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Convention Partner Powered by Partner Country 2012 Japan ASIA’S LARGEST CONVENTION ON BUSINESS OF ENTERTAINMENT ‘Embracing the Digital World’ Some of the Key speakers at FRAMES 2012 FICCI FRAMES 2012 14-16 March, 2012- Hotel Renaissance, Mumbai, India Programme at a Glance Senator Chris Dodd Uday Kumar Verma Yash Chopra Karan Johar Uday Shankar Puneet Goenka Time / Rooms Ball Room 1 & 2 Ball Room 3 Powai Rooms 1 & 2 Powai Room 3 Chairman, Motion Picture Secretary, I&B Ministry Chairman Co-chair CEO Star India Pvt. Ltd. CEO Association of America Govt. of India Entertainmemt Division FICCI Entertainment Division & Chairman Zee Network Day 1, March 14, 2012 FICCI FICCI FICCI Broadcast Forum 0830-1000 hrs REGISTRATIONS Opens 1000-1130 hrs INAUGURAL 1130 -1300 hrs FRAMES KEYNOTES 1300 - 1345 hrs LUNCH 1345 -1515hrs Addressable Digitization-The Way Forward LUNCH India-Japan : Partnerships in Animation Maximizing the Power of Digital Distribution FILMS:Marketing, Distribution & Going global: Storytelling that travels - Masterclass by 1515 -1645 hrs Monetization in the Multiplatform Era Silas Hickey, Regional Creative Director for Animation Kamal Haasan Mark Hollinger Hernan Lopez Dr. J S Sarma Justice J.S. Verma Leela Samson at Cartoon Network Asia Pacific Chairman CEO CEO Chairman Formar Chief Chairperson Challenges for the Print Medium in the Coming Decade Building Essential Connections in the Online FICCI-Media and Discovery Fox International TV TRAI Justice of India Censor Board of 1645- 1745 hrs World: Emerging Business Models and More Entertainment Business Film Certification Conclave From Theatre to Home to the Handheld: Protecting Copyrights, Infringements & 1745- 1830 hrs Financing the Media and Entertainment Business: superior entertainment experience all the Way New Trends i.e. Remake A Discussion 1830 hrs Networking Cocktail & Dinner Day - II, March 15, 2012 1000 - 1100 hrs FRAMES KEYNOTES Freedom of Media: significance of self regulation Innovations in the Advertising Ashok Chawla T N Ninan Shekhar Gupta Ramesh Sippy Girish Agarwal Rajan Anandan 1100 - 1215 hrs Industry in the Digital World Chairman Chairman Editor-in-Chief President-The Film & Television Director VP and MD Building Sustainable Business OOH in India-The Innovation imperative Film-Editing Workshop with Mark Goldblatt, Award- Competition Commission Business Standard Indian Express Group Producers Guild of India Ltd Dainik Bhaskar Google India 1215 -1315 hrs Models for Niche Programming Content winning Editor from Hollywood (Terminator Series; of India and Film maker True Lies, Return of the Planet of the Apes etc) DAY LONG LAMDA 1315 -1415 hrs LUNCH SCREENWRITING TV’s Many Personas: Evolution of Business The Art of Movie-Making -Directors' Cut WORKSHOP 1415 -1515 hrs Models and Technologies in the Digital Era 1515 - 1645 hrs The Journey from Books to Digital Entertainment with Connected Successful Screenplays: The Writers' Take Devices and Cloud Based Services 1645 - 1745 hrs Skills' Crunch in Developing Radio: Innovations in Content Gaming session the Media and Entertainment Industry Asif Kapadia Carolyn Everson Barkha Dutt Anshuman Misra Ektaa Kapur Bruce Beresford BAFTA VP Group Editor SVP & MD - Networks and Joint Managing Director Director of Oscar-winning FICCI BAF Awards followed by Networking Cocktail & Dinner 1815 hrs award winning filmmaker Global Marketing Solutions NDTV Content Distribution (NCD) and Creative Director of movie Driving Miss Daisy Facebook Turner in Asia Pacific. Balaji Telefilms Day - III, March 16, 2012 1000- 1030 hrs ANIMATION MASTERCLASS - FRAMES KEYNOTES EUROPEAN FILM MAX HOWARD - Producing Independent Animated COMMISSION 1030-1130 hrs The Taxation Impasse: A Discussion on Current Tax Laws in Cinema Feature Films For The International Marketplace NETWORK CO-PRODUCTION Dealmakers: The Trailblazers Navigating the International Waters: Special Effects in Hollywood by- WORKSHOP 1130- 1230 hrs which rocked 2011 in GEC Indian Cinema & Actors Overseas Oscar-winner Harvey Lowry GEC self regulation : flight path , Women in Media & Entertainment circa 2012: 1230-1330 hrs learning and way forward Leading from the Front? Cameron Bailey Justice A.P. Shah Chetan Bhagat Colin Burrows Dennis Sullivan Anurag Kashyap Screening of Senna and Q&A with Co-Director Formar Chief Justice Author CEO Strategy Advisor Film Director 1330-1415 hrs LUNCH Film-maker ASIF KAPADIA Toronto Film Festival of Delhi High Court Special Treats 1415 - 1530 hrs Regional Television: Censorship in India: The Growth Driver for Broadcast Challenges and the Way Forward 1545 - 1700 hrs Demystifying the Media Regulatory Landscape Hollywood Screenwriters Speak to FRAMES 1700 - 1800 hrs VALEDICTORY 1830 hrs Networking Cocktails followed by Dinner Farah Khan Shardul Shroff Harvey Lowry Imtiaz Ali Jagi Mangat Panda John Bashford Film TV General Film Director Managing Partner Producer / Director of Operations Film Director Co-Founder and Vice-principal, LAMDA & Choreographer Amarchand Mangaldas Drac Studios& Oscar winner Actor and Writer Managing Director of (The London Academy of Digital Animation Radio for Benjamin Button Ortel Communications Ltd Music and Dramatic Arts) Print ‘Embracing the Digital World’ Some of the Key speakers at FRAMES 2012 FICCI FRAMES 2012 14-16 March, 2012- Hotel Renaissance, Mumbai, India Programme at a Glance Senator Chris Dodd Uday Kumar Verma Yash Chopra Karan Johar Uday Shankar Puneet Goenka Time / Rooms Ball Room 1 & 2 Ball Room 3 Powai Rooms 1 & 2 Powai Room 3 Chairman, Motion Picture Secretary, I&B Ministry Chairman Co-chair CEO Star India Pvt. Ltd. CEO Association of America Govt. of India Entertainmemt Division FICCI Entertainment Division & Chairman Zee Network Day 1, March 14, 2012 FICCI FICCI FICCI Broadcast Forum 0830-1000 hrs REGISTRATIONS Opens 1000-1130 hrs INAUGURAL 1130 -1300 hrs FRAMES KEYNOTES 1300 - 1345 hrs LUNCH 1345 -1515hrs Addressable Digitization-The Way Forward LUNCH India-Japan : Partnerships in Animation Maximizing the Power of Digital Distribution FILMS:Marketing, Distribution & Going global: Storytelling that travels - Masterclass by 1515 -1645 hrs Monetization in the Multiplatform Era Silas Hickey, Regional Creative Director for Animation Kamal Haasan Mark Hollinger Hernan Lopez Dr. J S Sarma Justice J.S. Verma Leela Samson at Cartoon Network Asia Pacific Chairman CEO CEO Chairman Formar Chief Chairperson Challenges for the Print Medium in the Coming Decade Building Essential Connections in the Online FICCI-Media and Discovery Fox International TV TRAI Justice of India Censor Board of 1645- 1745 hrs World: Emerging Business Models and More Entertainment Business Film Certification Conclave From Theatre to Home to the Handheld: Protecting Copyrights, Infringements & 1745- 1830 hrs Financing the Media and Entertainment Business: superior entertainment experience all the Way New Trends i.e. Remake A Discussion 1830 hrs Networking Cocktail & Dinner Day - II, March 15, 2012 1000 - 1100 hrs FRAMES KEYNOTES Freedom of Media: significance of self regulation Innovations in the Advertising Ashok Chawla T N Ninan Shekhar Gupta Ramesh Sippy Girish Agarwal Rajan Anandan 1100 - 1215 hrs Industry in the Digital World Chairman Chairman Editor-in-Chief President-The Film & Television Director VP and MD Building Sustainable Business OOH in India-The Innovation imperative Film-Editing Workshop with Mark Goldblatt, Award- Competition Commission Business Standard Indian Express Group Producers Guild of India Ltd Dainik Bhaskar Google India 1215 -1315 hrs Models