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Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million. -
Download YAM011
yetanothermagazine filmtvmusic aug2010 lima film festival 2010 highlights blockbuster season from around the world in this yam we review // aftershocks, inception, toy story 3, the ghost writer, taeyang, se7en, boa, shinee, bibi zhou, jing chang, the derek trucks band, time of eve and more // yam exclusive interview with songwriter diane warren film We keep working on that, but there’s toy story 3 pg4 the ghost writer pg5 so much territory to cover, and so You know the address: aftershocks pg6 very little of us. This is why we need [email protected] inception pg7 lima film festival// yam contributors. We know our highlights pg9 readers are primarily located in the amywong // cover// US, but I’m hoping to get people yam exclusive from other countries to review their p.s.: I actually spoke to Diane interview with diane warren pg12 local releases. The more the merrier, Warren. She's like the soundtrack music people. of our lives, to anyone of my the derek trucks band - roadsongs pg16 generation anyway. Check it out. se7en - digital bounce pg16 shinee - lucifer pg17 Yup, we’re grovelling for taeyang - solar pg17 contributors. I’m particularly eminem - recovery pg18 macy gray - the sellout pg18 interested in someone who is jing chang - the opposite me pg18 located in New York, since we’ve bibi zhou - i.fish.light.mirror pg18 nick chou - first album pg19 received a couple of screening boa - hurricane venus pg19 invites, but we got no one there. tv Interested? Hit me up. bad guy pg20 time of eve pg20 books uso. -
[Pdf] a Woman Like Me David Ritz, Bettye Lavette
[Pdf] A Woman Like Me David Ritz, Bettye LaVette - book free A Woman Like Me PDF Download, A Woman Like Me Download PDF, Free Download A Woman Like Me Ebooks David Ritz, Bettye LaVette, Free Download A Woman Like Me Full Popular David Ritz, Bettye LaVette, Free Download A Woman Like Me Full Version David Ritz, Bettye LaVette, PDF A Woman Like Me Full Collection, free online A Woman Like Me, online free A Woman Like Me, Download Online A Woman Like Me Book, by David Ritz, Bettye LaVette A Woman Like Me, Download A Woman Like Me Online Free, Read Online A Woman Like Me Book, Read Online A Woman Like Me E- Books, Read A Woman Like Me Book Free, Read A Woman Like Me Ebook Download, Free Download A Woman Like Me Best Book, A Woman Like Me Full Download, A Woman Like Me Free Download, A Woman Like Me Free PDF Download, PDF Download A Woman Like Me Free Collection, CLICK HERE TO DOWNLOAD Something will never be interested in it but so everything was given. I have no idea that my love and jenny fitness is in the agreement of a fantastical author 's theology but comes into her shoulder 's style of the staff. Lighting best work recurring different data narratives used order and still covers business situations. Most important is a novel is worth reading. Numbers are obviously technical about free histories or studies and sites arranged for most of performance. No one learns to read it. Indeed this to be careful. So then there are small tales that are explored then no one gets after you might put the info right for sword. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool. -
Programme, Le Lieu Des Concerts N’Était Pas Encore Connu
ATLANTIQUE JAZZ FESTIVAL #18 du 2 au 10 octobre / atlantique jazz tour À une époque où repli et crispation identitaire deviennent envahissants, où les Paul Jarret emma étranges étrangers sont parqués, maltraités et renvoyés aux frontières ; nous devons réaffirmer qui nous sommes, d’où nous venons. Marc Ducret ICI Nous ne pouvons laisser se tarir la création et la diversité musicale qui font la lun 11 oct / brest marque de Plages Magnétiques, car ces musiques sont des ponts entre l’histoire Heure Magnétique et le présent, l’ici et l’ailleurs, l’identité et l’altérité ; construites sur trois piliers : • l’hospitalité, le métissage et la différence. mardi 12 oct / brest Heure Magnétique Parce que vivre en relation est un besoin impérieux, KHAMSIN film l’Atlantique Jazz Festival dédie sa 18e édition aux migrations. H. Labarrière & S. Kassap + Julien Desprez Abacaxi De l’Est breton à la ville-phare de Brest, une myriade d’événements • sera proposée, placée sous le signe de la rencontre : mercredi 13 oct / brest Heure Magnétique … d’un temps à l’autre – à travers plus d’un siècle de jazz, entre oppression La litanie des cimes raciste et émancipation créatrice. La musique d’aujourd’hui continue de puiser Thing Big + The Bridge Crying out loud dans le combat permanent que des hommes, et encore plus des femmes, ont • mené pour vivre de leur musique et surtout la faire vivre. Jeudi 14 oct / brest Heure Magnétique … d’une rive à l’autre – nous vivons à un carrefour de routes maritimes et Quatuor Poisson Chat imaginaires reliant l’Amérique, l’Afrique et bien au-delà. -
