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Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool. -
Queens of Consciousness & Sex-Radicalism in Hip-Hop
Queens of Consciousness & Sex-Radicalism in Hip-Hop: On Erykah Badu & The Notorious K.I.M. by Greg Thomas, Ph.D. English Department Syracuse University Greg Thomas ([email protected]) is an Assistant Professor in the English Department at Syracuse University. His interests include Pan-Africanism, Hip-Hop and Black radical traditions. He is author of The Sexual Demon of Colonial Power: Pan-African Embodiment and Erotic Schemes of Empire (Indiana University Press, 2007). He is also editor of the e-journal, Proud Flesh: New Afrikan Journal of Culture, Politics & Consciousness. Abstract This article is a study of sex, politics and lyrical literature across what could be called “Hip-Hop & Hip-Hop Soul.” It champions the concept “sexual consciousness” against popular and academic assumptions that construe “sexuality” and “consciousness” to be antithetical--in the tradition of “the mind/body split” of the white bourgeois West. An alternative, radical articulation of consciousness with an alternative, radical politics of gender and sexuality is located in the musical writings of two contemporary “iconic” figures: Lil’ Kim of “Hip-Hop” and Erykah Badu of “Neo-Soul.” Underscoring continuities between these author-figures, one of whom is coded as an icon of “sexuality (without consciousness),” conventionally, and the other as an icon of “consciousness (without sexuality),” I show how Black popular music is a space where radical sexual identities and epistemic politics are innovated out of vibrant African/Diasporic traditions. 23 The Journal of Pan African Studies, vol. 1, no. 7, March 2007 The reputed “Father of African Cinema,” Ousmane Sembène is perhaps ironically famous for what we can call his sexual consciousness, a consciousness of the politics of sex or gender and sexuality, in his radical productions of Black independent film. -
KEY to USING the STUDY GUIDE We Think
STUDENT PERFORMANCE SERIES STUDY GUIDE: OBT 25: EVERYTHING LIVE! October 16, 2014 / Keller Auditorium Noon - 1:00 pm / Doors open at 11:30am Dear Educators, Photo by Joni Kabana celebration. Inside you will find information about the choreographer, composer and costume designer, focusing Welcome to the season opening show on collaboration. The Study Guide will also present of Oregon Ballet Theatre’s 2014-15 information that gives examples of how the art of dance Student Performance Series entitled can be explored through the lens of math linking to OBT 25: Everything Live! This SPS Oregon’s Common Core State Standards. performance for student groups is part of Oregon Ballet Theatre’s Kasandra Gruener, MA anniversary celebration of 25 years Director of Education Outreach as a dance company in Portland, Oregon. We are so happy to share this time with all of you! We will show the complete version of a brand new KEY TO USING THE STUDY GUIDE ballet—a world premiere—entitled, Never Stop Falling (In = Academic connections or discussion points Love). This Study Guide will look at the making of that ballet, one created especially for OBT’s 25th anniversary = hyperlink to more information We think this Student Performance Series show is a “1-2-3…Knockout!” for students in our community. Here is why: it is a world premiere of expansive choreography created by Nicolo Fonte, exquisitely executed by Oregon Ballet Theatre’s dancers… who are bedecked in innovative costuming from Project Runway’s Season 11 winner and Oregon native, Michelle Lesniak, all in collaboration with internationally acclaimed Pink Martini, led by band leader Thomas Lauderdale and vocalist China Forbes whose multi-lingual and multi-faceted music transports the audience atop rollicking rhythms, past percussive silence and deep in to sinewy, sensitive song… Put all this together with a bold set and stage lighting in Portland’5’s Keller Auditorium and everyone will be Thomas Lauderdale of Pink Martini. -
Oxford Proudly Supports the Cincinnati Symphony Orchestra
