Guide to the Harry H. Weintraub Collection of Gay-Related Photography and Historical Documentation, 1850S-2010. Collection Number: 7771
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Extended Sensibilities Homosexual Presence in Contemporary Art
CHARLEY BROWN SCOTT BURTON CRAIG CARVER ARCH CONNELLY JANET COOLING BETSY DAMON NANCY FRIED EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART JEDD GARET GILBERT & GEORGE LEE GORDON HARMONY HAMMOND JOHN HENNINGER JERRY JANOSCO LILI LAKICH LES PETITES BONBONS ROSS PAXTON JODY PINTO CARLA TARDI THE NEW MUSEUM FRAN WINANT EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART CHARLEY BROWN HARMONY HAMMOND SCOTT BURTON JOHN HENNINGER CRAIG CARVER JERRY JANOSCO ARCH CONNELLY LILI LAKICH JANET COOLING LES PETITES BONBONS BETSY DAMON ROSS PAXTON NANCY FRIED JODY PINTO JEDD GARET CARLA TARDI GILBERT & GEORGE FRAN WINANT LE.E GORDON Daniel J. Cameron Guest Curator The New Museum EXTENDED SENSIBILITIES STAFF ACTIVITIES COUNCJT . Robin Dodds Isabel Berley HOMOSEXUAL PRESENCE IN CONTEMPORARY ART Nina Garfinkel Marilyn Butler N Lynn Gumpert Arlene Doft ::;·z17 John Jacobs Elliot Leonard October 16-December 30, 1982 Bonnie Johnson Lola Goldring .H6 Ed Jones Nanette Laitman C:35 Dieter Morris Kearse Dorothy Sahn Maria Reidelbach Laura Skoler Rosemary Ricchio Jock Truman Ned Rifkin Charles A. Schwefel INTERNS Maureen Stewart Konrad Kaletsch Marcia Thcker Thorn Middlebrook GALLERY ATTENDANTS VOLUNTEERS Joanne Brockley Connie Bangs Anne Glusker Bill Black Marcia Landsman Carl Blumberg Sam Robinson Jeanne Breitbart Jennifer Q. Smith Mary Campbell Melissa Wolf Marvin Coats Jody Cremin This exhibition is supported by a grant from the National Endowment for BOARD OF TRUSTEES Joanna Dawe the Arts in Washington, D.C., a Federal Agency, and is made possible in Jack Boulton Mensa Dente part by public funds from the New York State Council on the Arts. Elaine Dannheisser Gary Gale Library of Congress Catalog Number: 82-61279 John Fitting, Jr. -
Erotic and Physique Studios Photography Collection, Circa 1930-2005 Coll2014-051
http://oac.cdlib.org/findaid/ark:/13030/c8br8z8d No online items Finding aid to the erotic and physique studios photography collection, circa 1930-2005 Coll2014-051 Michael C. Oliveira ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California © 2017 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Coll2014-051 1 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Erotic and physique studios photography collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2014-051 Physical Description: 30 Linear Feet37 boxes. Date (inclusive): circa 1930-2005 Abstract: Photographs produced from the 1930s through 2010 by gay erotic or physique photography studios. The studios named in this collection range from short-lived single person operations to larger corporations. Arrangement This collection is divided into two series: (1) Photographic prints and (2) Negatives and slides. Both series are arranged alphabetically. Conditions Governing Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Immediate Source of Acquisition This collection comprises photographs garnered from numerous donations to ONE Archives, many of which are unknown or anonymous. Dan Luckenbill, Neil Edwards, Harold Dittmer, and Dan Raymon are among some of the known donors of photographs in this collection. -
George Platt Lynes David Zwirner
David Zwirner New York London Hong Kong George Platt Lynes Artist Biography Among the greatest photographers of the twentieth century, George Platt Lynes (1907–1955) developed a uniquely elegant and distinctive style of portraiture alongside innovative investigations of the erotic and formal qualities of the male nude body. Born and raised in New Jersey with his brother Russell, who would go on to become a managing editor at Harper’s Magazine, Lynes entertained literary ambitions in his youth. While at prep school in Massachusetts, where he studied beside future collaborator and New York City Ballet founder Lincoln Kirstein, he began a correspondence with the American writer Gertrude Stein, then living in Paris. Over a series of successive visits to Paris, he met Stein and her partner, Alice B. Toklas, who integrated him into their creative milieu. At their salons, he met such figures as the painter Pavel Tchelitchew, French writer André Gide, and the dancer Isadora Duncan. Accompanying him on many of these transatlantic journeys was a romantically involved couple consisting of writer Glenway Wescott and the publisher and future director of the Museum of Modern Art in New York, Monroe Wheeler, the latter of whom became Lynes’s lover. During a failed attempt to write a novel and a successful stint as the owner of a bookshop in New Jersey, Lynes began experimenting with a camera in 1929, photographing friends in his creative social circles in New York and Paris. Those early casual experiments would become a serious commitment to the medium. In 1931, he settled in New York, where his ménage à trois continued with Wheeler and Wescott, with all three sharing an apartment, an arrangement that lasted until 1943. -
Autumn 2017 Cover
Volume 1, Issue 2, Autumn 2017 Front cover image: John June, 1749, print, 188 x 137mm, British Museum, London, England, 1850,1109.36. The Journal of Dress History Volume 1, Issue 2, Autumn 2017 Managing Editor Jennifer Daley Editor Alison Fairhurst Published by The Association of Dress Historians [email protected] www.dresshistorians.org i The Journal of Dress History Volume 1, Issue 2, Autumn 2017 ISSN 2515–0995 [email protected] www.dresshistorians.org Copyright © 2017 The Association of Dress Historians Online Computer Library Centre (OCLC) accession number: 988749854 The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer–reviewed environment. The journal is published biannually, every spring and autumn. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is distributed completely free of charge, solely for academic purposes, and not for sale or profit. The Journal of Dress History is published on an Open Access platform distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The editors of the journal encourage the cultivation of ideas for proposals. -
Los Angeles by Dan Luckenbill
Los Angeles by Dan Luckenbill Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com The modern gay civil rights movement may be said to have been born in Los Angeles with the formation of the Mattachine Society and ONE, Inc. in the early 1950s. The glbtq history of the city, now the U.S.'s second largest metropolis, is replete with other cultural, social, and political firsts, with the largest, the best-funded, the Two photographs by longest-lived, and at times the most visible and influential of publications, protests, Angela Brinskele: legal accomplishments, cultural influences, and social and religious organizations. Top: Mayor Antonio Villaraigosa marching in Los Angeles, along with San Francisco and New York, has been at the very center of the 2006 Los Angeles the American glbtq movement for equality. Currently, groups are attempting to Gay Pride Parade. Above: The McDonald/ increase the involvement of racial and ethnic minorities within the city's glbtq Wright Building of the communities. Gay and Lesbian Center in Los Angeles. Maturing of a City Images copyright © 2006 Angela Brinskele, courtesy Angela Until the late twentieth century Los Angeles was often satirized as a place of indolent Brinskele. sunshine, home to a second-rate art form and cult religions. It received scant serious attention when cultural histories were written about U.S. cities. All of this changed when motion pictures became perhaps the most influential art form internationally, when alternative religions came to the forefront, and when it no longer seemed merely hedonistic and mind numbing to enjoy living and working in the beneficent southern California climate. -
GLBT Historical Society Archives
GLBT Historical Society Archives - Periodicals List- Updated 01/2019 Title Alternate Title Subtitle Organization Holdings 1/10/2009 1*10 #1 (1991) - #13 (1993); Dec 1, Dec 29 (1993) 55407 Vol. 1, Series #2 (1995) incl. letter from publisher @ditup #6-8 (n.d.) vol. 1 issue 1 (Win 1992) - issue 8 (June 1994 [2 issues, diff covers]) - vol. 3 issue 15 10 Percent (July/Aug 1995) #2 (Feb 1965) - #4 (Jun 1965); #7 (Dec 1965); #3 (Winter 1966) - #4 (Summer); #10 (June 1966); #5 (Summer 1967) - #6 (Fall 1967); #13 (July 1967); Spring, 1968 some issues incl. 101 Boys Art Quarterly Guild Book Service and 101 Book Sales bulletins A Literary Magazine Publishing Women Whoever We Choose 13th Moon Thirteenth Moon To Be Vol. 3 #2 (1977) 17 P.H. fetish 'zine about male legs and feet #1 (Summer 1998) 2 Cents #4 2% Homogenized The Journal of Sex, Politics, and Dairy Products One issue (n.d.) 24-7: Notes From the Inside Commemorating Stonewall 1969-1994 issue #5 (1994) 3 in a Bed A Night in the Life 1 3 Keller Three Keller Le mensuel de Centre gai&lesbien #35 (Feb 1998), #37 (Apr 1998), #38 (May 1998), #48 (May 1999), #49 (Jun 1999) 3,000 Eyes Are Watching Me #1 (1992) 50/50 #1-#4 (June-1995-June 1996) 6010 Magazine Gay Association of Southern Africa (GASA) #2 (Jul 1987) - #3 (Aug 1987) 88 Chins #1 (Oct 1992) - #2 (Nov 1992) A Different Beat An Idea Whose Time Has Come... #1 (June 3, 1976) - #14 (Aug 1977) A Gay Dragonoid Sex Manual and Sketchbook|Gay Dragonoind Sex A Gallery of Bisexual and Hermaphrodite Love Starring the A Dragonoid Sex Manual Manual|Aqwatru' & Kaninor Dragonoid Aliens of the Polymarinus Star System vol 1 (Dec 1991); vol. -
ROMAN ROAD PRESS RELEASE PHOTO LONDON Stand G23
ROMAN ROAD PRESS RELEASE PHOTO LONDON Stand G23 Thursday 17 May – Sunday 20 May 2018 Opening Hours: Thursday 17 May: 12 PM – 8 PM Somerset House Friday 18 May: 12 PM – 7.30 PM Strand Saturday 19 May: 12 PM – 7.30 PM London, WC2R 1LA Sunday 20 May: 12 PM – 6.30 PM Exhibited Artists: Antony Cairns, Gita Lenz, Natalia LL, George Platt Lynes, Aaron Siskind, Daisuke Yokota Roman Road is very pleased to be participating in the fourth edition of Photo London, hosted at Somerset House from 17 – 20 May 2018. Featuring both 20th-century and contemporary photographic works, our stand brings together pieces by international artists who have engaged with experimental printing methods and the aesthetics of abstraction. The display considers the definitions of abstract photography, looking at the originality and process of artists who have abstracted subject and composition, or experimented with techniques that manipulate forms and impart new meaning. The stand features experimental works by contemporary artists Antony Cairns and Daisuke Yokota. Employing unlikely supports and radical techniques, Cairns’ work engages deeply with technological developments and he transforms machines and recycled materials into art objects. The display includes selected works from two of his most recent series – E.I. and IBM – through which he presents his images of cities petrified in e-reader screens and printed on tinted IBM computer punch cards. Yokota’s works on the stand are taken from his Matter/Burn Out (2016), a series whereby he documented the process of setting fire to installation prints in a vacant construction site in Xiamen, China. -
February 7, 2001
April 2019 FOR IMMEDIATE RELEASE CONTACT: Keith de Lellis (212) 327-1482 [email protected] GEORGE PLATT LYNES PORTRAITS, NUDES, & DANCE APRIL 11 – MAY 23, 2019 Keith de Lellis Gallery showcases the portrait photography of noted fashion photographer and influential artist George Platt Lynes (American, 1907–1955) in its spring exhibition. Though largely concealed during his lifetime (or published under pseudonyms), Lynes’ male nude photographs are perhaps his most notable works today and inspired later artists such as Robert Mapplethorpe and Herb Ritts. Primarily self-taught, Lynes was influenced by Man Ray when he visited Paris in 1925, where he also met Monroe Wheeler, Glenway Wescott, and John Cocteau. Publisher Jack Woody wrote, “surrealism, neo-romanticism, and other European visual movements remained with him” when he returned to New York (Ballet: George Platt Lynes, Twelvetree Press, 1985). Lynes first exhibited with surrealist gallerist Julian Levy in 1932, and was featured at many galleries and museums in his lifetime, including three group exhibitions at the Museum of Modern Art. He opened his New York studio in 1933, finding great success in commercial portraiture for fashion magazines (Vogue, Harper’s Bazaar, etc.) and local elites. The artist relocated to Los Angeles in 1946 to lead Vogue’s west coast studio for two years, photographing celebrities such as Katharine Hepburn and Gloria Swanson, before returning to New York to focus on personal work, disavowing commercial photography. While his commercial work allowed him to support himself and brought him great recognition as a photographer, it did not fulfill him creatively, leading the artist to destroy many of those negatives and prints towards the end of his life. -
List of All Porno Film Studio in the Word
LIST OF ALL PORNO FILM STUDIO IN THE WORD 007 Erections 18videoz.com 2chickssametime.com 40inchplus.com 1 Distribution 18virginsex.com 2girls1camera.com 40ozbounce.com 1 Pass For All Sites 18WheelerFilms.com 2hotstuds Video 40somethingmag.com 10% Productions 18yearsold.com 2M Filmes 413 Productions 10/9 Productions 1by-day.com 3-Vision 42nd Street Pete VOD 100 Percent Freaky Amateurs 1R Media 3-wayporn.com 4NK8 Studios 1000 Productions 1st Choice 30minutesoftorment.com 4Reel Productions 1000facials.com 1st Showcase Studios 310 XXX 50plusmilfs.com 100livresmouillees.com 1st Strike 360solos.com 60plusmilfs.com 11EEE Productions 21 Naturals 3D Club 666 130 C Street Corporation 21 Sextury 3d Fantasy Film 6666 Productions 18 Carat 21 Sextury Boys 3dxstar.com 69 Distretto Italia 18 Magazine 21eroticanal.21naturals.com 3MD Productions 69 Entertainment 18 Today 21footart.com 3rd Degree 6969 Entertainment 18 West Studios 21naturals.com 3rd World Kink 7Days 1800DialADick.com 21roles.com 3X Film Production 7th Street Video 18AndUpStuds.com 21sextreme.com 3X Studios 80Gays 18eighteen.com 21sextury Network 4 Play Entertainment 818 XXX 18onlygirls.com 21sextury.com 4 You Only Entertainment 8cherry8girl8 18teen 247 Video Inc 4-Play Video 8Teen Boy 8Teen Plus Aardvark Video Absolute Gonzo Acerockwood.com 8teenboy.com Aaron Enterprises Absolute Jewel Acheron Video 8thstreetlatinas.com Aaron Lawrence Entertainment Absolute Video Acid Rain 9190 Xtreme Aaron Star Absolute XXX ACJC Video 97% Amateurs AB Film Abstract Random Productions Action Management 999 -
A Queer History of Modeling Work! Elspeth H
A Queer History of Modeling Work! Elspeth H. Brown Work! 218-77755_ch00_4P.indd 1 02/25/19 2:33 pm WoDuke University Press Durham and London 218-77755_ch00_4P.indd 2 02/25/19 2:33 pm A ueer History of Modeling Wo rk! . 218-77755_ch00_4P.indd 3 02/25/19 2:33 pm © . All rights reserved. Printed in Korea by Four Colour Print Group, Louisville, Kentucky. Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Brown, Elspeth H., [date] author. Title: Work! : a queer history of modeling / Elspeth H. Brown. Other titles: Queer history of modeling Description: Durham : Duke University Press, . | Includes bibliographical references and index. Identiers: (print) | (ebook) (ebook) (hardcover : alk. paper) (pbk. : alk. paper) Subjects: : Photography of women— Social aspects— United States. | Fashion photography— United States— History—th century. | Commercial photography— United States— History—th century. | Models (Persons)— United States. | Women in popu lar culture— United States— History— th century. | Femininity in popu lar culture— United States— History—th century. | Sex in advertising— United States— History—th century. | Queer theory. Classication: . (ebook) | . (print) | /.