5 Silver Squelchers and Their Interesting Associates
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Journal of British Studies
Journal of British Studies 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show --Manuscript Draft-- Manuscript Number: 4811R2 Full Title: 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show Article Type: Original Manuscript Corresponding Author: Christine Grandy, Ph.D. University of Lincoln Lincoln, Lincolnshire UNITED KINGDOM Corresponding Author Secondary Information: Corresponding Author's Institution: University of Lincoln Corresponding Author's Secondary Institution: First Author: Christine Grandy, Ph.D. First Author Secondary Information: Order of Authors: Christine Grandy, Ph.D. Order of Authors Secondary Information: Abstract: In 1967, when the BBC was faced with a petition by the Campaign Against Racial Discrimination (CARD) requesting an end to the televised variety programme, The Black and White Minstrel Show (1958-1978), producers at the BBC, the press, and audience members collectively argued that the historic presence of minstrelsy in Britain rendered the practice of blacking up harmless. This article uses Critical Race Theory as a useful framework for unpacking defences that hinged both on the colour-blindness of white British audiences, and the simultaneous existence of wider customs of blacking up within British television and film. I examine a range of 'screen culture' from the 1920s to the 1970s, including feature films, home movies, newsreels, and television, that provide evidence of the existence of blackface as a type of racialised custom in British entertainment throughout this period. Efforts by organisations such as CARD, black-press publications like Flamingo, and audiences of colour, to name blacking up and minstrelsy as racist in the late 1960s were met by fierce resistance from majority white audiences and producers, who denied their authority to do so. -
Freedom Is More Than a Word
FREEDOM IS MORE THAN A WORD THE FIELD FOUNDATION 2019 – 2020 BIENNIAL REPORT CELEBRATING 80 YEARS TABLE OF CONTENTS Board Chair Letter - Gloria Castillo . 1 President’s Letter - Angelique Power . 2 Leadership History . 4 History/Retrospective Including interviews with Marshall Field V, former Field President Handy Lindsey and former Executive Director Aurie Pennick . 5 Field Fellowship Highlights/Voices from the Field . 11 Portfolio Stories (Art, Justice, Leadership Investment and Media & Storytelling—Written by Program Officers) . 17 2019-2020 Grantees . 32 2019-2020 Special Consideration Fund Grantees . 38 Cover photo credit: The casket of Rep. John Lewis crosses the Edmund Pettus Bridge by horse-drawn carriage during his July 2020 memorial service in Selma, Ala. Photo by John Bazemore, Associated Press. A WORD FROM OUR CHAIRWOMAN “...an opportunity to imagine a truly equitable America.” FREEDOM IS MORE THAN A WORD The year 2020 will be one that historians will study for years to come, a global pandemic and its economic impact will deserve examination and analysis . Historians will look anew on the nation’s largest grassroots movement; the people demanding a more just society . Today, racial justice is a national focus and provides an opportunity to imagine a truly equitable America . As we celebrate 80 years of the Field Foundation, we are reminded that our founder Marshall Field III had deep insights into issues that divided America and the need to build one community, one nation, by addressing racism and intolerance . In his book, Freedom is More than a Word, he suggested a pledge: I will respect the rights of all men equally, without regard to their race and creed. -
Unclaimed Bank Balances
Unclaimed Bank Balances “Section 126 of the Banking Services Act requires the publication of the following data in a newspaper at least two (2) times over a one (1) year period.” This will give persons the opportunity to claim these monies. If these monies remain unclaimed at the end of the year, they will become a part of the revenues of the Jamaican Government. SAGICOR BANK BALANCE Name Last Transaction Date Account Number Balance Name Last Transaction Date Account Number Balance JMD JMD ALMA J BROWN 7-Feb-01 5500866545 32.86 ALMA M HENRY 31-Dec-97 5501145809 3,789.62 0150L LYNCH 13-Jun-86 5500040485 3,189.49 ALMAN ARMSTRONG 22-Nov-96 5500388252 34.27 A A R PSYCHOLOGICAL SERVICES CENTRE 30-Sep-97 5500073766 18,469.06 ALMANEITA PORTER 7-Nov-02 5500288665 439.42 A F FRANCIS 29-Sep-95 5500930588 23,312.81 ALMARIE HOOPER 19-Jan-98 5500472978 74.04 A H BUILDINGS JAMAICA LTD 30-Sep-93 5500137705 12,145.92 ALMENIA LEVY 27-Oct-93 5500966582 40,289.27 A LEONARD MOSES LTD 20-Nov-95 5500108993 531,889.69 ALMIRA SOARES 18-Feb-03 5501025951 12,013.42 A ROSE 13-Jun-86 5500921767 20,289.21 ALPHANSO C KENNEDY 8-Jul-02 5500622379 34,077.58 AARON H PARKE 27-Dec-02 5501088128 10,858.10 ALPHANSO LOVELACE 12-Dec-03 5500737354 69,295.14 ADA HAMILTON 30-Jan-83 5500001528 35,341.90 ALPHANSON TUCKER 10-Jan-96 5500969131 48,061.09 ADA THOMPSON 5-May-97 5500006511 9,815.70 ALPHANZO HAMILTON 12-Apr-01 5500166397 8,633.90 ADASSA DOWDEN SCHOLARSHIP 20-Jan-00 5500923328 299.66 ALPHONSO LEDGISTER 15-Feb-00 5500087945 58,725.08 ADASSA ELSON 28-Apr-99 5500071739 71.13 -
Annualreportofdi51fiel.Pdf
CI 11 L I Sj o I :, CENTRAL CIRCULATION BOOKSTACKS The person charging this material is re- sponsible for its nmewal or its return to the library from which it was borrowed on or before the Latest Date stamped below. The Minimum Fee for each Lost Book is $50.00. Theft/ mutilation, and underiining of boolcs are reasons for disciplinary action and may result In dismissal from the University. TO RENEW CALL TELEPHONE CENTER, 333-8400 UNIVERSITY OF ILIINOIS LIBRARY AT URBANA-CHAMPAIGN MAft 7 1995 FPR 1 3 IC35 When renewing by phone, write new due date below previous due date. LI 62 LIBUKY UNIVERS/ry OF y ILLINOIS UftSANA Field Museum of Natural History. ?> Publication i86. Report Series. Vol. V, No. i. ANNUAL REPORT OF THE DIRECTOR TO THE BOARD OF trustees FOR THE YEAR 191 5. # fHfc UHHmY Of- 8 HI: Chicago, U. S. A. -- >d2. 1942 January, 191 6. UNIVERSITY Of lUiNOli^ riflO MUiCUM 0> MATUHAL HlfTOKV RCPORTS, PlATf I. THE LATE NORMAS B. RLav An Incorporator antl Trustee of tl Field Museum of Natural History. Publication i86. Report Series. Vol. V, No. i. ANNUAL REPORT OF THE DIRECTOR TO THE BOARD OF trustees FOR THE YEAR 1915. Chicago, U. S. A. fHfc IJBhAKV Ul- Hit January, 19 1 6. OEC 2 2 1942 UNIVERSITY Of Uimi^ /- /S \c\ j 5^ CONTENTS Page Board of Trustees 2 Officers and Committees 3 Staff of the Museum 4 Report of the Director 5 Maintenance 7 Publications 8 Mailing List 8 Library 9 Cataloguing, Inventorying, and Labeling lo Accessions 12 Expeditions and Field Work 19 Installation and Permanent Improvement 20 The N. -
Chicago on the Aisle 147 CHICAGO STUDIES
Chicago on the Aisle 147 CHICAGO STUDIES Claudia Cassidy’s Music Criticism and Legacy HANNAH EDGAR, AB’18 Introduction Criticism of value is not a provincial art. It has nothing whatever to do with patting undeserving heads, hailing earnest mediocrities as geniuses, or groveling in gratitude before second-rate, cut-down or broken-down visitors for fear they might not come again. It is neither ponderous nor pedantic, virulent nor hysterical. Above all, it is not mean-spirited. Ten what is it? Ideally, criticism is informed, astute, inquisitive, candid, interesting, of necessity highly personal. Goethe said, “Talent alone cannot make a writer. Tere must be a man behind the book.” Tere must be a person behind the critic. Nobody reads a nobody. Unread criticism is a bit like an unheard sound. For practical purposes it does not exist. — Claudia Cassidy 1 1. Claudia Cassidy, “Te Fine Art of Criticism,” Chicago, Winter 1967, 34. THE UNIVERSITY OF CHICAGO 148 In June 1956, Chicago magazine ran an eye-catching cover story. A castle composed of colorful shapes, as though rendered through collage, overlap over a parchment-white backdrop. In the form of one of the shapes is a black-and-white photo of a woman of indeterminate age: fair-faced, high cheekbones, half-lidded eyes, a string of pearls around her neck and a Mona Lisa smile on her lips. She is named, coronated, and damned in one headline: “Claudia Cassidy: Te Queen of Culture and Her Reign of Terror.”2 When Bernard Asbell wrote this profle, Clau- dia Cassidy was the chief music and drama critic of the Chicago Tribune and at the height of her career. -
North Shore Sample
T a b l e o f C o n t e n t s Volume I Acknowledgments . iv Introduction . vii Maps of Long Island Estate Areas . xiv Factors Applicable to Usage . xvii Surname Entries A – M . 1 Volume II Surname Entries N – Z . 803 Appendices: ArcHitects . 1257 Civic Activists . 1299 Estate Names . 1317 Golf Courses on former NortH SHore Estates . 1351 Hereditary Titles . 1353 Landscape ArcHitects . 1355 Maiden Names . 1393 Motion Pictures Filmed at NortH SHore Estates . 1451 Occupations . 1457 ReHabilitative Secondary Uses of Surviving Estate Houses . 1499 Statesmen and Diplomats WHo Resided on Long Island's North Shore . 1505 Village Locations of Estates . 1517 America's First Age of Fortune: A Selected BibliograpHy . 1533 Selected BibliograpHic References to Individual NortH SHore Estate Owners . 1541 BiograpHical Sources Consulted . 1595 Maps Consulted for Estate Locations . 1597 PhotograpHic and Map Credits . 1598 I n t r o d u c t i o n Long Island's NortH SHore Gold Coast, more tHan any otHer section of tHe country, captured tHe imagination of twentieth-century America, even oversHadowing tHe Island's SoutH SHore and East End estate areas, wHich Have remained relatively unknown. THis, in part, is attributable to F. Scott Fitzgerald's The Great Gatsby, whicH continues to fascinate the public in its portrayal of the life-style, as Fitzgerald perceived it, of tHe NortH SHore elite of tHe 1920s.1 The NortH SHore estate era began in tHe latter part of the 1800s, more than forty years after many of the nation's wealtHy Had establisHed tHeir country Homes in tHe Towns of Babylon and Islip, along tHe Great SoutH Bay Ocean on tHe SoutH Shore of Long Island. -
Caumsett State Park
WELCOME TO MY WEBSITE At this site, you will find: I. Introduction II. Background discussion of the geology of Caumsett Park III. Earth Science classroom and field activities for Caumsett Park IV. History of Caumsett Park V. Self-guided walk at Caumsett Park VI. Bibliography I. Introduction My name is Jane Tofel. I teach Earth Science at Cold Spring Harbor High School, Cold Spring Harbor, New York. My educational background includes a Bachelor’s degree from Skidmore College in Geology, and a Master’s from SUNY Stony Brook in Invertebrate Paleontology. I have been teaching in Cold Spring Harbor since 1990. I am currently involved in a course at SUNY Stony Brook called "Research Projects for Earth Science Teachers." Each member of us will be generating field guides and/or student activities specific to our own school district or particular interests, and will be includ- ed at this website. My study area is in Caumsett State Historic Park, located on Lloyd Neck (For a discussion, see History of Caum- sett State Historic Park.) One of my goals is to design some activities for Earth Science teachers to use with their students, written to supplement the Regents Earth Science Syllabus, and that utilize some of the resources at Caumsett. The first half of this packet is designed for the classroom; the second half is for small groups of students to do together, on their own time, at Caumsett. If you are an Earth Science teacher, the enjoyment of field work probably had a lot to do with your career choice. Another aspect of Earth Science that appeals to me is that it is, quite literally, everywhere. -
All Notices Gazette
ALL NOTICES GAZETTE CONTAINING ALL NOTICES PUBLISHED ONLINE ON 23 FEBRUARY 2016 PRINTED ON 24 FEBRUARY 2016 PUBLISHED BY AUTHORITY | ESTABLISHED 1665 WWW.THEGAZETTE.CO.UK Contents State/2* Royal family/ Parliament & Assemblies/ Honours & Awards/ Church/ Environment & infrastructure/3* Health & medicine/ Other Notices/6* Money/ Companies/7* People/80* Terms & Conditions/110* * Containing all notices published online on 23 February 2016 STATE STATE Honours & awards State Awards THE ROYAL VICTORIAN ORDER 2484968CENTRAL CHANCERY OF THE ORDERS OF KNIGHTHOOD St. James’s Palace, London S.W.1. 23 February 2016 THE QUEEN has been graciously pleased to give orders for the following appointment to the Royal Victorian Order: MVO To be a Member: Terence Joseph LYNCH; on retirement as Operations Surveyor, London Palaces, Royal Household. (To be dated 16 February 2016.) (2484968) 2 | CONTAINING ALL NOTICES PUBLISHED ONLINE ON 23 FEBRUARY 2016 | ALL NOTICES GAZETTE ENVIRONMENT & INFRASTRUCTURE 2484967DEPARTMENT FOR TRANSPORT TOWN AND COUNTRY PLANNING ACT 1990 ENVIRONMENT & The Secretary of State gives notice of the proposal to make an Order under section 247 of the above Act to authorise the stopping up of 3 part widths of The Moor at Sheffield in the City of Sheffield. INFRASTRUCTURE If made, the Order would authorise the stopping up only to enable development as permitted by Sheffield City Council, under reference 15/03537/FUL. Copies of the draft Order and relevant plan will be available for Planning inspection during normal opening hours at Library Reception, Sheffield Central Library, Surrey Street, Sheffield, S1 1XZ in the 28 TOWN PLANNING days commencing on 23 February 2016, and may be obtained, free of charge, from the address stated below quoting NATTRAN/Y&H/ 2485599SOUTH AYRSHIRE COUNCIL S247/2177. -
Gatsby: Myths and Realities of Long Island's North Shore Gold Coast.” the Nassau County Historical Society Journal 52 (1997):16–26
Previously published in The Nassau County Historical Society Journal. Revised and modified in July 2010 for website publication at www.spinzialongislandestates.com Please cite as: Spinzia, Raymond E. and Judith A. Spinzia. “Gatsby: Myths and Realities of Long Island's North Shore Gold Coast.” The Nassau County Historical Society Journal 52 (1997):16–26. Gatsby: Myths and Realities of Long Island’s North Shore Gold Coast by Raymond E. Spinzia and Judith A. Spinzia . The North Shore estates more than those of any other area of the Island captured the imagination of twentieth-century America. They occupied the area from Great Neck east to Centerport and from the Long Island Sound to just south of the present site of the Long Island Expressway. At the height of the estate era, Long Island had three Gold Coasts. An excellent social history of the South Shore estates, entitled Along the Great South Bay: From Oakdale to Babylon, has been written by Harry W. Havemeyer. The East End estates, which were built in the area known as the Hamptons, are chronicled by the authors in the soon-to-be-published Long Island’s Prominent Families in the Town of Southampton: Their Estates and Their Country Homes and Long Island’s Prominent Families in the Town of East Hampton: Their Estates and Their Country Homes. It is Long Island’s North Shore Gold Coast and the fact, fiction, and outright confusion created by F. Scott Fitzgerald’s The Great Gatsby that are considered here.1 Even the very existence of the South Shore and East End estates has remained relatively unknown. -
Police Aviation News
Police Aviation—History INTRODUCTION As far as I am aware, this history of the varied methods by which the law enforcement forces of the world arrived in a position whereby, by the late 1990s, most of them have been able to under- take air patrols is the first attempted. The content is exhaustive as possible in the face of a de- gree of secrecy and a certain lack of inertia. The meaning of the word “police” is, I recall from my training days over thirty years ago, the means by which governments endeavor to keep the peace. Although still valid in many parts of the world, this statement to fledgling British police was probably never intended to encompass the sheer diversity of modern law enforcement. Written in the days of Victoria, it was inward look- ing and took no account of the extensive para-military activity that now typifies policing across the world. For this reason the researching and compilation of this book has been complicated by the requirement to make arbitrary decisions about just which law enforcement bodies to include in the survey. Instances of this can be clearly seen from the coverage of the United States of America [USA], the country where the ground swell of law enforcement aviation was, and is, most clearly to be seen. In the USA there are thousands of law enforcement units across the length and breadth of this massive country, some use aircraft. In addition to the hundreds of police, marshall and sheriff units, each thrusting forward, individually and mutually, in the battle against law breakers, there are the large Federal organizations, most of which give the impression of having other, more pressing, duties to perform than law enforcement. -
