Great Helms and Their Development Into Helmets
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MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
The Hat Magazine Archive Issues 1 - 10
The Hat Magazine Archive Issues 1 - 10 Issue No Date Main Articles Workroom Process ------------------------------------------------------------------------------------------------------------------------ Issue 1 Apr-Jun 1999 Luton - Ascot Shoot - Sean Barratt Feathers - Dawn Bassam -Trade Shows - Fashion Museums & Dillon Wallwork ------------------------------------------------------------------------------------------------------------------------ Issue 2 Jul-Sep 1999 Paris – Marie O’Regan – Royal Ascot Working with crinn with - Student Shows – Geoff Roberts Frederick Fox ------------------------------------------------------------------------------------------------------------------------ Issue 3 Oct-Nov 1999 Hat Designer of the Year ’99 - Block Making with Men in Hats, shoot – Trade Fairs Serafina Grafton-Beaves ------------------------------------------------------------------------------------------------------------------------ Issue 4 Jan-Mar 2000 Mitzi Lorenz – Philip Treacy couture Working with sinamay (1) show Paris – Florence – Bridal shoot with Marie O’Regan Street page – Trades Shows ------------------------------------------------------------------------------------------------------------------------ Issue 5 Apr-Jun 2000 Coco Chanel – Trade Fairs Working with sinamay (2) Dagmara Childs – Knits Shoot with Marie O’Regan Street page - Trade Shows ------------------------------------------------------------------------------------------------------------------------ Issue 6 Jul-Sep 2000 Luton shoot – Royal Ascot Working with -
Hat Makers with Attitude - Nytimes.Com
Hat Makers With Attitude - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Help Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS FASHION & STYLE DINING & WINE HOME & GARDEN WEDDINGS/CELEBRATIONS T MAGAZINE Millinery Madness: Hat Makers With Attitude Log in to see what your friends are sharing Log In With Facebook on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Backlash by the With Extra Bay: Tech Riches Anchovies, Alter a City Deluxe Whale Watching Morgan White, Derek John, Justin Smith Hat-makers with attitude: Piers Atkinson, House of Flora and J Smith Esq. By ROBB YOUNG Published: October 3, 2011 They are not the sort of hat makers whose idea of topping off an outfit RECOMMEND involves a charming little cloche or a cozy beret. Some are hell-raising TWITTER provocateurs while others are more like cheeky jesters full of LINKEDIN merrymaking and mischief. A few are die-hard design intellectuals, SIGN IN TO E-MAIL and at least one literally blurs the boundaries between hats and the PRINT hair that they cover. But one thing that unites this motley crew of SINGLE PAGE modern milliners is that “restraint” and “simplicity” are not part of their vocabularies. REPRINTS SHARE “To borrow a phrase from the stylist The Collection: A Fashion Simon Foxton, ‘There’s nothing worse App for the iPad A one-stop than a jaunty trilby,”’ says Fred Butler, destination for an exuberant British accessories Times fashion coverage and the designer who got her big break when latest from the Lady Gaga’s stylist, Nicola Formichetti, commissioned the runways. -
Smart Moves Smart
Page 1 Thursday s FASHION: s REVIEWS: MEDIA: The s EYE: Partying collections/fall ’09 Michael Kors, Getting ready diversity with Giorgio Narciso for the $380 quotient Armani, Rodriguez million Yves rises on Leonardo and more, Saint Laurent the New DiCaprio, the pages art auction, York Rodarte sisters 6 to 14. page 16. runways, and more, NEW page 3. page 4. YORKWomen’s Wear Daily • The Retailers’ Daily Newspaper • February 19, 2009 • $3.00 WSportswear/Men’swDTHURSdAY Smart Moves It was ultrachic coming and going in Oscar de la Renta’s fall collection, a lineup that should delight his core customers. The look was decidedly dressed up, with plenty of citified polish. It was even set off by Judy Peabody hair, as shown by the duo here, wearing a tailored dress with a fur necklet and a fur vest over a striped skirt. For more on the season, see pages 6 to 14. Red-Carpet Economics: Oscars’ Party Goes On, Played in a Lower Key By Marcy Medina LOS ANGELES — From Sharon Stone to Ginnifer Goodwin, the 40-person table beneath the stone colonnade at the Chateau Marmont here was filled with Champagne-drinking stars. It appeared to be business as usual for Dior Beauty, back to host its sixth annual Oscar week dinner on Tuesday night. With the worldwide economy in turmoil, glamour lives in the run-up to Hollywood’s annual Academy Awards extravaganza on Sunday night, but brands are finding ways to save a buck: staging a cocktail party instead of a dinner, flying in fewer staffers or cutting back on or eliminating gift suites. -
Basic-Armouring-2Of4.Pdf
Chapter 8 — Padding Because you need to build your armour around your padding you need to know how to make it first! Gamberson This supplies basic padding under the body armour and something to hang your arm armour off. Some people rely on their gamberson (with a few minor additions such as a kidney belt) as their torso protection. This gives them excellent mobility at the expense of protection. If you are learning to fight, as well as armour, you are liable to get hit a lot so body armour might not be a bad idea—your choice! Making a gamberson is a sewing job; go get a needle and thread or borrow a sewing machine. The material you make it from should be relatively tough (it’s going to take a beating), adsorbent (you are going to sweat into it), colour fast (unless you want to start a new fashion in oddly coloured flesh) and washable (see sweating above). Period gambersons were made from multiple layers of cloth stitched together or padded with raw wool or similar material, modern ones often use an internal fill of cotton or polyester batting to achieve the same look with less weight. A descrip- tion of an arming doublet of the 15th century is “a dowbelet of ffustean (a type of heavy woollen broad cloth) lyned with satene cutte full of hoolis”. A heavy outer material, such as canvas or calico, is therefore appropriate with a softer lining next to the skin. For extra ventilation you can add buttonholes down the quilting seams. -
Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time. -
Times Creation
+91-7351222111 Times Creation https://www.indiamart.com/times-creationharidwar/ Our organization is engaged in manufacturing, exporting and supplying nautical products, armoury products, handicraft items and other decorative brass antiques. This range includes morion helmet, antique norman armour helmet and more. About Us Established in the year 2001, we, Times Creation, we are one of the recognized firms engaged in Manufacturing, Exporting and Supplying a wide range of Medieval Armour Helmets, Medieval Armour Shields, Medieval Body Armour Collections, Medieval Muscle Armour, Armour Gloves, Antique Telephones, Nautical Spot Lamp, Nautical Brass Candle Stand, Nautical Brass Gifts & Home Decor, Nautical Brass Ship Models, Nautical Compass With Wooden Box, Nautical Diving Helmets, etc . These products are manufactured using high-grade raw material, which is procured from the reliable vendors of the market. Moreover, the products offered by us are known for their features like durability, superior finish, attractive designs, strong construction and corrosion resistance. Clients can avail these products in various sizes, designs and finishes as per their specific requirements. We, Times Creation, have established a sophisticated infrastructure, which is spread across a large area in Roorkee, Uttarakhand. Well-segregated into various departments, this infrastructure helps in managing the business related activities in a proper manner. Our departments are well-installed with advanced machines and tools that help in manufacturing in compliance -
"Flemish" Hats Or, Why Are You Wearing a Lampshade? by BRIDGET WALKER
Intro to Late Period "Flemish" Hats Or, Why Are You Wearing a Lampshade? BY BRIDGET WALKER An Allegory of Autumn by Lucas Van Valkenborch Grietje Pietersdr Codde by Adriaen (1535-1597) Thomasz. Key, 1586 Where Are We Again? This is the coast of modern day Belgium and The Netherlands, with the east coast of England included for scale. According to Fynes Moryson, an Englishman traveling through the area in the 1590s, the cities of Bruges and Ghent are in Flanders, the city of Antwerp belongs to the Dutchy of the Brabant, and the city of Amsterdam is in South Holland. However, he explains, Ghent and Bruges were the major trading centers in the early 1500s. Consequently, foreigners often refer to the entire area as "Flemish". Antwerp is approximately fifty miles from Bruges and a hundred miles from Amsterdam. Hairstyles The Cook by PieterAertsen, 1559 Market Scene by Pieter Aertsen Upper class women rarely have their portraits painted without their headdresses. Luckily, Antwerp's many genre paintings can give us a clue. The hair is put up in what is most likely a form of hair taping. In the example on the left, the braids might be simply wrapped around the head. However, the woman on the right has her braids too far back for that. They must be sewn or pinned on. The hair at the front is occasionally padded in rolls out over the temples, but is much more likely to remain close to the head. At the end of the 1600s, when the French and English often dressed the hair over the forehead, the ladies of the Netherlands continued to pull their hair back smoothly. -
Semi-Historical Arms and Armor the Following Are Some Notes About The
Semi-Historical Arms and Armor The following are some notes about the weapons and armor tables in D&D 5th edition, as they pertain to their relationship to modern understandings of historical arms and armor. In general, 5th edition is far more accurate to ancient and medieval sources regarding these topics than prior editions, but for the sake of balance and ease of play without the onerous restrictions of reality, there are still some expected incongruences. This article attempts to explain some particular facets about the use of arms and armor throughout our long, shared history, and to offer some suggestions (imbalanced as they may be) on how such items would have been used in particular times and places. A note on generalities: One of the best things 5th edition offers in these tables is the generalization of particular weapons and armor compared to prior editions. Is there a significant, functional difference between a half-sword, arming sword, backsword, wakizashi, tulwar, or any other various forms of predominately one-handed pokey and slashy things with 13 inch, sometimes 14 or 20 or even 30 inch blades? Well, actually yes, but that level of discrimination is often not noticeable in the granularity of the combat mechanics of most systems, and, more importantly, how modern readers often distinguish them is often anachronistic. For instance, almost all straight sword-like weapons, be it arming swords, half-swords, back swords, longswords or even great swords like claymores (but not Messers!) are referred to in ancient and medieval texts (MS I.33, Liberi, etc) as… swords. -
