Connecticut College Alumni Magazine, Fall 1977
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Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Comisión Permanente Sobre Liturgia Y Música
COMISIÓN PERMANENTE SOBRE LITURGIA Y MÚSICA Integrantes Rev. Dra. Ruth Meyers, Presidenta, 2015 Rvmo. Steven Miller, Vicepresidente, 2015 Dr. Derek Olsen, Secretario, 2018 Rev. Dr. Paul Carmona, 2018 Rvmo. Rev. Thomas Ely, 2015 Sra. Ana Hernández, 2018 Sr. Drew Nathaniel Keane, 2018 Rvmo. Rev. John McKee Sloan, 2015 Sr. Beau Surratt, 2015 Rev. Dr. Louis Weil, 2015 Rev. Canon Sandye Wilson, 2018 Reverendísimo Dr. Brian Baker, Enlace del Consejo Ejecutivo, 2015 Rev. Canon Amy Chambers Cortright, Representante de la Cámara de Diputados, 2015 Rev. Canon Gregory Howe, Custodio del Libro de Oración Común, Ex Officio, 2015 Reverendísimo Dr. William H. Petersen, Consultor; Representante de Consultas sobre Textos Comunes Sr. Davis Perkins, Intermediario ante Church Publishing Incorporated Rev. Angela Ifill, personal del Centro Episcopal, 2015 Cambios en la membrecía El Sr. Dent Davidson renunció en abril de 2013 y no fue sustituido. El Sr. John Repulski, Vicepresidente, renunció en febrero de 2014 y fue sustituido por el Sr. Beau Surratt; El Rvmo. Steven Miller fue elegido Vicepresidente. Hno. Christopher Hamlett, OP, renunció en agosto de 2014 y no fue sustituido. El Rev. Chris Cunningham renunció al Consejo Ejecutivo y fue sustituido por el Reverendísimo Dr. Brian Baker en diciembre de 2013. El Sr. Davis Perkins sustituyó a la Sra. Nancy Bryan en la coordinación con Church Publishing Incorporated en octubre de 2013. Representación en la Convención General El Obispo Steven Miller y el Diputado Sandye Wilson tienen autorización para recibir enmiendas menores para este informe en la Convención General. Resumen de las actividades Mandato: El Canon I.1.2(n)(6) instruye a la Comisión Permanente sobre Liturgia y Música que haga lo siguiente: (i) Cumplir con las obligaciones que le sean asignadas por la Convención General en cuanto a políticas y estrategias relacionadas con el culto común de esta Iglesia. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Transcultural Psychiatry
transcultural psychiatry December 2000 ARTICLE Stambali: Dissociative Possession and Trance in a Tunisian Healing Dance ELI SOMER University of Haifa and Israel Institute for Treatment and Study on Stress MEIR SAADON Israel Institute for Treatment and Study on Stress Abstract This study investigated Stambali, a Tunisian trance-dance prac- ticed in Israel as a healing and a demon exorcism ritual by Jewish-Tunisian immigrants. The authors observed the ritual and conducted semi-structured ethnographic interviews with key informants. Content analysis revealed that Stambali is practiced for prophylactic reasons (e.g. repelling the ‘evil eye’), for the promotion of personal well-being, and as a form of crisis inter- vention. Crisis was often construed by our informants as the punitive action of demons, and the ritual aimed at appeasing them. Communication with the possessing demons was facilitated through a kinetic trance induction, produced by an ascending tempo of rhythmic music and a corresponding increased speed of the participant’s movements of head and extremities. The experience was characterized by the emergence of dissociated eroticism and aggression, and terminated in a convulsive loss of consciousness. Stambali is discussed in terms of externalization and disowning of intrapsychic conflicts by oppressed women with few options for protest. Key words dance • demon possession • dissociative trance • Israel • Stambali • Tunisia Vol 37(4): 581–602[1363–4615(200012)37:4;581–602;014855] Copyright © 2000 McGill University Transcultural Psychiatry 37(4) A Judeo-African legend has it that Jews came to the Tunisian island of Djerba in King Solomon’s time. Archaeological findings and numerous texts prove the existence of Jewish communities in Tunisia during the first century CE. -
'Lffig Cfrr Q