Oxford proudly supports the Cincinnati Symphony Orchestra. Enjoying your granddaughter’s ballet An Exceptional Everyday Experience It’s the little things in life that bring the most joy. At Twin Towers and Twin Lakes senior living communities, each day is filled with the wonderful things that make life sweeter – an entertaining show, delicious food, seeing your grandkids’ smiling faces. Find magic in the everyday. Call us to schedule a tour or visit us online at LEC.org. Oxford is independent and unbiased — and always will be. We are committed to providing families generational estate planning advice and institutions forward-thinking investment strategies. Twin Towers Twin Lakes 513.853.2000 513.247.1300 5343 Hamilton Avenue 9840 Montgomery Road Cincinnati, OH 45224 Cincinnati, OH 45242 Life Enriching Communities is affiliated with the West Ohio Conference CHICAGO ✦ CINCINNATI ✦ GRAND RAPIDS ✦ INDIANAPOLIS ✦ TWIN CITIES of the United Methodist Church and welcomes people of all faiths. 513.246.0800 ✦ WWW.OFGLTD.COM/CSO Oxford proudly supports the Cincinnati Symphony Orchestra. Enjoying your granddaughter’s ballet An Exceptional Everyday Experience It’s the little things in life that bring the most joy. At Twin Towers and Twin Lakes senior living communities, each day is filled with the wonderful things that make life sweeter – an entertaining show, delicious food, seeing your grandkids’ smiling faces. Find magic in the everyday. Call us to schedule a tour or visit us online at LEC.org. Oxford is independent and unbiased — and always will be. We are committed to providing families generational estate planning advice and institutions forward-thinking investment strategies. -
Seattle Symphony February 2018 Encore Arts Seattle
FEBRUARY 2018 LUDOVIC MORLOT, MUSIC DIRECTOR LISA FISCHER & G R A N D BATON CELEBRATE ASIA IT TAKES AN ORCHESTRA COMMISSIONS &PREMIERES CONTENTS EAP full-page template.indd 1 12/22/17 1:03 PM CONTENTS FEBRUARY 2018 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / IT TAKES AN ORCHESTRA 14 / THE ESSENTIALS OF LIFE CONCERTS 15 / February 1–3 RACHMANINOV SYMPHONY NO. 3 18 / February 2 JOSHUA BELL IN RECITAL 20 / February 8 & 10 MORLOT CONDUCTS STRAUSS 24 / February 11 CELEBRATE ASIA 28 / February 13 & 14 LA LA LAND IN CONCERT WITH THE SEATTLE SYMPHONY 30 / February 16–18 JUST A KISS AWAY! LISA FISCHER & GRAND BATON WITH THE SEATTLE SYMPHONY 15 / VILDE FRANG 33 / February 23 & 24 Photo courtesyPhoto of the artist VIVALDI GLORIA 46 / GUIDE TO THE SEATTLE SYMPHONY 47 / THE LIS(Z)T 24 / NISHAT KHAN 28 / LA LA LAND Photo: Dale Robinette Dale Photo: Photo courtesyPhoto of the artist ON THE COVER: Lisa Fischer (p. 30) by Djeneba Aduayom COVER DESIGN: Jadzia Parker EDITOR: Heidi Staub © 2018 Seattle Symphony. All rights reserved. No portion of this work may be reproduced in any form or by any electronic or mechanical means without written permission from the Seattle Symphony. All programs and artists are subject to change. encoremediagroup.com/programs 3 ON THE DIAL: Tune in to February Classical KING FM 98.1 every & March Wednesday at 8pm for a Seattle Symphony spotlight and CALENDAR the first Friday of every month at 9pm for concert broadcasts. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ■ FEBRUARY 12pm Rachmaninov 8pm Symphony No. -
Programme, Le Lieu Des Concerts N’Était Pas Encore Connu
ATLANTIQUE JAZZ FESTIVAL #18 du 2 au 10 octobre / atlantique jazz tour À une époque où repli et crispation identitaire deviennent envahissants, où les Paul Jarret emma étranges étrangers sont parqués, maltraités et renvoyés aux frontières ; nous devons réaffirmer qui nous sommes, d’où nous venons. Marc Ducret ICI Nous ne pouvons laisser se tarir la création et la diversité musicale qui font la lun 11 oct / brest marque de Plages Magnétiques, car ces musiques sont des ponts entre l’histoire Heure Magnétique et le présent, l’ici et l’ailleurs, l’identité et l’altérité ; construites sur trois piliers : • l’hospitalité, le métissage et la différence. mardi 12 oct / brest Heure Magnétique Parce que vivre en relation est un besoin impérieux, KHAMSIN film l’Atlantique Jazz Festival dédie sa 18e édition aux migrations. H. Labarrière & S. Kassap + Julien Desprez Abacaxi De l’Est breton à la ville-phare de Brest, une myriade d’événements • sera proposée, placée sous le signe de la rencontre : mercredi 13 oct / brest Heure Magnétique … d’un temps à l’autre – à travers plus d’un siècle de jazz, entre oppression La litanie des cimes raciste et émancipation créatrice. La musique d’aujourd’hui continue de puiser Thing Big + The Bridge Crying out loud dans le combat permanent que des hommes, et encore plus des femmes, ont • mené pour vivre de leur musique et surtout la faire vivre. Jeudi 14 oct / brest Heure Magnétique … d’une rive à l’autre – nous vivons à un carrefour de routes maritimes et Quatuor Poisson Chat imaginaires reliant l’Amérique, l’Afrique et bien au-delà. -
Take Me Back to Your House
TAKE ME BACK TO YOUR HOUSE MUSIC: Basement Jaxx Album: Crazy Itch Radio CHOREO: David McGrath NSW Australia LEVEL: Intermediate Plus SEQUENCE: A B C D A* B C E D F G D H END INTRO: Wait 2 counts after slow intro Left foot lead COUNTS CUE COUNTS CUE PART A PART C 2 Double Switch Up 8 Samantha Extra Turkey 4 Cross Tap Split 8 Bend Over Cole 4 Stomp Double 8 Burtons Turn Around full R 4 Hop Vine Double R 8 Half Cindy 4 Black Mountain 4 Fancy Flanges PART E 4 Flea Flicker Scoot 16 4 Knee Snaps 1/4 L ea 4 2 Switch the Tracks PART D PART B 8 Bounce Split Stamp 8 Creeper Kick 8 Slow Mo Catawba 8 Snaps & Slide 4 Joey 4 Hillbilly 4 Pivot & Kick full R 8 Swayback 4 2 Slapbacks 4 Donkey 4 4 Stomps 1½ L 32 Repeat to front PART C 8 Samantha Extra Turkey PART F 8 Bend Over Cole 4 Mountain Goat 1/2 L 8 Burtons Turn Around full R 4 Clap It 8 Half Cindy 8 Repeat to front PART D PART G 8 Bounce Split Stamp 32 4 Lonely So Lonely 1/4 L ea 8 Slow Mo Catawba 12 3 Bobby X 1/4 L each 4 Joey 4 Hop Cross Pivot Clap 3/4 R 4 Pivot & Kick full R 4 2 Slapbacks PART D 4 4 Stomps 1½ L 8 Bounce Split Stamp 32 Repeat to front 8 Slow Mo Catawba 4 Joey PART A* 4 Pivot & Kick full R 4 Basic Switch Up 4 2 Slapbacks 4 Cross Tap Split 4 4 Stomps 1½ L 4 Stomp Double 32 Repeat to front 4 Hop Vine Double R 4 Black Mountain PART H 4 Fancy Flanges 8 Rock Slur 4 Flea Flicker Scoot 4 Walk It Over 4 2 Switch The Tracks 8 High Horse 1/2 L 4 Charleston Kick PART B 4 2 Lori Step 8 Creeper Kick 4 Stomp Basic Kick 8 Snaps & Slide 32 Repeat to front 4 Hillbilly 8 Swayback END 4 Donkey 32 -
Rock & Roll Hall of Fame Celebrates the Sounds of Black History
FOR IMMEDIATE RELEASE: Rock & Roll Hall of Fame Celebrates the Sounds of Black History Throughout February Virtual programs and events include Rock Hall Inductee Verdine White of Earth, Wind and Fire, members of Sly & the Family Stone, Patti LaBelle, Robert Randolph of The Family Band, and Jackie Venson CLEVELAND (February 3, 2021) – The Rock & Roll Hall of Fame is celebrating Black History Month with a series of virtual events and programs honoring the extraordinary contributions that African Americans have made to rock & roll music. Fans can also head to the museum, which is open daily from 11 a.m. to 5 p.m. EST, to amplify their experience with the Rock Hall’s featured exhibit “It’s Been Said All Along: Voices of Rage, Hope & Empowerment.” A cornerstone to the Rock Hall's programs and outreach, the Black History Month celebration highlights stories, provides opportunities for dialogue, and reflects on the contributions and legacies of African American artists. Inspired by the sounds of Black history, the Rock Hall’s virtual events and programs include: Every Friday in February New Rock & Roll Hall of Fame Induction Vault podcast episodes Subscribe on the iHeart Radio App, Apple Podcasts or wherever you get your favorite podcasts Throughout February enjoy new podcast episodes honoring the legacies of African American Inductees with unfiltered access to iconic Induction speeches. Episodes include Gladys Knight and the Pips inducted by Mariah Carey (Feb. 5), Public Enemy inducted by Spike Lee and Harry Belafonte (Feb. 12), The Miracles inducted by Smokey Robinson (Feb. 19), and Buddy Guy inducted by B.B. -
Breakinreakin CONTRACTS Carolina Productions Won’T Book Acts Requiring Excessive Amenities
University of South Carolina Scholar Commons September 2006 9-19-2006 The aiD ly Gamecock, Tuesday, September 19, 2006 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2006_sep Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Tuesday, September 19, 2006" (2006). September. 12. https://scholarcommons.sc.edu/gamecock_2006_sep/12 This Newspaper is brought to you by the 2006 at Scholar Commons. It has been accepted for inclusion in September by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com The University of South Carolina Tuesday, September 19, 2006 Vol. 100, No. 27 ● Since 1908 USC LIMITS PERFORMER bbreakinreakin CONTRACTS Carolina Productions won’t book acts requiring excessive amenities it down Mai Nguyen THE DAILY GAMECOCK Twent y cases of K abba la h water and bowls fi lled with brown M&Ms. Local break dancers What do performers really bring “real hip-hop” ask for when they are booked at university campuses? to USC campus According to Carolina Productions, which sponsors many of the performances Catherine Martin around campus, USC has never THE DAILY GAMECOCK experienced an extravagant case, but at times a performer has asked for too much in their contract. Students might soon see break If CP feels the performer is asking dancers on campus who are for something unreasonable, they seeking to spread what they call simply do not book them. the “real hip-hop.” According to contracts, some Lavell Marshall, also known as stars coming this semester, such “Shaolin,” and Tim Nunnally, also as Bob Saget and Pete Rose, have known as “Timz Nice,” are part of requested basic security and private Mixed Motionz, a break dancing dressing rooms. -
Finding Aid to the Historymakers ® Video Oral History with James Poyser
Finding Aid to The HistoryMakers ® Video Oral History with James Poyser Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Poyser, James, 1967- Title: The HistoryMakers® Video Oral History Interview with James Poyser, Dates: May 6, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:06:29). Description: Abstract: Songwriter, producer, and musician James Poyser (1967 - ) was co-founder of the Axis Music Group and founding member of the musical collective Soulquarians. He was a Grammy award- winning songwriter, musician and multi-platinum producer. Poyser was also a regular member of The Roots, and joined them as the houseband for NBC's The Tonight Show Starring Jimmy Fallon. Poyser was interviewed by The HistoryMakers® on May 6, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_143 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Songwriter, producer and musician James Jason Poyser was born in Sheffield, England in 1967 to Jamaican parents Reverend Felix and Lilith Poyser. Poyser’s family moved to West Philadelphia, Pennsylvania when he was nine years old and he discovered his musical talents in the church. Poyser attended Philadelphia Public Schools and graduated from Temple University with his B.S. degree in finance. Upon graduation, Poyser apprenticed with the songwriting/producing duo Kenny Gamble and Leon Huff. Poyser then established the Axis Music Group with his partners, Vikter Duplaix and Chauncey Childs. He became a founding member of the musical collective Soulquarians and went on to write and produce songs for various legendary and award-winning artists including Erykah Badu, Mariah Carey, John Legend, Lauryn Hill, Common, Anthony Hamilton, D'Angelo, The Roots, and Keyshia Cole. -
Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
Open Cultural Studies 2018; 2: 330–340 Research Article Nathalie Aghoro* Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe https://doi.org/10.1515/culture-2018-0030 Received May 21, 2018; accepted September 26, 2018 Abstract: This article discusses the visual, textual, and musical aesthetics of selected concept albums (Vinyl/CD) by Afrofuturist musicians Erykah Badu and Janelle Monaé. It explores how the artists design alternate projections of world/subject relations through the development of artistic personas with speculative background narratives and the fictional emplacement of their music within alternate cultural imaginaries. It seeks to establish that both Erykah Badu and Janelle Monáe use the concept album as a platform to constitute their Afrofuturist artistic personas as fluid black female agents who are continuously in the process of becoming, evolving, and changing. They reinscribe instances of othering and exclusion by associating these with science fiction tropes of extraterrestrial, alien lives to express topical sociocultural criticism and promote social change in the context of contemporary U.S. American politics and black diasporic experience. Keywords: conceptual art, Afrofuturism, gender performance, black music, artistic persona We come in peace, but we mean business. (Janelle Monáe) In her Time’s up speech at the Grammys in January 2018, singer, songwriter, and actress Janelle Monáe sends out an assertive message from women to the music industry and the world in general. She repurposes the ambivalent first encounter trope “we come in peace” by turning it into a manifest for a present-day feminist movement. Merging futuristic, utopian ideas with contemporary political concerns pervades Monáe’s public appearances as much as it runs like a thread through her music. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY