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Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
APRIL 2019 Stories Start Here $ 99 Reg 4,499 Sale $3,49999 SAVE $1000 Innovative Full-Frame Stacked CMOS Sensor with Integral Memory
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INSTITUTIONALISING the PICTURESQUE: the Discourse of the New Zealand Institute of Landscape Architects
INSTITUTIONALISING THE PICTURESQUE: The discourse of the New Zealand Institute of Landscape Architects A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Landscape Architecture at Lincoln University by Jacky Bowring Lincoln University 1997 To Dorothy and Ella iii Abstract of a thesis submitted in fulfIlment of the requirements for the degree of Doctor of Philosophy in Landscape Architecture INSTITUTIONALISING THE PICTURESQUE: The discourse of the New Zealand Institute of Landscape Architects by Jacky Bowring Despite its origins in England two hundred years ago, the picturesque continues to influence landscape architectural practice in late twentieth-century New Zealand. The evidence for this is derived from a close reading of the published discourse of the New Zealand Institute of Landscape Architects, particularly the now defunct professional journal, The Landscape. Through conceptualising the picturesque as a language, a model is developed which provides a framework for recording the survey results. The way in which the picturesque persists as naturalised conventions in the discourse is expressed as four landscape myths. Through extending the metaphor of language, pidgins and creoles provide an analogy for the introduction and development of the picturesque in New Zealand. Some implications for theory, practice and education follow. Keywords picturesque, New Zealand, landscape architecture, myth, language, natural, discourse iv Preface The motivation for this thesis was the way in which the New Zealand landscape reflects the various influences that have shaped it. In the context of landscape architecture the specific focus is the designed landscape, and particularly the perpetuation of design conventions. Through my own education at Lincoln College (now Lincoln University) I became aware of how aspects of the teaching of landscape architecture were based on uncritically presented design 'truths'. -
Picaresque Picturesque
Picaresque picturesque Dudley Zoo by Tecton and Berthold Lubetkin Karolina Szynalska May 2010 2 Walking around Dudley zoo on a fresh spring morning; I was contemplating pleasing decay. In 1825 Thomas Atkins and George Wombwell, Wild Beast Merchants , were both exhibiting their menagerie collections in London at Bartholomew fair. Wombwell had to travel from Newcastle, where he had been exhibiting prior to the fair. It took ten days of gruelling travel, which resulted in the unhappy event of Wombwell’s prize exhibit, his elephant, dying of exhaustion on arrival. Atkins responded to this by advertising the only living Elephant at the fair . Wombwell countered – the only dead Elephant at the fair! , exhibited the dead monster, and did much better business than Atkins. The lifeless creature appeared to be a greater attraction than the living one. Decay is attractive (or even cathartic). Pleasing decay is a part of the vocabulary of English romantic painting Those people who have no eye for it say that it indicates a decay of the mind to dwell on it; those who have an eye for it say that a weathered building can symbolize the whole of man’s relation to nature (Piper 1947: 85). Those who can see it and celebrate it are romantic. Piper believed that a big factor of the picturesque movement was an expression of the Romantic fuss about pleasing decay (Piper 1947: 85-87). He sought, however, to draw a firm distinction between a ruin and pleasant decay. Not all decay can be pleasing. A description opposite to pleasing is ridiculous , which the Duchess of Marlborough used to describe John Vanburgh’s (1664 – 1726) famous proposal to retain the old ruined manor as a feature in the landscape of the new Blenheim Palace. -
WILLIAMSBURG GARDEN CLUB Williamsburg 93
HOSTED BY THE WILLIAMSBURG GARDEN CLUB Williamsburg 93 TICKET PRICE INCLUDES ADMISSION TO THE FOLLOWING 6 SITES: Benjamin Powell Garden tavern, lodging house, store and gunsmith’s 109 North Waller Street shop. The simple but quaint garden plan consists of curved geometric beds over- The small pleasure garden between the flowing with a variety of plants that change house and the office has a brick path that color with the seasons. An ornamental crisscrosses four parterres planted with summerhouse features a basket-weave ferns and small bulbs. The vertical scale brick pattern. The property is surrounded of the garden is attained with flowering by a yaupon hedge. dogwoods and ancient crepe myrtles. Large, shoulder-high oakleaf hydrangeas encircle Palmer House and Garden the gardens. A kitchen garden is posi- 420 East Duke of Gloucester Street tioned behind the pleasure garden and features period vegetables and herbs in an One of Colonial Williamsburg’s 88 origi- early version of “companion planting.” nal 18th century buildings, this two-story brick home was built by John Palmer, a Christiana Campbell’s Tavern lawyer and bursar at William & Mary, after a smaller home on the property burned Photos courtesy of Laura Viancour and Colonial Williamsburg Garden, 101 South Waller Street down in 1754. The house was substantially Mrs. Campbell acquired the property in enlarged during the Civil War and was oc- 1774, and it has provided welcoming ac- cupied as headquarters by both General commodations for dining as well as lodg- Joseph Johnston of the Confederate Army ing for two and a half centuries. -
Perennials for Winter Gardens Perennials for Winter Gardens
TheThe AmericanAmerican GARDENERGARDENER® TheThe MagazineMagazine ofof thethe AAmericanmerican HorticulturalHorticultural SocietySociety November / December 2010 Perennials for Winter Gardens Edible Landscaping for Small Spaces A New Perspective on Garden Cleanup Outstanding Conifers contents Volume 89, Number 6 . November / December 2010 FEATURES DEPARTMENTS 5 NOTES FROM RIVER FARM 6 MEMBERS’ FORUM 8 NEWS FROM THE AHS Boston’s garden contest grows to record size, 2011 AHS President’s Council trip planned for Houston, Gala highlights, rave reviews for Armitage webinar in October, author of article for The American Gardener receives garden-writing award, new butterfly-themed children’s garden installed at River Farm. 12 2010 AMERICA IN BLOOM AWARD WINNERS Twelve cities are recognized for their community beautification efforts. 42 ONE ON ONE WITH… David Karp: Fruit detective. page 26 44 HOMEGROWN HARVEST The pleasures of popcorn. EDIBLE LANDSCAPING FOR SMALL SPACES 46 GARDENER’S NOTEBOOK 14 Replacing pavement with plants in San BY ROSALIND CREASY Francisco, soil bacterium may boost cognitive With some know-how, you can grow all sorts of vegetables, fruits, function, study finds fewer plant species on and herbs in small spaces. earth now than before, a fungus-and-virus combination may cause honeybee colony collapse disorder, USDA funds school garden CAREFREE MOSS BY CAROLE OTTESEN 20 program, Park Seed sold, Rudbeckia Denver Looking for an attractive substitute for grass in a shady spot? Try Daisy™ wins grand prize in American moss; it’ll grow on you. Garden Award Contest. 50 GREEN GARAGE® OUTSTANDING CONIFERS BY RITA PELCZAR 26 A miscellany of useful garden helpers. This group of trees and shrubs is beautiful year round, but shines brightest in winter. -
Three Essays
,,, *-"'© " i g ;»-r-a**w»""fi^:JE3E* ! *" A T- -SmS»S"i [ i J E ' y f Digitized by the Internet Archive in 2010 with funding from Research Library, The Getty Research Institute http://www.archive.org/details/threeessaysonpicOOgilp ESSAYS, ON PICTURESQUE BEAUTY; &c. &c. &c. ; ; Three Essays : ON PICTURESQUE BEAUTY; ON PICTURESQUE TRAVEL AND ON SKETCHING LANDSCAPE: TO WHICH IS ADDED A POEM, ON LANDSCAPE PAINTING. By WILLIAM GILPIN, M. A. PREBENDARY OF SALISBURY J AND VICAR OF BOLDRE IN NEW FOREST, NEAR LYMINGTON. London PRINTED for R. BLAMIRE, in the STRAND. M.DCC.XCII. T O WILLIAM LOCK, Esq; O F NORBURT-PARK, in SURRET. DEAR SIR, X h e following eflays, and poem, I beg leave to infcribe to you. Indeed I do little more, than return your own : for the beft remarks, and obfervations in them, are yours. Such as may be cavilled at, I am perfuaded, muft be mine. A publifhed work is certainly a fair object of criticifm : but I think, my dear fir, we pidturefque people are a little mifunderftood with regard to our genera/ intention. I have A feveral — ( a ) fevefal times been furprized at finding us reprefented, as fuppofing, all beauty to confifl in piclurefque beauty—and the face of nature to be examined only by the rules of paint big. Whereas, in fact, we always fpeak a different language. We fpeak of the grand fcenes of nature, tho uninterefting in a piclurefque light, as having a ftrong effect on the imagination often a ftronger, than when they are pro- perly difpofed for the pencil. -
