Monroe Wheeler (Mw)
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Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Extended Sensibilities Homosexual Presence in Contemporary Art
CHARLEY BROWN SCOTT BURTON CRAIG CARVER ARCH CONNELLY JANET COOLING BETSY DAMON NANCY FRIED EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART JEDD GARET GILBERT & GEORGE LEE GORDON HARMONY HAMMOND JOHN HENNINGER JERRY JANOSCO LILI LAKICH LES PETITES BONBONS ROSS PAXTON JODY PINTO CARLA TARDI THE NEW MUSEUM FRAN WINANT EXTENDED SENSIBILITIES HOMOSEXUAL PRESENCE IN CONTEMPORARY ART CHARLEY BROWN HARMONY HAMMOND SCOTT BURTON JOHN HENNINGER CRAIG CARVER JERRY JANOSCO ARCH CONNELLY LILI LAKICH JANET COOLING LES PETITES BONBONS BETSY DAMON ROSS PAXTON NANCY FRIED JODY PINTO JEDD GARET CARLA TARDI GILBERT & GEORGE FRAN WINANT LE.E GORDON Daniel J. Cameron Guest Curator The New Museum EXTENDED SENSIBILITIES STAFF ACTIVITIES COUNCJT . Robin Dodds Isabel Berley HOMOSEXUAL PRESENCE IN CONTEMPORARY ART Nina Garfinkel Marilyn Butler N Lynn Gumpert Arlene Doft ::;·z17 John Jacobs Elliot Leonard October 16-December 30, 1982 Bonnie Johnson Lola Goldring .H6 Ed Jones Nanette Laitman C:35 Dieter Morris Kearse Dorothy Sahn Maria Reidelbach Laura Skoler Rosemary Ricchio Jock Truman Ned Rifkin Charles A. Schwefel INTERNS Maureen Stewart Konrad Kaletsch Marcia Thcker Thorn Middlebrook GALLERY ATTENDANTS VOLUNTEERS Joanne Brockley Connie Bangs Anne Glusker Bill Black Marcia Landsman Carl Blumberg Sam Robinson Jeanne Breitbart Jennifer Q. Smith Mary Campbell Melissa Wolf Marvin Coats Jody Cremin This exhibition is supported by a grant from the National Endowment for BOARD OF TRUSTEES Joanna Dawe the Arts in Washington, D.C., a Federal Agency, and is made possible in Jack Boulton Mensa Dente part by public funds from the New York State Council on the Arts. Elaine Dannheisser Gary Gale Library of Congress Catalog Number: 82-61279 John Fitting, Jr. -
George Platt Lynes David Zwirner
David Zwirner New York London Hong Kong George Platt Lynes Artist Biography Among the greatest photographers of the twentieth century, George Platt Lynes (1907–1955) developed a uniquely elegant and distinctive style of portraiture alongside innovative investigations of the erotic and formal qualities of the male nude body. Born and raised in New Jersey with his brother Russell, who would go on to become a managing editor at Harper’s Magazine, Lynes entertained literary ambitions in his youth. While at prep school in Massachusetts, where he studied beside future collaborator and New York City Ballet founder Lincoln Kirstein, he began a correspondence with the American writer Gertrude Stein, then living in Paris. Over a series of successive visits to Paris, he met Stein and her partner, Alice B. Toklas, who integrated him into their creative milieu. At their salons, he met such figures as the painter Pavel Tchelitchew, French writer André Gide, and the dancer Isadora Duncan. Accompanying him on many of these transatlantic journeys was a romantically involved couple consisting of writer Glenway Wescott and the publisher and future director of the Museum of Modern Art in New York, Monroe Wheeler, the latter of whom became Lynes’s lover. During a failed attempt to write a novel and a successful stint as the owner of a bookshop in New Jersey, Lynes began experimenting with a camera in 1929, photographing friends in his creative social circles in New York and Paris. Those early casual experiments would become a serious commitment to the medium. In 1931, he settled in New York, where his ménage à trois continued with Wheeler and Wescott, with all three sharing an apartment, an arrangement that lasted until 1943. -
Oral History Interview with Paul Cadmus, 1988 March 22-May 5
