH MORE THAN 6 ROLES ARE ELIGIBLE DUE TO THE ENSEMBLE NATURE OF THE MATERIAL Show Name Actor Actress Olive Ostrovsky, Logainne 25th Annual Putnam County Spelling Leaf Coneybear, Chip Tolentino, William Shwartzandgrubenierre, Marcy Park, Rona Bee, The Barfee Lisa Peretti Gomez Addams, Uncle Fester, Pugsley Morticia Addams, Wednesday Addams, Addams Family, The Addams, Lucas Beineke, Mal Beineke Alice Beineke Woman 1, Woman 2, Woman 3 (cast may Man 1, Man 2, Man 3 (cast may be expanded As Thousands Cheer be expanded to include as many roles as to include as many roles as desired) desired) Kate Monster, Christmas Eve, Gary Avenue Q Princeton, Brian, Rod, Nicky Coleman Michael, Feargal, Billy, Corey Junior, Corey Tiffany, Cyndi, Eileen, Laura, Debbie, Miss Back to the 80's Senior, Mr. Cocker, Featured Male Brannigan Nun, Prioress, The Sweetheart, Wife of Canterbury Tales Chaucer, Clerk, Host, Miller, Squire, Steward Bath Children's Letters to God Ensemble Cast Ensemble Cast First Date Aaron, Man 1, Man 2, Man 3 Casey, Woman 1, Woman 2 Edna Turnblad, Link Larken, Seaweed, Corny Hairspray Tracy Turnblad, Velma, Motormouth Collins Norma Valverde, Heather Stovall, Kelli Hands on a Hardbody JD Drew, Benny Perkins, Greg Wilhote Mangrum Vanessa, Nina, Camila, Abuela Claudia, In the Heights Usnavi, Benny, Kevin Rosario Daniela Into the Woods Baker, Jack, The Wolf/Cinderella's Prince Baker's Wife, Witch, Cinderella, Little Red Is There Life After High School? Ensemble Ensemble Les Misérables Jean Valjean, Javert, Marius, Thenardier Fantine, Eponine, Cosette Frederick Egerman, Carl Magnus, Henrik Desiree Armfeldt, Madame Armfeldt, Little Night Music, A Egerman Charlotte, Anne Egerman, Petra Prince Dauntless, Sir Harry, The Jester, The Queen Aggravain, Princess Winnifred, Once Upon a Mattress Minstrel Lady Larkin Prom, The Barry Glickman, Trent Oliver, Mr. -
Final Environmental Impact Statement Sublette County, Wyoming
United States Department of Agriculture Final Environmental Forest Service Impact Statement November 2005 Cottonwood II Vegetation Management Project Big Piney Ranger District, Bridger-Teton National Forest, Wyoming The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, or marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 14th and Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720-5964 (voice and TDD). USDA is an equal opportunity provider and employer. Cottonwood II Vegetation Management Project Final Environmental Impact Statement Sublette County, Wyoming Lead Agency: USDA Forest Service Cooperating Agencies: U.S. Fish and Wildlife Service Responsible Official: Gregory Clark District Ranger Bridger-Teton National Forest P.O. Box 218 Big Piney, WY 83113 For Information Contact: Jeff Laub P.O. Box 218 Big Piney, WY 83113 307.276.3375 Abstract: This Final Environmental Impact Statement (EIS) was prepared to evaluate and disclose the environmental impacts of alternative vegetation management strategies to manage vegetation resources in the North and South Cottonwood Creeks drainages on the Big Piney Ranger District, Bridger-Teton National Forest (B-TNF). The Big Piney Ranger District is proposing to implement vegetation management in the North and South Cottonwood Creeks drainages over the next 5 to 10 years. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell
“Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell The Ronettes Original label Phil Spector Instantly infectious and memorable, “Be My Baby” has been described as the “Record of the Century” and the “greatest pop record ever made.” It was recorded by the Ronettes in 1963. It was written by Phil Spector, Jeff Barry and Ellie Greenwich and was produced by Phil Spector. It was named to the National Recording Registry in 2006. The Ronettes were a group of girls from Spanish Harlem, sisters Veronica (“Ronnie”) and Estelle Bennett and their cousin Nedra Talley. Before becoming a trio, the young women were a group of five joined by two other cousins, Elaine and Diane. (Sometimes they were also joined by their male cousin, Ira.) They sang together and perfected their harmonies at their grandmother’s house before branching out to play local dances and talent contests. Along with refining their line-up and sound, the girls also defined their look. In his biography of Phil Spector, author Mick Brown says of the group: The standard demeanor of girl groups of the day was one of demure innocence…But the Ronettes looked as if it was a Saturday night and they were cruising for trouble—figure- hugging dresses, hair piled into improbable beehives and lashings of mascara, which transformed the youthful high school girls into vamps. Today, the Ronettes are nearly as remembered for their look (which would later be largely carbon-copied by Amy Winehouse) as for their sound. After first being signed by and recording for the Colpix label (under the name Ronnie and the Relatives), the Ronettes came to the attention of Phil Spector who immediately took a liking to the group and especially to its de facto leader Ronnie. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
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P064-085_Discography2-JUL16_Lr1_qxd_P64-85 7/7/16 12:42 PM Page 64 {}MIKE CURB : 50 Years DISCOGRAPHY “SHAPE OF THINGS TO COME” (FROM THE MOTION PICTURE WILD IN THE STREETS ) ARTIST: MAX FROST AND “STORE STEALING” (FROM THE MOTION PICTURE MARYJANE , STARRING FABIAN) 3T3 HE TROOPERS WRITER: BARRY MANN, CYNTHIA WEIL PUBLISHER: SCREEN GEMS EMI MUSIC INC. TIME: 1:57 3A5 RTIST: THE SIDEWALK SOUNDS WRITERS: MIKE CURB, LAWRENCE BROWN PUBLISH - PRODUCER: MIKE CURB WITH HARLEY HATCHER SPECIAL THANKS: JIM NICHOLSON TOWER 419, 1968 ER: DONNA DIJON MUSIC PUBLICATIONS (BMI) TIME: 1:53 PRODUCERS: MIKE CURB AND LAWRENCE BROWN SIDEWALK DT 5911, 1967 The biggest film ever released by American as a producer and as an engineer of this soundtrack; International Pictures was Wild In The Streets (1968); Jim Hatcher has remained with Curb’s companies since then. “HELLCATS THEME” (FROM THE MOTION PICTURE HELLCATS ) ARTIST: THE Nicholson, president of the company, asked Curb to pro - Max Frost was the name of the lead character in the 3A5RROA WS WRITER: HEMRIC, STYNER PUBLISHER: MIKE CURB MUSIC (BMI) TIME: 2:18 duce the soundtrack. Barry Mann and Cynthia Weil film; The song “Nothing Can Change The Shape Of PRODUCER: MIKE CURB TOWER 5124 ,1967 wrote the songs and Curb produced them. Things To Come” reached number 22 on the Billboard Curb signed Harley Hatcher, just out of the Armed Hot 100 in the fall of 1968. 3“5THEB ME FROM THE HARD RIDE/SWING LOW, SWEET CHARIOT ” Forces, to a songwriting contract, then worked with him ARTIST: SOUNDS OF HARLEY/BILL MEDLEY WRITER: HARLEY HATCHER PUBLISHER: HOME GROWN MUSIC, INC. -
Mainstage Playbill
Mainstage Playbill Sarah Ledtke McCann, Meredith Jones, Ann Flanigan, and Chelsea Turbin. Photo by Matthew Holler. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. THE MARVELOUS WONDERETTES Written & Created by Roger Bean Musical Arrangements by Brian William Baker Orchestrations by Michael Borth Vocal Arrangements by Roger Bean & Brian William Baker CAST (Listed in alphabetical order) Missy .........................................................................Ann Flanigan* Betty Jean ..............................................................Meredith Jones* Cindy Lou .....................................................Sarah Ledtke McCann* Suzy ........................................................................Chelsea Turbin* Directed by: Jason Cannon Music Director Choreographer Scenic Designers Darren Server Ellie Mooney Isabel & Moriah Curley-Clay Costume Designer Lighting Designer Sound Designer Susan Angermann Thom Beaulieu Thom Korp Stage Manager: Roy Johns* Season Underwriters Patricia Kordis, Dennis & Graci McGillicuddy, Patrick & Mary Mulva, Anne H.S. Nethercott, Herald-Tribune Media Group Co-Producers Philip & Suzan Gaynes, Gulf Coast Community Foundation Setting Act One: 1958, Springfield, USA | Act Two: 1968, Springfield, USA The Marvelous Wonderettes runs 1 hour and 40 minutes with one 15 minute intermission. Originally Produced for the New York Stage by David Elzer, Roger Bean & Peter Schneider. The Marvelous Wonderettes -
October 2008
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news December 2008 www.sandiegotroubadour.com Vol. 8, No. 3 what’s inside Welcome Mat ………3 Mission Contributors HAT Awards 2008 Songs of Peace Benefit Concert Full Circle.. …………4 Roger McGuinn & John Sebastian Recordially, Lou Curtiss Front Porch... ………6 Slide Guitar Jim Hinton Celia Lawley Spreckels Organ Pavilion Parlor Showcase …10 Gilbert Castellanos Ramblin’... …………12 Bluegrass Corner The Zen of Recording Hosing Down Radio Daze Stages Highway’s Song. …15 Kelly Joe Phelps Of Note. ……………17 Laura Roppe Laura Kuebel Fiffin Market Chris Stuart Plow ‘Round About ....... …18 December Music Calendar The Local Seen ……19 Photo Page PHIL HARMONIC SEZ: “The chief stress of Jesus’ teaching was not laid upon poverty and humility. … The thing He taught mainly, first and last, was simple goodwill between man and man – simple friendliness, simple decency” — H.L. Mencken DECEMBER 2008 SAN DIEGO TROUBADOUR welcome mat Special Benefit Concert Celebrates Peace and Raises Funds for the Peace Alliance and RSAN ODUIEGBO ADOUR Americans for a Department of Peace Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news by Sue Trisler rate functions and charity events. 2008 HAT Award Winners Sandi Kimmel is a singer-songwriter, music healer, and inspirational speaker, ISSION ONTRIBUTORS special benefit concert in support of M C called “a lifeguard in a sea of negativity.” To promote, encourage, and provide an the Peace Alliance and its San Diego FOUNDERS San Diego acoustic music is entirely unique Sandi writes positive songs intended to uplift alternative voice for the great local music that chapter, Americans for a Department Ellen and Lyle Duplessie and we all know someone who is active in the A and inspire, heal the heart, and soothe the is generally overlooked by the mass media; Liz Abbott of Peace (AFDOP), will be hosted by local namely the genres of alternative country, soul. -
Burt Bacharach, the Look of Love: the Burt Bacharach Collection (Rhino, 1998)
ROCK'N'ROLL’S 1ST DECADE Week Seven: Rock in the Early 1960s: Surf and Girl Groups Recommended Listening: Burt Bacharach, The Look of Love: The Burt Bacharach Collection (Rhino, 1998). This might seem like a strange inclusion, as most of the 75 tracks on this three-CD box were done by artists other than Burt Bacharach; Bacharach is sometimes thought of more as a pop or easy listening figure than a rock one; his success stretched throughout the 1960s, way past the British Invasion; and as he usually wrote with lyricists, especially Hal David, rather than working alone. Still, the Bacharach-David songwriting team was one of the great Brill Building collaborations, and vital to pop-rock's evolution into new melodic and lyrical directions. This box has hits and rarities by Dionne Warwick (the most frequent beneficiary of Bacharach-David's compositions and production), Gene Pitney, the Shirelles, the Drifters, Chuck Jackson, and many others. The Beach Boys, Greatest Hits Vol. 1 & 2 (Capitol, 1999). Although these miss a few of their more notable songs (including their first single, "Surfin'"), these two twenty-song CDs contain virtually all of their 1960s hits and most famous non-hits. They span both their surf/hot rod-oriented pre-1965 material and their more mature sound of the last half of the 1960s. Dick Dale, King of the Surf Guitar: The Best of Dick Dale (Rhino, 1989). While he didn't have any national hits, Dick Dale was the most innovative and exciting instrumental surf music guitarist. This has his best early-'60s recordings, including "Misirlou," made famous by its use in Pulp Fiction, and covered by the Beach Boys on their second album, on which they also covered Dale's "Let's Go Trippin'." The Four Seasons, The Very Best of Frankie Valli & the Four Seasons (Rhino, 2003).