DOCSLIB.ORG

SJOG BRUNCH a Grand Success

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SJOG BRUNCH a Grand Success NEWSLETTER ARGO GHERARDI, EDITOR AUGUST 2012 SJOG BRUNCH A Grand Success From left to right: Peggy Heiman, raffle From left to right: Irene Dalis, Opera San and silent auction chair: Olga Nespole, Event José General Director; Melinda Whittington, chair; Susan English, President SJOG. All at- Soprano, Merola Opera Program and SJOG tending the brunch enjoyed the day made pos- Sponsoree; Larry Hancock, Opera San José sible by their leadership. General Manager. If you would like to see what you missed, check out SJOG’s face book page. A link is provided at sjoperaguild.org. Photos by John Eurich 2012 FALL LECTURES by Steve Zilles The Fall Lecture Series of the San José Opera Penzak Jewish Community Center Silicon Guild begins, once again, before Labor Day Valley in Los Gatos. This site, which is on this year. We have a wonderful collection of Oka Road just off the intersection of Highway presentations on operas that will be performed 17 and Lark Ave. is easy to find and get to. in the Bay Area this year, with talks on the And, we have arranged parking in the church Fall season of San Francisco Opera, and sea- parking lot next to the JCC to avoid conflicts son overviews for Opera San José and West with the other users of the JCC. Bay Opera. All of these presentations will be from 10:00AM to 12:00 Noon at the Addison Continued on P. 2 Fall Lectures from P. 1 The season begins on Tues., Aug. 28, with ich, the company’s General Director, will give a lecture by Prof. Laura Basini on Rigoletto an introduction to the season, and this will be by Giuseppe Verdi. The opera, one of Verdi’s followed by excerpts from the season’s operas great mid-career operas, is full of posturing, by singers from the West Bay Company. This intrigue and love. Rigoletto, the jester of the presentation will be held in conjunction with Duke of Mantua, has one possession of great the Friday Shabbat lunch at the Jewish Com- value, his daughter. His cruel jests on the Duke munity Center and all senior (55+) attendees courtiers lead to his undoing. The Duke glides are invited to purchase lunch tickets (in ad- above all this, freely attracting every girl in vance) if they wish to stay for the lunch. sight. Dr. Laura Basini is an Associate Pro- On the following Tuesday, October 2, we fessor of Music History at Sacramento State will return to the Fall Season at San Francisco and last spoke to us on La Fanciulla del West Opera with a lecture on Moby Dick, a new op- in the summer of 2010. Dr. Basini’s research era by Jake Heggie whose premier opened the interests include the relationships between new Dallas Opera House in 2010. Jake Heggie music and politics, particularly in late nine- is seen as one of the pre-eminent contempo- teenth- and early twentieth-century Italy, very rary opera composers, and we are fortunate to appropriate for Rigoletto. have the librettist for this opera, Gene Scheer, The next lecture, on September 25th, begins giving our lecture. Mr. Scheer has written ac- an intense week of lectures. It is given by Prof. claimed lyrics for a number of 21st century Mary Ann Smart on I Capuleti e I Montecchi operas, including several by Jake Heggie and by Vincenzo Bellini, written in 1830. This op- Tobias Picker. He has written the lyrics for era follows the basic plot of the story Shake- songs (many composed by Mr. Heggie) for speare called Romeo and Juliet, but in a varia- such singers as Renee Fleming and Nathan tion different from Shakespeare and based on Gunn. We are indeed privileged to have Mr. Italian Renaissance sources. It was the hit of Scheer as our lecturer. the season the last time it was performed in Our final San Francisco Opera Lecture is San Francisco in 1991. Dr. Smart is Profes- given on October 16th by our old friend, Prof. sor of Musicology at U.C. Berkeley where her Simon Williams on Lohengrin by Richard research focuses on the social dimensions of Wagner. This opera, with wonderful mid-ca- opera in nineteenth-century Europe. She has reer music by Wagner, tells the story of the particularly written about opera in Italy from trials of Elsa of Brabant, the knight (Lohen- 1830 to 1848. She last spoke to us on La fille grin) that rescues her and the way innuendo du Regiment in 2009 and Lucrezia Borgia in can cast doubt on and destroy a relationship. 2011. Dr. Williams is Professor and Chair of the De- Following this lecture, in the same week, is partment of Dramatic Art at U.C. Santa Bar- a presentation, on Friday, 28 September, of the bara and has written several books on Richard West Bay Opera Company season which in- Wagner. In the past he has lectured to us on cludes the Tales of Hoffman, Lucia di Lammer- Tannhäuser, Simon Boccanegra, Die Walküre moor and Otello. Maestro José Luis Moscov- and last year, Don Giovanni. ### PAGE 2 SAN JOSÉ OPERA GUILD Opera Traveler By Mort Levine Unique 20th century opera brings a rarity to Bay area and a resounding Merola success If you wanted to test the outer limits of op- In Postcard, the masterful Argento touch is era’s creativity, you should have gone a short evident in a centerpiece of the show labeled a trip north to San Francisco’s Cowell Theatre “Souvenir of Bayreuth” in which singers and at Fort Mason to catch one of the two perfor- the eight piece orchestra under Merola music mances of Dominick Argento’s semi-surreal director Mark Morash quotes and parodies 1971 work Postcard from Morocco. The Wagner’s Flying Dutchman. Other musical 90-minute one act showcases seven singer- flights include a operetta singer’s torch song actors in some extremely difficult arias and to an absent lover, sung by Soprano Aviva ensemble numbers. The composer brings Fortunato while twirling a very long bright together a wide assortment of styles and tex- red sash. tures that mirror the changing moods of the There are some creative dance touches as absurdist plot. well, proving the singers’ versatility. Written to a libretto by John Donahue, the Tenor A. J. Glueckert provides a poignant setting implies an old fashion grand railway portrayal of an unfulfilled artist, always tight- station which is typically featured in post- ly clutching a painter’s box. When pressed to cards sent by tourists. None of the four men show the brushes and tubes of paint, he finally and three women know each other, and, while opens the box to reveal it contains nothing. they share slivers of biography of themselves, His role is one which encapsulates the pathetic the audience is left to fill in a lot of blanks longing which marks all of the opera. He con- such as where are they going and why each cludes it by telling of the boyhood fantasies of is carrying some kind of prop. All seven are having a naval fleet sailing on a staircase at his assigned a common item although only one of command. the characters is named. The young singers from SF Opera’s Merola The articles the other singers possess also program will also be performing Mozart’s La seem to reveal an emptiness in their lives. Finta Giardiniera at the Cowell Theatre on Bass-baritone Matthew Scolin totes a cor- August 2 at 8 p.m. and August 4 at 2 p.m. netcase but admits he can’t play. A traveling These performances will be followed with salesman swaggeringly sung by Baritone Jo- the annual Merola Grand Finale at the opera seph Lattanzi carries a large suitcase with shoe house on August 18 at 7:30 p.m. samples each in a pocket of velvet or fuzz. The composer is a careful operatic craftsman The high soprano of Susan Rigden who sings with more than a dozen works to his credit. “a lady with a bad mirror” in an atonal aria The Aspern Papers based on a Henry James which sets an early mood, but the composer’s novella may be his most successful. An up- tonal lyricism provides a sharp contrast. This coming performance at Dallas opera is sched- is evident as mezzo soprano Carolyn Sproule uled. Another Argento one-act, A Water Bird talks about the hatbox and sings of the hats Talk was given some years back by San José made for movie stars. Tenor Andrew Stenson State’s opera workshop. Continued on P. 4 AUGUST 2012 PAGE 3 Career Updates Soprano Rebecca Davis (Opera San José & artists) gave solo performers at the midsum- Merola) was awarded first prize of $15,000 at mer Mozart Festival July19-July29. the sixth annual Irene Dalis Vocal Competi- Soprano Talise Travigne (OSJ) will perform tion held May 19, 2012 at the California The- the role of Pip in San Francisco Opera’s pro- atre. During the summer of 2012 she will be a duction of Moby-Dick. She will be joined in featured soloist with the Midsummer Mozart that cast by Merola’s tenor, Matthew O’Neil Festival. She performed the role of Violetta in (2005) in the role of Flask. three productions of La Traviata, (Opera Santa Bass baritone Mark Delavan (Merola 1985) Barbara, Festival Opera, and Opera San José.) will perform the role of Scarpia in SFO 2012- She made her role debuts as Ilia in Mozart’s 2013 production of Puccini’s Tosca. He was Idomeno at Opera San José, Mimi in Puccini’s described by the New York Times as a “men- La Boheme with Opera Santa Barbara, and acing, yet elegantly mannered Scarpia.” Baby Doe in Opera Idaho’s production of The Ballad of Baby Doe.
