Voices of Social Justice Compiled by the National Portrait Gallery, Smithsonian Institution
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Dylan Yarbrough: Hello Everybody. It's Almost Noon. So, We're About to Get Started
Dylan Yarbrough: Hello everybody. It's almost noon. So, we're about to get started. Before we get going, I just wanted to let everybody know that the best way to pose questions or to participate in the conversation during the “Photos at Zoom,” event is to actually use the QNA portion, instead of the chat. If you use the chat function, I’m the only person that's going to be able to read that instead of the group. So, be sure to use the QNA button to participate. Dylan Yarbrough: We were almost at noon... hit noon right then. So, we'll go ahead and get started now. Welcome to “Photos at Zoom.” Dylan Yarbrough: My name is Dylan Yarbrough, I’m a curatorial assistant at the Museum of Contemporary Photography and today we're going to be doing a "Photos at Zoom,” print viewing over photography as a social practice. Dylan Yarbrough: The MoCP is the world's premier College Art Museum that's dedicated to photography. Our institution provokes ideas among students, and artists, and diverse communities throughout the world with groundbreaking exhibitions and educational programing. Dylan Yarbrough: Our mission is to cultivate a deeper understanding of the artistic cultural and political roles of photography in our world today. Dylan Yarbrough: We began collecting in the 1980’s and have since grown our collection to include over 16,000 photographic objects. Dylan Yarbrough: Normally we offer a “Photos at Noon,” event where we hold a public print viewing that allows the general public to view our collection up close and in person. -
Siete Lenguas: the Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric Christine Beagle
University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 2-1-2016 Siete Lenguas: The Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric Christine Beagle Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Recommended Citation Beagle, Christine. "Siete Lenguas: The Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric." (2016). https://digitalrepository.unm.edu/engl_etds/34 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Garcia i Christine Beagle Candidate English, Rhetoric and Writing Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Michelle Hall Kells, Chairperson Irene Vasquez Natasha Jones Melina Vizcaino-Aleman Garcia ii SIETE LENGUAS: THE RHETORICAL HISTORY OF DOLORES HUERTA AND THE RISE OF CHICANA RHETORIC by CHRISTINE BEAGLE B.A., English Language and Literature, Angelo State University, 2005 M.A., English Language and Literature, Angelo State University, 2008 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ENGLISH The University of New Mexico Albuquerque, New Mexico November 10, 2015 Garcia iii DEDICATION To my children Brandon, Aliyah, and Eric. Your brave and resilient love is my savior. I love you all. Garcia iv ACKNOWLEDGMENTS First, to my dissertation committee Michelle Hall Kells, Irene Vasquez, Natasha Jones, and Melina Vizcaino-Aleman for the inspiration and guidance in helping this dissertation project come to fruition. -
Remembering the Struggle for Civil Rights – the Greenwood Sites
rallied a crowd of workers set up shop in a building that stood Union Grove M.B. Church protestors in this park on this site. By 1963, local participation in 615 Saint Charles Street with shouts of “We Civil Rights activities was growing, accel- Union Grove was the first Baptist church in want black power!” erated by the supervisors’ decision to halt Greenwood to open its doors to Civil Rights Change Began Here Greenwood was the commodity distribution. The Congress of activities when it participated in the 1963 midpoint of James Racial Equality (CORE), Council of Federated Primary Election Freedom Vote. Comedian GREENWOOD AND LEFLORE COUNTY, MISSISSIPPI Meredith’s “March Organizations (COFO), Southern Christian and activist Dick Gregory spoke at the church Against Fear” from Memphis to Jackson. in the spring of that year as part of his cam- Carmichael and two other marchers had paign to provide food and clothing to those been arrested for pitching tents on a school left in need after Leflore County Supervisors Birth of a Movement campus. By the time they were bailed out, discontinued federal commodities distribution. “In the meetings everything--- more than 600 marchers and local people uncertainty, fear, even desperation--- had gathered in the park, and Carmichael St. Francis Center finds expression, and there is comfort seized the moment to voice the “black 709 Avenue I power” slogan, which fellow SNCC worker This Catholic Church structure served as a and sustenance in talkin‘ ‘bout it.” Willie Ricks had originated. hospital for blacks and a food distribution – Michael Thelwell, SNCC Organizer center in the years before the Civil Rights First SNCC Office Movement. -
For All the World to See: Visual Culture and the Struggle for Civil Rights
