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Brothers Wreck by Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien
Media Release April 2014 Belvoir presents Brothers Wreck By Jada Alberts Director Leah Purcell Set & Costume Designer Dale Ferguson Lighting Designer Luiz Pampolha Composer & Sound Designer Brendan O’Brien With Cramer Cain Lisa Flanagan Rarriwuy Hick Hunter Page-Lochard Bjorn Stewart Belvoir St Theatre | Upstairs 24 May – 22 June 2014 ‘it shouldn’t be this hard... but look around ay? You're not the only one who's lost a brother this way.’ Brothers Wreck begins with a death: on a hot morning under a house in Darwin, Ruben wakes to find his cousin Joe hanging from the rafters. The play that follows tells the story of how Ruben’s family, little by little, brings Ruben back from the edge. It is a confronting and honest exploration of grief and loss but ultimately redemption. Jada Alberts, winner of the 2013 Balnaves Foundation Indigenous Playwright’s Award, is an actor and theatre-maker with a powerful voice and a clear vision to tell the stories of her community. She is one of a growing group of young Indigenous artists who have looked to each other as much as they have to their elders for inspiration. Her play emerges from the gathering voices of this new generation and tells a deeply relevant and current story of the reality of life for many Indigenous families. An outstanding cast of Indigenous artists has been assembled. Rarriwuy Hick is gaining attention for her television performances in Redfern Now and The Gods of Wheat Street (ABC1). She is also a compelling stage actor, as well as a dancer and choreographer with Bangarra Dance Theatre. -
The Meaning of Folklore: the Analytical Essays of Alan Dundes
Play and Folklore no. 52, November 2009 Play and Folklore Music for Children in the Torres Strait - the Recordings of Karl Neuenfeldt Kids can Squawl: Politics and Poetics of Woody Guthrie’s Children Songs Tradition, Change and Globalisation in Moroccan Children’s Toy and Play Culture The Meaning of Folklore: The Analytical Essays of Alan Dundes Sydney High School Playground Games and Pranks A Cross-cultural Study: Gender Differences in Children’s Play 1 From the Editors Play and Folklore no. 52 has been an unusual challenge, with articles from Beijing, Rome and France dealing with aspects of children’s play in China, the Netherlands, America and Morocco. The issue also includes articles from Perth and Sydney, and the historical perspective runs from the 12th century to the present day. As the year 2009 is ending, the project ‘Childhood, Tradition and Change’ is entering its fourth, and final, year. This national study of the historical and contemporary practices and signifi- cance of Australian children’s playlore has been funded by the Australian Research Council together with Melbourne, Deakin and Curtin Universities and the National Library of Australia and Museum Victoria. In 2010 the research team will be carrying out its final fieldwork in primary school playgrounds, beginning the analysis of the rich body of data already obtained, and preparing the book which is the project’s final outcome. We are pleased to include Graham Seal’s review of the analytic essays of Alan Dundes, as edited by Simon Bronner. Both the book itself and Seal’s review pay tribute to the seminal work of one of the world’s most distinguished folklorists. -
Hot Topics Indigenous Dvds May 2015
Hot topics Indigenous DVDs This guide contains descriptions of DVDs released Redfern now: the complete series since 2013 and an alphabetical listing of older releases. directed by Catriona McKenzie … et al. 761 min. Australian Broadcasting Anzacs: remembering our heroes. Corporation, 2015. DVD RED 11 x 15 min. SBS, 2015. DVD ANZ “Celebrated by audiences and critics alike, A series of 11 15-minute documentaries over two series and one telemovie, the produced by NITV which acknowledges the multiple award-winning Redfern now contributions of Indigenous people to explores powerful stories of contemporary Australia’s military efforts from the time of inner-city Indigenous life.” – Back cover. the Boer War to the present day. Classification : MA (Strong sexual violence and themes) Classification : PG (Mild themes) The Library also holds copies of both series 1 and series 2 as The Central Park five directed by Ken standalone DVDs. Burns, David McMahon and Sarah Burns. 112 min. Sydney: SBS1, 2013. Utopia: an epic story of struggle and DVD THE resistance by John Pilger. 110 min. + extras. Antidote Films, 2013. DVD UTO This film “tells the story of the five black and Latino teenagers from Harlem who were “Utopia is a vast region in northern Australia wrongly convicted of raping a white woman and home to the oldest human presence on in New York City’s Central Park in 1989. earth. ‘This film is a journey into that secret The film chronicles The Central Park country,’ says John Pilger, ‘It will describe Jogger case, for the first time from the perspective of these five not only the uniqueness of the first teenagers whose lives were upended by this miscarriage of Australians, but their trail of tears and justice.” – PBS website. -
