Nekhen News 17
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Evaluation of Two Recent Theories Concerning the Narmer Palette1
Eras Edition 8, November 2006 – http://www.arts.monash.edu.au/eras An Evaluation of Two Recent Theories Concerning the Narmer Palette1 Benjamin P. Suelzle (Monash University) Abstract: The Narmer Palette is one of the most significant and controversial of the decorated artefacts that have been recovered from the Egyptian Protodynastic period. This article evaluates the arguments of Alan R. Schulman and Jan Assmann, when these arguments dwell on the possible historicity of the palette’s decorative features. These two arguments shall be placed in a theoretical continuum. This continuum ranges from an almost total acceptance of the historical reality of the scenes depicted upon the Narmer Palette to an almost total rejection of an historical event or events that took place at the end of the Naqada IIIC1 period (3100-3000 BCE) and which could have formed the basis for the creation of the same scenes. I have adopted this methodological approach in order to establish whether the arguments of Assmann and Schulman have any theoretical similarities that can be used to locate more accurately the palette in its appropriate historical and ideological context. Five other decorated stone artefacts from the Protodynastic period will also be examined in order to provide historical comparisons between iconography from slightly earlier periods of Egyptian history and the scenes of royal violence found upon the Narmer Palette. Introduction and Methodology Artefacts of iconographical importance rarely survive intact into the present day. The Narmer Palette offers an illuminating opportunity to understand some of the ideological themes present during the political unification of Egypt at the end of the fourth millennium BCE. -
The Egyptian Predynastic and State Formation
J Archaeol Res DOI 10.1007/s10814-016-9094-7 The Egyptian Predynastic and State Formation Alice Stevenson1 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract When the archaeology of Predynastic Egypt was last appraised in this journal, Savage (2001a, p. 101) expressed optimism that ‘‘a consensus appears to be developing that stresses the gradual development of complex society in Egypt.’’ The picture today is less clear, with new data and alternative theoretical frameworks challenging received wisdom over the pace, direction, and nature of complex social change. Rather than an inexorable march to the beat of the neo-evolutionary drum, primary state formation in Egypt can be seen as a more syncopated phenomenon, characterized by periods of political experimentation and shifting social boundaries. Notably, field projects in Sudan and the Egyptian Delta together with new dating techniques have set older narratives of development into broader frames of refer- ence. In contrast to syntheses that have sought to measure abstract thresholds of complexity, this review of the period between c. 4500 BC and c. 3000 BC tran- scends analytical categories by adopting a practice-based examination of multiple dimensions of social inequality and by considering how the early state may have become a lived reality in Egypt around the end of the fourth millennium BC. Keywords State formation Á Social complexity Á Neo-evolutionary theory Á Practice theory Á Kingship Á Predynastic Egypt Introduction Forty years ago, the sociologist Abrams (1988, p. 63) famously spoke of the difficulty of studying that most ‘‘spurious of sociological objects’’—the modern state. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
Reading G Uide