Journeys in America's Garden Capital
Journeys in America’s Garden Capital Best of the Main Line The Philadelphia Main Line, lies 30-minutes west of the city and was renowned for sprawling country estates and being a bastion of “old money”. Today there are a handful of estates that now operate as cultural destinations that breathe new life into the region, along with a bevy of restaurants and shops to fill your day. Plan to stay for a night or two. The Wayne Hotel is a boutique option right in the center of Wayne, Pennsylvania. If you only have a day here are the highlights: Stop No. 1 Chanticleer, a Pleasure Garden 786 Church Road Wayne, Pennsylvania Visit chanticleergarden.org to confirm hours of operation. ➔ Arrive at 10am right when the garden opens and allow yourself two hours to explore and discover what pollinators and wildlife revel in the 7,000+ different varieties of plants maintained by skillful gardeners. Once the Rosengarten estate, today's Chanticleer is a colorful, contemporary garden within an historic setting. The garden is a study of textures and forms, where foliage trumps flowers, the gardeners lead the design, and even The Cut Flower Garden at the drinking fountains are sculptural. It is a garden of Chanticleer pleasure and learning, relaxing yet filled with ideas to take home. Visit to see for yourself why the London's Financial Times called Chanticleer "planted to perfection". ➔ There are many charming elements at Chanticleer – a productive Cut Flower Garden flanked by a working vegetable garden, creative seasonal plantings that incorporate tropical, non-hardy plants, and plenty of staff-made furniture for guests to sit and relax on. -
Piero De'crescenzi's Liber Ruralium Commodorum: Unearthing the Origins of the Pleasure Garden
Piero de'Crescenzi's Liber ruralium commodorum: Unearthing the Origins of the Pleasure Garden Johanna Elizabeth Bauman Charlottesville, Virginia B.A., George Mason University, 1989 M.A,. University of Virginia, 1995 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May 2000 - II - ABSTRACT Piere de' Crescenzi's Liber ruralium commodorum, which was completed around 1306 and consists of twelve books, was the first major treatise on agriculture written in the middle ages. Although it is often mentioned in histories of medieval and Renaissance gardens, because it contains descriptions of pleasure gardens, there has never been a consideration of the pleasure garden descriptions in the context of the treatise as a whole. The main purpose of this dissertation is to recontextualize the role of the pleasure garden in an agricultural estate, by considering the relationship of Crescenzi's descriptions of pleasure gardens to the remaining agricultural books of the treatise. The dissertation begins with a consideration of Crescenzi's social, political, and intellectual backgrounds and how these influenced his decision to write a treatise on agriculture. Having placed Crescenzi in the context of the thirteenth century encyclopaedic tradition, the treatise is then summarized, making special reference to the sources Crescenzi employed, which include Roman agricultural writers, and treatises on medicine and the natural sciences, among others. This summary, which reveals the breadth of Crescenzi's undertaking and begins to demonstrate how the pleasure garden relates to Crescenzi's endeavor, is followed by an exploration of the prevailing definition of art and of - III - agriculture, which includes a consideration of the status of agriculture in the medieval hierarchy of the arts. -
The Historic County of Westmorland
The Historic County of Westmorland A Case Study on the range, availability and usefulness of publications relating to the Historic County of Westmorland, and on the current provision of support for Local Historical Studies, with specific reference to the county town of Kendal Contents Introduction 3 Purpose and Scope of the Report 3 The Historic County of Westmorland 4 A Survey and Critical Evaluation of the Scholarly Resources Relevant to the History of the County of Westmorland, and to the County Town of Kendal, from the Early Modern Period to the Present Day Antiquarians and Archive Makers of the 16th and 17th Centuries 6 The First County History in Print 12 In Search of the Picturesque/Losing sight of the Goal 13 Late 19th Century Foundation of Modern Historical Scholarship 15 The Historical Society and the Victoria County History 16 Local History Groups 17 Contemporary Narratives for Kendal 18 An Assessment of Current Provision for Local History Studies in Westmorland and the County Town of Kendal Libraries and Archives 19 Online/Digital Resources 20 Conclusion 21 Bibliography 22 Appendices 26 Appendix I Annotated Lists of Published Resources Appendix Ia Selected 16th & 17th Century Scholarship Appendix Ib Selected 18th Century Scholarship Appendix Ic Selected 19th Century Scholarship Appendix Id Selected Modern Scholarship Appendix Ie Selected Cartographic Evidence Appendix If Selected Resources for Kendal Appendix II Libraries, Archives and Record Offices Appendix III Historical Societies and Local History Groups Appendix IV Online/Digital Resources Illustrations Cover: Detail from William Hole’s county map of ‘Cumberlande, Westmorlande’ of 1622, created to illustrate Michael Drayton’s 15,000-line poem the Poly-Olbion P4: ‘The Countie Westmorland and Kendale the Cheif Towne Described with the Arms of Such Nobles as have been Earles of Either of Them’. -
The Pleasure Garden See Pages 1, 3 & 11
LNewsletteret’s of the San DiegoT Horticulturalalk Society Plants!April 2011, Number 199 The Pleasure Garden SEE PAGES 1, 3 & 11 FREE TALKS ON TREES PAGE 3 MagICAL MANZANItas PAGE 4 GARDEN TOURS GALORE! PAGE 6 Earth DAY CELebratIONS PAGE 7 CALIFORNIA NatIVE PLANT WEEK PAGE 16 On the Cover: Garden art by Jeffrey Bale MARCH Coffee in the Garden SPRING HOME/GARDEN SHOW Judy Bradley and Dave Mitchell's Del Mar garden has a wealth of low-water plants in a wide range of foliage colors, forms and textures, plus lots of fun garden art (like the giant frog and ceramic totem pole seen here). Above: Congratulations to Ryan Prang and Bret Belyea of Falling Waters Landscape, Inc., who created this stunning award-winning display garden. They used permeable surfaces, water-thrifty or- namental grasses, and a wall of recycled wood scraps. The awards for the Show are shown on page 11. Below: This charming sunken sitting area was in the award-winning garden designed by Shellene Mueller of Designs by Shellene. SDHS SPONSOR GREEN THUMB SUPER GARDEN CENTERS 1019 W. San Marcos Blvd. • 760-744-3822 (Off the 78 Frwy. near Via Vera Cruz) • CALIFORNIA NURSERY PROFESSIONALS ON STAFF • HOME OF THE NURSERY EXPERTS • GROWER DIRECT www.supergarden.com Fresh Spring Savings! WITH THIS VALUABLE Coupon $500OFF Any Purchase of $3000 or More! OR $1000 OFF Any Purchase of $5000 or More! • Coupon not valid with any sale items or with other offers or coupons • Coupon may not be used towards purchase of gift certifi cates • Must present printed coupon to cashier at time of purchase • Offer does not include sod • Limit 1 coupon per household • Coupon expires 4/30/11 at 6 p.m. -
Gardens and Horticulture in the Renaissance Edited by Alexander Samson
Locus Amoenus Renaissance Studies Special Issue Book Series This series of special issue books is published in association with the journal Renaissance Studies. Both the journal and book series are multi-disciplinary and publish articles and editions of documents on all aspects of Renaissance history and culture. The articles range over the history, art, architecture, religion, literature, and languages of Europe during the period. Also available: Locus Amoenus: Gardens and Horticulture in the Renaissance Edited by Alexander Samson Re-thinking Renaissance Objects: Design, Function and Meaning Edited by Peta Motture and Michelle O’Malley The Renaissance Conscience Edited by Harald E. Braun and Edward Vallance Spaces, Objects and Identities in Early Modern Italian Medicine Edited by Sandra Cavallo and David Gentilcore Approaching the Italian Renaissance Interior: Sources, Methodologies, Debates Edited by Marta Ajmar-Wollheim, Flora Dennis and Ann Matchette Beyond the Palio: Urbanism and Ritual in Renaissance Siena Edited by Philippa Jackson and Fabrizio Nevola The Biography of the Object in Late Medieval and Renaissance Italy Edited by Roberta J. M. Olson, Patricia L. Reilly and Rupert Shepherd The Renaissance and the Celtic Countries Edited by Ceri Davies and John E. Law Asian Travel in the Renaissance Edited by Daniel Carey Locus Amoenus Gardens and Horticulture in the Renaissance Edited by Alexander Samson A John Wiley & Sons, Ltd., Publication This edition first published 2012 Originally published as Volume 25, Issue 1 of Renaissance Studies Chapters © 2012 The Authors Editorial organization © 2012 The Society for Renaissance Studies and Blackwell Publishing Ltd Blackwell Publishing was acquired by John Wiley & Sons in February 2007.