Welcome to a New Forum for Australian Studies
Gesellschaft für Australienstudien e.V. Newsletter Nr.11 ASSOCIATION FOR AUSTRALIAN STUDIES June 2014 EDITORIAL Welcome to a modern forum for Australian Studies. This newsletter is a bilingual platform to inform members of the Association for Australian Studies about academic and professional activities in their fields of study and research. The newsletter will accept relevant information on conferences, publications, lectures, scholarships, awards, research projects, institutions, and web links to Australian resources. The editor welcomes contributions which will help build a vital network in the field of Australian Studies, including essays, news, critiques and constructive commentary on specific subjects of research. We encourage a liberal and creative approach to the topic. The editor urges every reader to help launch this professional news forum to reflect the spirit of Australian Studies in timely information, memorable dialogue, and innovative ideas. We need new ideas and colourful frames of presentation. The newsletter presents an extraordinary survey of recent Australian Studies and public relations work. Today we have something to celebrate: This time it is the editor's great pleasure to present the history of our Association for Australian Studies (Gesellschaft für Australienstudien) ‒ written by Professor Gerhard Stilz (Universität Tübingen): ‟25 Years GASt”. The Association has changed a lot since 1989; however, it remains the most important network for German-speaking Australianists in Europe. Again, this e-Newsletter reflects the interdisciplinary character of German-Australian studies and activities. Peter Stummer, Rochelle Siemienowicz, Lena Pflüger, Sabrina Wittmann, and Pia Wohlgemuth will appreciate new contacts in order to build networks and partnerships in their fields of interest. -
VIBE ACTIVITIES Issueyears 186 3-4
Years 3-4 Y E A R Name: 3-4 VIBE ACTIVITIES IssueYears 186 3-4 The 2012 Deadlys – Female Artist of the Year page 7 JESS BECK JESSICA MAUBOY FEMALE ARTIST Originally hailing from Mingbool (near Mt Jessica Mauboy first graced Australian Gambier, SA), Jess drifted into singing while television as a shy 16 year old on studying acting at Adelaide University, Australian Idol in 2006. She was runner- OF THE YEAR but she admits music was always her first up that season, but was subsequently love. Jess wanted to be a performer from signed to Sony Music Australia. In an early age. While studying a Bachelor of February 2007 she released her debut Rainmakers with Neil Murray, founder of Creative Arts (Acting) at Flinders University, LP, The Journey, and in 2008, recorded the Warumpi Band. Following her recording Adelaide, she developed an interest in jazz her album Been Waiting which achieved debut on the Paul Kelly single Last Train, and cabaret. She auditioned for a band, double platinum sales, garnered seven Anu’s debut album Stylin’ Up produced which later became the Jess Beck Quartet. ARIA award nominations and produced numerous hit singles including Monkey Jess released her debut album Hometown her first number-one single Burn, as well and the Turtle, Party, Wanem Time and the Dress earlier this year. It is a combination as the album’s other top-10 hits, Because beautiful My Island Home, the song that of jazz, folk and Indie pop. Since then, she and Running Back. In 2010 she released was to become her signature tune. -
Music, TV & Film, Books & Reports by Trent Wallace, Former Australian
Cultural Resources: Music, TV & Film, Books & Reports By Trent Wallace, former Australian Pro Bono Centre AGS Secondee Policy & Project Officer A practical approach to supporting Indigenous people is by consuming music, television and film, books and reports. Whilst the list is not exhaustive, it provides a solid foundation! Music – There is a diverse and vast array of Aboriginal and Torres Strait Islander musicians. Thelma Plum, Mojo Juju, Jessica Mauboy, Baker Boy, Yothu Yindi, Christine Anu, Deborah Cheetham, Troy Cassar-Daley, Casey Donovan, Isaiah Firebrace, Archie Roach, Xavier Rudd, Dan Sultan, Dr G Yunupingu, Shakaya, A.B Original and Tiddas. Television and Film – TV shows such as Total Control, Redfern Now, Black Comedy, Cleverman, Wentworth -– in particular, anything featuring Leah Purcell. Also, the channel NITV. Anything by Stephen Oliver (look up his poetry and presentations). Movies such as The Sapphires, Rabbit-Proof Fence, Mabo, Radiance, Samson and Delilah, and Top End Wedding. Books – Dark Emu by Bruce Pascoe, First Australians by Rachel Perkins and Marcia Langton, Jandamarra and the Bunuba Resistance by Banjo Woorunmurra and Howard Pedersen, The Quiet Revolution by Marcia Langton, Hidden In Plain View by Paul Irish, It’s Our Country edited by Megan Davis and Marcia Langton, Butterfly Song by Terri Janke and anything by the incredible Anita Heiss. Reports – We also recommend reading the Report of the Royal Commission into Aboriginal Deaths in Custody,1 Closing the Gap reports,2 and Indigenous Expenditure reports.3 The Australian Institute of Health and Welfare has also produced the following helpful reports: Aboriginal and Torres Strait Islander people: a focus report on housing and homelessness,4 and Aboriginal and Torres Strait Islander Health Performance Framework (HPF) report 2017.5 1 See www.humanrights.gov.au/our-work/aboriginal-and-torres-strait-islander-social- justice/publications/indigenous-deaths. -
Interweaving Oral and Written Sources in Compiling Torres Strait Islander Genealogies
Oral History Australia Journal No. 41, 2019, 87–97 Necessary but not Suffcient: Interweaving Oral and Written Sources in Compiling Torres Strait Islander Genealogies Anna Shnukal under which the information was recorded; by whom 1 Introduction and for what purpose information was recorded; the Despite their defciencies, Torres Strait Islander informant’s relationship with the named individual. genealogies are relevant to oral, family and local The defects of oral sources include unreliable or even historians, linguists, anthropologists, archaeologists contradictory memories, generational confation, the and native title practitioners.Kinship and the creation of use of alternative names for an individual and gaps individual and family connections (‘roads’) which are in the early genealogical record (for reasons outlined orally transmitted over the generations are fundamental below). to Islander culture and society. It is only through In 1980 I was awarded a post-doctoral sociolinguistic detailed genealogical research that the relationships research fellowship by the Australian Institute of between individuals, families, clans and place in Torres Aboriginal Studies (today AIATSIS). I was to devise Strait can be discerned. These relationships continue to a spelling system, grammar and dictionary for the infuence the history of the region and, more generally, regional lingua franca – now called Torres Strait Australia. Creole or Yumpla Tok – and document its history. I Although Islanders began to record genealogical subsequently compiled over 1200 searchable family information in notebooks and family bibles from the databases from the 1830s to the early 1940s (and, 1870s, the academic study of Islander genealogies in some cases, beyond). Describing this unwritten began with W.H.R. -
Community Engagement Plan
Aboriginal + Torres Strait Islander COMMUNITY ENGAGEMENT PLAN St Teresa’s College, Abergowrie seeks to ensure that Aboriginal and Torres Strait Islander students, families and communities through active engagement and collaborative partnerships, have equitable access to quality education that is mutually enriching for all. ST TERESA’S COLLEGE We acknowledge the traditional custodians of this land the Warragamay people and pay our respects to the elders both past, present and future for they hold the memories, the traditions, the culture and hopes of Aboriginal Australia. We must always remember that under the concrete and asphalt this land, is, was and always will be traditional Aboriginal land. In addressing the Aboriginal and Torres Strait Islander peoples at Alice Springs in 1986, Pope John Paul ll said: “You are part of Australia and Australia is a part of you. And the Church herself in Australia will not be fully the Church that Jesus wants her to be until you [the Indigenous peoples of Australia] have made your contribution to her life and until that contribution has been joyfully received by others.” Address of John Paul II to the Aborigines and Torres Strait Islanders in Alice Springs, 29 November 1986 [online]. The Australasian Catholic Record, Vol. 83, No. 3, July 2006: 259-263. CONTEXT PURPOSE INTRODUCTION Warrgamay REGIONS WE WORK WITH Torres Strait Islands St Teresa’s College Abergowrie, is a Parents, carers, families and communities play a crucial role in St Teresa’s College, Abergowrie Traditional Owners Northern Penninsular Area Catholic secondary boys’ boarding College supporting successful learning outcome for children. This strategy respects, affirms and located in the Herbert River Valley, 38kms is about the College engaging with parents and communities to acknowledges the position of The College seeks to engage the Gulf of Carpentaria from Ingham, situated on Warragamay work together to maximise student-learning outcomes. -
VIBE ACTIVITIES Issueyears 198 K-1