1 Reading Guide Introduction Pharaonic Lives (most items are on map on page 10) Bodies of Water Major Regions Royal Cities Gulf of Suez Faiyum Oasis Akhetaten Sea The Levant Alexandria Nile River Libya Avaris Nile cataracts* Lower Egypt Giza Nile Delta Nubia Herakleopolis Magna Red Sea Palestine Hierakonpolis Punt Kerma *Cataracts shown as lines Sinai Memphis across Nile River Syria Sais Upper Egypt Tanis Thebes 2 Chapter 1 Pharaonic Kingship: Evolution & Ideology Myths Time Periods Significant Artifacts Predynastic Origins of Kingship: Naqada Naqada I The Narmer Palette Period Naqada II The Scorpion Macehead Writing History of Maqada III Pharaohs Old Kingdom Significant Buildings Ideology & Insignia of Middle Kingdom Kingship New Kingdom Tombs at Abydos King’s Divinity Mythology Royal Insignia Royal Names & Titles The Book of the Heavenly Atef Crown The Birth Name Cow Blue Crown (Khepresh) The Golden Horus Name The Contending of Horus Diadem (Seshed) The Horus Name & Seth Double Crown (Pa- The Nesu-Bity Name Death & Resurrection of Sekhemty) The Two Ladies Name Osiris Nemes Headdress Red Crown (Desheret) Hem Deities White Crown (Hedjet) Per-aa (The Great House) The Son of Re Horus Bull’s tail Isis Crook Osiris False beard Maat Flail Nut Rearing cobra (uraeus) Re Seth Vocabulary Divine Forces demi-god heka (divine magic) Good God (netjer netjer) hu (divine utterance) Great God (netjer aa) isfet (chaos) ka-spirit (divine energy) maat (divine order) Other Topics Ramesses II making sia (Divine knowledge) an offering to Ra Kings’ power -
A Lost Late Predynastic-Early Dynastic Royal Scene from Gharb Aswan
A lost Late Predynastic-Early Dynastic royal scene from Gharb Aswan Stan Hendrickx, Provinciale Hogeschool Limburg, Hasselt, Belgium Nabil Swelim, Archaeological Society of Alexandria, Egypt Francesco Raffaele, Associazione Napoletana di Studi Egittologici, Naples, Italy Merel Eyckerman, Provinciale Hogeschool Limburg, Hasselt, Belgium Renée F. Friedman, British Museum, London, United Kingdom In the early 1980s, Nabil Swelim copied the stay at Aswan, when Habachi was not very rock art scene which is the topic of the present active, as he admitted himself (Kamil 2007: contribution from a slide photograph (fi g. 1). 65), but rather when he began working at The image was among the papers of the late Elephantine and developed a keen interest in Labib Habachi (1906-1984, see Kamil 2007), rock inscriptions (Kamil 2007: 182-183). The in his apartment at Manshiyet el Bakry near photograph may therefore have been taken as Heliopolis. Labib Habachi intended to pub- early as the late 1940s. lish the image himself and at some point When inquiring about the document Hans Goedicke also planned to do so, but, among a number of specialists, John Dar- ultimately this was never achieved. After all of nell provided the missing information these years, it now seems appropriate to pub- regarding its location when he recognized lish this important document (fi g. 1 & 2). that a very sketchy drawing of the scene had According to Labib Habachi, this rock art scene been published in Morgan et al. (1894: 203) is in the Aswan vicinity, but the precise loca- (fi g. 3), after information provided by A.H. -
UCLA Encyclopedia of Egyptology
UCLA UCLA Encyclopedia of Egyptology Title Mace Permalink https://escholarship.org/uc/item/497168cs Journal UCLA Encyclopedia of Egyptology, 1(1) Author Stevenson, Alice Publication Date 2008-09-15 Peer reviewed eScholarship.org Powered by the California Digital Library University of California MACE الصولجان Alice Stevenson EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture, Art, and Architecture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Stevenson, 2008, Mace. UEE. Full Citation: Stevenson, Alice, 2008, Mace. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles, http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz000sn03x 1070 Version 1, September 2008 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz000sn03x MACE الصولجان Alice Stevenson Keule Massue The mace, a club-like weapon attested in ancient Egypt from the Predynastic Period onward, played both functional and ceremonial roles, although more strongly the latter. By the First Dynasty it had become intimately associated with the power of the king, and the archetypal scene of the pharaoh wielding a mace endured from this time on in temple iconography until the Roman Period. الصولجان ‘ سﻻح يشبه عصا غليظة عند طرفھا ‘ كان معروفاً فى مصر القديمة منذ عصر ما قبل اﻷسرات ولعب أحياناً دوراً وظيفياً وغالباً دوراً تشريفياً فى المراسم. في عصر اﻷسرة اﻷولى اصبح مرتبطاً على ٍنحو حميم بقوة الملك والنموذج اﻷصلي لمشھد الفرعون ممسك بالصولجان بدأ آنذاك بالمعابد وإستمر حتى العصر الروماني. he mace is a club-like weapon with that became prevalent in dynastic Egypt. -