Oral history interview with Paul Cadmus, 1988 March 22-May 5 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Paul Cadmus on March 22, 1988. The interview took place in Weston, Connecticut, and was conducted by Judd Tully for the Archives of American Art, Smithsonian Institution. Interview JUDD TULLY: Tell me something about your childhood. You were born in Manhattan? PAUL CADMUS: I was born in Manhattan. I think born at home. I don't think I was born in a hospital. I think that the doctor who delivered me was my uncle by marriage. He was Dr. Brown Morgan. JUDD TULLY: Were you the youngest child? PAUL CADMUS: No. I'm the oldest. I's just myself and my sister. I was born on December 17, 1904. My sister was born two years later. We were the only ones. We were very, very poor. My father earned a living by being a commercial lithographer. He wanted to be an artist, a painter, but he was foiled. As I say, he had to make a living to support his family. We were so poor that I suffered from malnutrition. Maybe that was the diet, too. I don't know. I had rickets as a child, which is hardly ever heard of nowadays. -
Autumn 2017 Cover
Volume 1, Issue 2, Autumn 2017 Front cover image: John June, 1749, print, 188 x 137mm, British Museum, London, England, 1850,1109.36. The Journal of Dress History Volume 1, Issue 2, Autumn 2017 Managing Editor Jennifer Daley Editor Alison Fairhurst Published by The Association of Dress Historians [email protected] www.dresshistorians.org i The Journal of Dress History Volume 1, Issue 2, Autumn 2017 ISSN 2515–0995 [email protected] www.dresshistorians.org Copyright © 2017 The Association of Dress Historians Online Computer Library Centre (OCLC) accession number: 988749854 The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer–reviewed environment. The journal is published biannually, every spring and autumn. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is distributed completely free of charge, solely for academic purposes, and not for sale or profit. The Journal of Dress History is published on an Open Access platform distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The editors of the journal encourage the cultivation of ideas for proposals. -
ROMAN ROAD PRESS RELEASE PHOTO LONDON Stand G23
ROMAN ROAD PRESS RELEASE PHOTO LONDON Stand G23 Thursday 17 May – Sunday 20 May 2018 Opening Hours: Thursday 17 May: 12 PM – 8 PM Somerset House Friday 18 May: 12 PM – 7.30 PM Strand Saturday 19 May: 12 PM – 7.30 PM London, WC2R 1LA Sunday 20 May: 12 PM – 6.30 PM Exhibited Artists: Antony Cairns, Gita Lenz, Natalia LL, George Platt Lynes, Aaron Siskind, Daisuke Yokota Roman Road is very pleased to be participating in the fourth edition of Photo London, hosted at Somerset House from 17 – 20 May 2018. Featuring both 20th-century and contemporary photographic works, our stand brings together pieces by international artists who have engaged with experimental printing methods and the aesthetics of abstraction. The display considers the definitions of abstract photography, looking at the originality and process of artists who have abstracted subject and composition, or experimented with techniques that manipulate forms and impart new meaning. The stand features experimental works by contemporary artists Antony Cairns and Daisuke Yokota. Employing unlikely supports and radical techniques, Cairns’ work engages deeply with technological developments and he transforms machines and recycled materials into art objects. The display includes selected works from two of his most recent series – E.I. and IBM – through which he presents his images of cities petrified in e-reader screens and printed on tinted IBM computer punch cards. Yokota’s works on the stand are taken from his Matter/Burn Out (2016), a series whereby he documented the process of setting fire to installation prints in a vacant construction site in Xiamen, China. -
February 7, 2001
April 2019 FOR IMMEDIATE RELEASE CONTACT: Keith de Lellis (212) 327-1482 [email protected] GEORGE PLATT LYNES PORTRAITS, NUDES, & DANCE APRIL 11 – MAY 23, 2019 Keith de Lellis Gallery showcases the portrait photography of noted fashion photographer and influential artist George Platt Lynes (American, 1907–1955) in its spring exhibition. Though largely concealed during his lifetime (or published under pseudonyms), Lynes’ male nude photographs are perhaps his most notable works today and inspired later artists such as Robert Mapplethorpe and Herb Ritts. Primarily self-taught, Lynes was influenced by Man Ray when he visited Paris in 1925, where he also met Monroe Wheeler, Glenway Wescott, and John Cocteau. Publisher Jack Woody