Load more

Recommended publications
  • 2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
    seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public.
    [Show full text]
  • PRESENTS Table of Contents
    PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially
    [Show full text]
  • MUSC 2015.02.28 Areavoiceprog
    Colorado State University Voice Area Recital Wednesday, February 18th, 2015, 7:30 p.m., Organ Recital Hall Neue Liebe Felix Mendelssohn (1809 – 1847) Shannon Rookey, soprano Graduate Student, Vocal Performance Gloria Choi, Piano from Don Pasquale Gaetano Donizetti Com’e gentil (1797 – 1848) Eric Botto, tenor Senior, Vocal Performance Gloria Choi, Piano Les hiboux Déodat de Sévérac (1872 – 1921) Samantha DeBey, Soprano Senior, Music Education Madeline Greeb, Piano from Candide Leonard Bernstein Glitter and be gay (1918 – 1990) Lydia Bechtel, soprano Graduate Student, Vocal Performance Karen Stoody, Piano from Old American Songs, Set II Aaron Copland The Little Horses Jordan Brudos-Nockels, Soprano Freshmen Voice Studio Karen Stoody, Piano The Salley Gardens arr. Benjamin Britten (1913 – 1976) Nicholas Louis, Baritone Freshmen Voice Studio Karen Stoody, Piano from Serse George Frideric Handel Ombra mai fu (1685 – 1759) Ashleigh Janda, Mezzo-soprano Junior, BA with PET Karen Stoody, Piano Star vicino Anonymous Baroque Composer Perri Peterson, Soprano Freshmen Voice Studio Karen Stoody, Piano from Postcard from Morocco Dominick Argento Lady with a Hand Mirror (b. 1927) Lindsay Espinosa, Soprano Graduate Student, Vocal Performance Karen Stoody, Piano La la niña de Guatemala Víctor Carbajo (b. 1970) Pablo Romero, Tenor Graduate Student, Vocal Performance Karen Stoody, Piano Nimmersatte Liebe Hugo Wolf (1860 – 1903) Talia Fischer, Soprano Senior, BA with PET Karen Stoody, Piano from Carmen Georges Bizet Je dis que rien m’epouvante (1838 – 1875) Marissa Rudd, soprano Junior, Vocal Performance Karen Stoody, Piano from Les pecheurs des perles Georges Bizet Me voici seule….Comme autre-fois Emily Morris, soprano Graduate Student, Vocal Performance Karen Stoody, Piano .
    [Show full text]
  • Résumé Basics
    Résumé Basics Written by Richard Adams Updated/Revised by James Gandre A Few Observations Résumés shed light on who you are, offer the reader a clear indication of your current development, past experiences and, most important, point out your potential for future growth professionally and artistically. In brief, a successfully prepared résumé is a road map to an individual’s past, present and future with the clear purpose of opening doors to the future. In a profession where it often looks and feels like others have control over our destinies, please remember YOU have control over your résumé, its contents, its construction, its point of view, its graphic design, etc. Be absolutely certain that it clearly represents you, your accomplishments and your goals. In addition to being an information/fact sheet, the carefully and responsibly prepared résumé is a piece of advertising, an advertisement for yourself. Résumé Construction ➲ Paper – Excellent quality; standard size (8 ½ x 11); white, off-white, tan, gray. ➲ Fonts – Choose clean, clear fonts (do not use Old English, Script or some other “flowery” font). ➲ Length – Use only one page for performance résumés. If you absolutely need to use more than one page, make sure to put your name and the page number at the top of each page following the first page. ➲ Outline form – A résumé is an outline of your past experience and achievements – NOT an autobiography. Once you have started to use a particular style, remain consistent in its use. ➲ Text – Never use personal pronouns (i.e., “I played in…”) and “little” adjectives. Use action verbs, descriptive adjectives and adverbs.
    [Show full text]
  • Program Spring 2016
    PROGRAM SPRING 2016 CARMEN MAOMETTO II Reaching their Someday is music to everyone’s ears. The hard work, perseverance and vision of emerging artists demonstrate the power of having – and the joy of realizing – a Someday™. Together with programs like the Ensemble Studio at the Canadian Opera Company, we support a diverse range of Canadian talent in communities across the country through the RBC Emerging Artists Project. TM ® / ™ Trademark(s) of Royal Bank of Canada. VPS93138 39782A (05/2015) CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF CARMEN 10 CARMEN FULL CIRCLE: As we bring our 2015/2016 season to a DIRECTOR JOEL IVANY close, we can look back on a year to be proud of, both on and off the stage. WHAT’S PLAYING: 14 MAOMETTO II The COC continued to cement its 20 SERIOUSLY... reputation as a centre for artistic ROSSINI’S MAOMETTO II excellence and a go-to destination for some of the world’s top operatic talent. 24 GET TO KNOW... This past fall, the world premiere of LUCA PISARONI Pyramus and Thisbe was a landmark production for the COC, while La 26 TOWARDS A NEW ERA OF LOWER TICKET PRICES Traviata met with rave reviews from critics and audiences alike. Our 28 BACKSTAGE AND BEYOND Siegfried featured one of the strongest casts you’re likely to hear anywhere 30 SHIFTING INTO HIGH GEAR in the world, and Claus Guth’s take on Mercedes-Benz at the COC The Marriage of Figaro had audiences laughing and talking! 31 BIOGRAPHIES: CARMEN BIOGRAPHIES: MAOMETTO II The unparalleled artistic achievement 35 continues this spring.
    [Show full text]
  • The Dance at .Jean Dain Waters Jean Dain Waters Once Worked for the Federal Bureau of Inves­ Tigation in Washington, D.C
    3 Er.o m t he.D e..a.n Steven Rosenstone looks to the future, now. 4 Crossing Boundaries, .B..ull dlnq _B.rld..Q..e.s As we face a new century, what's required fo r CLA to lead the way? Faculty, administrators, students, and Twin Cities professionals offer ideas for leadership. C a m p u s._Ule Statistics and grandchildren, the White House press office, and filmmaking in France. College of liberal Arts 12 WINTE R 1998 fa c u J t.y_S.p_ojJJ q.h t VOLUM E 1 NUM BER 1 A faculty member who has contributed Dean mightily for nearly 40 years-after he nearly Steven J . Rosenstone didn't unpack in the fi rst place-and a new Director of External Relations faculty member with an eye to the future. Mary Hicks Coordinator of Communications Eugenia Smith e-mail [email protected] 16 Editor, CLA Today Awards and Accolades Ma r y Gustafson A flurry of unusual recognition for staff, Writer alumni, and students. Ann Roehl Photographers Greg Helgeson, page2 John Noltner, pages 3, 4, 10, 14 1I Sara N. Thomalla, page 15 Alumni Dan Vogel, page 6 News from the Alumni Society. Designer Barbara Koster CLA Today is published by 18 the University of Minnesota College of Liberal Arts for alumni, Notable Alumni faculty, staff, and friends of the college. Thomas Jefferson and satellite networks: just Send correspondence to the editor at CLA Office of External Relations, what can happen with a liberal arts degree? University of Minnesota, 225 johnston Hall, 101 PleasantStreetSE, Minneapolis, MN 55455.
