The Field of Public Affairs Education
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Canada's Public Space
CBC/Radio-Canada: Canada’s Public Space Where we’re going At CBC/Radio-Canada, we have been transforming the way we engage with Canadians. In June 2014, we launched Strategy 2020: A Space for Us All, a plan to make the public broadcaster more local, more digital, and financially sustainable. We’ve come a long way since then, and Canadians are seeing the difference. Many are engaging with us, and with each other, in ways they could not have imagined a few years ago. Our connection with the people we serve can be more personal, more relevant, more vibrant. Our commitment to Canadians is that by 2020, CBC/Radio-Canada will be Canada’s public space where these conversations live. Digital is here Last October 19, Canadians showed us that their future is already digital. On that election night, almost 9 million Canadians followed the election results on our CBC.ca and Radio-Canada.ca digital sites. More precisely, they engaged with us and with each other, posting comments, tweeting our content, holding digital conversations. CBC/Radio-Canada already reaches more than 50% of all online millennials in Canada every month. We must move fast enough to stay relevant to them, while making sure we don’t leave behind those Canadians who depend on our traditional services. It’s a challenge every public broadcaster in the world is facing, and CBC/Radio-Canada is further ahead than many. Our Goal The goal of our strategy is to double our digital reach so that 18 million Canadians, one out of two, will be using our digital services each month by 2020. -
Cbc Radio One, Today
Stratégies gagnantes Auditoires et positionnement Effective strategies Audiences and positioning Barrera, Lilian; MacKinnon, Emily; Sauvé, Martin 6509619; 5944927; 6374185 [email protected]; [email protected]; [email protected] Rapport remis au professeur Pierre C. Bélanger dans le cadre du cours CMN 4515 – Médias et radiodiffusion publique 14 juin 2014 TABLE OF CONTENT ABSTRACT ......................................................................................... 2 INTRODUCTION .................................................................................. 3 CBC RADIO ONE, TODAY ...................................................................... 4 Podcasting the CBC Radio One Channel ............................................... 6 The Mobile App for CBC Radio One ...................................................... 7 Engaging with Audiences, Attracting New Listeners ............................... 9 CBC RADIO ONE, TOMORROW ............................................................. 11 Tomorrow’s Audience: Millennials ...................................................... 11 Fishing for Generation Y ................................................................... 14 Strengthening Market-Share among the Middle-aged ............................ 16 Favouring CBC Radio One in Institutional Settings ................................ 19 CONCLUSION .................................................................................... 21 REFERENCES .................................................................................... -
Of Analogue: Access to Cbc/Radio-Canada Television Programming in an Era of Digital Delivery
THE END(S) OF ANALOGUE: ACCESS TO CBC/RADIO-CANADA TELEVISION PROGRAMMING IN AN ERA OF DIGITAL DELIVERY by Steven James May Master of Arts, Ryerson University, Toronto, Ontario, Canada, 2008 Bachelor of Applied Arts (Honours), Ryerson University, Toronto, Ontario, Canada, 1999 Bachelor of Administrative Studies (Honours), Trent University, Peterborough, Ontario, Canada, 1997 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2017 © Steven James May, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The End(s) of Analogue: Access to CBC/Radio-Canada Television Programming in an Era of Digital Delivery Steven James May Doctor of Philosophy in the Program of Communication and Culture Ryerson University and York University, 2017 This dissertation -
Cbc/Radio-Canada’S Official Languages Obligations
For more information please contact us: by email: [email protected] by phone: (613) 990-0088 toll-free: 1 800 267-7362 by mail: The Standing Senate Committee on Official Languages, Senate, Ottawa, Ontario, Canada, K1A 0A4 This report can be downloaded at: www.senate-senat.ca/ollo.asp The Senate of Canada is on Twitter: @SenateCA, follow the committee using the hashtag #OLLO Ce rapport est également offert en français. Contents MEMBERS ........................................................................................... I ORDER OF REFERENCE ................................................................................ II ACRONYMS ......................................................................................... III PREFACE .......................................................................................... IV EXECUTIVE SUMMARY ................................................................................. V INTRODUCTION .......................................................................................... 1 CHAPTER 1 – CBC/RADIO-CANADA’S OFFICIAL LANGUAGES OBLIGATIONS ........... 4 1.1 The Broadcasting Act ........................................................................... 4 1.2 The Official Languages Act ................................................................... 6 1.2.1 Overview of complaints received by the Office of the Commissioner of Official Languages ........................................................................................ 7 1.2.2 Court action: Commissioner of Official -
2020 Chevrolet Spark Owners Manual
20_CHEV_Spark_COV_en_US_84321087B_2019SEP25.ai 1 8/26/2019 2:43:54 PM C M Y CM MY CY CMY K Chevrolet Spark Owner Manual (GMNA-Localizing-U.S./Canada-13556236) - 2020 - CRC - 4/23/19 Contents Introduction . 2 Keys, Doors, and Windows . 7 Seats and Restraints . 29 Storage . 76 Instruments and Controls . 79 Lighting . 109 Infotainment System . 116 Climate Controls . 143 Driving and Operating . 148 Vehicle Care . 196 Service and Maintenance . 273 Technical Data . 287 Customer Information . 291 Reporting Safety Defects . 301 OnStar . 305 Connected Services . 313 Index . 317 Chevrolet Spark Owner Manual (GMNA-Localizing-U.S./Canada-13556236) - 2020 - CRC - 9/4/19 2 Introduction Introduction This manual describes features that Propriétaires Canadiens may or may not be on the vehicle On peut obtenir un exemplaire de because of optional equipment that ce guide en français auprès du was not purchased on the vehicle, concessionnaire ou à l'adresse model variants, country suivante: specifications, features/applications that may not be available in your Helm, Incorporated region, or changes subsequent to Attention: Customer Service the printing of this owner’s manual. 47911 Halyard Drive Plymouth, MI 48170 The names, logos, emblems, Refer to the purchase USA slogans, vehicle model names, and documentation relating to your vehicle body designs appearing in specific vehicle to confirm the this manual including, but not limited features. Using this Manual to, GM, the GM logo, CHEVROLET, To quickly locate information about the CHEVROLET Emblem, and Keep this manual in the vehicle for quick reference. the vehicle, use the Index in the SPARK are trademarks and/or back of the manual. -
Expanding Jack Kerouac's “America”: Canadian
Expanding Jack Kerouac’s “America” 31 Expanding Jack Kerouac’s “America”: Canadian Revisions of On the Road Karen E. H. Skinazi Figure 1: Commemorative stamp of Champlain’s historic voyage of 1606, issued jointly by Canada Post and the United States Postal Service in 2006. Canada Post Commemorative Stamp © Canada Post 2006. Reprinted with permission. In our history, America began with a French look, briefly but gloriously given it by Champlain, Jolliet, La Salle, La Vérendrye. (René Lévesque, An Option for Québec, 1968, 14) ‘Come into my house,’ Jack said to me when I read Doctor Sax; ‘we have so few visitors from Up There.’ —(I’ll teach you and teaching you will teach me)— (Victor-Lévy Beaulieu, Jack Kerouac: A Chicken Essay, 1972, 31) 0026-3079/2010/5103/4-031$2.50/0 American Studies, 51:3/4 (Fall/Winter 2010): 31-59 31 32 Karen E. H. Skinazi I. Introduction Fans of Jack Kerouac’s On the Road are offered a facile lesson in American history. Readers race alongside Sal Paradise as he sweeps across the land, paus- ing to exult in the vastness of what he calls “the great raw bulge and bulk of my American continent” (Kerouac, Road, 79). And as they cover “the whole mad thing, the ragged promised land” with Sal, they encounter cowboys and vagrants, students of Nietzsche and Mexican migrants, ranchers, coal-truck drivers, mothers and fathers, drug addicts, poets, con men, jazz musicians—all the people of his “American continent” across its varied, incredible landscape (Kerouac, Road, 83). Is this “American continent,” however, confined to the United States of America? At first glance, the answer must be yes: The book begins with Sal Paradise “reading books about the pioneers” and poring over maps of the United States (Kerouac, Road, 10). -
Pitching to CBC Radio
CBC Radio Program Development Group Pitch Guide 2010 / 2011 Season Revised: October 2010 CBC Radio 2 Program Development Pitch Guide What is the program development group looking for? New radio shows; limited run series; segments for ongoing programs. We’re also looking for potential – not only in ideas, but also in people. We want to find the writers, hosts and producers of tomorrow. We want to develop a contingent of creative people, from all regions of the country, who have the confidence and ability to create new shows. Before you send us your pitch, here are a few things to remember: -CBC is committed to developing predominantly Canadian shows, producers and hosts. -CBC Radio receives hundreds of proposals every year and only a very few are selected for development. -Submissions are usually processed within three (3) months. The Idea Your proposal doesn’t need to be long and complicated, but it should be well thought out. Make sure you’ve taken the time to dream it, debate it, mull it and polish it before you send it our way. To help you get your idea down on paper, here are some questions you should ask yourself. 1. When you tell others about your dream radio show, what excites them the most? This is often a good way to start your pitch 2. How would you describe your show’s attitude toward its content? Will it be light-hearted or more serious? Cheeky or respectful? Entertaining or informative? Probing or reflective? Is there anything new or different about how your show will sound? 3. -
MAPPING DIGITAL MEDIA: CANADA Mapping Digital Media: Canada
COUNTRY REPORT MAPPING DIGITAL MEDIA: CANADA Mapping Digital Media: Canada A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Jonathan A. Obar, Gregory Taylor, Derek Antoine, Rena Bivens, Nadia Caidi, Arndis Johnson, Catherine Middleton, David Skinner EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Stewart Chisholm, associate director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 30 November 2013 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 10 Social Indicators ................................................................................................................................ 11 Economic Indicators ........................................................................................................................ -
Final Text 9/5/07 12:57 PM Page 1
final text 9/5/07 12:57 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Summer Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (‒), W.H. New, Editor emeritus (‒), Eva-Marie Kröller (‒) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae McGill University Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laurie Ricou When it Rains it Winks Articles Danielle Fuller Listening to the Readers of “Canada Reads” Andrea Stone Internalized Racism: Physiology and Abjection in Kerri Sakamoto’s The Electrical Field Robin Jarvis Curious Fame: The Literary Relevance of Alexander Mackenzie Reconsidered Maia Joseph Wondering into Country: Dionne Brand’s A Map to the Door of No Return final text 9/5/07 12:57 PM Page 2 Poems Michael Bullock A.F. Moritz Theresa Muñoz Michael Lista Bill Howell Susan Andrews Grace Books in Review Forthcoming book reviews are available at the Canadian Literature website: http://www.canlit.ca Authors Reviewed Terrence Heath Sylvia Adams Nairne Holtz Mark Abley , Walter W. -
Appendix 1 Olmc Consultation Report
APPENDIX 1 OLMC CONSULTATION REPORT APPENDIX 1 - 2013–2014 ANNUAL REPORT FORMAL CONSULTATIONS WITH OLMCs CBC/RADIO-CANADA ENGLISH SERVICES Introduction As of September 1, 2013, CBC/Radio-Canada has been required under condition of licence to “hold a formal consultation at least once every two years with official language minority communities (OLMCs) located in each of the regions of Atlantic Canada, Ontario, Western Canada, the North and Quebec to discuss issues that affect their development and vitality. For the French-language services, the relevant regions are Atlantic Canada, Ontario, Western Canada and the North. For the English-language services the relevant region is Quebec. Consultations shall include independent producers from OLMCs. The licensee shall report annually on consultations that took place that year and demonstrate how feedback from the consultations was taken into consideration in the Corporation’s decision making process.” The first formal consultation is scheduled for February 17, 2015. The Corporation will report on this consultation in the 2014-15 annual report to be filed November 30, 2015. During the first year of the current licence term, CBC has conducted two telephone surveys, in November 2013 and in March 2014, on the OLMC audience perception of the CBC’s television and radio programming. The results of this survey, also filed today with the CRTC, are very positive. We would like to point out that formal consultations are not the only opportunity for discussion and consultation with OLMCs regarding the Corporation’s English-language services. Our strategy is to keep the dialogue going and strengthen ties with the various organizations and associations representing Quebec’s English-speaking communities. -
Canadian Claimants Group (CCG)
WRITTEN DIRECT TESTIMONY OF JANICE DE FREITAS (CBC - RIGHTS ADMINISTRATION) 2004—2005 Cable Royalty Distribution Proceeding Docket No. 2007-03 CRB CD 2004-2005 1. Introduction I am Manager of Rights Administration for the Canadian Broadcasting Corporation/Radio-Canada (CBC/Radio-Canada) at the Head Office in Ottawa. I have worked for the CBC since 1980. For the last 15 years, I have served as Chairman of the Canadian Claimants Group (CCG). Before assuming my current position, I spent nine years in CBC’s television program distribution department eventually managing the Educational Sales unit. Those responsibilities called for me to be familiar with the English television network’s programming, and rights administration. CBC/Radio-Canada is Canada’s national public broadcaster, and one of its largest and most important cultural institutions. It was created by an Act of Parliament in 1936, beginning with Radio. Bilingual television services were launched in 1952. CBC/Radio-Canada is licensed and regulated by the Canadian Radio-television and Telecommunications Commission (CRTC)1. CBC/Radio-Canada employs approximately 9,930 Canadians in 27 regional offices across the country. CBC programming is provided on multiple platforms: television (both traditional over-the-air and cable networks), radio, the Internet, satellite radio, digital audio and a recording label. Through this array of activities, CBC/Radio-Canada delivers content in English, French, and eight aboriginal languages. In addition to this, programming is available in seven other languages including Spanish, Russian and Mandarin on both Radio Canada International, and Web-based www.rciviva.ca, a radio service for recent and aspiring immigrants to Canada. -
Annual Report 2015-2016 2
CBC/RADIO-CANADA’S COMMITMENT TO TRANSPARENCY AND ACCOUNTABILITY As the national public broadcaster, we take very seriously our obligation to be transparent and accountable to Canadians. To meet our responsibilities, we provide access on our corporate website to information about our activities and the way we manage our public resources. HR COMPLIANCE • Annual Review on Implementation of Section 41 of the Official Languages Act to Canadian Heritage • Annual Review on Parts IV, V and VI of the Official Languages Act to Treasury Board of Canada Secretariat • Annual Report on Employment Equity to Employment and Social Development Canada (ESDC) • Annual Report on Multiculturalism to Citizenship and Immigration Canada RESPONSES TO ACCESS TO CORPORATE REPORTS INFORMATION AND PRIVACY • Annual Report (ATIP) REQUESTS • Quarterly financial reports POLICIES AND PRACTICES • Corporate Plan and Corporate Plan Summary • Journalistic Standards and Practices • CBC Pension Annual Report • Code of Conduct • Public Accounts of Canada • The Strategy 2020 Performance Report • The Mandate and Vision Perception Survey • Environmental performance reports • Reports on the implementation of the Access to Information Act and Privacy Act, and on any disclosure of wrongdoings (under the Public Servants Disclosure Protection Act) TRANSPARENCY & ACCOUNTABILITY APPEARANCES BEFORE BULLETIN PARLIAMENTARY COMMITTEES OMBUDSMEN REPORTS OFFICE OF THE AUDITOR GENERAL (OAG) • Board must respond to Ombudsmen • Annual OAG Attest Audit Reports and table responses with the CRTC