Obama and Hillary Clinton—Is More Politically Relevant Than Ever
The Schwarz Report Dr. Fred Schwarz Volume 52, Number 5 Dr. David Noebel May 2012 The Saul Alinsky Playbook by John Fund Forty years after his death, Saul Alinsky—the father of the community-organizing model that inspired both Barack Obama and Hillary Clinton—is more politically relevant than ever. Leading conservatives attempt to tie the Obama administration to Alinsky’s radicalism, with Newt Gingrich declar- ing that Obama draws his “understanding of America” from “Saul Alinsky, radical left-wingers, and people who don’t like the classical America.” For their part, liberals have scrambled to minimize Obama’s affinity for Alinsky and to sand over Alinsky’s sharp edges. A blogger at Britain’s Guardian newspaper claims that Alinsky was merely “what passes for a left-wing radical in American politics, agitating for better living conditions for the poor.” (Liberals have also largely ignored the fact that the subtitle of Hillary Clinton’s honors thesis at Wellesley was “An Analysis of the Alinsky Model.”) Somewhere between Gingrich’s exaggerations and the Left’s whitewash of Alinsky is an explanation of why so many followers of Barack Obama—along with the president himself—draw inspiration from a long-dead radical. Born in 1909, Alinsky was a left-wing activist with a streak of ruthless political realism. After studying Criminology at the University of Chicago, he went into union organizing, and found it too tame. His “approach to social justice,” in the words of the Washington Post, would come to rely instead on “generating conflict to mobilize the dispossessed.” His first big conflict came in 1939, when he helped lead workers in cleaning up the Back of the Yards, the festering slum area of the Chicago meatpacking district. -
The Ruth Atwood Black Collection of Alexander Black and Edith O'dell Black Collection #4
THE RUTH ATWOOD BLACK COLLECTION OF ALEXANDER BLACK AND EDITH O'DELL BLACK COLLECTION #4 SCOPE AND CONTENT NOTE This collection was presented to St. Lawrence University in July 1980 by Ruth Atwood Black, daughter-in-law of Alexander Black. Alexander Black was the originator of the "picture play," the fore-runner of the motion picture, and was the pioneer of the screen drama. This collection contains an original manuscript of one of these "picture plays" and other works by Black. Also contained in this collection are approximately 275 letters sent to Edith O'Dell Black and Pomeroy Burton of the New York World from around 1903 to 1944. The letters are by eminent journalists, educators and authors of the first third of the twentieth century and often contain lengthy responses to queries by the World editors. The collection also contains around 50 copies of Edith O'Dell's letters to her various correspondents; several autographed manuscripts, signed; and newspaper clippings (xerox copies) relating to the achievements of Edith O'Dell, Alexander Black and their contemporaries. St. Lawrence University does not own the literary rights to this collection. BIOGRAPHICAL Alexander Black was born in New York City on February 7, 1859. After a grammar school education he became a reporter for the Brooklyn (N.Y.) "Times" and later became the literary and art editor for that paper. Black became interested in photography early in his career and eventually became a leading authority on the camera. In 1886 he became the first president of the department of photography in the Brooklyn Institute of Arts and Science.