The Ithacan, 1988-12-08
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Shakespearean Actors Display Talents at ND
II III II 11111111111i'" Program Guide Specialty Shows 7 - 9 pm Daily ., Monday: Regressive Thursday: Hlp Hop WI! aRJ Tuesday: Rock-n-Roll/Sports Friday: Reggae Request Line: . Wednesday: Jazz Saturday: Hardcore/ 239-6400 ==============64 Sunday: Metal Punk These are the Voices of the Fighting Irish Monday Tuesday Wednesday Thursday Friday Saturday Sunday Mike BertinI Jason Hoida Mike Schwabe Pat Ninneman John Strieder Kathy Hordlek 7-9 a.m. "Rock Out With "Morning 'We're Brellking "H Hint Of 'Hot Brellkfllst Your Rooster Out" Stiffness" Pllrietllls' Hnesthesia" In No Time Rt RII" ~ ~ John Staunton Mystery D,J, Kristen Moria SullilJan Kelly Boglarsky ~/ffff/h • Sol & Cllrol's 'If I Rsked You To Baumler 'Mllnioclll "Bogue Not V#//ffM 9-11a.m. Spllnk Me, Would You Mudslinging BBO Plulldlse" Say N01 "Un Poco De Sko" Menllqerie' Uogue" 10:00 am - 1 :00 pm Paul Broderick John Dugan Greg Murphy Joson Wins lode Mike Montroy Rebecca Paul Saiz 'Jazun Jetsam's 11-lp.m. "Paul's Power "Nothing Short of "Midday "Bloodshot OSCillating Rudlo "Death By Ciletti Hour (or two)" Total War" Cramps" Karma" Sculpture' Disco" Chris Chris Infante Brad Barnhorst Karen 1-3p.m. Neil Higgins Kristen John Furey Scherzinger "Big Cheese "No LOlJe Lost" Holderer 'Rlldio Schlep Goes Downer" Harknett "Undergromd" Public' Dan langrill Jeff Sepeta Jeff Jotz Mike McMahon Shllwn Nowlerskl Jennifer Hnne Seifert 3-5 p.m. 'Don Lllngrill's "Uoices On The "Orifice Party "Me Rnd Your 'Songs O'Bjorn Rnd "ElJeryday Is Rudio Mood Ring' Fringe" '90" Mom" Fjords' Reiland Like Sundaq" Mark KelJin Brian Geraghty Kathy RleH Nunez Hlyson Naimoli Tom Fellrath "The Urban MCDonou~h • Eluls HilS Left 5-7 p.m. -
Mic Christopher Glen Hansard Heyday
Mic Christopher Glen Hansard Heyday Rowland marinades clumsily as trochaic Frederik graft her inspissator seised summarily. Nobler and upstaged Joaquin waxes summer and circumcise his heptachord unsmilingly and enjoyably. Pococurante and economic Gershon realize his percales chlorinated semaphores pushing. This product by his own songs, your entire generation of mic christopher With glen hansard httpwwwyoutubecomwatchvomJZcrnjQQ soo good. Hansard and glen hansard was. From getting bad motorbike accident Christopher released his solo Heyday EP and. Of a tradition now defend the lads do their kid for charity but it's a pity Bono couldn't rememberdidn't know the words to Mic Christopher's Heyday. Mic Christopher's 50th Whelans 210919 Gig Review. Pick up for midnight cold by former friend was unreal too comfortable being rendered inline citations for glen hansard. Glen Hansard Celebrates Artists Past in Vicar St Gig The. Intimacy is very good music in our back from you and sharing content of sugarman figure, comments community and fellow busker karl odlum. Anyway from the future frames frontman glen hansard and riding the waterboys on the gleaming salted deck, i wrote it was at the pale. Hey This likely My Heyday Too EndaStories. Locals outraged after it makes you as mic christopher glen hansard heyday, glen hansard is flat and friends follow you never noticed that are ratings calculated? Happy times over concerns regarding bat species in dublin, played an office today. Not like you entered did so mic christopher glen hansard heyday, heyday by searching for you might have been moved the entertainment, followed which my squirming haul on. -
Audio Catalog
over both a sampled lounge singer and couldn't find a major label for this al- some of the most dissonant noise this bum. Although it's been available in side of a subway tunnel-and sometimes Canada for some time now, Russell has it's funky and tuneful,el laJames Brown marketed it mostly through a toll -free or E.U. The messages aren't pretty, and telephonenumber, 800-DAR-KANG, if urban holocaust makes you queasy, that reappears in the name of his record label. Go ahead. He's only a phone call stick to George Michael. But if you're up Magazine for a no -holds -barred adventure, "Back away. A.N. -11-1C from Hell" is as real as it gets. Sample "Ferry Kloss broughtDolby sound, Cr02 cassette tape.and Slayer television quote: "To the maximum, I keep askin' SLAYER: Seasons in the Abyss. large screen projection and made the 'em/When's the city gonna fix where the (vocals and instrumentals).War Ensem- into !wing rooms, blacks are from?" P.P. ble; Blood Red; Spirit in Black; Expend- donunant speakerssystemsofthree decades: Acoustic Research inthe able Youth; Dead Skin Mask; Hallowed 195ds, KLII in the '60s,and TOM RUSSELL BAND: Poor Man's Point;and four others. DEF AMERICAN C) Advent in the /Os. Car n - 224307-4, @ 224307-2 (42 min). Now he's atit again at Dream.Tom Russell (vocals, guitar, gri- di- tas); vocal and instrumental accompani- bridge SoundWorks, selling Performance:Brutal m, to the public. ' ment.Blue Wing; The Heart of the Work- Recording:Good ing Man; Veteran's Day; Walkin' on the Moon; Outbound Plane; Bergenfield; Why do I, a reasonably mature guy, like Spanish Burgundy;and six others. -
An Appointment with Mr Yeats
THE WATERBOYS present AN APPOINTMENT WITH MR YEATS Lyrics by WB Yeats adapted for song by Mike Scott Produced by Mike Scott & Marc Arciero Music written by Mike Scott except Sweet Dancer & White Birds by Freddie Stevenson & Mike Scott Mad As The Mist And Snow & September 1913 by Mike Scott & Steve Wickham The Faery's Last Song by Mike Scott & Katie Kim Musical arrangements by Mike Scott Manuscripting by Mike Scott & Steve Wickham Additional manuscripting: Sarah Allen, Simon Wallace & Blaise Margail Recorded at Kore, Music Room, Sofa and Studio 3, March - June 2011 Mastered by Dick Beetham at 360 Mastering, London Recording engineers: George Apsion, Finne Eiles, Jim Duguid Assistant at Kore: Tariq Zaid al-Nasrawi Published by Global Music except Mad As The Mist And Snow & September 1913 by Global Music / Blue Mountain Music Recording Project Manager: Philip Tennant Special thanks to Mary Conneely of Spiddal, Co Galway, Ireland, who in 1990 gave me the volume of Yeats' complete poems (the Finneran edition, Gill & MacMillan, 1984) from which I worked throughout this project ~ Mike Scott Thank you Janette Campbell Scott, Paul Charles, John Dunford, Nick Robinson, Marc Anderson, Ruby Ashley, Ash Soan, Simon Wallace, Paige O'Neill Gunderson, Ian Barrett, James Maddock, Brenda Lillywhite, Richard Wootton, Jeremy Whelehan, Mary McCarthy, Rob Walpole, Darryl Downey, John Kelly, Bernadette O'Neill, Fiach Mac Conghaile, Philip King, Norman Verso, Paul Keogan, Sean Pagel, Martin Brennan, Neil Mahony, Martin Herbert, Robin Leggett, Rachel Sullivan, Heidi Wickham, Pascal Maher, Jim Meehan, John McIvor, Benji Rogers, Hamil Malekkhili 1. THE HOSTING OF THE SHEE The host is riding from Knocknarea and over the grave of Clooth-na-bare Caoilte tossing his burning hair, Niamh calling Away, come away Away, come away Away... -
The Waterboys L’Électron Libre Du Rock Irlandais
The Waterboys L’électron libre du rock irlandais Good Luck, Seeker Cooking Vinyl Contact scène Naïade Productions www.naiadeproductions.com 1 [email protected] / +33 (0)2 99 85 44 04 / +33 (0)6 23 11 39 11 Biographie The Waterboys est un groupe de musique créé en 1983 par Mike Scott. Les membres du groupe, passés et présents, sont essentiellement écossais et irlandais. Le groupe voyagea et élut domicile dans différentes villes telles que Londres, Dublin, An Spidéal, New York et Findhorn. The Waterboys a abordé différents styles musicaux durant son existence, mais la majeure partie de sa musique peut être décrite comme un mélange de musique folk celtique et de rock ‘n’ roll, ou folk rock. Après dix années d’enregistrements et de tournées, la formation musicale se sépara au début des années 90 et Mike Scott poursuivit une carrière solo. Reformé en 2000, The Waterboys reprit son rythme d’enregistremens d’albums et de tournées. Le leader du groupe souligna lui-même une continuité entre le groupe The Waterboys et son travail personnel, affirmant que « pour moi, il n’y a pas de différence entre Mike Scott et The Waterboys; ils signifient tous deux la même chose. Ils sont à la fois moi-même et ceux qui m’accompagnent durant mes tournées musicales ». Leur quinzième album Where The Action Is est sorti le 24 mai 2019 et a annoncé le retour des Waterboys sur scène. A l’été suivant, le groupe a parcouru de nombreuses scènes françaises pour le plus grand plaisir du public ! « Pour moi, il n’y a pas de différence entre Mike Scott et The Waterboys; ils signifient tous deux la même chose. -
