Journal of the Senate 100Th Legislature REGULAR SESSION of 2019
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2017 Master Plan City of Inkster, Michigan 2017 Master Plan City of Inkster, Michigan
2017 MASTER PLAN CITY OF INKSTER, MICHIGAN 2017 MASTER PLAN CITY OF INKSTER, MICHIGAN ADOPTED: ____________________ Prepared by the City of Inkster Planning Commission with the Assistance of McKenna Associates 235 East Main Street, Suite 105 Northville, Michigan 48167 p: 248.596.0920 f: 248.596.0930 www.mcka.com RESOLUTION OF ADOPTION INTENTIONALLY LEFT BLANK ii 2017 MASTER PLAN ACKNOWLEDGMENTS Planning Commission Marcus Hendricks, Chairman James Garrett, Vice Chairman Steven Chisholm, Secretary Lynnette O. Cain Daryl Davis, City Appointee Byron Nolen, Mayor William Ratliff Robert Thomas Emmereal Wells City Council Byron Nolen, Mayor/CEO Timothy Williams, Mayor Pro-Tem Clarence Oden, Jr. Connie R. Mitchell Kim Howard Sandra Watley City Administration / Offi cials M. Jeannie Fields, Deputy Director, Planning, Building and Economic Development Planning Consultant McKenna Associates PREFACE iii INTENTIONALLY LEFT BLANK iv 2017 MASTER PLAN TABLE OF CONTENTS Resolution of Adoption ........................................................................................................................................................ i Acknowledgments .............................................................................................................................................................. iii 1. PURPOSE & PROCESS . 1 Welcome .................................................................................................................................................................................2 Regional Setting ...................................................................................................................................................................2 -
Detroit Blues Women Michael Duggan Murphy Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2011 Detroit blues women Michael Duggan Murphy Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the African American Studies Commons, Music Commons, and the United States History Commons Recommended Citation Murphy, Michael Duggan, "Detroit blues women" (2011). Wayne State University Dissertations. Paper 286. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. DETROIT BLUES WOMEN by MICHAEL DUGGAN MURPHY DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: HISTORY Approved by: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ DEDICATION “Detroit Blues Women” is dedicated to all the women in Detroit who have kept the blues alive, to the many friends, teachers and musicians who have inspired me throughout my life, and especially to the wonderful and amazing family that has kept me alive. Many thanks to Lee, Frank, Tom, Terry, Kim, Allison, Brendan, John, Dianne, Frankie, Tommy, Kathy, Joe, Molly, Tom, Ann, Michael, Dennis, Nancy, Mary, Gerry, Charles, Noranne, Eugene, Maegan, Rebecca, Tim, Debby, Michael Dermot and Angela. ii ACKNOWLEDGMENTS I would first like to thank my advisor and committee chair John J. Bukowczyk for his friendship, his editing skills, and his invaluable guidance through all stages of this dissertation. Throughout my graduate career, Dr. Bukowczyk has been generous mentor with a great deal of insight into the workings of the University and the world at large. -
Radio-One-Story-Of-P
AUSTRALIA 65c NEVV ZEA SOUTH AFRICA 70c NORTH www.americanradiohistory.com IN THIS ISSUE THE SMALL FACES by John Pidgeon: It was clear where these Mister Super Cools were at — they were mods before they formed the band. 449 ACID ROCK by Tony Walton: West Coast music that was more a new way of seeing old things than a specific type of music. 451 TALKING 'BOUT MY GENERATION: Lyrics of 'Substitute' and 'Pinball Wizard' in full plus analysis. 454 STEVIE WONDER by Roger St Pierre: Though still in his One of the most notable aspects of the British rock boom of the early twenties, 'little Stevie Wonder' has become the early '60s was the startling upsurge of working-class creativity guru of soul. 455 that went along with it. Kids who a few years before had put a broom handle into a tea chest and strung it to create a crude double WORKING CLASS HEROES by Phil Hardy: The Troggs, bass now turned out much of the best work around. Skiffle had the Who, Slade and Gary Glitter are working class undoubtedly been an introduction to music for thousands who heroes rather than rock stars 457 would normally have considered it the sole province of their HENDRIX by Stu Versey: The legendary guitar-hero wealthier age peers, and the do-it-yourself nature of the music had and superstud who came to Britain and changed proved that music-making didn't necessarily require you to be able the sound and history of rock 460 to sight-read or even understand chord structures — all you needed SKINHEADS AND TEENYBOPPERS by Pete Fowler: The was a flair, a reasonably good ear and enthusiasm. -
The Life of Esther Gordy Edwards and Her Contributions to the Building of Motown Records
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2017 Queen Esther: The Life of Esther Gordy Edwards and Her Contributions to the Building of Motown Records Velvet Aisha Johnson Ross Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Ross, Velvet Aisha Johnson, "Queen Esther: The Life of Esther Gordy Edwards and Her Contributions to the Building of Motown Records" (2017). Women's History Theses. 28. https://digitalcommons.slc.edu/womenshistory_etd/28 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Queen Esther: The Life of Esther Gordy Edwards and Her Contributions to the Building of Motown Records Velvet Aisha Johnson Ross Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, May 2017 Abstract The Life of Esther Gordy Edwards and Her Contribution to the Building of Motown Records Esther Gordy Edwards was called the “First Woman of Motown Records.” She was a thirty-year music executive veteran of Motown Records’ label. Edwards was a woman of many capabilities. She served as a mentor, personal manager of artists, Senior Vice President, Corporate Secretary and International Director. Motown Records was founded in 1959, with a loan from a family fund she established. The Motown Museum and her work as the “keeper of culture” helped to seal the Motown Record label into the world’s historical consciousness. -
Maxine Powell
Understanding Music Course Pack MUS.131.PCI1 COTTON FACILITY FALL 2020 Instructor: Brian Ketner # of copies: 0 Table of Contents Syllabus pg 1 Course Block and Due Dates Schedule pg 2 Video Lesson Schedule pg 3 J-Pay Interactive Question Guidelines pg 4 Assignment Packet Instructions pg 5 Chapter Summary Guidelines pg 6 Writing Assignment Guidelines pg 7 Reading Guidelines pg 8 Writing Assignment Prompts pg 9 Appendix: Motown Pages pg 19 Instructions and Guidelines 1 Syllabus: Understanding Music MUS.131.PCI1 Fall 2020 Number of Credits: 3 Days Class Meets: N/A Location: Internet Based Learning Instructor: Professor Ketner Course Description Lecture and directed listening on the elements, forms, and historic chronology of Western music. Course Goals To equip students with tools to listen to and appreciate multiple genres of music, to increase comprehension of musical form, style, and other musical concepts, and to recognize the historical development of Western music. Textbook • The Enjoyment of Music, 12E, by Forney, Dell’Antonio, and Machlis Expectations • Students are expected to check J-Pay regularly and interact with the question prompts. (This is also how I keep track of attendance. If you are not checking J-Pay, then you are not participating, and risk being dropped from the class.) • Students are expected to watch every class video and process it alongside reading. • Students are expected to be familiar with all reading assignments. • While listening to examples in the videos, students are expected to listen attentively. Use this time to practice observing and noticing specific details in the music. • Students are expected to turn in all assignments by the listed due dates. -
Finding Aid to the Historymakers ® Video Oral History with Katherine Schaffner
Finding Aid to The HistoryMakers ® Video Oral History with Katherine Schaffner Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Schaffner, Katherine, 1944- Title: The HistoryMakers® Video Oral History Interview with Katherine Schaffner, Dates: March 5, 2007 Bulk Dates: 2007 Physical 5 Betacame SP videocasettes (2:18:10). Description: Abstract: Singer Katherine Schaffner (1944 - ) was an original member of the musical group, The Marvelettes. Schaffner was interviewed by The HistoryMakers® on March 5, 2007, in Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2007_074 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Original member of the Marvelettes, Katherine Anderson Schaffner was born Katherine Elaine Anderson on January 16, 1944, in Ann Arbor, Michigan to Robert Timothy Calvin “T.C.”Anderson and Florence Smith Anderson. Raised in the Detroit suburb of Inkster’s Carver Homes, Schaffner attended Carver Elementary School, Ford Junior High School, Fellrath Junior High School and Inkster High School. At age seventeen, she was drafted as a back up singer for friends Gladys Horton and Georgia Dobbins for the Inkster High School talent show in 1961. Their group included Georgeanna Tillman and Wyanetta (often spelled “Juanita”) Cowart. The five teenagers called themselves the Casinyets for “Can’t Sing Yets.” They won fourth place, but with the help of their teacher, Shirley Sharpley, who knew Berry Gordy’s driver, Jon O’Den, they were able to land an audition with Motown Records. Motown’s featured stars in 1961 were Smokey Robinson and the Miracles and Mary Wells. -
Senate Resolution No.7
SENATE RESOLUTION NO.7 Senators Alexander, Wojno, Chang, Geiss, Irwin, McMorrow, Bullock, Brinks, Moss, Hollier, Bayer, MacDonald and Lauwers offered the following resolution: 1 A resolution to commemorate the 60th Anniversary of Motown 2 Records. 3 Whereas, Berry Gordy, Jr. and Motown Records, both musical and 4 cultural icons, have forever affixed Detroit, Michigan as a 5 permanent fixture in the history of music; and 6 Whereas, Berry Gordy, Jr. and Motown Records have both become 7 icons in the socio-cultural fabric of American life from the 1960s 8 to the present; and 9 Whereas, The two record labels, known as Tamla and Motown, 10 were founded in 1959 with an eight hundred dollar loan from his SR7 2 1 family; and 2 Whereas, That same year, Berry Gordy, Jr. purchased a two- 3 story house on West Grand Boulevard in Detroit; and 4 Whereas, Tamla Records was the first Motown record label 5 debuting in 1959; and 6 Whereas, The Tamla record label was first to hit Number 1 with 7 the song, “Please Mr. Postman,” by the Marvelettes, which topped 8 the Hot 100 on December 11, 1961; and 9 Whereas, The Marvelettes began as a quintet in rural Inkster, 10 Michigan, with members including Gladys Horton, Georgia Dobbins, 11 Georgeanna Tillman, Juanita Cowart, and Katherine Anderson; and 12 Whereas, Hitsville, as it was called, served as the site of 13 one of the most phenomenally prolific music production facilities 14 ever; and 15 Whereas, The list of stars who recorded at Hitsville have 16 become household names, including Smokey Robinson and the -
Life's a Beach
NENEH CHERRY IS ALL WINDY CITY ABOUT THE VOICE OF CHICAGO’S GAY, LESBIAN, CHICAGO BI AND TRANS COMMUNITY SINCE 1985 AND BEING A ‘MORMOR’ JULY 30, 2014 VOL 29, NO. 44 PAGE 17 TIMESwww.WindyCityMediaGroup.com First couple to adopt looks back BY MATT SIMONETTE Beth Strum (left) and Becky Lowery. Relatively few people in Illinois may know it, Photo by but many of the state’s families headed by Matt Simonette LGBT parents owe a debt of thanks to Elizabeth Strum and Becky Lowery. Strum and Lowery have been together for 30 GAY MAN TO RUN years. They were the first same-sex couple in FOR CHICAGO the state to be granted the right to adopt a child together. MAYOR They won their case in 1994, after several PAGE 8 years of litigation. Strum and Lowery, who are married, kept their names out of the public sphere in order to guard the privacy of their daughter, Megan, now a graduate student in her early twenties. The couple has lived in Evanston for several years, but were Chicago residents at the time of the hearings. Strum, who gave birth to Megan Turn to page 4 LIFE’S A BEACH STRIKE UP THE BAND page 6 MIKEY APUADA TO COMPETE IN GAY GAMES TRIATHLON PAGE 22 page 16 WCT REVIewS ‘GUARDIANS OF As she bids farewell to her post as director of the THE GALAXY’ Lakeside Pride Freedom Band, Christy Zurcher looks PAGE 14 These are just a few of the hundreds of people who attended the affirming lakefront TransPride Beach back on her own development and accomplishments. -
Senate Resolution No.7
SR 7, AS ADOPTED BY SENATE, JANUARY 24, 2019 SENATE RESOLUTION NO.7 Senators Alexander, Wojno, Chang, Geiss, Irwin, McMorrow, Bullock, Brinks, Moss, Hollier, Bayer, MacDonald and Lauwers, Wojno, Chang, Geiss, Irwin, McMorrow, Bullock, Brinks, Moss, Hollier, Bayer, MacDonald and Lauwers offered the following resolution: 1 A resolution to commemorate the 60th Anniversary of Motown 2 Records. 3 Whereas, Berry Gordy, Jr. and Motown Records, both musical and 4 cultural icons, have forever affixed Detroit, Michigan as a 5 permanent fixture in the history of music; and 6 Whereas, Berry Gordy, Jr. and Motown Records have both become 7 icons in the socio-cultural fabric of American life from the 1960s 8 to the present; and 9 Whereas, The two record labels, known as Tamla and Motown, SR7 2 1 were founded in 1959 with an eight hundred dollar loan from his 2 family; and 3 Whereas, That same year, Berry Gordy, Jr. purchased a two- 4 story house on West Grand Boulevard in Detroit; and 5 Whereas, Tamla Records was the first Motown record label 6 debuting in 1959; and 7 Whereas, The Tamla record label was first to hit Number 1 with 8 the song, “Please Mr. Postman,” by the Marvelettes, which topped 9 the Hot 100 on December 11, 1961; and 10 Whereas, The Marvelettes began as a quintet in rural Inkster, 11 Michigan, with members including Gladys Horton, Georgia Dobbins, 12 Georgeanna Tillman, Juanita Cowart, and Katherine Anderson; and 13 Whereas, Hitsville, as it was called, served as the site of 14 one of the most phenomenally prolific music production -
Gordy Motown Audio Collection 018.GM Finding Aid Prepared by Dejah Rubel and Alexis Braun Marks, CA
Gordy Motown audio collection 018.GM Finding aid prepared by Dejah Rubel and Alexis Braun Marks, CA This finding aid was produced using the Archivists' Toolkit October 16, 2017 Describing Archives: A Content Standard Eastern Michigan University Archives 2011 February 01 Halle Library, Room 310 Ypsilanti, Michigan, 48197 734-487-2673 [email protected] Gordy Motown audio collection 018.GM Table of Contents Summary Information ................................................................................................................................. 3 Administrative History...................................................................................................................................5 Scope and Contents....................................................................................................................................... 5 Administrative Information .........................................................................................................................6 Related Materials ........................................................................................................................................ 7 Controlled Access Headings..........................................................................................................................7 Technical Requirements.................................................................................................................................8 Collection Inventory..................................................................................................................................... -
The Shangri-Las and Their Recorded Legacy
“DRESSED IN BLACK”: THE SHANGRI-LAS AND THEIR RECORDED LEGACY Lisa Annette MacKinney (B.A. Hons., M.A.) This thesis is presented for the degree of Doctor of Philosophy The University of Western Australia School of Humanities Discipline of History 2012 ABSTRACT This thesis is the first ever full-length study of the Shangri-Las, a female teenage pop group from Cambria Heights in Queens, New York. Sisters Mary and Betty Weiss, and twins Mary Ann and Marguerite Ganser formed the group while attending school together in the early 1960s, and are most famous for their single “Leader of the Pack.” Despite enjoying an enduring following among rock fans and musicians, the Shangri-Las have been trivialised in a variety of important and lastingly influential ways by mainstream rock criticism, which is the context in which the bulk of commentary on the group has been published. This study examines the reasons for and manners in which this has received expression, which are complex, interconnected, and not always immediately obvious. As very young women, the Shangri-Las had relatively little agency within a male- dominated recording industry that perceived teenagers as fodder for manipulation and exploitation. Typically, this has been used as an excuse to devalue the musical input of the group members, and marginalise their recordings within a canon of perceived ‘authentic’ rock music. This thesis argues for a substantial rethinking and acknowledgment of the Shangri- Las’ considerable abilities, talent and musicality, and the centrality of their performances to the Shangri-Las’ largely unacknowledged artistic achievement. This thesis is divided into three sections.