By Carter Ratcliff "idr . I. -r"li i.i r, i... -'-ia : .t,j . :, cfrr q 'lffig ' -sr.1;-'"4 lf'"--'"- :.jt" t,.: '-rX' { .c.tsY a l.r";# ..:ii 11.; 'r:i::", i 1 : . i i :.. ! 'lr t'., tr .,,J. ,i4..: ffi- := &.., ffi Mark Tobey transformed the fluid lines of Eastern calligraphy into a unique I1o- d<!o style of abstract painting u:.> I I : rL .9uoi ln 1929, Mark Tobey exhibited a few recent paintings in Wi..o.ri, in 1890, he moved with his family to Chicago three ":t at Romany Marie's Cal6 Gallery in Greenwich Village. Romany years later. His father, a carpenter and building contractor, carved Marie's was a bohemian hangout far from the posh galleries on animals from stone-a weighty material very different in spirit _. i-!a.-,"[ Tobey's show would have faded from the ethereal refinement of his son's mature style. Young Mark o*>,,,7 Manhattan's 57th Street, and '<orl into oblivion long ago if it had not somehow managed to attract attended the school at the Art Institute of Chicago, but there is the attention of Alfred H. Barr, Jr. The founding director of the no evidence that his exposure to the Institute's extremely conser- ;o'6o-iio"t recently inaugurated Museum of Modern Art, Barr was ener- vative curriculum had much effect. Leaving after two years, he getic and adventurous and-most important of all-had a good found work as a fashion illustrator, first in Chicago and then in ;"'Ii^,o a eye. -
Fourteen Americans Edited by Dorothy C
Fourteen Americans Edited by Dorothy C. Miller, with statements by the artists and others Author Museum of Modern Art (New York, N.Y.) Date 1946 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3196 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art it iii EFT. fhetxiftt fourteen americans aronson culwell gorky hare maciver motherwell noguchi pereira pickens price roszak sharrer Steinberg tobey fourteen americans EDITED BY DOROTHY C. MILLER with statements by the artists and others THE MUSEUM OF MODERN ART Copyright 1946. The Museum of Modern Art. Printed in the U.S.A. 4 . ft'l 9 M f) fir contents page FOREWORD 7 ACKNOWLEDGMENT 9 david aronson 10 ben I. culwell 15 arshile gorky 20 david hare 24 loren maciver 28 robert motherwell 34 isamu noguchi 39 i. rice pereira 44 alt on pickens 49 c. s. price .54 theodore j. roszak 58 honore sharrer 62 said Steinberg 66 mark tobey 70 LENDERS TO THE EXHIBITION 76 CATALOG OF THE EXHIBITION 76 TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board; Henry Allen Moe, ist Vice-Chairman; Philip L. Goodwin, 2nd Vice-Chairman; Sam A. Lewisohn, yd Vice-Chairman; Nelson A. Rockefeller, President; John E. Abbott, Vice-President and Secretary; Ranald H. Macdonald, Treasurer; Alfred H. Barr, Jr., Mrs. Robert Woods Bliss, William A. M. Burden, Stephen C. -
Moses Brown School Preferred Name *
;.. ‘‘ tates Department of the Interior :* _..ag’e Conservation and Recreation Service Q,HCRS -National Register of Historic Places dat. enterS Inventory-Nomination Form - See instructions In How to Complete National Register Forms Type all entries-complete applicable sections 1. Name historic Friends’ Yearly Me eting School and/orcommon Moses Brown School preferred name * . 2. Location . street & number 250 Lloyd Avenue - not for publication city, town Providence - vicinity of congressional district112 Hon. Edward P. Beard state Rhode Islandeode 44 county Providence code 007 3. Classification Category Ownership Status Present Use - district - public & occupied agriculture - museum ....._X buildings private unoccupied commercial - park structure both Iwork in progress .x. educational private residence - site Public Acquisition Accessible - entertainment - religious - object - In process ç yes: restricted - government - scientific being considered yes: unrest!icted - industrial - - transportation - no . military .. other: 4. Owner of Property name New England Yearly Meeting of Friends street&number The Maine Idyll U.S. Rte. 1 city, town R. D. 1, Freeport - vicinity of state Ma i tie 04032 5. Location of Legal Description . courthouse, registry ot deeds, etc. Providence City hail street & number 25 Dorrance Street Providence city, town state Rhode Island 02903 : 6. Representation in Existing Surveys Friends’ School, now Moses Brown School ;lfistorical American title Survey HABS #RI-255 has this property been determined eiegible? __yes date 1 963 .x_fede ral state county - local depository for survey records Rhode Island Historical Society Library ‘ city, town Providence state Rhode Tslarmd 02906 r’r’ 1: 7. Description Condition Check one Check one excellent _deteriorated .. unaltered JL original site _.2 good -. -
