PEN/Faulkner Award for Fiction Past Winners & Finalists 1981-2013
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Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Wallace Stegner and the De-Mythologizing of the American West" (2004)
Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner. -
Indiebestsellers
Indie Bestsellers Fiction Week of 11.18.20 HARDCOVER PAPERBACK 1. The Searcher ★ 1. Devotions: The Selected Poems of Tana French, Viking, $27 Mary Oliver Mary Oliver, Penguin, $20 2. The Vanishing Half Brit Bennett, Riverhead Books, $27 ★ 2. What Kind of Woman: Poems Kate Baer, Harper Perennial, $17 3. Anxious People Fredrik Backman, Atria, $28 3. The Overstory Richard Powers, Norton, $18.95 ★ 4. Moonflower Murders Anthony Horowitz, Harper, $28.99 4. Circe Madeline Miller, Back Bay, $16.99 ★ 5. The Law of Innocence 5. Shuggie Bain Michael Connelly, Little, Brown, $29 Douglas Stuart, Grove Press, $17 6. A Time for Mercy 6. Olive, Again John Grisham, Doubleday, $29.95 Elizabeth Strout, Random House, $18 7. The Invisible Life of Addie LaRue 7. The Nickel Boys V.E. Schwab, Tor, $26.99 Colson Whitehead, Anchor, $15.95 8. Leave the World Behind 8. This Tender Land Rumaan Alam, Ecco, $27.99 William Kent Krueger, Atria, $17 9. Transcendent Kingdom 9. The Best American Short Stories Yaa Gyasi, Knopf, $27.95 2020 Curtis Sittenfeld, Heidi Pitlor (Eds.), Mariner, 10. The Sentinel $16.99 Lee Child, Andrew Child, Delacorte Press, $28.99 10. The Topeka School 11. The Cold Millions Ben Lerner, Picador, $17 Jess Walter, Harper, $28.99 11. A Gentleman in Moscow 12. Memorial Amor Towles, Penguin, $17 Bryan Washington, Riverhead Books, $27 12. The Song of Achilles 13. Mexican Gothic Madeline Miller, Ecco, $16.99 Silvia Moreno-Garcia, Del Rey, $27 13. Homegoing Yaa Gyasi, Vintage, $16.95 14. The Evening and the Morning Ken Follett, Viking, $36 14. -
Vita I. Academic/Professional
VITA I. ACADEMIC/PROFESSIONAL BACKGROUND A. Name Title Mark Bayless Busby, Professor of English B. Educational Background (Years, Degrees, Universities, Majors, Thesis/Dissertation) August 1977 Ph.D. University of Colorado, Boulder Dissertation: “The Merging Adam-Christ Figure in Contemporary American Fiction” Director: James K. Folsom January 1969 M.A. Texas A&M University-Commerce Thesis: “Recent Trends in Marxist Literary Theory” Director: Thomas A. Perry May 1967 B.A. Texas A&M University-Commerce Majors: English and Speech C. University Experience (Dates, Positions, Universities,) Sept. 1994-Present Professor of English, Texas State University, San Marcos, TX August 1991-Sept. 1994 Associate Professor of English, Texas State University, San Marcos, TX August 2002-2012 Director, Southwest Regional Humanities Center, Texas State University, San Marcos, TX August 1991-2012 Director, Center for the Study of the Southwest, Texas State University, San Marcos, TX August 1983-July 1991 Associate Professor of English, Texas A&M University, College Station, TX August 1977-Aug. 1983 Assistant Professor of English, Texas A&M University, College Station, TX August 1972-May 1977 Instructor of English, University of Colorado, Boulder, CO June-August 1974, 1975 Instructor of English, Black Education Program, University of Colorado, Boulder, CO September 1970-June 1972 Associate Faculty Instructor of English, Indiana-Purdue University, Indianapolis, IN D. Relevant Professional Experience (Dates, Position, Entity,) September 1970-Dec. 1971 Communicative Arts Instructor, U.S. Army Adjutant General School, Fort Harrison, IN September 1967-May 1969 Teaching Assistant in English, Texas A&M University-Commerce, TX II. TEACHING A. Teaching Honors and Awards: 2012 Named Alpha Chi Favorite Professor, Texas State University 2008- Named Jerome H. -
Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary. -
The Color Purple: Shug Avery and Bisexuality
Reading Bisexually Acknowledging a Bisexual Perspective in Giovanni’s Room, The Color Purple, and Brokeback Mountain Maiken Solli A Thesis Presented to The Department of Literature, Area Studies and European Languages in partial Fulfillment of the Requirements for the Master’s Degree UNIVERSITY OF OSLO Spring Term 2012 II Reading Bisexually: Acknowledging a Bisexual Perspective in Giovanni’s Room, The Color Purple, and Brokeback Mountain By Maiken Solli A Thesis Presented to The Department of Literature, Area Studies and European Languages in partial Fulfillment of the Requirements for the Master’s Degree Supervisor: Rebecca Scherr UNIVERSITY OF OSLO Spring Term 2012 III IV © Maiken Solli 2012 Reading Bisexually: The Importance and Significance of Acknowledging a Bisexual Perspective in Fictional Literature Maiken Solli Supervisor: Rebecca Scherr http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo V Abstract In literary theory, literary criticism and in the Western literary canon there is evidence of an exclusion or erasure of a bisexual perspective, and this has also been the case within much of the written history of sexuality and theory, relating to gender, sexuality and identity. This thesis examines and analyses three literary classics; ‘Giovanni’s Room’ by James Baldwin, Alice Walker’s ‘The Color Purple,’ and ‘Brokeback Mountain’ by Annie Proulx, from a bisexual perspective. I have sought out to reveal, emphasize, and analyze bisexual elements present in the respective texts from a bisexual literary standpoint. This aspect of the texts has been ignored by most critics, and I believe it is paramount to begin to acknowledge the importance and significance of reading bisexually. -
Wallis Remsen Sanborn, III
Wallis Remsen Sanborn, III 2104 Carlton Way, San Angelo, TX 76901 Phone: 325-277-5702 Email: [email protected] EDUCATION Doctor of Philosophy in English, Texas Tech University, May 2003 Master of Arts in English, Texas Tech University, May 1999 Bachelor of Arts in English, Texas Tech University, December 1994 PUBLICATIONS Books The American Novel of War: A Critical Analysis and Classification System. McFarland & Co., Inc., Publishers, Jefferson, North Carolina. Ms. 450+ pp. To be published 2012. Animals in the Fiction of Cormac McCarthy. McFarland & Co., Inc., Publishers, Jefferson, North Carolina. Ms. 250+ pp. Published 2006. Short Work “Wolves as Metaphor in The Crossing.” Gale Group’s Contemporary Literary Criticism 295 (Oct. 2010): 250-59. Rev. of Timothy Parrish, From the Civil War to the Apocalypse: Postmodern History and American Fiction. The Cormac McCarthy Journal 7.1 (2009): 36-39. “Animals and Death in The Gardener’s Son, The Stonemason, ‘Bounty,’ and ‘The Dark Waters.” Bloom’s Modern Critical Views: Cormac McCarthy, New Edition. Ed. and Intro. Harold Bloom. New York: Bloom’s Literary Criticism/Infobase, 2009. 171-82. Rev. of Conrado Espinoza, Under the Texas Sun. Texas Books in Review 27.4 (Winter 2007- 08): 9+. Rev. of Harold Burton Meyers, The Death at Awahi. Southwestern American Literature 33.1 (2007): 99-101. “’I Aint Heard One in Years’: Wolves as Metaphor in The Crossing.” Cormac McCarthy Journal 3.1 (2003): 25-37. Sanborn Rev. of Lee Martin, Quakertown. Iron Horse Literary Review 3.2 (2002): 129-31. CONFERENCES “The Terrain and Weather as Enemy in Blood Meridian and Ceremony.” Western Crossroads: The Annual Western Literature Association Conference, to be held in Lubbock, Texas, 7-10 November, 2012. -
Survival Through Sufferings in Bernard Malamud's the Assistant
European Journal of Molecular & Clinical Medicine ISSN 2515-8260 Volume 07, Issue 08, 2020 I Suffer For You: Survival Through Sufferings In Bernard Malamud's The Assistant. Resliya.M. S1, V.M. Berlin Grace2, D. David Wilson3 1 Department of English, Karunya Institute of Technology and Sciences, Coimbatore – 641114 2 Department of Biotechnology, Karunya Institute of Technology and Sciences, Coimbatore – 641114 3Associate Professor Department of English Karunya Institute of Technology and Sciences,Coimbatore – 641114 e-mail: [email protected] Abstract Life is a tragedy full of joy- stated by Bernard Malamud, one of the most important Jewish-American writers, while explaining the characteristic mixture of sorrow and comedy in his works. His parents are Russian Immigrants. His writings have universal appeal. Malamud is mainly preoccupied with the complex faith of being a Jew. The major concerns of Malamud's heroes are suffering, commitment and responsibility. Despite their guilt-ridden past, they suffer for a new life. Suffering enabled by their commitment and gratitude towards a more perfect life. These acts of heroism are not acts of self, but derived from or created responsibility towards another soul. The moral vision of Malamud synthesizes values common to Judaic, Greek and Christian traditions. Thus, it is pertinent to not that all the major Malamudian chracters to become more human through their journey of sufferings. They offers the possibility of humanism for the sufferers and that is central to the moral vision. In this article I would like to discuss the characters of Bernard Malamud, with special reference to his second novel The Assistant. -
Philip Roth, Henry Roth and the History of the Jews
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 9 Philip Roth, Henry Roth and the History of the Jews Timothy Parrish Florida State University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Literature Commons, Comparative Literature Commons, Jewish Studies Commons, Modern Literature Commons, and the Other Arts and Humanities Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Parrish, Timothy. "Philip Roth, Henry Roth and the History of the Jews." CLCWeb: Comparative Literature and Culture 16.2 (2014): <https://doi.org/10.7771/1481-4374.2411> This text has been double-blind peer reviewed by 2+1 experts in the field. -
The Shipping News Study Guide
Film Education Digital Resource Spring 2002 1 Film Education Digital Resource Spring 2002 BEFORE YOU SEE THE FILM Based on Annie Proulx's Pulitzer Prize-winning novel, The Shipping News traces one man's, Jack Quoyle (KEVIN SPACEY), extraordinary journey to self-discovery when he returns to his ancestral home on the coast of Newfoundland. After the death of his estranged wife (CATE BLANCHETT), his fortunes begin to change when his long lost Aunt (JUDI DENCH) convinces Jack and his daughter to head north. Now, in a place where life is as rough as the weather and secrets are as vast as the ocean, he lands a job as a reporter for the local paper. In the course of his new career, he begins to discover some dark family mysteries and finds friendship and love with a single mother (JULIANNE MOORE) who has a secret of her own. Publicity Notes for The Shipping News Above is a brief description of the plot of The Shipping News. read it carefully. What are the key elements of the story that are stressed in this description? Can you sum up what the film will be about in one sentence? What genre do you think the film falls into? When you have decided on the genre of The Shipping News, you will be able to start listing what your expectations of that genre would be. Who are the kind of characters you would expect to find in the genre? What would be typical events and situations? An audience for these films will have an expectation of what they are going to see whilst they would also hope that these expectations might also be changed - we watch similar films which are all slightly different within a genre. -
Creative Writing (Iowa Writers' Workshop) 1
Creative Writing (Iowa Writers' Workshop) 1 Creative Writing (Iowa Writers' Workshop) Director • Lan Samantha Chang Graduate degree: M.F.A. in English Faculty: https://writersworkshop.uiowa.edu/people Website: https://writersworkshop.uiowa.edu/ The Creative Writing Program (Iowa Writers' Workshop) is a world-renowned graduate program for fiction writers and poets. Founded in 1936, it was the first creative writing program in the United States to offer a degree, and it became a model for many contemporary writing programs. In addition to its Master of Fine Arts program, it also offers writing courses for undergraduates. The Iowa Writers' Workshop has been home to thousands of remarkable writers, including Flannery O'Connor, Raymond Carver, Rita Dove, John Irving, James Alan McPherson, Philip Levine, Jane Smiley, Michael Cunningham, Sandra Cisneros, Denis Johnson, Jorie Graham, Ann Patchett, D.A. Powell, Nathan Englander, Yiyun Li, Eleanor Catton, Angela Flournoy, Garth Greenwell, Yaa Gyasi, and Jamel Brinkley. The program's faculty and alumni include winners of virtually every major literary award, including seventeen winners of the Pulitzer Prize (most recently Paul Harding in 2010), six recent U.S. Poets Laureate, and numerous winners of the National Book Award, MacArthur Foundation Fellowships, and other major honors. In 2003, the Iowa Writers' Workshop received a National Humanities Medal from the National Endowment for the Humanities—the first awarded to a university and only the second given to an institution rather than an individual. The Creative Writing Program offers courses for students from other programs of study; summer courses are open to undergraduate and graduate students. To learn more about the Creative Writing Program's history and faculty, visit the Iowa Writers' Workshop website.. -
2020 Book Groups
JOIN ONE OF OUR BOOK GROUPS! 2020 Meet interesting people. Book Groups Read great books. SHARING STORIES, Red Hook Public Library EXPLORING WORLDS Share your passion. 845.758.3241 Read. Discuss. Connect. Learn something new. 7444 S. Broadway Be challenged. Red Hook, NY 12571 Have fun! www.redhooklibrary.org READ & DISCUSS. AFTERNOON OR EVENING AT THE LIBRARY SHAKESPEARE BOOK GROUP AFTERNOON BOOK GROUP EVENING BOOK GROUP January 13: History of Wolves by Emily Fridlund January: Richard III January 14: The Overstory by Richard Powers February 10: Beloved by Toni Morrison February: Two Gentlemen of Verona February 11: Undaunted Courage by Stephen Ambrose March 16: First: Sandra Day, an American Life by Evan March: Romeo & Juliet March 10: A Fairly Honorable Defeat by Iris Murdoch Thomas April: Richard II April 14: My Name Is Lucy Barton by Elizabeth Strout April 20: Light Between Oceans by ML Stedman May: Henry IV, part 1 May 12: Black Boy by Richard Wright May 18: The Library Book by Susan Orlean June: Henry IV, part 2 June 9: Quartet in Autumn by Barbara Pym June 15: Where the Crawdads Sing by Delia Owens July: Henry V July 14: The Testaments by Margaret Atwood July – Summer Break August – Summer Break August 11: A Stopover in Venice by Kathryn Walker August 17: Book to be Determined September: Midsummer Night’s Dream September 8: Little Fires Everywhere by Celeste Ng September 21: Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe October: King John October 13: Trial By Family by Roselee Blooston October 19: The Testaments by Margaret Attwood November: Love’s Labour’s Lost November 10: The Serengeti Rules by Sean Carroll November 16: All Things Cease to Appear by Elizabeth Brundage December – Winter Break December 8: Poetry December 21: The Dutch House by Ann Patchett Love reading? Want to discuss? Come to Book Club! Shakespeare Book Club meets at 11 a.m.