Voice & Matter: Communication, Development and the Cultural Return

Total Page:16

File Type:pdf, Size:1020Kb

Voice & Matter: Communication, Development and the Cultural Return VOICE & MATTER VOICE Voice and Matter is an outstanding collection that will reinstate “the centrality and urgency of Communication for Development as an area of research and a field of practice. Hemer and Tufte’s vast and the Cultural Return Communication, Development expertise in the field of ComDev shines through in the volume’s multidisciplinary approach, methodological and theoretical advances, and inclusion of contributions from diverse world regions (i.e. Latin Voice & Matter Communication, Development and the Cultural Return American schools of participatory communication and recent African Ubuntu-centric epistemologies, among others). Drawing from the lived experiences of collectives and individuals who use media and communication to work toward emancipation Oscar Hemer & Thomas Tufte (eds.) and social justice, the chapters in this volume make important contributions to how we think about voice, power, technology, culture, and social change. Taking VOICE on the challenge of interrogating the development industries and their inability to detach from market forces and confront power inequities, this volume repositions © The authors and Nordicom 2016 the agency of subjects who use their own voices and their own media on their own MATTER terms – taking matters into their own hands.” Clemencia Rodríguez, Professor in Media Studies and Production, Temple University, Philadelphia, USA ISBN 978-91-87957-31-4 (print) ISBN 978-91-87957-32-1 (pdf) Oscar Hemer & Thomas Tufte (eds.) Oscar Hemer & Thomas Tufte COMMUNICATION, DEVELOPMENT AND Published by: THENordicom CULTURAL RETURN University of Gothenburg Box 713 SE 405 30 Göteborg Sweden University of Gothenburg Box 713, SE 405 30 Göteborg, Sweden Telephone +46 31 786 00 00 • Fax + 46 31 786 46 55 E-mail [email protected] Cover by: Per Nilsson www.nordicom.gu.se Printed by: Ale Tryckteam OscarAB, Bohus, Hemer Sweden, 2016 & Thomas Tufte (eds.) ISBN 978-91-87957-31-4 NORDICOM 9 789187 957314 NORDICOM VOICE & MATTER VOICE & MATTER COMMUNICATION, DEVELOPMENT AND THE CULTURAL RETURN Oscar Hemer & Thomas Tufte (eds.) NORDICOM Voice & Matter Communication, Development and the Cultural Return Oscar Hemer & Thomas Tufte (eds.) © The authors and Nordicom 2016 This book is published in collaboration with the UNESCO Chair on Freedom of Expression, Media Development and Global Policy at the University of Gothenburg. ISBN 978-91-87957-31-4 (print) ISBN 978-91-87957-32-1 (pdf) Published by: Nordicom University of Gothenburg Box 713 SE 405 30 Göteborg Sweden Cover by: Per Nilsson Printed by: Ale Tryckteam AB, Bohus, Sweden, 2016 Contents Editors’ Preface and Acknowledgements 7 Foreword 9 Oscar Hemer & Thomas Tufte Introduction. Why Voice and Matter Matter 11 I. Reframing Communication in Culture and Development Francis B. Nyamnjoh Communication and Cultural Identity. An Anthropological Perspective 25 Linje Manyozo The Language and Voice of the Oppressed 43 Stefania Milan Stealing the Fire. Communication for Development from the Margins of Cyberspace 59 Karin Gwinn Wilkins & Kyung Sun Lee The Political Economy of the Development Industry 71 Susanne Schech International Volunteering in Development Assistance. Partnership, Public Diplomacy, or Communication for Development? 87 Anders Høg Hansen, Faye Ginsburg & Lola Young Mediating Stuart Hall 101 II. Ethnography and Agency at the Margins Jo Tacchi When and How Does Voice Matter? And How Do We Know? 117 Sheela Patel Building Voice and Capacity to Aspire of the Urban Poor. A View from Below 129 Andrea Cornwall Save us from Saviours. Disrupting Development Narratives of the Rescue and Uplift of the ‘Third World Woman’ 139 Sharath Srinivasan & Claudia Abreu Lopes Africa’s Voices Versus Big Data? The Value of Citizen Engagement through Interactive Radio 155 Faye Ginsburg A History of Cultural Futures. ‘Televisual Sovereignty’ in Contemporary Australian Indigenous Media 173 Pegi Vail Gringo Trails, Gringo Tales. Storytelling, Destination Perspectives, and Tourism Globalization 189 III. The Return of the Politics of Hope Ronald Stade Debating the Politics of Hope. An Introduction 203 Ronald Stade On The Capacity to Aspire. Conversation with Arjun Appadurai 211 Nigel Rapport Aspiration as Universal Human Capacity. A Response to Arjun Appadurai 217 Gudrun Dahl Is Good Intention Enough to Be Heard? On Appadurai’s ‘Capacity to Aspire’ 225 Thomas Hylland Eriksen Hope, Fairness and the Search for the Good Life. A Slightly Oblique Comment to Arjun Appadurai 241 References 249 Contributing Authors 265 Editors’ Preface and Acknowledgements Voice & Matter was the overarching theme for the fourth Ørecomm Festival in September 2014. When we founded the Ørecomm Centre for Communication and Glocal Change in 2008,1 it was our pronounced long-term aim to establish a centre of excellence in Communication for Development research with a bi-national base in the Øresund region (Malmö and Roskilde). From 2011 to 2014 we organized a yearly Ørecomm Festival, focused on specific concepts within – or at the margins of – the field: Agency and Mediatisation (2011); the Public Sphere (2012); Memory and Social Justice (2013). Voice & Matter (2014), with the subtitle “Glocal Conference on Communication for Development”, was in a way a summing up and synthesis of all the previous themes, with the significant addition of Hope, and what Indian- American anthropologist Arjun Appadurai has defined as “the capacity to aspire”. It is our ambition to continue to organize Ørecomm Festivals, on a biannual basis,2 as part of our strategy to foster further developments of meta-theory within Commu- nication for Development. The purpose of such meta-theory is, firstly, to integrate ComDev as a research field in its own right, and subsequently, to define and refine the theoretical context of ComDev, with regard to specific key concepts or themes, and thereby also systematise its connections with related research fields. So far, three anthologies, including this one, have come out of the Ørecomm Festivals (Askanius & Stubbe Østergaard 2014; Hansen, Hemer & Tufte 2015), and a number of other publications are directly or indirectly the fruit of this collaboration (i. e. Enghel & Wilkins 2012; Ngomba & Wildermuth, forthcoming). This Voice and Matter anthology largely reflects the topics dealt with at the con- ference. We are immensely thankful to all the speakers who agreed to elaborate their presentations for this volume. We also wish to thank the former vice-chancellors of our universities, Ib Poulsen and Stefan Bengtsson, and the heads of our departments, Lene Palsbro3 and Sara Bjärstorp, for facilitating our interregional collaboration, with support from the European Regional Development Fund (Interreg IV A) and Roskilde University’s vice-chancellor office for financial support to this book. A special heart- felt thanks to information manager Ulrica Kristhammar, research assistant Yuliya 7 EDITORS’ PREFACE AND ACKNOWLEDGEMENTS Hudoshnyk and the interregional project coordinator, Marie Brobeck. Finally, we thank Ulla Carlsson, Ingela Wadbring and the full team at Nordicom for taking on and publishing this anthology. Malmö and Roskilde, May 2016 Oscar Hemer & Thomas Tufte Notes 1. The official launch was in a panel at the IAMCR Conference in Stockholm in July 2008, with Jan Nederveen Pieterse and Karin Wilkins as invited panellists. 2. The 2016 Festival addresses the communication challenges of the so called Refugee Crisis in a glocal perspective 3. Lene Palsbro was head of department at the Department of Communication, Business and Informa- tion Technologies until December 2014. 8 Foreword Readers will find in this assembly of essays a cluster of remarkable empirical studies in the first two sections, and some very penetrating discussions of basic concepts in the third. All focus on Communication for Development and Social Change, the discursive network that is set to subvert and replace older Development Communication paradigms grounded in exploitative and/or philanthropic strategies towards what used to be called the ‘Third’ World during the decades of US-Soviet rivalry for planetary dominance. In other words, the majority of humankind living outside circles of power and wealth. The bi-annual Ørecomm Festivals serve as a petri dish for invigorating this network. A key pair of concepts investigated here for their capacity to illuminate core is- sues are ‘voice’ and ‘capacity to aspire’. The term ‘voice’ is especially associated with a much-cited book by political economist Albert Hirschman (1915-2012), Exit, Voice and Loyalty (1970), and the term ‘capacity to aspire’ with a 2004 essay by cultural anthropologist Arjun Appadurai. However, while the concept ‘voice’ has its merits in emphasizing the fundamental importance of the ability of the world’s poor to express their needs and demands in public fora from the streets to the Internet, the work of Charles Husband (1996; 2000; 2005) over more than twenty years now takes the issues still deeper. Others, such as Australian Communication researchers Tanja Dreher and Penny O’Donnell, Australian sociologist Cate Thill, and UK political scientist Andrew Dobson, have also contributed valuably in this direction. Basically, Husband and the others underscore the limits of simply aspiring to speak, as per the argument presented in Gayatri Spivak’s much-cited 1983 essay “Can the subaltern speak?” Admittedly, speech itself is terrorized in many ways in many places, but the act of speaking alone, even when successful, still guarantees rather little. The
Recommended publications
  • Brothers Wreck by Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien
    Media Release April 2014 Belvoir presents Brothers Wreck By Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien With Cramer Cain Lisa Flanagan Rarriwuy Hick Hunter Page-Lochard Bjorn Stewart Belvoir St Theatre | Upstairs 24 May – 22 June 2014 ‘it shouldn’t be this hard... but look around ay? You're not the only one who's lost a brother this way.’ Brothers Wreck begins with a death: on a hot morning under a house in Darwin, Ruben wakes to find his cousin Joe hanging from the rafters. The play that follows tells the story of how Ruben’s family, little by little, brings Ruben back from the edge. It is a confronting and honest exploration of grief and loss but ultimately redemption. Jada Alberts, winner of the 2013 Balnaves Foundation Indigenous Playwright’s Award, is an actor and theatre-maker with a powerful voice and a clear vision to tell the stories of her community. She is one of a growing group of young Indigenous artists who have looked to each other as much as they have to their elders for inspiration. Her play emerges from the gathering voices of this new generation and tells a deeply relevant and current story of the reality of life for many Indigenous families. An outstanding cast of Indigenous artists has been assembled. Rarriwuy Hick is gaining attention for her television performances in Redfern Now and The Gods of Wheat Street (ABC1). She is also a compelling stage actor, as well as a dancer and choreographer with Bangarra Dance Theatre.
    [Show full text]
  • Hot Topics Indigenous Dvds May 2015
    Hot topics Indigenous DVDs This guide contains descriptions of DVDs released Redfern now: the complete series since 2013 and an alphabetical listing of older releases. directed by Catriona McKenzie … et al. 761 min. Australian Broadcasting Anzacs: remembering our heroes. Corporation, 2015. DVD RED 11 x 15 min. SBS, 2015. DVD ANZ “Celebrated by audiences and critics alike, A series of 11 15-minute documentaries over two series and one telemovie, the produced by NITV which acknowledges the multiple award-winning Redfern now contributions of Indigenous people to explores powerful stories of contemporary Australia’s military efforts from the time of inner-city Indigenous life.” – Back cover. the Boer War to the present day. Classification : MA (Strong sexual violence and themes) Classification : PG (Mild themes) The Library also holds copies of both series 1 and series 2 as The Central Park five directed by Ken standalone DVDs. Burns, David McMahon and Sarah Burns. 112 min. Sydney: SBS1, 2013. Utopia: an epic story of struggle and DVD THE resistance by John Pilger. 110 min. + extras. Antidote Films, 2013. DVD UTO This film “tells the story of the five black and Latino teenagers from Harlem who were “Utopia is a vast region in northern Australia wrongly convicted of raping a white woman and home to the oldest human presence on in New York City’s Central Park in 1989. earth. ‘This film is a journey into that secret The film chronicles The Central Park country,’ says John Pilger, ‘It will describe Jogger case, for the first time from the perspective of these five not only the uniqueness of the first teenagers whose lives were upended by this miscarriage of Australians, but their trail of tears and justice.” – PBS website.
    [Show full text]
  • Welcome to a New Forum for Australian Studies
    Gesellschaft für Australienstudien e.V. Newsletter Nr.11 ASSOCIATION FOR AUSTRALIAN STUDIES June 2014 EDITORIAL Welcome to a modern forum for Australian Studies. This newsletter is a bilingual platform to inform members of the Association for Australian Studies about academic and professional activities in their fields of study and research. The newsletter will accept relevant information on conferences, publications, lectures, scholarships, awards, research projects, institutions, and web links to Australian resources. The editor welcomes contributions which will help build a vital network in the field of Australian Studies, including essays, news, critiques and constructive commentary on specific subjects of research. We encourage a liberal and creative approach to the topic. The editor urges every reader to help launch this professional news forum to reflect the spirit of Australian Studies in timely information, memorable dialogue, and innovative ideas. We need new ideas and colourful frames of presentation. The newsletter presents an extraordinary survey of recent Australian Studies and public relations work. Today we have something to celebrate: This time it is the editor's great pleasure to present the history of our Association for Australian Studies (Gesellschaft für Australienstudien) ‒ written by Professor Gerhard Stilz (Universität Tübingen): ‟25 Years GASt”. The Association has changed a lot since 1989; however, it remains the most important network for German-speaking Australianists in Europe. Again, this e-Newsletter reflects the interdisciplinary character of German-Australian studies and activities. Peter Stummer, Rochelle Siemienowicz, Lena Pflüger, Sabrina Wittmann, and Pia Wohlgemuth will appreciate new contacts in order to build networks and partnerships in their fields of interest.
    [Show full text]
  • © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
    © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road.
    [Show full text]
  • Sebbens, Shari Biography
    A.B.N: 27225097402 SHARI SEBBENS At 19 Shari was one of ten young artists chosen for “SPARK”, the Australia Council for the Arts first theatre mentorship program. From there she was accepted into the Western Australian Academy of Performing Arts (WAAPA) where she completed a one year, certificate 3 course in Theatre. At the end of the year she auditioned for and was accepted into NIDA. Shari has always had a passion for Indigenous theatre and through her training and opportunities’ at NIDA and exposure to Sydney’s art scene she has (further) developed her love for Shakespeare and film and television. In 2019 she was named Sydney Theatre Company’s new Richard Wherrett Fellow, a prestigious career pathway opportunity for emerging and developing directors AWARDS 2012 Logie Awards - GRAHAM KENNEDY AWARD FOR MOST OUTSTANDING NEW TALENT (Redfern Now) FILM 2020 THE MOOGAI (SF) Sarah Dir: TBC 2019 TOP END WEDDING Ronelle Dir: Wayne Blair 2017 AUSTRALIA DAY Sonja Dir: Kriv Stenders/ Hoodlum/Foxtel 2017 THOR: Ragnarok Mother Dir: Taika Waititi /Marvel Studios 2016 OnO (SF) Olivia Dir: Lauren Brunswick 2014 TEENAGE KICKS Annuska Dir: Craig Boreham 2012 THE DARKSIDE Naomi Dir: Warwick Thornton 2012 THE SAPPHIRES Kay (Lead) Dir: Wayne Blair/Goalpost Pictures TELEVISION 2020 AMAZING GRACE ELIZA PLAYMAKER TV 2019 THE HEIGHTS S2 LEONIE MATCHBOX PICTURES 2018 THE LET DOWN 2 MUM Dir: Trent O'Donnell 2018 THE HEIGHTS LEONIE MATCHBOX PICTURES 2017 A CHANCE AFFAIR Aviante Webseries Dir: Tracey Rigney TA DA! Season 1 Ep #2 Lemon Aid Guest ABC Kids 2016 BLACK
    [Show full text]
  • Nowhere Boys: the Book of Shadows, Mini-Series Seven Types of Ambiguity, and Barracuda
    Introduction The wait is over…Australia’s award-winning drama series Glitch returns to ABC, Thursday 14 September at 8.30pm with all episodes stacked and available to binge watch on ABC iview. When it first premiered in 2015, Glitch broke the mold and garnered fans around the country, who became immersed in the story of the Risen - the seven people who returned from the dead in perfect health. With no memory of their identities, disbelief soon gave way to a determination to discover who they are and what happened to them. Featuring a stellar cast including: Patrick Brammall, Emma Booth, Emily Barclay, Rodger Corser, Genevieve O’Reilly, Sean Keenan, Rob Collins and Hannah Monson, Glitch is an epic paranormal saga about love, loss and what it means to be human, and the dark secrets that lie beneath our country’s history. Season two picks up with James (Patrick Brammall), dealing with his recovering wife, Sarah (Emily Barclay) and a new-born baby daughter. He continues to be committed to helping the remaining Risen unravel the mystery of how and why they have returned and shares with them his discovery that Doctor Elishia Mackeller (Genevieve O’Reilly), now missing, died and came back to life four years ago and has been withholding many secrets from the beginning. Meanwhile on the run and desperate, John Doe (Rodger Corser) crosses paths with the mysterious Nicola Heysen (Pernilla August) head of Noregard Pharmaceuticals. Sharing explosive information with him, she convinces him that that the only way to discover answers to his questions is to offer himself up for testing inside their facility.
    [Show full text]
  • Drama Report Production of Feature Films and TV Drama in Australia 2012/13 $752 Million Total Production Expenditure up 9 Per Cent on Last Year
    Drama Report Production of feature films and TV drama in Australia 2012/13 $752 million total production expenditure Up 9 per cent on last year 27 Australian features $250 million 56 Australian TV dramas $372 million 14 foreign projects $130 million Producer Offset total value $140 million © Screen Australia 2013 ISBN: 978-1-920998-21-9 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Drama Report 2012/13. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http:// creativecommons.org/licenses/by-nc- nd/3.0/ Screen Australia is grateful to all those who contributed data to the compilation of this report. The data provided has been drawn from a number of sources. While Screen Australia has undertaken all reasonable measures to ensure its accuracy, we cannot accept responsibility for inaccuracies and omissions. Cover image: Redfern Now Highlights CONTENTS Key terms 4 OVERVIEW 5 ALL DRAMA PRODUCTION 6 Production trends 7 AUSTRALIAN FEATURE SLATE – DOMESTIC AND CO-PRODUCTION TITLES 8 Feature budget ranges 8 Sources of finance for Australian features 9 AUSTRALIAN TV DRAMA SLATE – DOMESTIC AND CO-PRODUCTION TITLES 10 Programs for adults 13 Programs for children 14 Sources of finance for Australian TV drama 15 FOREIGN PRODUCTION 16 Features 16 TV drama 16 DRAMA PRODUCTION BY LOCATION 17 Expenditure by state 17 Location of production company 17 TITLES IN THE 2012/13 SLATE 18 PDV SERVICES – FEATURES AND TV DRAMA PRODUCTION 21 METHODOLOGY 23 ABOUT THE REPORT activity in Australia and the Offset’s 20 per cent of all audiovisual production in contribution to the annual slate.
    [Show full text]
  • 11–15 March • Waitākere Room, Aotea Centre Credits
    ILBIJERRI Theatre Company & Te Rēhia Theatre Company 11–15 March • Waitākere Room, Aotea Centre Credits Written by Band John Harvey & Brendon Boney Tainui Tukiwaho Mayella Dewis Laughton Kora Directed by Rachael Maza & Producers Tainui Tukiwaho Nina Bonacci Amber Curreen Set Design Laila Thaker Jacob Nash Production Manager Composition & Nick Glen Musical Direction Brendon Boney AV Mentor Sean Bacon Lighting Design Jane Hakaraia Audio Engineer Jake Luther AV Design James Henry AV Operators James Henry Sound Design Laughton Kora Stage Manager Casey Norton Costume Design Te Ura Hoskins Assistant Stage Manager Performers Nazaree Dickerson Jack Charles Company Manager Mark Coles Smith Jamara Maza Lana Garland Tawhirangi Macpherson Technical Consultant Lisa Maza Paul Lim Tuakoi Ohia Design Assistant Brady Peeti Hannah Murphy Tainui Tukiwaho Dalara Williams Dion Williams 2hrs 45mins approx. inc. interval BLACK TIES AUCKLAND SEASON SUPPORTED BY PRESENTED IN PARTNERSHIP WITH COVER: GARTH ORIANDER IMAGES: LUKE CURRIE RICHARDSON; TIFFANY GARVIE (bottom image, p2) 1 Artist Statements RACHAEL MAZA Co-Director / ILBIJERRI’s Artistic Director The big highlight for me is that I finally get to work with an all First Nations creative team, and what a team: Jacob Nash, Brendon Boney, James Henry, John Harvey, but especially my old and new whānau from New Zealand: Tainui Tukiwaho, Amber Curreen, Jane Hakaraia, Laughton Kora and Te Ura Hoskins. On and off stage this work is a celebration of who we are as Blackfullas and Māoris: the resilience, the humour, the passion; strong family and culture; thriving despite our shared experiences of colonisation. I think about the trajectory of black theatre in this country to where we are today, and this cocktail of hard hitting/political.
    [Show full text]
  • Screen Producers Australia's Submission to the Australian
    16 January 2014 Screen Producers Australia’s submission to the Australian Broadcasting Corporation Amendment (Local Content) Bill 2014 Screen Producers Australia was formed by the screen industry to represent large and small enterprises across a diverse production slate of feature film, television and interactive content. As the peak industry and trade body, we consult with a membership of more than 300 production businesses in the preparation of our submissions. This consultation is augmented by ongoing discussions with our elected Council and appointed Policy Working Group representatives. Our members employ hundreds of producers, thousands of related practitioners and drive more than $1.7 billion worth of annual production activity from the independent sector. On behalf of these businesses we are focused on delivering a healthy commercial environment through ongoing engagement with elements of the labour force, including directors, writers, actors and crew, as well as with broadcasters, distributors and government in all its various forms. This coordinated dialogue ensures that our industry is successful, employment levels are strong and the community’s expectations of access to high quality Australian content have been met. Screen Producers Australia welcomes this opportunity to make a submission to the Senate Environment and Communication Legislation Committee on the Australian Broadcasting Corporation Amendment (Local Content) Bill 2014 (the Bill). Screen Producers Australia opposes the Bill. If passed these amendments will harm the: • ABC: reducing efficiency and editorial independence; • Audience: reducing the diversity, quality and levels of Australian content; and • Independent production sector: reducing the industry’s economic impact including employment and training levels. Contact details For further information about this submission please contact Matthew Hancock, Manager, Strategy and Insights ([email protected]).
    [Show full text]
  • Special Double Length Premiere
    SPECIAL DOUBLE LENGTH PREMIERE MONDAY, OCTOBER 5 AT 6.20PM From the multi-award winning producers Zoe (Madeleine Madden) moves to After her mother passed away, Lily realises that the teenagers could be the of Dance Academy and Redfern Now, Sydney to attend a sports high school (Leonie Whyman) got caught up with connection back to the world that she’s comes READY FOR THIS, the 13-part in the hope of fulfilling her long-held the wrong crowd. Her father moves been looking for. story of six teenagers, all elite within Olympic dreams. She learns that to her to Arcadia house in the hope that Sports all-rounder Mick is the man of their own field, who have come to succeed, she needs to strengthen her new friendships and her passion for the house, and is fatherly, funny and live at Arcadia House to pursue their mind as well as her body. school debating will allow her to finally supportive. dreams. For some it’s the opportunity of A rising talent in the AFL world, Levi overcome her grief. In order to survive the year, the a lifetime, for others it’s a last chance. (Aaron McGrath) reunites with his And Lily’s one friend at school, Reece teenagers will need to come together. All are strangers, some a long way from estranged father and deals with his (Christian Byers), has a secret. An They start off as strangers, but will they home, and the last thing they expect to tumultuous relationship with Zoe. invitation to come and stay at Arcadia end up as a family? find is family.
    [Show full text]
  • Black Arm Band Dirtsong
    Sunday, February 12, 2017, 7pm Zellerbach Hall Black Arm Band dirtsong Created by Black Arm Band Original Text Alexis Wright Original Concept Steven Richardson Black Arm Band Artistic Director Emma Donovan Artistic Director— dirtsong Fred Leone Musical Director Michael Meagher Arrangements and Orchestrations Andrea Keller, Eugene Ball, and Julien Wilson, with artists of Black Arm Band Lighting Designer Michelle Preshaw Production Management Daniel Gosling Stage Management Brock Brocklesby Audio Engineer Patrick Murray Screen Visuals Natasha Gadd, Rhys Graham, Daybreak Films Producer Sarah Greentree Vocalists James Henry Ursula Yovich Shellie Morris Troy Brady Nicole Lampton Band Tjupurru , yidaki /didjeribone Michael Meagher, bass Rory McDougall, drums Patrick Wolff, tenor saxophone and clarinet Benito Cortez, violin and viola Jacob Smolowe, piano Black Arm Band is assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body, and supported by the Victorian government through Arts Victoria. This project has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund. This evening’s performance will be performed without intermission and will last approximately 90 minutes. Black Arm Band and Cal Performances wish to gratefully acknowledge that we are standing on the ancestral lands of the Muwekma Ohlone Tribe. We thank them for the privileged use of their ancestral lands. Cal Performances Classroom activities with Black Arm Band are generously supported by the Jacques M. Littlefield Foundation. Cal Performances Classroom activities throughout the season are made possible, in part, by Wells Fargo. PROGRAM NOTES he purpose of Black Arm Band is to dirtsong develop, perform, promote, and celebrate Sung in Yorta Yorta Tcontemporary Aboriginal and Torres Written by Lou Bennett and Alexis Wright.
    [Show full text]
  • Module 5 Things to Do
    Continuing Your Journey -Module 5 Things to do • Find out about an Aboriginal and Torres Strait Islander medical or legal service or other community organisation operating where you live. Learn about the history of the organisation — many organisations have their histories on their websites. See what support you can give. Offer to work voluntarily. • Read the latest report on Closing the Gap. You can also read the shadow reports published by the Australian Human Rights Commission as part of the Close the Gap campaign. Read Cape York Institute for Policy and Leadership 2007, From hand out to hand up: Cape York Welfare Reform Project: Aurukun, Coen, Hope Vale, Mossman Gorge: design recommendations, Cape York Institute for Policy and Leadership, Cairns, Queensland. Indigenous Dispute Resolution & Conflict Management Case Study Project 2009, Solid work you mob are doing: case studies in Indigenous dispute resolution & conflict management in Australia, report prepared for the National Alternative Dispute Resolution Advisory Council, Canberra. Norman, H 2015, ‘What do we want?’ A political history of Aboriginal land rights in New South Wales, Aboriginal Studies Press, Canberra. Skyring, F 2011, Justice: a history of the Aboriginal Legal Service of WA, UWA Publishing, Perth. Wunan Foundation Inc. 2015, Empowered communities: empowered peoples: design report, Wunan Foundation Inc., Sydney. Watch 8MMM Aboriginal Radio, 2015, television program, Princess Pictures Nominees and Brindle Films, Australia. Agnes Abbott: hard worker, 2007, short documentary, CAAMA Productions, Australia. Always have and always will, 2006, short documentary, CAAMA Productions, Australia. Green bush, 2005, short film, CAAMA Productions, Australia. Jarlmadangah: our dream our reality, 2007, short documentary, CAAMA Productions, Australia.
    [Show full text]