Béla Bartók – Musician, Musicologist, Composer . and Entomologist! ARTICLE Hugh D. Loxdale1,2* and Adalbert Balog1,2,3 1. Institute of Ecology, Friedrich Schiller University, Dornburger Strasse 159, D–07743 Jena, Germany; 2. Department of Entomology, Max Planck Institute for Chemical Ecology, Hans-Knoell-Strasse 8, D-07745 Jena, Germany; 3. Department of Horticulture, Faculty of Technical Science, Sapientia University Tîrgu-Mure, Ro-540485, POB 9, Cp.4, Tg- Mures/Corunca, Sighisoara str. 1C. Romania. * Author for correspondence (E–mail:
[email protected]) Fig. 1: Bartók in the early 1920s ‘Animals would come to him with extraordinary confidence in his sympathy, and this sympathy was one and the same as his feeling for human beings who were rooted in their land. The longing he felt for such natural societies is demonstrated, I believe, in the greater simplicity of his last works, written in his race against death in the unfriendly urban environment of New York. Despite what must have struck him as the inhumanity of the streets, Bartók closed his ears to the roar of traffic, but opened them with interest to the rhythms and tunes of that American-African-European synthesis which is jazz; moreover, he incorporated some of what he heard into his Concerto for Orchestra.’ Yehudi Menuhin (1916-99), p. 186 in Bartók Remembered (Gillies, 1990) Hugh Loxdale: I am a long-time Fellow of the RES, having Adalbert Balog: I am an entomologist and currently Associate served as Editor of the Entomologist and as President. My Professor in the Department of Horticultural Sciences, Sapientia - main entomological interests concern aphid molecular Hungarian University of Transylvania, Romania.