Years K-1 Y E A R Name: K-1 VIBE ACTIVITIES IssueYears 198 K-1 Female Artist of the Year – Jessica Mauboy page 7 Shellie Morris DeGeneres Show. In April, she was ranked at number 16 on FEMALE ARTIST Contemporary folk musician Shellie Morris the Herald-Sun’s list of the ‘100 was raised in Sydney and began singing at a Greatest Australian Singers of All Time’. young age. As a young woman she moved Mauboy has been in the US working OF THE YEAR to Darwin to find her Indigenous family and on her upcoming third studio album, also found her musical legacy. That connection which is due for release in late 2013. and knowledge has helped her become a talented and popular singer/songwriter with musicals, Hollywood blockbusters and a voice that has been described as “soaring”. Casey Donovan collaborations with showbiz and musical At the age of 16, Casey Donovan became luminaries, such as Baz Luhrmann, Paul Kelly Shellie has played with artists such as Sinead and David Atkins. O’Connor, Gurrumul and Ricki-Lee Jones and the youngest ever winner of Australian featured as a singer with the Black Arm Band. Idol, and has since made her mark on Anu began her performing career as both the Australian music and theatre a dancer, but quickly moved on to singing Ngambala Wiji Li-Wunungu (Together We are scene. After releasing her debut EP, Eye back-up vocals for The Rainmakers and Strong) is Shellie’s latest release; recorded 2 Eye, Casey was encouraged to try her eventually releasing her own solo material, with family members from her grandmother’s hand at theatre where she received which has produced platinum- and country in Borroloola, the album is sung critical acclaim for her roles in the 2010 gold-selling albums and singles, including entirely in several Indigenous languages. -
Celebrating Aboriginal and Torres Strait Islander Culture
20 Preschool Matters Term three 2015 CELEBRATING ABORIGINAL AND TORRES STRAIT ISLANDER CULTURE Each year from 27 May to 3 June, • Look at a wide range of Aboriginal and • Let families know about local Aboriginal National Reconciliation Week provides Torres Strait Islander art from around and Torres Strait Islander events, an opportunity to take action to build the country – x-ray art, watercolour exhibitions, and festivals e.g. the respect and strengthen relationships paintings, dot paintings, bark paintings, Koorie Night Markets between the wider Australian community printed textiles. • The Indigenous Professional Support and Aboriginal and Torres Strait Islander • Explore the lives of Indigenous sports Program may be able to assist. For peoples. However, any time is a good time men and women – e.g. Cathy Freeman, example, the Victorian Aboriginal to celebrate Australia’s first-peoples and Adam Goodes, Nicky Winmar. Education Association Incorporated their cultures. (VAEAI) can provide support to raise • Plan a visit or check out the Bunjilaka cultural competency in mainstream This year National Reconciliation at Melbourne Museum: visit the early childhood services – visit the Week focused on engaging the next Bunjilaka website VAEAI website generation. Narragunnawali: Reconciliation • Use Indigenous animals and plants • Review your Inclusion and Equity Policy in Schools and Early Learning supported in play to connect with your local and ensure that everyone at the service early childhood services, primary and environment. secondary schools in Australia to develop is familiar with its contents. environments that foster a higher level of knowledge and pride in Aboriginal and Torres Strait Islander histories, cultures and contributions. Here are some activities to celebrate Aboriginal culture, and connect with Aboriginal and Torres Strait Island families, in your community: • Find out who are the traditional owners of the land on which your service is located – talk to local Indigenous organisations and groups and the Indigenous officer at your local council. -
Welcome to Cultural Inclusions - Leaders in Cultural Awareness, Education and Support
,g Welcome to Cultural Inclusions - leaders in cultural awareness, education and support. Cultural Inclusions is dedicated to Aboriginal and Torres Strait Islander Inclusion through all facets of the Early Childhood Sector. By purchasing authentic and educational resources you will be on the path to embedding cultural practices into your educational program. These resources can support you with meeting the National Quality Standards and Early Years Learning Framework that focus on Aboriginal and Torres Strait Islander cultural inclusion. Andrea, Director Little Zebras Childcare Centre, QLD, approached cultural inclusions following an ACECQA Assessor visit to their service, who immediately asked to see their “Torres Strait Islander Resources uses in the Centre”. Andrea went onto purchase a range of resources for her center to ensure this need was met. Our resources include authentic musical instruments, recipes, weaving, language, songs, games, mats, music and a wide range of materials that are unique to the Torres Straits and Aboriginal Australia. Cultural Inclusions provide top quality resources and partner with authentic Indigenous suppliers. We also offer ongoing support through email and our website to support any concerns and discuss topics in a safe and secure environment. We believe that closing the gap between different Australian cultures, and making a change to our future generations, starts with early childhood education and care. If children are taught at a young age about acceptance and inclusion, they will grow up in an all- inclusive world. The world will truly be a better place. We can create a culturally inclusive Australia. Our youth are our future leaders. Let’s create the future they deserve. -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction ………………………………………………………………………….