Alice in Wonderland Set & Costume
Alice in Wonderland Set & costume For more information about Alice in Wonderland set & costume rental contact Production Manager Josh Neckels at 541 485 3992. [email protected] 1 SET PIECES 2 pieces Backdrop with scrim center for projection 1 center small piece backdrop (plays up stage of 2 piece back drop) Grass units 5 Doors (1 with pyro, 3 with Alice photos) 1 Key hole Revolving Alice Photo Boat w. punt oar Mushroom 3 Rose briar units 1 large tea pot Mock Turtle set piece Falling cards 2 COSTUMES Father William Fat suit, pants, shirt, waistcoat, jacket, mask Young Man Pants, shirt, jacket hat Caterpillar Black unitard caterpillar costume 3 COSTUMES The Mock Turtle Shirt, pants, soft sculpture shell, mask Gryphon Yellow/brown unitard with wings & tail, 1/2 mask with beak 2 Lobsters Red unitard (door movers) blue jackets, pink lobster head & pink claws 4 COSTUMES The Mad Hatter Pants, shirt, jacket, socks, top hat The Dormouse red/brown unitard, mask The March Hare Yellow unitard, Jacket, mask Tea Table Soft sculpture tea table with tea pot, cups & saucers (dancers under table with elastic support "wear table" ) 5 COSTUMES Fish Footmen Black unitards, jackets, masks The Cook Tights, dress, hat, nose piece The Duchess Tights, Dress, mask 6 COSTUMES Dodo Blue unitard and large foam body piece Mouse Grey unitard, mask Eaglet Green/yellow unitard with wings, mask 7 COSTUMES Eaglet Green/yellow unitard with wings, mask Duck White unitard with wings, mask Marten Blue unitard with tail, mask 8 COSTUMES Flamingos Pink unitards with wings, -
Archaeologist in the Archive. a Turning Point in the Study of Late-Medieval Helmets in Western Pomerania
FASCICULI ARCHAEOLOGIAE HISTORICAE FASC. XXXIII, PL ISSN 0860-0007 DOI 10.23858/FAH33.2020.011 ANDRZEJ JANOWSKI* ARCHAEOLOGIST IN THE ARCHIVE. A TURNING POINT IN THE STUDY OF LATE-MEDIEVAL HELMETS IN WESTERN POMERANIA Abstract: The article discusses three late-medieval head protectors from Western Pomerania, forgotten by Polish scholars after World War II. The first one is the great helm known as the Topfhelm from Dargen, the second, a bascinet with visor from Leszczyn and the last one, the jousting sallet from the collection of Szczecin masons. Knowledge about those helms is highly significant for studies of late-medieval armour in Western Pomerania. Keywords: Western Pomerania, medieval armour, great helm, bascinet, jousting sallet Received: 15.04.2020 Revised: 29.04.2020 Accepted: 27.07.2020 Citation: Janowski A. 2020. Archaeologist in the Archive. A Turning Point in the Study of Late-medieval Helmets in Western Pomerania. “Fasciculi Archaeologiae Historicae” 33, 167-174, DOI 10.23858/FAH33.2020.011 Elements of armour either in whole or in large The Great Helm from Dargen fragments belong to unique finds in the archaeology The first piece of head protection discussed here of the Middle Ages. Each more or less complete find is a find which must be known to all armour special- is considered a sensation. Western Pomeranian finds ists (Fig. 1). It is one of the best preserved and oldest are no different in this respect; new finds of this type great helms, dating back to the middle-second half of are few and far between.1 The study of primary sourc- the 13th century. -
Heroic Armor of the Italian Renaissnace
30. MASKS GARNITURE OF CHARLES V Filippo Negroli and his brothers Milan, dated 1539 Steel, gold, and silver Wt. 31 lb. 3 oz. (14,490 g) RealArmeria, Patrimonio Nacional, Madrid (A 139) he Masks Garniture occupies a special place in the Negroli Toeuvre as the largest surviving armor ensemble signed by Filippo N egroli and the only example of his work to specify unequivocally the participation of two or more of his broth ers. The armor's appellation, "de los mascarones," derives from the grotesque masks that figure prominently in its dec oration, and it was coined by Valencia de Don Juan (1898) to distinguish it from the many other harnesses of Charles V in the Real Armeria. Indeed, for Valencia, none of the emperor's numerous richly embellished armors could match this one for the beauty of its decoration. As the term "garniture" implies, the harness possesses a number of exchange and reinforcing pieces that allow it to be employed, with several variations, for mounted use in the field as well as on foot. The exhibited harness is composed of the following ele ments: a burgonet with hinged cheekpieces and a separate, detachable buffe to close the face opening; a breastplate with two downward-overlapping waist lames and a single skirt lame supporting tassets (upper thigh defenses) of seven lames each that are divisible between the second and third lames; a backplate with two waist lames and a single culet (rump) lame; asymmetrical pauldrons (shoulder defenses) made in one with vambraces (arm defenses) and having large couters open on the inside of the elbows; articulated cuisses (lower thigh defenses) with poleyns (knees); and half greaves open on the inside of the leg.