— dc rec ord available at https:// lccn . loc . gov / Duke University Press gratefully acknowledges the Social Sciences and Humanities Research Council of Canada, which provided funds toward the publication of this book. Cover art: Donyale Luna, -
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ROM RUSSIA WITH LOVE COSTUMES FOR THE BALLETS RUSSES 1909-1933 • national gallery of australia © National Gallery of Austral ia, Ca nberra ACT 2600, 1998. Thi s publi cation accompanies the ex hibition From Russia with Love: All rights reserved. No pa rt of th is publication may be reproduced Costumes for the Ballets Russes 1909- 1933 orga nised by the or transmitted in any form or by any means, electronic or National Gallery of Australia and curated by Roger Leong mechanica l, including photocopy, record ing, or any information and Christine Dixon, National Ga llery of Australia. retr ieva l system, w ithout permiss ion in w riting from the publisher. Art Gallery of Western Australia, Perth Ed ited des igned and produced by the Pub li cations Department 6 Feb ruary- 5 Apri I 1999 of the National Gi:dl ery of Austra lia, Ca nberra. National Gallery of Australia, Canberra Des igned by Kirsty Morriso n 15 May- 1 August 1999 Edited by Susa n Hall Co lour separations by Co lou rboxDigita l Printed by Lamb Printers LENDERS TO THE EXHIBITION CONTRIBUTORS The Australian Ballet, M elbourne Roger Leong is Ass istant Curator, Intern ational Decorative Arts, A.A. Bakhrushin State Centra l Theatre M useum, Moscow Nati onal Gallery of Australi a, Ca nberra. Comi te Andre Masson, Paris Natalia Metelitsa is Deputy D irector, Hea d of Research and Intern ational Relations at the St Pete rsburg State Museum Musee national d'art moderne- Centre de creation industr iell e, ofTheatre and Music, St Petersb urg. -
Charles Henri Ford David Zwirner
David Zwirner New York London Hong Kong Charles Henri Ford Artist Biography Born and raised in Mississippi, the ambitious poet, writer, and artist Charles Henri Ford (1908–2002) dropped out of high school and began publishing a literary magazine, Blues: A Magazine of New Rhythms, which included work by William Carlos Williams, Gertrude Stein, and Paul Bowles. Before turning twenty, his first poem appeared in The New Yorker. After a brief stint in New York, where he met writers Parker Tyler and Djuna Barnes, he made his way to Paris. Associating with Gertrude Stein’s literary and artistic crowd, he met the Russian-born artist and set designer Pavel Tchelitchew, who soon became his life partner. In 1933, a Parisian press published The Young and Evil, a highly experimental novel co-authored by Ford and Tyler that was banned in the United States for its blatantly homosexual themes. Returning to New York in 1934, Ford introduced Tchelitchew to his broad social circle, which included the photographer George Platt Lynes; cultural impresario Lincoln Kirstein; and his sister, the model and actress Ruth. By the end of the decade, Ford had published the first of sixteen full-length books of poems, The Garden of Disorder, with an introduction by William Carlos Williams. From 1940 to 1947, Ford and Tyler published View magazine. A combination of articles, stories, and images, the periodical was credited with introducing Surrealism to the American public. Contributions by the likes of Joseph Cornell, André Breton, Max Ernst, and Lincoln Kirstein populated the pages. Returning to Europe in 1952, Ford turned his attention to his artmaking practices.