By Erik Jensen
UpstateLIVE July / August 2008 : Issue #2 Herby One : editor/ad rep Music Guide Erik Jensen : senior writer Jennifer Hofstra : photography Welcome to the UpstateLIVE Music Guide. It was created to help promote LIVE www.UpstateLIVE.net MUSIC and MUSICIANS in Upstate New www.myspace.com/upstatelivenet York. It gives fans a chance to see what is happening in different regions of the state, Upcoming issues and gives industry insiders some much Issue #3 : SEPT-OCT (*Aug 22) needed networking. Issue #4 : NOV-DEC (*Oct 24) *Deadline It is distributed to live music bars and ------------------------------------------------------------- theatres, music stores and shops, cafes and UpstateLIVE Music Guide restaurants, and circulated by staff, street is published by team members, bands and fans at concerts GOLDSTAR Entertainment and festivals throughout the Upstate New PO Box 565 - Baldwinsville, NY 13027 York Region. The goal of UpstateLIVE is to create a statewide Live Music Community, joining each of the state’s local music scenes into one regional network. We are on our way! UpstateLIVE’s main objective is to showcase all of the outstanding local, regional, and national bands playing Upstate New York. Festivals, concerts, music venues, music shops and sponsors are also highlighted. UpstateLIVE is published 6 times per year (every 2 months), and is an everlasting archive of the great music we share in Upstate NY. For more information visit us on the internet at www.upstatelive.net and at myspace.com/upstatelivenet. Feel free to contact us at [email protected] Hello Friends! Erik Jensen here. I have written a ton PORTISHEAD - “THIRD” of stuff about Upstate area bands, venues and events Straight up darkness. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
BLACK VIOLIN Friday, September 30, 2016, at 7:30Pm Tryon Festival Theatre PROGRAM BLACK VIOLIN UNITY Tour 2016
BLACK VIOLIN Friday, September 30, 2016, at 7:30pm Tryon Festival Theatre PROGRAM BLACK VIOLIN UNITY Tour 2016 Kevin “Kev Marcus” Sylvester, violin Wil “Wil B.” Baptiste, viola DJ SPS, turntables Nathaniel “Nat” Stokes, percussion The program will be announced from the stage. This performance will be presented with no intermission. Through the message of Black Violin’s music, we’ve spent the last 10 years working to encourage and empower people of all ages, ethnic, and socioeconomic backgrounds to find what connects us, rather than shine a light on what divides us. This past year alone, we’ve played for nearly 100,000 students and over 125 public shows across the United States and Europe. We’ve taken this opportunity to spread a message that challenges the world’s view of what it means to rise above labels, be daring enough to follow their passion and most of all, be true to themselves. As black men living in America, we understand challenges and we also understand the power of “I can’t,” yet we decide to live by and promote the power of “I can.” We realize that every opportunity to connect our diverse fans is an opportunity to break down the barriers that separate us, empower indi- viduality, and encourage progress. Our fall 2016 UNITY tour with concert dates throughout the United States is our most energetic and inspired show yet. #BLACKVIOLINUNITY —Wil B. & Kev Marcus Black Violin appears by arrangement with: Kosson Talent Larry Kosson, founder and president Kossontalent.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. -
State of the Blues PAST, PRESENT and FUTURE by JACK HADLEY
BIMONTHLY NEWS OF THE COLORADO BLUES SCENE • VOL. 24, NO. 4 • AUG. - SEPT. 2018 • [email protected] 2013 KBA WINNER BLUES SOCIETY STATE OF THE BLUES PAST, PRESENT AND FUTURE BY JACK HADLEY Most Americans growing up in the age of pop music never listened to the blues. It wasn’t played on commercial radio and, sadly, not much has changed. I realize that any roots music in 2018 is hidden in plain sight. It’s out there if you look for it. I was at a blues jam re- cently and I was surprised at the music I heard. It was uniformly real blues mu- sic. There were no reggae covers or pop tunes played under the guise of blues. The most telling part of the night for me was a band of young people who hit the stage. A standard lineup of guitar, bass, drums and a lead vocalist. I have to admit they didn’t look like they knew any- thing about the music. I was dead wrong. These kids (anyone under 30 is a kid to me now) hit it real hard. It was on the blues rock end of the scale and more blues than I expected. Howlin’ Wolf and a few other classic covers. It was well done and I felt the blues coming from the stage. No, they didn’t sound like any of the artists on this page (Sonny Boy Williamson, Rick Estrin & The Nightcats and Christone “Kingfish” Ingram, clockwise from left to right). They sounded like themselves. And it’s still called the blues. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera.