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On Celestial Wings / Edgar D
Library of Congress Cataloging-in-Publication Data Whitcomb. Edgar D. On Celestial Wings / Edgar D. Whitcomb. p. cm. Includes bibliographical references. 1. United States. Army Air Forces-History-World War, 1939-1945. 2. Flight navigators- United States-Biography. 3. World War, 1939-1945-Campaigns-Pacific Area. 4. World War, 1939-1945-Personal narratives, American. I. Title. D790.W415 1996 940.54’4973-dc20 95-43048 CIP ISBN 1-58566-003-5 First Printing November 1995 Second Printing June 1998 Third Printing December 1999 Fourth Printing May 2000 Fifth Printing August 2001 Disclaimer This publication was produced in the Department of Defense school environment in the interest of academic freedom and the advancement of national defense-related concepts. The views expressed in this publication are those of the author and do not reflect the official policy or position of the Department of Defense or the United States government. This publication has been reviewed by security and policy review authorities and is cleared for public release. Digitize February 2003 from August 2001 Fifth Printing NOTE: Pagination changed. ii This book is dedicated to Charlie Contents Page Disclaimer........................................................................................................................... ii Foreword............................................................................................................................ vi About the author .............................................................................................................. -
Owners, Kentucky Derby (1875-2017)
OWNERS, KENTUCKY DERBY (1875-2017) Most Wins Owner Derby Span Sts. 1st 2nd 3rd Kentucky Derby Wins Calumet Farm 1935-2017 25 8 4 1 Whirlaway (1941), Pensive (’44), Citation (’48), Ponder (’49), Hill Gail (’52), Iron Liege (’57), Tim Tam (’58) & Forward Pass (’68) Col. E.R. Bradley 1920-1945 28 4 4 1 Behave Yourself (1921), Bubbling Over (’26), Burgoo King (’32) & Brokers Tip (’33) Belair Stud 1930-1955 8 3 1 0 Gallant Fox (1930), Omaha (’35) & Johnstown (’39) Bashford Manor Stable 1891-1912 11 2 2 1 Azra (1892) & Sir Huon (1906) Harry Payne Whitney 1915-1927 19 2 1 1 Regret (1915) & Whiskery (’27) Greentree Stable 1922-1981 19 2 2 1 Twenty Grand (1931) & Shut Out (’42) Mrs. John D. Hertz 1923-1943 3 2 0 0 Reigh Count (1928) & Count Fleet (’43) King Ranch 1941-1951 5 2 0 0 Assault (1946) & Middleground (’50) Darby Dan Farm 1963-1985 7 2 0 1 Chateaugay (1963) & Proud Clarion (’67) Meadow Stable 1950-1973 4 2 1 1 Riva Ridge (1972) & Secretariat (’73) Arthur B. Hancock III 1981-1999 6 2 2 0 Gato Del Sol (1982) & Sunday Silence (’89) William J. “Bill” Condren 1991-1995 4 2 0 0 Strike the Gold (1991) & Go for Gin (’94) Joseph M. “Joe” Cornacchia 1991-1996 3 2 0 0 Strike the Gold (1991) & Go for Gin (’94) Robert & Beverly Lewis 1995-2006 9 2 0 1 Silver Charm (1997) & Charismatic (’99) J. Paul Reddam 2003-2017 7 2 0 0 I’ll Have Another (2012) & Nyquist (’16) Most Starts Owner Derby Span Sts. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Hall's Manila Bibliography
05 July 2015 THE RODERICK HALL COLLECTION OF BOOKS ON MANILA AND THE PHILIPPINES DURING WORLD WAR II IN MEMORY OF ANGELINA RICO de McMICKING, CONSUELO McMICKING HALL, LT. ALFRED L. McMICKING AND HELEN McMICKING, EXECUTED IN MANILA, JANUARY 1945 The focus of this collection is personal experiences, both civilian and military, within the Philippines during the Japanese occupation. ABAÑO, O.P., Rev. Fr. Isidro : Executive Editor Title: FEBRUARY 3, 1945: UST IN RETROSPECT A booklet commemorating the 50th Anniversary of the Liberation of the University of Santo Tomas. ABAYA, Hernando J : Author Title: BETRAYAL IN THE PHILIPPINES Published by: A.A. Wyn, Inc. New York 1946 Mr. Abaya lived through the Japanese occupation and participated in many of the underground struggles he describes. A former confidential secretary in the office of the late President Quezon, he worked as a reporter and editor for numerous magazines and newspapers in the Philippines. Here he carefully documents collaborationist charges against President Roxas and others who joined the Japanese puppet government. ABELLANA, Jovito : Author Title: MY MOMENTS OF WAR TO REMEMBER BY Published by: University of San Carlos Press, Cebu, 2011 ISBN #: 978-971-539-019-4 Personal memoir of the Governor of Cebu during WWII, written during and just after the war but not published until 2011; a candid story about the treatment of prisoners in Cebu by the Kempei Tai. Many were arrested as a result of collaborators who are named but escaped punishment in the post war amnesty. ABRAHAM, Abie : Author Title: GHOST OF BATAAN SPEAKS Published by: Beaver Pond Publishing, PA 16125, 1971 This is a first-hand account of the disastrous events that took place from December 7, 1941 until the author returned to the US in 1947. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