    [Show full text]
  • Download Singer Bios
    SOPRANO Susanna Andersson Her very high lyric toned soprano voice and dynamic performances have taken Susanna to important concert and opera stages worldwide. Recent and future engagements include Queen of the Night in Weimar, Wolfgang Rihm's Die Eroberung von Mexico in Salzburg Festival and Köln Opera, Violetta LA TRAVIATA in Stockholm, Pamina DIE ZAUBERFLÖTE in Turku and Queen of the Night at the Gothenburg Opera. In addition concerts all over Europe with Ingo Metzmacher conducting PROMETEO. Summer 2018 Susanna sang her favourite role Adina at the famous Swedish operafestival Opera på Skäret in Donizetti's opera L' ELISIR D' AMORE. 2018/19 brings engagements with Gustav Mahler orchestra in Berlin and concerts with orchestras in Denmark, Sweden and Finland. Sine Bundgaard Sine Bundgaard has performed extensively all over Europe and has a soloist contract with the Royal Opera in Copenhagen. She is exploring new repertoire and made her debut as Desdemona OTELLO in 2017/18. Other central roles in her current repertoire are Contessa LE NOZZE DI FIGARO, Donna Elvira DON GIOVANNI, title role in LULU, Liú in TURANDOT. She has performed with conductors like Gianandrea Noseda, Jeremie Rhorer, Michael Boder, Carlo Rizzi, Ingo Metsmacher, Rene Jacobs, Phillippe Herreweghe, Kent Nagano, Bertrand de Billy, James Conlon, Pinchas Steinberg, Michael Schønwandt, Enrique Mazzola, Matthias Pintscher, Andreas Spering, Manfred Honeck, Peter Schneider and Thomas Søndergård, Clara Cecilie Thomsen Clara Thomsen is one of the most significant Danish talents in recent years. Following her Royal Danish Opera debut in Mozart’s Le Nozze di Figaro (Barbarina) in 2017, she has appeared in the company’s production of Kuhlau’s Lulu (Second Witch) and sung the title role in the Opera Academy’s production of Handel’s Alcina at the Copenhagen Opera House.
    [Show full text]
  • The Latest Publications from the World Leader in Vocal Music
    50683 VocPromo 2005 9/8/05 3:36 PM Page 1 50683 VocPromo 2005 9/8/05 3:36 PM Page 2 7777 West Bluemound Road Tel: 414-774-3630 P.O.Box 13819 Milwaukee, Wisconsin 53213 Fax: 414-774-3259 Dear Fellow Musician, The Hal Leonard tradition of being the world leader in vocal music continues with another year of exciting publications! Throughout this brochure you will find intriguing new releases, as well as highlights from our catalog of extensive publications for singers. Just a few noteworthy highlights in 2005 (in no particular order): The First Book of Solos—Part III (G. Schirmer) (see page 7) Joan Boytim extends the landmark series to a further volume for even more song choices. The Singer’s Musical Theatre Anthology—Accompaniment CDs (see page 21) A phenomenal resource of hundreds of accompaniment tracks, matching every volume of this series. The Singer’s Musical Theatre Anthology Volume 4 (see page 20) More great songs, classics to contemporary, for each voice type. Lyric Soprano Arias: A Master Class with Evelyn Lear (G. Schirmer) (see page 13) A unique master class with the great soprano translated into a book/CD package. Standard Vocal Literature (The Vocal Library) (see page 4) This ambitious and comprehensive series, released in January 2005, has already become a huge hit with teachers! 15 Easy Spiritual Arrangements (see page 6) Not only useful for studio and church, these artistic arrangements for first and second year voice students set a new standard for “educational” publications. Aaron Copland: Old American Songs Complete (Boosey & Hawkes) (see page 9) All 10 songs in one value-priced volume, in new transpositions from the original medium keys: up for High Voice, down for Low Voice.
    [Show full text]
  • Hannigan Ascending BACH ST
    PRICELESS! Vol 20 No 5 CONCERT LISTINGS | FEBRUARY 1 - MARCH 7 2015 Hannigan Ascending BACH ST. JOHN PASSION BACH ST. JOHN PASSION BACK BY POPULAR DEMAND! HOUSE OF DREAMS DIRECTED BY IVARS TAURINS Mar 19-22, 2015 Trinity-St. Paul’s Centre, Jeanne Lamon Hall DIRECTED BY Tafelmusik Baroque Orchestra JEANNE LAMON and Chamber Choir CONCEIVED, SCRIPTED, AND Julia Doyle, soprano PROGRAMMED BY Daniel Taylor, countertenor ALISON MACKAY Charles Daniels, tenor Peter Harvey, baritone Feb 11-15, 2015 Trinity-St. Paul’s Centre, Jeanne Lamon Hall “A testament to his faith, Bach’s Passions speak to us of the Journey to the meeting places of baroque art and music fea- turing music by , , , and more. greater human experience through music Bach Handel Vivaldi of powerful drama and profound beauty.” Don’t miss this stunning multimedia — IVARS TAURINS event before it goes on tour to Australia! A CO-PRODUCTION WITH Stage Direction by Marshall Pynkoski Production Design by Glenn Davidson Projection Design by Raha Javanfar 416.964.6337 Narrated by Blair Williams tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR The TSO and festival curator George Benjamin join forces with Canadian soprano Barbara Hannigan for new sounds, cutting-edge drama, and 7 premières! A Mind of Winter SAT, FEB 28 AT 8pm Peter Oundjian, conductor and host George Benjamin, conductor Barbara Hannigan, soprano Jonathan Crow, violin Dai Fujikura: Tocar y Luchar (CANADIAN PREMIÈRE) George Benjamin: A Mind of Winter (CANADIAN PREMIÈRE) Vivian Fung: Violin Concerto No. 2 “Of Snow and Ice”(WORLD PREMIÈRE/TSO COMMISSION) Dutilleux: Métaboles Pre-concert Performance, Intermission Chat, and Post-concert Party in the Lobby.
    [Show full text]
  • Norma Ariodante
    NORMA ARIODANTE PROGRAM FALL 2016 Great opera lives here. Proud sponsor of the Canadian Opera Company’s 2016/2017 Season. 16-1853 Canadian Opera Company Fall House Program Ad_Ev2.indd 1 2016-08-05 3:20 PM CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF NORMA 10 THE DRAMA BEHIND BELLINI’S At its most fundamental, opera NORMA is about compelling, imaginative, 13 GET TO KNOW inspiring storytelling. When music ELZA VAN DEN HEEVER and voices collaborate in the act of storytelling the result can be an 14 WHAT’S PLAYING: ARIODANTE extremely powerful expression of humanity. 20 FROM ARTASERSE TO ARIODANTE This season at the COC we have BIOGRAPHIES: NORMA a remarkable array of stories 25 for you to enjoy—from tales of 28 BIOGRAPHIES: ARIODANTE ancient druids and princesses, to fictional opera divas; from mythic THE BMO EFFECT 31 characters in a mythical land to 32 BACKSTAGE AND BEYOND real-life champions of human rights. Their stories may be different, but 35 BACKING A WINNING TEAM they are deeply felt and intensely 36 MATTHEW AUCOIN: communicated, and they are our Doing What Comes Naturally stories. In them, we see our own struggles and successes, joys and 38 CENTRE STAGE: fears, and we are grateful for the An Experience You Won’t Forget shared experience. 40 MEET THE GUILDS During this 10th anniversary season 42 AN OPEN LETTER FROM JOHANNES DEBUS in our marvelous opera house, the Four Seasons Centre for the 44 REMEMBERING LOUIS RIEL Performing Arts, I am particularly to achieving the greatest proud that the COC is a home for heights of artistic excellence, in, 49 CREATING A BETTER DONOR once again, an all-COC season.
    [Show full text]
  • Postcards from Morocco
    EASTMAN OPERA THEATRE POSTCARDS FROM MOROCCO Music by Dominick Argento ‘58E (Ph.D.) Text by John Donahue Timothy Long, conductor Steven Daigle, director VIRTUAL PERFORMANCE Filmed at the EOT Scene Shop from February 22—March 4, 2021 This work is performed in conjunction with the Eastman 1921 – 2021 Centennial PRODUCTION TEAM Director Music Director Steven Daigle Timothy Long Assistant Director Assistant Music Director Madeleine Snow Wilson Southerland Scenic and Integrated Media Design Costume Design Charles Murdock Lucas* Carly Holzwarth Lighting Design Sound Design Nic Minetor Rich Wattie Technical Director Production Stage Manager Mark Houser Josh Lau Scenic Construction & Rigging Costumes & Wardrobe Ramon Rivera Claudette Hercules Jose Maisonet Leah Camilleri Nicole LaClair MaryPat Frohm Audio Engineering & Recording Danielle Suhr Rich Wattie Ray Suarez Greg Thompson Alex Reynolds Properties Philip Milman Danielle Suhr Master Electrician Cinematographer Kate Glendening MaryPat Frohm Mountain House Media A/V Playback Film Editors Michael houser Andrew Sevigny Jeremiah Gryczka Nate Bellavia Matt Lombaro Wigs provided by The Wigboys By arrangement with Boosey & Hawkes, Inc., publisher and copyright owner. * United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound, and Projection designers in Live Performance CAST X Cast Y Cast Coloratura Soprano Katriana Kirby- Lady with Hand Mirror/ Jazmine Saunders Kopczynski An Opera Singer Soprano Susanna Stewart Lady with a Cake Box Sofia Scattarreggia Mezzo Soprano Veronica Siebert Lady with a Hat Box/A Megan Brilleslyper Foreign Singer Lyric Person Trevor Scott Person with Old Elise Cismesia Luggage/Puppet #1/ Operetta Singer Tenor Joshua Carlisle Man with a Paint Box Alexander Nick (Mr.
    [Show full text]
  • O Dowland! Sla Ery & La
    PRICELESS! Vol 20 No 6 CONCERT LISTINGS MARCH 1- APRIL 7 2015 O Dowland! Slaery & La Nef “...she has chops that Eric Clapton would wish for “A testament to his faith, on a good day.” BOSTON MUSICAL Bach’s Passions speak to us INTELLIGENCER of the greater human experience through music of powerful drama and profound beauty.” IVARS TAURINS BAROQUE MISBEHAVING BACH ST. JOHN AISSLINN NOSKY PASSION VIOLINIST AND GUEST DIRECTOR Musical Misdemeanours and Mayhem. DIRECTED BY Apr 23-26 Trinity-St. Paul’s Centre, Jeanne Lamon Hall IVARS TAURINS Apr 28 George Weston Recital Hall Powerful Drama. An orchestral romp featuring music by Purcell, Profound Beauty. Telemann, Charpentier, and and Snow White, a new work by Canadian composer Michael Oesterle. Mar 19-22 Trinity-St. Paul’s Centre, Jeanne Lamon Hall APR 23 SPONSORED BY Tafelmusik Baroque Orchestra and Chamber Choir GWRH CONCERT SUPPORTED BY Margaret and Jim Fleck Julia Doyle, soprano Daniel Taylor, countertenor Charles Daniels, tenor TSP: 416.964.6337 Peter Harvey, baritone GWRH: 1.855.985.2787 tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR “...she has chops LET THE TSO that Eric Clapton would wish for “A testament to his faith, on a good day.” Bach’s Passions speak to us BOSTON MUSICAL INTELLIGENCER INSPIRE YOU of the greater human experience through music of powerful Beethoven Symphony 7 Stravinsky The Rite of Spring Tchaikovsky Symphony 4 drama and profound beauty.” WED, MAR 11 AT 8pm FRI, MAR 27 AT 7:30pm WED, APR 1 AT 8pm IVARS TAURINS THU, MAR 12 AT 8pm SAT, MAR 28 AT 7:30pm THU, APR 2 AT 2pm SAT, MAR 14 AT 8pm Krzysztof Urbański, conductor James Conlon, conductor Gianandrea Noseda, conductor Sol Gabetta, cello Vilde Frang, violin Adrianne Pieczonka, soprano Kilar: Orawa (MAR 27 ONLY) Wagner: Preludes to Acts I & III from Casella: Italia Dvořák: Cello Concerto Lohengrin BAROQUE R.
    [Show full text]