Addison Gallery of American Art EXHIBITION GUIDE FOR EDUCATORS SPRING 2013 FOR ALL THE WORLD TO SEE: VISUAL CULTURE AND THE STRUGGLE FOR CIVIL RIGHTS April 13—July 31, 2013 Addison Gallery of American Art FREE GROUP VISIT HOURS BY APPOINTMENT: Education Department: Tuesday-Friday, 8am-4pm Katherine Ziskin, FREE PUBLIC MUSEUM HOURS: Education Fellow for School & Community Collaborations Tuesday-Saturday, 10am-5pm & Sunday 1pm-5pm [email protected] or 978.749.4198 Jamie Kaplowitz, Education Associate & Museum Learning Specialist TEACHER GUIDES, WORKSHOPS, & EXHIBITION INFORMATION: Rebecca Hayes, Curator of Education www.addisongallery.org/education FOR ALL THE WORLD TO SEE: VISUAL CULTURE AND THE STRUGGLE FOR CIVIL RIGHTS THE STRUGGLE FOR CIVIL RIGHTS The American Civil Rights Movement of the mid—20th century worked to abolish political, institutional, and social racism against African Americans through protest, demonstration, and use of media outlets. Much of the Civil Rights movement focused on legislation stemming from the Reconstruction period of post-Civil War America, including the 1896 Plessy v. Ferguson Supreme Court trial upholding the constitutionality of laws requiring racial segregation, which came to be known as separate but equal. In 1954, Brown v. The Board of Education overturned the Plessy v. Ferguson decision and defined segregation as unconstitutional. The Civil Rights movement continued to fight for true equality for African Americans, including enforced integration, education equality, media representation, and an end to hurtful and destructive racial stereotyping. fig. 1 IMAGES & THE MEDIA Visual Culture refers to the ways in which images are used in society. These include but are not limited to: advertisements, artworks, film, television, toys, magazines, newspapers, product packaging, postcards, sculptures, and signage. -
CA-Congressional-Delegation-Letter
June 22, 2020 The Honorable Nancy Pelosi Speaker of the House U.S. House of Representatives H-232, U.S. Capitol Washington, D.C. 20515 The Honorable Kevin McCarthy Minority Leader U.S. House of Representatives H-204, U.S. Capitol Washington, D.C. 20515 The Honorable Dianne Feinstein U.S. Senator from California 331 Hart Senate Office Building Washington, DC 20510 The Honorable Kamala Harris U.S. Senator from California 112 Hart Senate Office Building Washington, DC 20510 RE: Include Urgently Needed Funding for Water Infrastructure and Water Affordability Needs in Next Congressional Response to COVID-19 Pandemic Dear Speaker Pelosi, Minority Leader McCarthy, Senators Feinstein and Harris, and Members of the California Congressional Delegation: Our organizations collectively represent both California frontline communities as well as over 500 California water agencies and other water and environmental stakeholders. In this time of crisis, we have come together to urge the California Congressional Delegation to include funding for urgent water infrastructure and water affordability needs as part of the next federal stimulus package or other pending Congressional actions. We urge your support for the water-related provisions of the HEROES Act. We also urge you to take the following steps as part of the next federal stimulus package or other pending water or infrastructure-related Congressional actions: 1. $100 billion in new funding over five years for Clean Water and Drinking Water State Revolving Funds, with at least 20 percent of the new funding distributed to disadvantaged communities as additional subsidization (grants) rather than loans and eligibility for the new funding for all water systems, regardless of their organizational structure. -
Untitled (Structures)
AN INTRODUCTION TO UNTITLED (STRUCTURES) marches. There are haunting images of segregation and inspiring shots of nonviolent protests on interstate buses and at white-only lunch counters and swimming pools. Poignant, quiet images from everyday life in the years both before and after the turbulent 1960s speak to the transformative shifts in northern urban centers that took place as a result of the Great Migration, when an estimated eight million African Americans moved to these cities from the south in search of economic opportunities and a more just existence. Hewitt and Young were as interested in the composition and aesthetics of the photographs and the subjectivity of the photographers as they were in the historical moments depicted. During early conversations they were thinking about the small, if not ordinary, moments of connection in the work, like a shared glance or clasped hands, that tell a timeless story about the human experience. The work of Paris- born photographer Elliott Erwitt from the collection was particularly important to them. Trained as a filmmaker, he brought his cinematic vision to his still photography, manipulating light and shadow and playing beautifully, and quite unconventionally, with depth of field to provide a quiet yet cunning context in which to address racial inequity. In his 1949 photograph of a subway platform in New York City, passengers are silhouetted against a light background. In the carefully composed image, the dark figures surround an advertisement that emerges from the shadows for “Griffin Allwite,” a shoe polish that used the slogan: “make all white shoes whitter!” After spending time with the photographs, examining their formal and historical structures, and thinking about how the subjects were captured and presented, Hewitt and Young began to ask questions about the fragility of memory, the complexity of nostalgia, the finite nature of any archive, and the slippery subjectivity inherent to the medium of photography. -
Civil Rights Photography Exhibition at High Museum of Art to Commemorate 50Th Anniversary of 1968
FOR IMMEDIATE RELEASE CIVIL RIGHTS PHOTOGRAPHY EXHIBITION AT HIGH MUSEUM OF ART TO COMMEMORATE 50TH ANNIVERSARY OF 1968 Featuring iconic historical images and contemporary works honoring the legacy of Dr. Martin Luther King, Jr. and the civil rights movement ATLANTA, Sept. 18, 2017 – Taking its title from Dr. Martin Luther King, Jr.’s final speech before his assassination in 1968, the High Museum of Art’s photography exhibition “‘A Fire That No Water Could Put Out’: Civil Rights Photography” (Nov. 4, 2017, through May 27, 2018) will reflect on the 50th anniversary of that tumultuous year in American history. The more than 40 prints to be featured are drawn in large part from the Museum’s collection of photography documenting the civil rights movement, which is among the most significant in the world. Iconic historical images will be presented alongside works by contemporary photographers that illuminate the legacy of the movement. “While Dr. King’s assassination is often cited as the closing bookend of the civil rights movement, activism over the past 50 years has continued efforts to advance racial equality and justice in the United States,” said Erin Nelson, the High’s curatorial assistant for photography and curator of the exhibition. “Through some of the most powerful images from our civil rights collection, including recent acquisitions, this exhibition underscores photography’s pivotal role in chronicling the important moments that shaped our past and the current events and perspectives that will influence our future.” Presented in the High’s Lucinda Weil Bunnen Gallery for Photography, the exhibition will be arranged into three sections that explore the era of Dr. -
DH 91St Sponsor One Pager
YOU’RE INVITED TO A HISTORIC EVENING CELEBRATING LEGENDARY ACTIVIST AND CIVIL RIGHTS ICON DOLORES HUERTA’S 91S T BIRTHDAY! A LIVESTREAM BENEFIT FOR THE DOLORES HUERTA FOUNDATION TO SUPPORT THE DOLORES HUERTA PEACE AND JUSTICE CULTURAL CENTER SATURDAY, AUGUST 21, 2021 AT 5PM PDT / 8PM EDT Let’s dream together and become architects of a better future! This is a critical time to invest in our communities and empower ordinary people with the tools they need to build a more equitable, democratic and just society. The Dolores Huerta Peace and Justice Cultural Center will welcome thousands of visitors and activists from around the world with the common goal of building the power and practice of grassroots community organizing. Proceeds from this event will fulfill Dolores’ dream of creating a world class organizing academy during her lifetime. Last year’s online event had over 55,000 viewers across all platforms. Guests included: Joe & Jill Biden, Kamala Harris, Bill & Hillary Clinton, Jane Fonda, Eva Longoria, Alicia Keys, Aloe Blacc, Nancy Pelosi, America Ferrera, Carlos Santana, George Lopez, Norman Lear, Gloria Steinem, Benjamin Bratt, Kerry Kennedy, Patrisse Cullors, Diego Luna, Common, Linda Ronstadt, Maxine Waters, Mark Hamill, Jack Black, Cristela Alonzo, Linda Ronstadt, John Leguizamo, Salma Hayek, Kate Del Castillo, Esai Morales, Danny Glover, Flor de Toloache, Sheila E, Ozomatli and many more! Don't miss this online birthday celebration to honor a remarkable woman for a joyful night of entertainment and activism. EVENT WILL BE CLOSED -
Understanding Intersectionality: Lesson Plan | Dolores
Understanding Intersectionality: Lesson Plan | Dolores THIS LESSON PLAN WAS CREATED BY PBS LEARNING. https://ca.pbslearningmedia.org/resource/understanding-intersectionality-dolores/understanding-intersectionality-dolores/ Learning Objectives Duration: One 60 minute class period. Students will: For ELL class, two 60 minute class periods are recommended. Examine the concept of intersectionality as it applies to social movements. Research how the struggles of the social movements in Dolores are related to one another. Create an argument for the power of social justice movements working together. In this lesson, students will examine the concept of intersectionality as it applies to building inclusive social groups and movements. Intersectionality refers to how our multiple identities change how we experience the world, and what that means as we work to build inclusive schools, organizations, workplaces and communities. Additional strategies for supporting ELL learners are included throughout this lesson. VOCABULARY: Key Terms for the lesson on intersectionality that are relevant to Dolores Huerta’s story and work. ● Feminism - the belief that men and women should have equal rights and opportunities ● Inclusive- open to everyone, not limited to certain people ● Perspective- a way of thinking about and understanding something ● Social conscience - the part of the mind that makes you aware of your actions in relation to the problems and injustices of society ● Social movement- (in the context of this lesson) a series of organized activities in which many people work together to do or achieve something ELL Strategy: Have students complete a Word Knowledge Continuum (Appendix A) to begin increasing student fluency and understanding of these terms used in Dolores. -
Annual Report 2017
IDEAS LEADERSHIP ACTION OUR MISSION 2 Letter from Dan Porterfield, President and CEO WHAT WE DO 6 Policy Programs 16 Leadership Initiatives 20 Public Programs 26 Youth & Engagement Programs 30 Seminars 34 International Partnerships 38 Media Resources THE YEAR IN REVIEW 40 2017-2018 Selected Highlights of the Institute's Work 42 Live on the Aspen Stage INSTITUTIONAL ADVANCEMENT 46 Capital Campaigns 48 The Paepcke Society 48 The Heritage Society 50 Society of Fellows 51 Wye Fellows 52 Justice Circle and Arts Circle 55 Philanthropic Partners 56 Supporters STATEMENT OF FINANCIAL POSITION 90 2017 Annual Report WHO WE ARE 96 Our Locations 98 Aspen Institute Leadership 104 Board of Trustees LETTER FROM DAN PORTERFIELD, PRESIDENT AND CEO A LETTER FROM PRESIDENT AND CEO DAN PORTERFIELD There is nothing quite like the Aspen Institute. It is In the years to come, the Aspen Institute will deepen an extraordinary—and unique—American institution. our impacts. It is crucial that we enhance the devel- We work between fields and across divides as a opment of the young, address the urgent challenges non-profit force for good whose mission is to con- of the future, and renew the ideals of democratic so- vene change-makers of every type, established and ciety. I look forward to working closely with our many emerging, to frame and then solve society’s most partners and friends as we write the next chapter on important problems. We lead on almost every issue the Institute’s scope and leadership for America and with a tool kit stocked for solution-building—always the world. -
Smithsonian Institution 2015 Annual Report
Now+Next Smithsonian Institution / 2015 Annual Report The National Museum of African American History and Culture will open to the public Sept. 24, 2016. table of contents 2 Secretary’s Letter photo 4 2015 Milestones 6 Art Now+Next 14 Science Now+Next 22 History & Culture Now+Next 30 Education & Outreach Now+Next 40 Donors to the Smithsonian Wynton Marsalis performs at the Installation ceremony for 13th Secretary of the Smithsonian David J. Skorton. Now+Next Few events in my life have been as uplifting and humbling as that of Oct. 19, 2015, the day I was honored to become the 13th Secretary of the Smithsonian Institution. The Installation ceremony began with a procession of the institution’s scholars, curators and scientists, representing not only the more than 6,000 staff who dedicate themselves to the Smithsonian’s mission today, but also the many thousands more who have advanced the fields of history, art and science since the institution’s founding in 1846. In 2015 alone we welcomed hundreds of thousands of people to the newly renovated Renwick Gallery (p. 6), our scientists peered to the edge of the black hole at the center of the Milky Way (p. 18) and our anthropologists helped identify the remains of leaders of the Jamestown colony (p. 28). The theme of this year’s annual report is “Now+Next” because the work we do today leads to the innovations of tomorrow. Thanks to the support of many generous private donations, Congress and the American people, we will continue to increase our understanding of the world, and to share that understanding with you. -
Photography and African American Education, 1957–1972
“A Matter of Building Bridges”: Photography and African American Education, 1957–1972 Connie H. Choi Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Connie H. Choi All rights reserved ABSTRACT “A Matter of Building Bridges”: Photography and African American Education, 1957–1972 Connie H. Choi This dissertation examines the use of photography in civil rights educational efforts from 1957 to 1972. Photography played an important role in the long civil rights movement, resulting in major legal advances and greater public awareness of discriminatory practices against people of color. For most civil rights organizations and many African Americans, education was seen as the single most important factor in breaking down social and political barriers, and efforts toward equal education opportunities dramatically increased following the Supreme Court’s 1954 Brown v. Board of Education decision. My dissertation therefore investigates photography’s distinct role in documenting the activities of three educational initiatives—the desegregation of Central High School in Little Rock, Arkansas, in 1957, the Mississippi Freedom Schools formed the summer of 1964, and the Black Panther liberation schools established in Oakland, California, in 1969—to reveal the deep and savvy understanding of civil rights and Black Power organizations of the relationship between educational opportunities and political power. TABLE OF CONTENTS List of Illustrations