for Niche Programming Content winning Editor from Hollywood (Terminator Series; of India and Film maker True Lies, Return of the Planet of the Apes etc) DAY LONG LAMDA 1315 -1415 hrs LUNCH SCREENWRITING TV’s Many Personas: Evolution of Business The Art of Movie-Making -Directors' Cut WORKSHOP 1415 -1515 hrs Models and Technologies in the Digital Era 1515 - 1645 hrs The Journey from Books to Digital Entertainment with Connected Successful Screenplays: The Writers' Take Devices and Cloud Based Services 1645 - 1745 hrs Skills' Crunch in Developing Radio: Innovations in Content Gaming session the Media and Entertainment Industry Asif Kapadia Carolyn Everson Barkha Dutt Anshuman Misra Ektaa Kapur Bruce Beresford BAFTA VP Group Editor SVP & MD - Networks and Joint Managing Director Director of Oscar-winning FICCI BAF Awards followed by Networking Cocktail & Dinner 1815 hrs award winning filmmaker Global Marketing Solutions NDTV Content Distribution (NCD) and Creative Director of movie Driving Miss Daisy Facebook Turner in Asia Pacific. Balaji Telefilms Day - III, March 16, 2012 1000- 1030 hrs ANIMATION MASTERCLASS - FRAMES KEYNOTES EUROPEAN FILM MAX HOWARD - Producing Independent Animated COMMISSION 1030-1130 hrs The Taxation Impasse: A Discussion on Current Tax Laws in Cinema Feature Films For The International Marketplace NETWORK CO-PRODUCTION Dealmakers: The Trailblazers Navigating the International Waters: Special Effects in Hollywood by- WORKSHOP 1130- 1230 hrs which rocked 2011 in GEC Indian Cinema & Actors Overseas Oscar-winner Harvey Lowry GEC self regulation : flight path , Women in Media & Entertainment circa 2012: 1230-1330 hrs learning and way forward Leading from the Front? Cameron Bailey Justice A.P. Shah Chetan Bhagat Colin Burrows Dennis Sullivan Anurag Kashyap Screening of Senna and Q&A with Co-Director Formar Chief Justice Author CEO Strategy Advisor Film Director 1330-1415 hrs LUNCH Film-maker ASIF KAPADIA Toronto Film Festival of Delhi High Court Special Treats
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  • TEA-STO-30..TEA-STO-30.1 .. Page1

    TEA-STO-30..TEA-STO-30.1 .. Page1

    Ashish Mohan Khokar INDIAN DANCE TODAY. AN HISTORICAL OVER-VIEW [Ashish Mohan Khokar è probabilmente il più importante critico e studioso di danza in India. Ha studiato danza, ha lavorato in diverse accademie di danza, è critico del principale quotidiano indiano, «The Times of India», collabora con diversi altri quotidiani, è il direttore dell’unico Annale di danza in India, «Attendance». Ha scritto molti li- bri sulla danza. E` figlio di Mohan Khokar, senz’altro il più grande stu- dioso di danza indiano dell’ultima generazione. Sta creando il primo Archivio di Danza in India, partendo dall’immensa collezione del pa- dre. Per maggiori dettagli si possono vedere: www.attendance- india.com e www.dancearchivesofindia.com.] Indian classical dance traditions have been borne out of a sense of propitiation of the divinity. A certain spiritual content has always been its mainstay. It has also been essentially the art of a soloist, ex- cept in dance-theatre forms. Over two thousand unbroken years, it has grown to become the longest continuous dance culture, afford- ing an interesting insight into man and his relationship to stage in general and dance art, in particular. Its classical nature comes through by a set of code of grammar, content and concept. Thus, if in one form, the knees are to be bent while performing and a half-sitting position maintained all through, then it cannot be altered. The position of hands, the use of eyes, neck, torso and feet, all go towards making dance units, which be- come strings of movements, through which individual characteristics and a grammar is set which makes each form distinct and thus, with age and tradition, classical.