Stan Hendrickx ALLAN, S., 2014. One Palette, Two Lands
Narmer Palette Bibliography By: Stan Hendrickx ALLAN, S., 2014. One palette, two lands: The myth of the unification of Egypt by the Narmer Palette [in:] Third Australasian Egyptology Conference. July 16 - 18, 2014. Macquarie University Sydney. Program & Abstracts. Sydney: 10. ALTENMÜLLER, H., 1975. Flachbildkunst der Frühzeit und des Alten Reiches [in:] VANDERSLEYEN, C. (ed.), Das Alte Ägypten. Propyläen Kunstgeschichte 15. Berlin: 273-292, n° 238-239. ALTENMÜLLER, H., 2010. Sandalenträger und Pantherfellträger im Gefolge des Königs Narmer. Cahiers caribéens d'égyptologie, 13-14: 27-43. AMELINEAU, E., 1908. Prolégomènes à l’étude de la réligion égyptienne. Essai sur la mythologie de l’Egypte. 2 vols. Paris. AMIRAN, R., 1968. Note on one sign in the Narmer palette. Journal of the American Research Center in Egypt, 7: 127. ANDRASSY, P., 1991. Die Beziehungen Ägyptens zu Vorderasien bis zum Ende des Alten Reiches [in:] ENDESFELDER, E. (ed.), Probleme der Frühen Gesellschaftsentwicklung im alten Ägypten. Berlin: 103-154. ANSELIN, A., 1996. La cruche et le tilapia. Une lecture africaine de l’Egypte nagadéenne. Abymes, Guadalupe. ANSELIN, A., 2001a. Les hiéroglyphes de l’architecture et l’histoire de l’Egypte antique (quatrième millénaire avant J.-C.) [in:] CERVELLÓ AUTUORI, J. (ed.), Africa Antigua. El antiguo Egipto, una civilización africana. Actas de la IX Semana de Estudios Africanos del Centre d’Estudis Africans de Barcelona (18 - 22 de marzo de 1996). Aula Aegyptiaca Studia 1. Barcelona: 21-40, 269-272. ANSELIN, A., 2001b. Notes pour une lecture des inscriptions des Colosses de Min de Coptos. Cahiers caribéens d'égyptologie, 2: 115-136. ANSELIN, A., 2005. -
The Theme of Death and Burial Is One of the Most Recognisable In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery SOCIAL RELATIONSHIPS IN PREDYNASTIC BURIALS By ALICE STEVENSON Of all Ancient Egyptian eras, it has been the Predynastic (primarily the fourth millennium BC) that has received the greatest attention from anthropologically derived models of mortuary behaviour. Yet these have in the past been limited mainly to models of social status and wealth derived from archaeological theories of the early 1970s, which have long been critiqued in other areas of archaeological discourse. There is emerging within Egyptology, however, an increasing engagement with more recent thinking. Following an overview of developments in mortuary archaeology, this article aims to contribute to this discussion of alternative social models of Predynastic mortuary remains. In particular it aims to challenge the overriding assumption that burial form and content is a reflection or correlate of individual status or identity, or that it simply forms an index for social ranking. Rather, it will be argued that these contexts may additionally reveal aspects of the relationships between people, objects, and places. In doing so it is possible to consider some of the ideological aspects of Predynastic burials in addition to the social-economic aspects that are more often discussed. Introduction NO other ancient society is as intimately associated with its mortuary rituals as that of Egypt, so much so that it was singled out in the inter-disciplinary Encyclopaedia of Death -
Images of Power
IMAGES OF POWER: PREDYNASTIC and OLD KINGDOM EGYPT: FOCUS (Egyptian Sculpture of Predynastic and Old Kingdom Egypt) ONLINE ASSIGNMENT: http://smarthisto ry.khanacademy .org/palette-of- king- narmer.html TITLE or DESIGNATION: Palette of Narmer CULTURE or ART HISTORICAL PERIOD: Predynastic Egyptian DATE: c. 3100- 3000 B.C.E. MEDIUM: slate TITLE or DESIGNATION: Seated Statue of Khafre, from his mortuary temple at Gizeh CULTURE or ART HISTORICAL PERIOD: Old Kingdom Egyptian DATE: c. 2575-2525 B.C.E. MEDIUM: diorite ONLINE ASSIGNMENT: https://www.khanacademy.org/human ities/ancient-art-civilizations/egypt- art/predynastic-old-kingdom/a/king- menkaure-mycerinus-and-queen TITLE or DESIGNATION: King Menkaure and his queen (possibly Khamerernebty) CULTURE or ART HISTORICAL PERIOD: Old Kingdom Egyptian DATE: c. 2490-2472 B.C.E. MEDIUM: slate ONLINE ASSIGNMENT: https://www.khanacademy. org/humanities/ancient- art-civilizations/egypt- art/predynastic-old- kingdom/v/the-seated- scribe-c-2620-2500-b-c-e TITLE or DESIGNATION: Seated Scribe from Saqqara CULTURE or ART HISTORICAL PERIOD: Old Kingdom Egyptian DATE: c. 2450-2325 B.C.E. MEDIUM: painted limestone with inlaid eyes of rock crystal, calcite, and magnesite IMAGES OF POWER: PREDYNASTIC and OLD KINGDOM EGYPT: SELECTED TEXT (Egyptian Sculpture of Predynastic and Old Kingdom Egypt) The Palette of King Narmer, c. 3100-3000 BCE, slate Dating from about the 31st century BCE, this “palette” contains some of the earliest hieroglyphic inscriptions ever found. It is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbous White crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig -
Predynastic Burials
UCLA UCLA Encyclopedia of Egyptology Title Predynastic Burials Permalink https://escholarship.org/uc/item/2m3463b2 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Stevenson, Alice Publication Date 2009-12-05 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PREDYNASTIC BURIALS دفنات ما قبل التاريخ Alice Stevenson EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Stevenson 2009, Predynastic Burials. UEE. Full Citation: Stevenson, Alice, 2009, Predynastic Burials. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf6jk 1050 Version 1, December 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf6jk PREDYNASTIC BURIALS دفنات ما قبل التاريخ Alice Stevenson Prädynastische Gräber Enterrements à l’époque prédynastique In ancient Egypt, the primary evidence for the Predynastic Period, principally the fourth millennium BCE, derives from burials. In Upper Egypt, there is a clear trend over the period towards greater investment in mortuary facilities and rituals, experimentation in body treatments, and increasing disparity in burial form and content between a small number of elite and a larger non-elite population. In Maadi/Buto contexts in Lower Egypt, pit burials remained simple with minimal differentiation and less of a focus upon display-orientated rituals. يأتي الكم اﻷكبر من الدﻻئل اﻷثرية التي تشھد على عصر ما قبل التاريخ (القرن الرابع قبل الميﻻد) من الدفنات، فيوجد بمصر العليا اھتمام واضح خﻻل ھذه الفترة الزمنية باﻻماكن الجنائزية والطقوس، واختبار طرق جديدة لمعالجة اﻷجساد، ويظھر أيضاً بھذا الوقت فجوة كبيرة ما بين دفنات علية القوم واﻷغلبية العظمى من عامة الشعب. -
A Comparison of the Polychrome Geometric Patterns Painted on Egyptian “Palace Façades” / False Doors with Potential Counterparts in Mesopotamia
A comparison of the polychrome geometric patterns painted on Egyptian “palace façades” / false doors with potential counterparts in Mesopotamia Lloyd D. Graham Abstract: In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting. The possibility that this too might have drawn inspiration from Mesopotamian precedents is raised by the observation of similar geometric frescoes at the Painted Temple in Tell Uqair near Baghdad, a Late Uruk structure (ca. 3400-3100 BCE) that predates the proposed timing of Mesopotamian influence on Egyptian architecture (Jemdet Nasr, ca. 3100-2900 BCE). However, detailed scrutiny favours the idea that the Egyptian polychrome panels were an indigenous development. Panels mimicking reed mats, animal skins and wooden lattices probably proved popular on royal and religious mudbrick façades in Early Dynastic Egypt because they emulated archaic indigenous “woven” shelters such as the per-nu and per-wer shrines. As with Mesopotamian cone mosaics – another labour-intensive technique that seems to have mimicked textile patterns – the scope of such panels became limited over time to focal points in the architecture. In Egyptian tombs, the adornment of key walls and funerary equipment with colourful and complex geometric false door / palace façade composites (Prunkscheintüren) continued at least into the Middle Kingdom, and the template persisted in memorial temple decoration until at least the late New Kingdom.