wrote, “surrealism, neo-romanticism, and other European visual movements remained with him” when he returned to New York (Ballet: George Platt Lynes, Twelvetree Press, 1985). Lynes first exhibited with surrealist gallerist Julian Levy in 1932, and was featured at many galleries and museums in his lifetime, including three group exhibitions at the Museum of Modern Art. He opened his New York studio in 1933, finding great success in commercial portraiture for fashion magazines (Vogue, Harper’s Bazaar, etc.) and local elites. The artist relocated to Los Angeles in 1946 to lead Vogue’s west coast studio for two years, photographing celebrities such as Katharine Hepburn and Gloria Swanson, before returning to New York to focus on personal work, disavowing commercial photography. While his commercial work allowed him to support himself and brought him great recognition as a photographer, it did not fulfill him creatively, leading the artist to destroy many of those negatives and prints towards the end of his life. -
'Lffig Cfrr Q
By Carter Ratcliff "idr . I. -r"li i.i r, i... -'-ia : .t,j . :, cfrr q 'lffig ' -sr.1;-'"4 lf'"--'"- :.jt" t,.: '-rX' { .c.tsY a l.r";# ..:ii 11.; 'r:i::", i 1 : . i i :.. ! 'lr t'., tr .,,J. ,i4..: ffi- := &.., ffi Mark Tobey transformed the fluid lines of Eastern calligraphy into a unique I1o- d<!o style of abstract painting u:.> I I : rL .9uoi ln 1929, Mark Tobey exhibited a few recent paintings in Wi..o.ri, in 1890, he moved with his family to Chicago three ":t at Romany Marie's Cal6 Gallery in Greenwich Village. Romany years later. His father, a carpenter and building contractor, carved Marie's was a bohemian hangout far from the posh galleries on animals from stone-a weighty material very different in spirit _. i-!a.-,"[ Tobey's show would have faded from the ethereal refinement of his son's mature style. Young Mark o*>,,,7 Manhattan's 57th Street, and '<orl into oblivion long ago if it had not somehow managed to attract attended the school at the Art Institute of Chicago, but there is the attention of Alfred H. Barr, Jr. The founding director of the no evidence that his exposure to the Institute's extremely conser- ;o'6o-iio"t recently inaugurated Museum of Modern Art, Barr was ener- vative curriculum had much effect. Leaving after two years, he getic and adventurous and-most important of all-had a good found work as a fashion illustrator, first in Chicago and then in ;"'Ii^,o a eye. -
Connecticut College Alumni Magazine, Fall 1977
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Fall 1977 Connecticut College Alumni Magazine, Fall 1977 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Fall 1977" (1977). Alumni News. 200. https://digitalcommons.conncoll.edu/alumnews/200 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. The ggrnecticut Alu~ Mag::xzine ,.. Don • ., 1'1"" "f II,.. CJ'lI"Y" "I' NfEW!L.ONT>ON .. ." . " ~" • ,,' \ ., i\. I .\ \ •I " ',"<,- ~_ • Alb ; iiiiihh1WJihi •• ""h"'!h, .... EDITORIAL BOARD: AJlen T. Carroll'73 EdilOr(R.F.D. 3, Colches- President / Sally Lane Braman '54 Secretary / Platt Townend Arnold ter, Ct. 06415), Marion vilbert Clark '24 Class NOles Editor, Elizabeth '64 Treasurer . '56 Damerel Gongaware '26 Assistant Editor, Cassandra Goss Sitnonds '55, Directors-at-Large. Michael J. Farrar '73, Anne Godsey Sun nett , Louise Stevenson Andersen '41 ex officio Terry Munger '50, Gwendolyn Rendall Cross '62 / Alumni Trusl~e~ Official publication of the Connecticut College Alumni Association. All Virginia Golden Kent '35 Jane Smith Moody '49, Joan Jacobson Krome. publication rights reserved. Contents reprinted only by permission of the '46 / Chairman of A iumni Giving: Susan Lee '70 / Chairman of NOInI- editor. Published by the Connecticut College Alumni Association at Sykes noting ~ommittee: Joann Walton Leavenworth '56/ Chairman of Fm.a;~: Alumni Center, Connecticut College, New London, Conn. -
Fourteen Americans Edited by Dorothy C
Fourteen Americans Edited by Dorothy C. Miller, with statements by the artists and others Author Museum of Modern Art (New York, N.Y.) Date 1946 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3196 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art it iii EFT. fhetxiftt fourteen americans aronson culwell gorky hare maciver motherwell noguchi pereira pickens price roszak sharrer Steinberg tobey fourteen americans EDITED BY DOROTHY C. MILLER with statements by the artists and others THE MUSEUM OF MODERN ART Copyright 1946. The Museum of Modern Art. Printed in the U.S.A. 4 . ft'l 9 M f) fir contents page FOREWORD 7 ACKNOWLEDGMENT 9 david aronson 10 ben I. culwell 15 arshile gorky 20 david hare 24 loren maciver 28 robert motherwell 34 isamu noguchi 39 i. rice pereira 44 alt on pickens 49 c. s. price .54 theodore j. roszak 58 honore sharrer 62 said Steinberg 66 mark tobey 70 LENDERS TO THE EXHIBITION 76 CATALOG OF THE EXHIBITION 76 TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board; Henry Allen Moe, ist Vice-Chairman; Philip L. Goodwin, 2nd Vice-Chairman; Sam A. Lewisohn, yd Vice-Chairman; Nelson A. Rockefeller, President; John E. Abbott, Vice-President and Secretary; Ranald H. Macdonald, Treasurer; Alfred H. Barr, Jr., Mrs. Robert Woods Bliss, William A. M. Burden, Stephen C. -
Jared French David Zwirner
David Zwirner New York London Hong Kong Jared French Artist Biography Jared French (1905–1988) is known for his psychologically charged compositions, painted in the time-intensive medium of egg tempera. Born in New Jersey, French graduated from Amherst College in 1925, where he studied with the poet Robert Frost. After his relocation to New York, he began working as a clerk at a Wall Street firm while taking classes at the Art Students League, where he met the young artist Paul Cadmus, who would become his lover. In 1931, French and Cadmus embarked on a two-year trip through Europe in search of artistic and sexual freedom, settling in Mallorca, where they began to develop their signature artistic styles. Returning from Europe, French and Cadmus shared an apartment and a studio in Greenwich Village. French found employment in the Mural and Easel Painting Section of the Public Works of Art Project creating works that demonstrated his interest in the idealized human form—a preoccupation he shared with Cadmus. In 1937, French married artist Margaret Hoening, fifteen years his senior, but maintained his relationship with Cadmus (unlike many of the artists in his circle, French identified as bisexual). That same year, the Frenches rented a summer cottage in Saltaire, Fire Island, where the three of them formed the photography collective PaJaMa (an mash-up of their first names). Using Hoening’s Leica, they captured themselves, their friends, and members of the gay community artfully posing in the landscape on the beaches of Fire Island, Nantucket, and Provincetown. These images capture their expanding social circle, which included the British author E.M. -
Wreck Blocks Main Une Over 9
■ . ■' Vv. ^ ' r,-'--V. ^ C - ' ', '■ i ■■ ,<1 , .. ........ ►.,.... w >• 1 '.t' ' ; • V ? • V- i I -• Forefaat by 0- S.' Weaifcer- Owre*^ - iNKT PRESS RUN * - ■ , , Mew Hat-e* ■ ' ' AVERAGE DAILY CIRCULATION for the month of February, 1928 Fair and sH^Uy colder ton ^ t; ; Saturday' fair’ and waiinei'. 5,108 .T. ' .-I. Member of the Audit Rnrenn of Circulntlons PRICE THREE CENTS (EIGHTEEN PAGES) MANCHESTER, CONN., FRIDAY, MARCH 23, 1928. (Classified Advertising on Pa'-- 16) VOL. XLIL, NO. 148. nrcrir ODD LAW PASSED From Lisbon to New York— Paddle by Paddle UP IN QUEBEC . state Library . McDo n a l d dies ‘ Conn Quebec, Que., March 23.— Although a 14-year-old boy and in U iL U u E a 12-year-old girl may by one WRECK BLOCKS MAIN FOR MURDER OF law legally become man and i ,* wife here, today, by another m i •’V IS ^ L A IN E D law, neither of them can go to TAHOTDRIVER a movie show even if accom panied by parents. The latter ■ Van-’: UNE OVER 9 law was passed by the provin -<$> cial legislature yesterday. Signed By Siuibir It Went to Goes to Death on Gallows This law does not prohibit Accident at Glenbrook, Near children from the legitimate Horse Trainer and Not REPORTS OF MERGER theater, although one member pointed out that some plays are In Canada Bravely— Re m m m Stamford, Piles C ars. on worse for children than any To Foreman of Fall’s BOOSTS UP STOCKS porters Barred From the movie. Four Tracks^Occunred <*>- 'v/> Ranch. Prison.