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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Sundance Institute Selects Eight Firsttime Filmmakers for Directors
FOR IMMEDIATE RELEASE Media Contact: May 5, 2016 Chalena Cadenas 310.360.1981 [email protected] Sundance Institute Selects Eight FirstTime Filmmakers for Directors Lab, May 30June 23 Filmmakers Head to Mountains of Utah for Month of HandsOn Project Development; Advisors, Actors and Crew Include Robert Redford, Catherine Hardwicke, Kasi Lemmons, Ira Sachs Frances Bodomo | Annie Silverstein | César Cervantes | Kibwe Tavares | Eva Vives | Sandhya Suri | Pippa Bianco | Boots Riley Los Angeles, CA — Sundance Institute has selected eight firsttime filmmakers for its signature Directors Lab, which helped launch the careers of awardwinning filmmakers Cary Fukunaga, Dee Rees, Marielle Heller, Benh Zeitlin and Quentin Tarantino. Taking place May 30June 23 in the mountains of Sundance Resort in Utah, the annual Lab supports the next wave of independent filmmakers exploring new ideas and shaping the future of storytelling. At the Directors Lab, under the leadership of Sundance Institute Feature Film Program Founding Director Michelle Satter, Labs Director Ilyse McKimmie and the artistic direction of Gyula Gazdag, the Fellows will work with an accomplished group of creative advisors, professional actors and production crews to shoot and edit key scenes from their screenplays. Through this concentrated, handson process, the Fellows workshop and make key discoveries about their scripts, collaborate with actors and find a visual storytelling language for their films. Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, said, “Our Directors Lab and other programs play a critical role in discovering diverse artists and launching their careers, and this year's filmmakers are our most diverse group ever in terms of their backgrounds, experiences and perspectives. -
PALO ALTO, CA 94302 (650) 326-8210 PUBLISHER Our William S
Palo 6°Ê888]Ê ÕLiÀÊ£ä£ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊN 50¢ Alto Reprieve for JJ&F Page 3 www.PaloAltoOnline.com WILL PALO ALTO SINK OR SWIM? Local businesses, residents unsettled over fi nancial meltdown Page 21 Title Pages 17 Eating Out 31 Movies 34 Crossword 68 NA&E Teachers gain music insights in master class Page 25 NSports Palo Alto girls’ volleyball faces tough stretch Page 39 NHome & Real Estate Nuts and bolts of green interior design Page 45 ALBERTO ONCE HELD BACK BY WEIGHT CURRENTLY: DIVES RIGHT IN JUST ANOTHER REMARKABLE DAY IN THE NEIGHBORHOOD. At 13 years old, Alberto was one of more than 2 million overweight kids in this country. The good news is, he chose to do something about it. Since he enrolled in the Packard Pediatric Weight Control Program last year, Alberto has lost over 30 pounds and is now an active and healthy kid. Rather than focus solely on © 2007 Lucile Packard Children’s Hospital calorie intake and weight loss, our program helps families maintain lifelong healthy eating and exercise habits. In fact, Alberto’s mom was so inspired, she lost 12 pounds herself. Alberto is still headed toward his weight goals. The way we see it, his loss is truly Lucile Packard his gain. To find out more about the Packard Pediatric Weight Control Children’s Hospital Program call 650 -725 - 4424 or visit pediatricweightcontrol.lpch.org. AT STANFORD Page 2ÊUÊ"VÌLiÀÊÎ]ÊÓäänÊUÊ*>ÊÌÊ7iiÞ UpfrontLocal news, information and analysis Early morning crash kills two young men Speeding van in Palo Alto wraps READ MORE ONLINE www.PaloAltoOnline.com around a tree near Peers Park For the latest information on this story, by Don Kazak and Jay Thorwaldson go to Palo Alto Online. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
FRUITVALE STATION Production Notes
FRUITVALE STATION Production Notes Publicity materials are available at: twcpublicity.com Running Time: 84 minutes MPAA Rating: R 1 SYNOPSIS Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler’s FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22- year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother (Octavia Spencer), whose birthday falls on New Year’s Eve, being a better partner to his girlfriend Sophina (Melonie Diaz), who he hasn’t been completely honest with as of late, and being a better father to Tatiana (Ariana Neal), their beautiful four year-old daughter. Crossing paths with friends, family, and strangers, Oscar starts out well, but as the day goes on, he realizes that change is not going to come easily. His resolve takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year’s Day. Oscar’s life and tragic death would shake the Bay Area – and the entire nation – to its very core. 2 Q&A WITH WRITER/DIRECTOR RYAN COOGLER What originally inspired you to make this film? I was originally inspired to make this film by the event itself, as well as the aftermath. -
Film-Liste FHGR Bibliothek
Film-Liste FHGR Bibliothek Standort Technik / Location Technology: Dokumentarfilme Documentary Musikfilme Music Films Schweizer Filme Swiss Films Spielfilme (Klassiker oder die es werden könntenMovies Multimedia production Englische Literaturverfilm. English (based on novels) Englische TV-Serien English TV-Series Italienische Literaturverfilm. Italian (based on novels) Standort Wirtschaft / Location Economy: Französische Literaturverfilm. French (based on novels) Spanische Literaturverfilm. Spanish (based on novels) _____________________________________ de Deutsch / German chde Schweizerdeutsch / Swiss German en Englisch / English it Italienisch / Italian fr Französisch / French sp Spanisch / Spanish Fachhochschule Graubünden Scuola universitaria professionale dei Grigioni Scola universitara professionala dal Grischun University of Applied Sciences of the Grisons 30.06.2021 Dokumentarfilme / Documentary Signatur: KD / Call number: KD Signatur Titel Regisseur 001 Lost in La Mancha a film by Keith Fulton and Louis Pepe 002 Der letzte Trapper ein Film von Nicolas Vanier 003 1 Die Reise der Pinguine ein Film vom Luc Jacquet 003 2 Das Geheimnis der Bäume ein Film von Luc Jacquet 004 Die Geschichte vom weinenden Kamel ein Film von Byambasuren Davaa und Luigi Falorini 005 1 Ricardo, Miriam y Fidel ein Film von Christian Frei 005 2 War photographer directed by Christian Frei 005 3 Space Tourists Christian Frei 005 4 The Giant Buddhas ein Film von Christian Frei 005 5 Genesis 2.0 ein Film von Christian Frei 006 Darwins Albtraum – ein Drama am -
2008 Next BAM Endowment Trust Wave Festival
BAMAnnual2oo6—2oo8 MUSIC, THEATER, FILM, COmmUNITY, ART, DANCE Brooklyn, New York Since 1861 2 BAM Chair Letter 4 President & Exec. Producer Letter 6 2006 Next Wave Festival 8 2007 Next Wave Festival 10 BAM Dance 12 BAM Music/Opera 14 BAM Theater 16 BAM Rose Cinemas BAMcinématek 20 Sundance Institute at BAM 21 Takeover 22 Between the Lines 23 The Met: Live in HD 24 BAMart 26 BAMcafé Live 30 Community 32 Education 34 Humanities 38 Hamm Archives 40 BAM Next Stage Campaign 50 Staff 52 Mission Statement 53 Board 62 Financial Statements Amjad, 2008 Next BAM ENDOWMENT TRUST Wave Festival. A-1 BET Chair Letter Photo courtesy Édouard Lock A-3 BET Mission Statement A-4 BET Board A-5 BET Financial Statements Alan H. Fishman To the BAM family: The past two performance seasons once In 2007, major milestone anniversaries Building. This building will be a much- valued leadership. I welcome the new again demonstrated the excellence of were celebrated by two of our anchor needed facility used to introduce emerging members who have joined since July BAM’s programming and the family of programs: the Next Wave Festival and artists to our audience as well as expand 2006: Linda Chinn, William Edwards, artists, patrons, audiences, and staff DanceAfrica. The Next Wave Festival our community and arts education pro- Richard Feldman, Derek Jenkins, Gary whose dedication and effort make it all celebrated its 25th season and its 25th grams. I encourage all of you to join me in Lynch, Donald R. Mullen, Jr., Brian Nigito, possible. The achievements delineated on consecutive year of sponsorship and part- supporting this landmark fundraising effort Steven Sachs, Timothy Sebunya, Jessica the following pages would not be possible nership from Altria Group, Inc. -
Ten Writer/Directors Focus on Second Feature Films