Tax Snag Predicted
55th Year No.9 GEORGETOWN UNIVERSITY, WASHINGTON, D.C. Friday, November 1, 1974 Tax Snag Predicted Lawyer Cites Corp As Liability Threat by Joe Lacercnza University legal counsel has informed University officials of th« possibility that the Student Corporation may endanger the Universuy's tax-exempt status on the property which the Corporation occupies. The Board of Directors of Students of Georgetown, Inc. have contacted their lawyers at Arnold and Porter to investigate the situation. In a letter to Vice-President for Administrative Services. Daniel Altobello, Vincent J. Fuller of tho problem. Wt' art' confident Williams, Connolly, and Califano, that it canbe resolved," he noted. the University's counsel, expressed Altobello suggt'st('d a number the opinion that leasing space to of options in a memorandum to tho non-profit Student Corpora Vice-President for Student De ~tricia tion may make that space liable to velopment, Dr. Patricia Ruec kel , Dr. Rueckel real estate taxes. following receipt of the cortes might exclude the Corporation if "It is a serious legal question," pondence from University coun it i" considered a purdy corn Student Government President sel. "It seems to me Georgetown mercial establishment. Jack Leslie said. "The Board of can do one of several thing" ... A number of areas questioning Student Body President Jack Leslie expressed optimism that the Directors of the Corporation has i.itiate action to bring about th« the attorney's argument are bl'lng current controversy over the Corp's tax status will be resolved "in good agreed to negotiate with the appropiate pro-rata charging of studied. -
Wreck Blocks Main Une Over 9
■ . ■' Vv. ^ ' r,-'--V. ^ C - ' ', '■ i ■■ ,<1 , .. ........ ►.,.... w >• 1 '.t' ' ; • V ? • V- i I -• Forefaat by 0- S.' Weaifcer- Owre*^ - iNKT PRESS RUN * - ■ , , Mew Hat-e* ■ ' ' AVERAGE DAILY CIRCULATION for the month of February, 1928 Fair and sH^Uy colder ton ^ t; ; Saturday' fair’ and waiinei'. 5,108 .T. ' .-I. Member of the Audit Rnrenn of Circulntlons PRICE THREE CENTS (EIGHTEEN PAGES) MANCHESTER, CONN., FRIDAY, MARCH 23, 1928. (Classified Advertising on Pa'-- 16) VOL. XLIL, NO. 148. nrcrir ODD LAW PASSED From Lisbon to New York— Paddle by Paddle UP IN QUEBEC . state Library . McDo n a l d dies ‘ Conn Quebec, Que., March 23.— Although a 14-year-old boy and in U iL U u E a 12-year-old girl may by one WRECK BLOCKS MAIN FOR MURDER OF law legally become man and i ,* wife here, today, by another m i •’V IS ^ L A IN E D law, neither of them can go to TAHOTDRIVER a movie show even if accom panied by parents. The latter ■ Van-’: UNE OVER 9 law was passed by the provin -<$> cial legislature yesterday. Signed By Siuibir It Went to Goes to Death on Gallows This law does not prohibit Accident at Glenbrook, Near children from the legitimate Horse Trainer and Not REPORTS OF MERGER theater, although one member pointed out that some plays are In Canada Bravely— Re m m m Stamford, Piles C ars. on worse for children than any To Foreman of Fall’s BOOSTS UP STOCKS porters Barred From the movie. Four Tracks^Occunred <*>- 'v/> Ranch. Prison. -
Monroe Wheeler (Mw)
THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM INTERVIEW WITH: MONROE WHEELER (MW) INTERVIEWER: SHARON ZANE (SZ) LOCATION: 251 EAST 51ST STREET NEW YORK CITY DATE: JULY 21, 1987 BEGIN TAPE 1, SIDE 1 SZ: Do you have a middle name or a middle initial? MW: Well, my birth certificate shows a middle name of Lathrop. I only came upon it late in life because I never used it. I'd always been plain Monroe Wheeler, but this birth certificate showed up saying Monroe Lathrop Wheeler. Well, I've never used it and I don't intend to start now. SZ: Do you know where the Lathrop comes from? Is it a family name? MoMA Archives Oral History: M. Wheeler page 1 of 126 MW: It was a family name. SZ: Your mother's? MW: On my father's side. SZ: Okay. Tell me where and when you were born and then we'll start to talk a little bit about your mother's and father's families if you'd like. MW: I was born in Chicago, Illinois, and soon after my birth my family moved to Evanston, Illinois. SZ: Evanston was at that time a fairly rural suburb? MW: Oh, it's always been a suburb. The nearest suburb to Chicago on the north side. They lived on Forest Avenue, 639 Forest Avenue, but that's not where they lived when they first moved to Evanston. They lived at 9 something Forest Avenue, at the corner where the Lincoln School was later built. My father was a friend of a Mr. -
Placing Vilhjalmur Stefansson This Article First Appeared in the Winter 2013 Issue by Mike Jacobs of North Dakota Horizons Magazine
100 years after the beginning of his historic Canadian Arctic Expedition Placing Vilhjalmur Stefansson This article first appeared in the Winter 2013 issue By Mike Jacobs of North Dakota Horizons magazine. It is reprinted with permission. www.ndhorizons.com. ilhjalmur Stefansson is a hard man to place. V He was born in Canada to immigrant Icelanders. The year was 1879. Stefansson came to the United States as an infant in arms. He was raised in an Icelandic community, Mountain, North Dakota. He attended the University of North Dakota, first as a preparatory student and then as an enrolled freshman. His hijinks remain legendary on campus. He didn’t graduate. Instead, Stefansson enrolled at the University of Iowa, then at Harvard. Stefansson gained great fame as an explorer of the Canadian Arctic. He was the last person to find new land on Planet Earth. This was Meighan Island at the far north edge of the Arctic Archipelago. In all, Stefansson made three trips to the Arctic, spend- ing a total of about 10 years. Perhaps for a change of climate, he undertook a survey of Central Australia, one of the hottest and driest places on Earth. When he gave up exploration, he settled in New York’s Greenwich Village, where he was a habitué of Romany Marie’s, a famous meeting place for the city’s Bohemian population and Stefansson in a center of intellectual ferment, much of it involving leftist politics. He also owned a country his Arctic parka in this undated place in Vermont. He prepared a manual on living and working in the Arctic for the U.S. -
Brancusi and Gurdjieff
Brancusi and Gurdjieff Basarab Nicolescu and Paul Beekman Taylor In his remarkable study ‘Brancusi et l’idée de sculpture’, Pontus Hulten wrote: “… it is notable that he met and spoke with men like Georges Ivanovich Gurdjieff,”1 but Hulten offers no source for the fact. Other Brancusi scholars repeat the assertion, also without referring to a source. It seems evident to us that the source for this assertion must be Peter Neagoe’s roman à clef about Brancusi’s life.2 Peter (Petru) Neagoe (1881–1960),3 an American writer of Romanian origin, was a close friend of Brancusi. In 1900 they were colleagues at the National School of Fine Arts in Bucharest. In 1903 Neagoe immigrated to the United States and took up residence in New York City where he married Anna Frankel, of Lithuanian origin, who died in 1985 at the age of 101. Neagoe became an American citizen in 1913, and returned to Paris in 1926 where he was acquainted with James Joyce, Ezra Pound, Gertrude Stein and Peggy Guggenheim, and where he rejoined his friend Brancusi. It was through Neagoe that Brancusi met Peggy Guggenheim. Neagoe left Paris in 1939, but returned after the war in 1946 and 1949. In 1957, the Neagoes, who had acquired a studio in the Villa Seurat, were at the bedside of the dying Brancusi. It is evident that Neagoe had Basarab Nicolescu is honorary theoretical physicist at CNRS (University Paris 6), Professor at the University Babes-Bolyai, Cluj -Napoca (Romania) and Honorary Member of the Romanian Academy. Paul Beekman Taylor is Emeritus Professor of medieval English language and literature at University of Genève.