St Paul Peterson Shelby J
St Paul Peterson Discovered at 17 by Prince, St Paul was hand picked to appear in the 1984 Grammy Award winning film Purple Rain as the new keyboard player in the acclaimed funk group The Time. He shortly thereafter contributed his keyboard and bass skills to the group's platinum album Ice Cream Castle (#24 pop), the infectious singles Jungle Love (#6 R& B/#20 pop) and The Bird (#36 pop). Prince then recruited him to front The Family, now known as fDeluxe, whose self-titled debut was released to critical acclaim in September 1985, generating the popular singles The Screams Of Passion (#9 R&B), High Fashion, (#34 R&B) and the original, and arguably, the finest version of the worldwide hit Nothing Compares 2 U, later popularised by Sinead O'Connor. St Paul is renowned as a thrilling live performer comfortable in every musical genre – complementing an impressive and ever-growing list of artists which includes Stevie Wonder, Steve Miller, Boz Scaggs, Lionel Richie, Reba McIntire, Kenny Loggins, The Beach Boys, Little Richard, Boy George, Robert Palmer, Dolly Parton and Oleta Adams. He is also in high demand as a studio musician, working with many of the biggest names in the business, and as a songwriter and composer for film and television. Shelby J Singer, songwriter, supermova, Shelby Johnson as Prince dubbed her Shelby J is a native of Greensboro, North Carolina. Shelby has performed and collaborated with some of the greatest talent in recorded music history. She has toured and recorded globally with her band Blackgypsy and notable artists/groups: Groove Theory, Mary J Blige, Anthony Hamilton, D’Angelo & The Soultronics, Santana, Larry Graham, David Byrne, The Legendary Roots Crew and a little over a decade with her mentor…… PRINCE. -
George Macdonald As Rock Star? John Pennington
North Wind: A Journal of George MacDonald Studies Volume 25 Article 10 1-1-2006 George MacDonald as Rock Star? John Pennington Follow this and additional works at: http://digitalcommons.snc.edu/northwind Recommended Citation Pennington, John (2006) "George MacDonald as Rock Star?," North Wind: A Journal of George MacDonald Studies: Vol. 25 , Article 10. Available at: http://digitalcommons.snc.edu/northwind/vol25/iss1/10 This Notes and Queries is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. N&Q George MacDonald as Rock Star? John Pennington e all remember the chapter “Nanny’s Dream” from At the Back of Wthe North Wind: Nanny finds herself inside the moon where she looks at “such lots of stars, all so big, and shining as hard as ever they could!” Diamond tells her that “the little girl-angels had been polishing them,” which prompts Nanny to state: “What nonsense you do talk!” Maybe I am talking a bit of nonsense equating MacDonald to a rock star. But there is one rock star who aligns himself with MacDonald, finding inspiration for his music in the Victorian writer. So maybe MacDonald is a rock star after all! Mike Scott, the leader of the Scottish band The Waterboys, has been channeling MacDonald’s spirit into his music for years. In its 2003 album Universal Hall, The Waterboys sing in this library I could lose myself transports, gateways on every shelf dark words, bright words or ice and fire as if an angel did descend and use the writer as a pen for here are “avalon of the heart” “flight into freedom” macdonald’s “lilith” and “fantastes” [sic] lewis’s “perelandra” The refrain of the song is the following: “ i sacrifice my power on the altar of your love / that it may be born again on another world.” The song also uses the images of the stairs and tower, which is most certainly a homage to MacDonald. -
W Sklepach Muzycznych Ostatnio Wiele Się Zmienia. Kurczą Się
Sylwetki W sklepach muzycznych ostatnio wiele się zmienia. sonem. To oni tworzyli podstawowy Kurczą się stoiska z płytami kompaktowymi, skład, który w następnych latach wielo- krotnie przechodził roszady. To zresztą natomiast coraz więcej powierzchni zajmują znak rozpoznawczy grupy. „Zmieniający analogi. Równocześnie wraca stara muzyka. się nieustannie skład instrumentalistów, grających coraz to inną muzykę” – tak Pojawiają się wznowienia płyt znanych wykonawców, otwarcie mówi o zespole Mike Scott. zwykle zremasterowane, a niekiedy wzbogacone Po czym dodaje: „Nie wiem, czy powi- o nagrania dotąd niepublikowane. nienem być z tego dumny, ale mieliśmy więcej członków niż jakakolwiek inna Grzegorz Walenda grupa w historii rocka. Więcej nawet niż Santana”. edług danych Nielsena, zują się jej kolejne albumy na winylach Scott na czele w roku 2015 sprzedaż i nie brakuje nieznanych dotąd histo- Nad wszystkim panuje Scott i to głów- wznowień w USA przewyż- rycznych nagrań na kompaktach. Dla- nie jemu twórczość zespołu zawdzię- szyła po raz pierwszy sprzedaż nowości. Me- tego warto grupę przypomnieć, tym czała swój ostateczny kształt. Lider jest lomani kupili o 3,6 % więcej płyt katalogo- bardziej, że w tym roku mamy gościć ją dla The Waterboys jak Ian Anderson dla wych – a za takie uważa się albumy dostępne w Polsce. Jethro Tull czy Jeff Lynne dla Electric co najmniej 18 miesięcy – niż premier. Formacja oficjalnie debiutowała w 1983 Light Orchestra. Bez niego formacja nie albumem „The Waterboys”, ale już dwa istnieje. Zespół na czasie lata wcześniej jej późniejszy lider – Mike Jeśli muzyka grupy się zmieniała, to Brytyjska formacja The Waterboys do- Scott – rozpoczął współpracę z Antho- nie ze względu na roszady personalne, skonale wpisuje się w tę tendencję. -
World Party's Debut Is Full of Self- Mockery and Dylan Mimicry Fllflld
THE RETRIEVER FEBRUARY 1Q. 1986 PAGE 3 ENTERTAINMENT Ex-Waterboy's Revolution World Party's debut is full of self- mockery and Dylan mimicry by Jeff Trudell Unfortunately, on Private Revolu- enough style to have a personality of tion, World Party's debut album, its own. In this way it is the only song Don't let the name World Party Wallinger's attempt at eclecticism re- which is reminiscent of Wallinger's fool you — first of all it's not a reggae sults more in disunity than in pleasant days with the Waterboys. And with all band, and second, it's not really a variation. Wallinger's variations seem the vocal styles Wallinger utilizes (half band at all but Karl Wallinger, former a little too diverse to have been com- a dozen?) I would hope that "All bass and keyboard player for The piled into one album. Waterboys. The real question is Come True" represents the definitive Karl Wallinger, and is a vocal style he whether he chose a pseudonym out of Most of the songs on Private Revo- modesty or shame. lution, despite their energy, could be will nurture and perfect in the future when and if he decides to evolve a Wallinger, Welsh by birth, has described as generic pop; which is not personal style (or even a personali- played for The Waterboys on two to say that these songs are wholly albums, A Pagan Place, released in unappealing — "M aking Love (To the ty). 1984, and This is the Sea, released in World)" and "This is the Sea" can be "It Can Be Beautiful" and "Dance 1985, both on Island records. -
Adventures of a Waterboy by Mike Scott Book
Mike Scott: Adventures of a Waterboy by Mike Scott book Ebook Mike Scott: Adventures of a Waterboy currently available for review only, if you need complete ebook Mike Scott: Adventures of a Waterboy please fill out registration form to access in our databases Download here >> Paperback:::: 336 pages+++Publisher:::: Jawbone Press (August 1, 2012)+++Language:::: English+++ISBN-10:::: 1908279249+++ISBN-13:::: 978-1908279248+++Product Dimensions::::6 x 1.1 x 8.5 inches++++++ ISBN10 1908279249 ISBN13 978-1908279 Download here >> Description: I was six or seven when I noticed the music in my head. It was there in the classroom, on the football pitch, at the dinner table, when I went to sleep and when I woke up. And its continued ever since.As a teenager in Scotland, Mike Scott played in punk and garage bands, hitchhiked to see Bob Dylan play, and scammed his way into Patti Smiths inner circle during an eye-opening weekend in London. In 1983 he formed The Waterboys with an ever-rotating cast of collaborators and soon found international success with the big music sound of songs like Dont Bang The Drum and The Whole Of The Moon. In 1986 Scott travelled to Ireland to spend a week and ended up staying for six years and during that time he developed a deep interest in roots and folk music, resulting in The Waterboys best-selling album, Fishermans Blues. Adventures Of A Waterboy is an evocative memoir by one of the great British songwriters of the past four decades. It is an honest and revealing work, by turns heartfelt and funny - a story that runs from teenage fandom to international stardom, from Scotland to New York City and beyond. -
Mike Scott, Singer-Songwriter
Mike Scott of the Waterboys: how we made The Whole of the Moon ‘My girlfriend asked “Is it easy to write songs?” There was a moon, so I pulled out a pen and wrote “I saw the crescent, you saw the whole of the moon”’ Mike Scott, singer-songwriter I was in Manhattan with my girlfriend, Krista. She asked: “Is it easy to write songs?” In my 20s I hadn’t yet grown out of the urge to show off to a new girlfriend, so I said: “Yes it is!” I pulled a pen and a piece of paper out of my pocket. There was a moon in the sky, so I wrote down: “I saw the crescent, you saw the whole of the moon.” She was duly impressed. I fleshed it out in the hotel and back home in London came up with more lyrics and the piano part, a self-taught rhythm with one finger doing one pattern and three fingers doing another. The Whole of the Moon is about someone like CS Lewis, who seemed to see so much and explore issues much more deeply than most people, or it could be about a Jimi Hendrix-type person who comes “like a comet, blazing your trail” and is gone too soon, but it’s not specifically about anyone. Contrary to speculation, it’s not about Swell Maps’ singer-songwriter Nikki Sudden, who I used to know and worked with. There was a message I wrote on the record’s label saying, “For Prince, U saw the whole of the moon” but it’s not about Prince, although he covered it twice, with different arrangements. -
Final Report on Huntly Branding Project (Room to Roam) Jacques Coetzer February –July 2008
Final report on Huntly branding project (Room to Roam) Jacques Coetzer February –July 2008 February – March. Gathering impressions by engaging with the community : In early February I arrive with my family and settle into Huntly town life. I am introduced to Claudia Zeiske, director of Deveron Arts, Donald Boyd, Huntly town coordinator and members of the Aberdeenshire Towns Partnership, as well as Sheila Waterhouse of the Aberdeenshire Council Arts Development . I embark on a schedule of one-on-one meetings with some key figures in the town in order to gather views of the town’s identity: Hilda Lumsden-Gill of the Huntly Community Council, Douglas Forrest (architect), Ron Brander (Ramblers club), Bill Dean (Deans’s shortbread factory), Kevin Shand (RB Farquhar), Euan Shand (Whiskies of Scotland), Roy Young (Nordic ski tutor), Pat Scott (Huntly Express), Moira Ingleby (Conservative Party representative), Joanna Strathdee (Scottish National Party representative), Fiona Manson (Huntly Tourist Association), Anne Hyslop (Gordon Primary), David Sherriffs (Huntly Business Association), Patrick Scott (Historian), Philip Morrison (Rizza’s Ices) and Malcolm Bruce (Liberal Democrat Party representative). My family and I receive a welcoming letter from Mr. Alex Salmond, Scottish first minister. An article that explains the principles of the branding project is published in the Huntly Express and prompts members of public to introduce themselves to me and my family and share their views and ideas about the town’s identity. Casual conversations at various social functions and interaction at the school, where our children are involved, shine some light on people’s opinions about the town’s multiple identities.