FOR IMMEDIATE RELEASE Media Contact: March 12, 2020 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute’s FilmTwo Fellowship: Ten Writer/Directors Focus on Second Feature Films Year-Long Fellowship, in Collaboration with Universal Filmed Entertainment Group, Launches with Two-Day Intensive Los Angeles -- Sundance Institute today announced the ten writer/directors selected for the fifth annual FilmTwo Fellowship supported by Universal Filmed Entertainment Group, which kicks off a year-long track of customized creative and tactical support with a two-day Intensive. Created to foster career sustainability as independent creators develop their second feature films, the Intensive includes a writing workshop, industry mentoring sessions, and one-on-one story meetings with Creative Advisors. Recent alumni of FilmTwo include Lulu Wang, Marielle Heller, Andrew Ahn, Sally El Hosaini,, Crystal Moselle Laure de Clermont Tonnere and Steven Caple, Jr. as well as Nia DaCosta, director of Universal Pictures’ upcoming Candyman, from Jordan Peele’s Monkeypaw Productions and Metro Goldwyn Mayer Pictures. “Filmmakers face specific and ongoing challenges as they develop their second features,” said Michelle Satter, Founding Director of the Institute’s Feature Film Program. “By connecting these directors with experienced advisors from a range of creative and industry backgrounds, we can help them gain valuable insights and practical tools for building a wide-ranging and sustainable career, and support them on their next feature.” -
Raising Victor Vargas Por Ben Reuschel
Raising Victor Vargas por Ben Reuschel La película Raising Victor Vargas (2002) es una típica historia de amores adolescentes., pero la manera en que el tema se transmitió era muy diferente. El tema es la inseguridad. Pero antes de referirme al tema, quisiera hablar acerca de los personajes. Los personajes son importantes para la manera que el tema se transmite. Primero, todos los actores son ordinarios. Victor y su hermano son guapos. Judy está buena (bonita) pero no con la calidad típica de las películas. No hay los modelos en la película. Pero todavía me gustan todos los personajes. “Fat Donna”, Vicki, Carlos, y Melonie (la amiga de Judy) son adorables. Aunque ellos no se parecer a los actores y actrices típicos. Más los conoces, más hermosos ellos llegan a ser. De la misma manera los amigos son adorados no importa a quiénes se parezcan. Por fin, los actores representan la emoción y no los estereotipos. Los actores no representan los estereotipos típicos. Los jóvenes son de bajos ingresos, inmigrantes de la segunda generación. Ellos viven en la zona este más deprimida de Manhattan. Según Hollywood, ellos deben ser los criminales, los gángsteres, los ladrones, y los asesinos. Ellos parecen ser desesperadamente pobres, pero los jóvenes nunca piden algo más. Ellos no se quejan acerca de lo que ellos tienen o no tienen. Victor bebió una cerveza, pero no se emborrachó. Ellos no usaron las drogas. Ellos son personas, gente, son chistosos y a veces personas egoístas pero decentes. Ellos van a la iglesia, un estereotipo común, pero ellos no rompen la ley más tarde ese día. -
2019 Television Directorial Award Entries Comedy Series 1. American
2020 Directorial Award Entries for All Television Categories 2020 Television Directorial Award Entries Comedy Series 1. #BlackAF 7. Assisted Living i know you may not get this but the reason we deserve a A Dangerous Situation vacation is... because of slavery Derrick Doose Brennan Shroff 1/6/2021 BET 4/17/2020 Netflix Cora tries to convince Mr. Brown to pay Jeremy's bail, Vinny alludes to the As Joya takes time to focus on herself before her event, Drea tries to bond sheriff's shady past, and Sandra reveals a secret about Lindor. with Chloe, Pops handles an incident, and Kenya switches up his behavior. 8. Awkwafina is Nora From Queens 2. #BlackAF Not Today still...because of slavery Steven Tsuchida Rashida Jones 2/19/2020 Comedy Central 4/17/2020 Netflix Nora impulsively dyes her hair after a fight with her dad; Wally goes to a Ahead of the family's Juneteenth party, Joya struggles to confront Izzy about single parent support group meeting. her dance video as Kenya stresses the importance of hygiene to his sons. 9. B Positive 3. A.P. Bio Pilot Aces Wild James Burrows Oz Rodriguez 11/5/2020 CBS 9/3/2020 Peacock Drew, a recently divorced father, discovers he needs a kidney and finds his Principal Durbin and Helen sweep lockers; Jack discovers that Anthony has a donor in the last person he ever would've imagined. secret life as janitor Dale’s apprentice in the wrestling ring; the search for Stef's baby donor intensifies. 10. Beer Pong Coach 4.