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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Flatliners (1990) 68,725 This R | 1H 55Min | Drama, Horror, Sci-Fi | 10 August 1990 (USA)
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE 6.6/10 Rate Flatliners (1990) 68,725 This R | 1h 55min | Drama, Horror, Sci-Fi | 10 August 1990 (USA) Five medical students experiment with "near death" experiences, until the dark consequences of past tragedies begin to jeopardize their lives. Director: Joel Schumacher Writer: Peter Filardi Stars: Kiefer Sutherland, Kevin Bacon, Julia Roberts | See full cast & crew » IMDb Picks: December Metascore Reviews Popularity 55 From metacritic.com 160 user | 42 critic 1,662 ( 260) Watch Now From EUR2.99 (SD) on Amazon Video ON DISC Nominated for 1 Oscar. Another 2 nominations. See more awards » Videos Photos "Doctor Who" We can't wait to travel through time and space one last time with the Twelfth Doctor. See which other movies and TV shows we're excited about this month. 58 photos | 1 video | Related news articles » Visit IMDb Picks » Edit Like 5.6K people like this. Sign Up to see what Cast your friends like. Cast overview, first billed only: Kiefer Sutherland ... Nelson Wright Related News Julia Roberts ... Dr. Rachel Mannus New Flatliners Movie Coming to Blu-ray, DVD, and Digital Platforms This Kevin Bacon ... David Labraccio December 15 November 2017 7:21 PM, +01:00 | DailyDead William Baldwin ... Dr. Joe Hurley Julia Roberts Acts Out 26 of Her Movies in Under 10 Minutes Oliver Platt ... Randy Steckle 5 October 2017 12:55 PM, +01:00 | E! Online The ‘Flatliners’ Remake Buckled Under Kimberly Scott .. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
The Mamas and the Papas – California Dreamin' “If You're Going
The Mamas and the Papas – California dreamin’ “If you’re going to San Francisco be sure to wear some flowers in your hair” (John Phillips) 1.Els autors Influenciat per la “Generació Beat”, a mitjan anys 60 té lloc a San Francisco l’eclosió del moviment hippy. En la seva vessant musical, aquest nou moviment apostava decididament per una línia contestatària i subversiva, tant musicalment com en el contingut dels textos de les cançons, ara carregats de missatge. A partir d’aquest moment, la música passa a ser el mitjà d’expressió de la joventut, de la seva angoixa i del seu desig d’un altre món més lliure i just. I també de la crida per la pau, just en un moment de gran rebuig a la guerra del Vietnam. Els hippys predicaven l’evasió, la fugida (també a través de les drogues) d’un món i d’una societat incomprensibles. Els seus profetes literaris van ser Kerouac i Ginsberg. I entre els musics més significatius que van transmetre aquest missatge trobem The Mamas and the Papas. The Mamas and the Papas va ser una de les principals formacions de folk-pop sorgides a mitjan anys 60. Conjuntament amb altres grups, com ara Byrds, Beach Boys o Turtles, van omplir les llistes d’èxits de l’època amb cançons carregades de cors harmònics. El segell identificatiu del grup va ser la barreja de veus masculines (John Phillips i Denny Doherty) i femenines (Michelle Phillips i Cass Elliott) i la combinació de lletres sòlides amb arranjaments dels millors músics californians del moment. -
F5833 FLATLINERS (USA, 1990) (Other Titles: Egyenesen At; Experience Interdite; Linea Mortale)
F5833 FLATLINERS (USA, 1990) (Other titles: Egyenesen at; Experience interdite; Linea mortale) Credits: director, Joel Schumacher ; writer, Peter Filardi. Cast: Kiefer Sutherland, Julia Roberts, Kevin Bacon, William Baldwin. Summary: Horror film set in the contemporary U.S. An ambitious, charismatic medical student (Sutherland) persuades two classmates (Roberts and Bacon) to take part in an experiment to determine if there is life after death. When the Julia Roberts character crosses over to the other side, she is greeted as a little girl by images of her father returning home from Vietnam. She sees what she has suppressed since childhood: her father mainlining dope and killing himself with a .45 pistol. Blair, Iain, “Chicago quickens pulse of ‘Flatliners’: Sci-fi thriller mixes local sets, Sutherland and Roberts with macabre experiments seeking life after death” Chicago tribune (Aug 8, 1990), Tempo, p. 1. Boesch, Xavier (see under Outarquin, Laurent) Brown, Joe. “‘Flatliners’ lacks intensive scare” Washington post (Aug 10, 1990), Weekend, p. 49. Brudny, Wolfgang. “Jenseits - hin und zurueck” Medien 35/1 (1991), p. 40-41. Buehrer, Beverly Bare. “Flatliners” Magill’s cinema annual Englewood Cliffs, N.J. : Salem Press, 1982- (1991, p. 109-112) Busby, Scott. “Do or die” Millimeter 18 (Jun 1990), p. 205. Carr, Jay. “Dark ‘Flatliners’ takes idealism to heart” Boston globe (Aug 10, 1990), Arts and film, p. 31. Cosford, Bill. “Flatliners: A blip on the silver screen” Miami herald (Aug 10, 1990), p. 10G. Dawes, Amy. “Flatliners” Variety 340 (Aug 1, 1990), p. 67. Dwyer, V. [Flatliners] Maclean’s 103 (Aug 13, 1990), p. 58. Edelstein, David. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
From Del Ray to Monterey Pop Festival
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic From Del Ray to Monterey Pop Festival Alexandria Times, February 11, 2016 Image: The Momas and the Popas. Photo, Office of Historic Alexandria. t the center of Alexandria’s connection to rock and folk music fame was John Phillips. Born in South A Carolina, John and his family lived in Del Ray for much of his childhood. He attended George Washington High School, like Cass Elliot and Jim Morrison, graduating in 1953. He met and then married his high school sweetheart, Susie Adams, with whom he had two children, Jeffrey and Mackenzie, who later became famous in her own right. Phillips and Adams lived in the Belle Haven area after high school, but John left his young family at their Fairfax County home to start a folk music group called the Journeymen in New York City. The new group included lifelong friend and collaborator Philip Bondheim, later known as Scott McKenzie, also from Del Ray. The young men had met through their mothers, who were close friends. While in New York, John’s romantic interests turned elsewhere and he told Susie he would not be returning to her. Soon after, he married his second wife, Michelle Gilliam, who was barely out of her teens. They had one daughter, Chynna, who also gained fame as a singer. Gilliam and Phillips joined two former members of a group called the Mugwumps, Denny Doherty and Cass Elliot to form The Mamas and the Papas in 1965. This photo from that time shows Gilliam and Doherty to the left, Phillips and Elliot to the right, and fellow Alexandrian Bondheim at the center. -
Navigating the Michelle P. Waiver: a Narrative Examination of the Impact of Parent Caregiver- Related Uncertainty and Decision Making for Children with Disabilities
University of Kentucky UKnowledge Theses and Dissertations--Communication Communication 2019 NAVIGATING THE MICHELLE P. WAIVER: A NARRATIVE EXAMINATION OF THE IMPACT OF PARENT CAREGIVER- RELATED UNCERTAINTY AND DECISION MAKING FOR CHILDREN WITH DISABILITIES Whittney H. Darnell University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0003-3302-0457 Digital Object Identifier: https://doi.org/10.13023/etd.2019.245 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Darnell, Whittney H., "NAVIGATING THE MICHELLE P. WAIVER: A NARRATIVE EXAMINATION OF THE IMPACT OF PARENT CAREGIVER-RELATED UNCERTAINTY AND DECISION MAKING FOR CHILDREN WITH DISABILITIES" (2019). Theses and Dissertations--Communication. 82. https://uknowledge.uky.edu/comm_etds/82 This Doctoral Dissertation is brought to you for free and open access by the Communication at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Communication by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
April 1986 Newsletter
============================--------------------------------------------------------------------------- VOLUME XI ISSUE NO. 5 APRIL 1986 @1986 by the National Association to Aid Fat Americans, Inc., PO Box 43, Bellerose, NY 11426. Nothing may be reprinted without permission except for noncommercial purposes. Managing Editor: Nancy Summer ======------------------------------------------------------------------------------------------------- NEWS AND COMMENT HOSPITAL REVEALS TRUE PRIORITIES IN MEMO ABOUT WEIGHT LOSS PROGRAM NEW NAAFA MEMBER SUBMITS COPY OF CONFIDENTIAL MARKETING PLAN A midwestern hospital has unknowingly revealed its weight loss marketing plan, a copy of which has been given to this Newsletter for examination. The marketing plan calls for promotion of the hospi tal's various weight-loss programs through a local fitness center, local physicians, clinical dieti tians, word-of-mouth referrals, and local advertising. Their "Weight Management" program utilizes three phases: An ordinary dieting and behavior modifica tion program for those who are from 10% to 100 pounds over "ideal" weight; a balloon insertion proce dure, for those who weigh from 20% to 100% over "ideal" weight; and gastric bypass surgery for those who are more than 100 pounds or 100% over their "ideal" weight. The marketing plan calls for physician referrals to bring in candidates for the gastric bypass sur gery, but advertising is proposed to be the main source of patients for the new balloon procedure. The emphasis in the entire plan is on the balloon--and on the advertising that will be needed ta- generate new patients for the program. Some highlights of the steps to be followed for the balloon procedure are listed as follows: "The balloon will be placed in appropriate individuals who are medically in good health except for obesity, and who are psychologically sound. -
Free Notary Public Gainesville Fl
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Roller Derby: Past, Present, Future RESEARCH PAPER for ASU’S Global Sport Institute
Devoney Looser, Foundation Professor of English Department of English, Arizona State University Tempe, AZ 85287-1401 [email protected] Roller Derby: Past, Present, Future RESEARCH PAPER for ASU’s Global Sport Institute SUMMARY Is roller derby a sport? Okay, sure, but, “Is it a legitimate sport?” No matter how you’re disposed to answer these questions, chances are that you’re asking without a firm grasp of roller derby’s past or present. Knowledge of both is crucial to understanding, or predicting, what derby’s future might look like in Sport 2036. From its official origins in Chicago in 1935, to its rebirth in Austin, TX in 2001, roller derby has been an outlier sport in ways admirable and not. It has long been ahead of the curve on diversity and inclusivity, a little-known fact. Even players and fans who are diehard devotees—who live and breathe by derby—have little knowledge of how the sport began, how it was different, or why knowing all of that might matter. In this paper, which is part of a book-in-progress, I offer a sense of the following: 1) why roller derby’s past and present, especially its unusual origins, its envelope-pushing play and players, and its waxing and waning popularity, matters to its future; 2) how roller derby’s cultural reputation (which grew out of roller skating’s reputation) has had an impact on its status as an American sport; 3) how roller derby’s economic history, from family business to skater-owned-and- operated non-profits, has shaped opportunity and growth; and 4) why the sport’s past, present, and future inclusivity, diversity, and counter-cultural aspects resonate so deeply with those who play and watch.