I^Tisssn MUSIC by Dean SCHWARTZ W ( CATHERINE BALL! J«*Cs3ee2e3e3e*S Re a Ballroom Dancing, Rhythm, Poise, Icing, Stretching, Routines-, Positions for MRS
'AMUSEMENTS.'* 2 THE SfcDAY STATU TTASHINGTON, T>. C., OCTOBER 14, 1928—PART 4.' AMUSEMENTS/ BELIEVES IN YOUTH Every One a Talkie. More of Craig’s “Macbeth.” AMES says he does not SILENCE IN THE STUDIOS I? VERY picture made by First Na- ¦yjy/INTHROP *“* Personality Counts. fear youth in the theater. tional hereafter will be a dialogue picture. His career producer of notable J~)QUGLAS ROSS, the producer, who > and epitomize pure evil, hate and de- as a This announcement was made by A1 plays is marked by his discovery of 1-1 AS your family cat screen per- who struts her stuff at sls a is staging Gordon Craig’s produc- . struction. The witches are not playful a Rockett, production and studio man- x 1 ¦, chicken , little dames; they are the anti-type of ager upon sonality? ! day and keeps so busy uplifting the 4tion of “Macbeth,” a George C. Tyler number of players who since have be- at the Burbank plant, his re- angels. turn from New York recently. If no. there's a chance for him—or standard of screen acting that she promised coming come prominent on the stage. When her—in scarcely lay eggs, attraction of the sea- “The castle courtyard, with its men- I While in the East he conferred with Hollywood. ! has time to son, has this to say: acing masses, will suggest mystery, a he brought out Maurice Maeterlinck's Irving Cats playing just extra roles, so to i A monkey that has played in more firm belief D. Rossheim. president of the speak, 50 dollar pictures “My in this production is sense of dread. -
THE FILM Weeklyimportance, and All the Time Uses Herinblackface
VW -44;T: 22 The Billboard MOTION PICTURES February 13, 1937 Communications to 1564 Broadway, New York City Ritz Brothers and likely hits of Berlinslain and she returns to her lover after "You Only Live Once" will seeit thru for some time. "Mysterious Crossing" (WALTER WANGER) giving up all her possessions to repay APPEAL-General audience. for her husband's swindles. (UNIVERSAL) TIME -87 minutes. EXPLOITATION-Names and tunes. CAST-Kay Francis, Claude Rains, Ian RELEASE DATE-January 30. Hunter,AlisonSkipworth,Alexander TIME -64 minutes. PLOT-Joan Graham (Sylvia Sidney) D'Arcy, Betty Lawford, Walter Kings- RELEASE DATE-Not given. loves an ex -convict, Eddie Taylor (Henry "Kidnaped in Shanghai" ford,CharlesHalton,FrankReicher. PLOT-James Dunn, cast as a news- Fonda), and theyget married.Soon (REPUBLIC) Frank Conroy, EgonBrecher,Robertpaper man -detective, gets his man in this the natural antipathy and discrimina- Strange.Francis did well but seemedopus, a rather dull yarn with little com- TIME -71 minutes. miscast, Rains and Hunter deliverededy, some melodrama and a dose of tionagainstex -consbecomesover- RELEASE DATE-Not given. murder. Trouble occurs on a ferryboat bearing and Taylor is on the verge of PLOT-PiececoncernsPhilRegan,capably. committing a crimein ordertogeterstwhile singing policeman of Brooklyn, DIRECTOR-Michael Curtiz. Nothingcrossing the Mississippi, ..there the father money. At that time a bank robbery sensational, but treatmentokehandof Jean Rogersis dumped overboard. in the dual role of tenor in a musicalinterest moderately paced. Dunn runs hither and yon in his at- is staged and Taylor is brought to trialcomedy in Shanghai and aviator, who tempt to grab off the villian, then writes and found guilty, even tho heisnotleaves California in a plane to test an AUTHORS-Original by Warren Duffabout it for his paper. -
The F-15 Eagle: Origins and Development, 1964-1972 Jacob Neufeld 4
SPRING 2001 - Volume 48, Number 1 The F-15 Eagle: Origins and Development, 1964-1972 Jacob Neufeld 4 A “Pretty Damn Able Commander” — Lewis Hyde Brereton: Part II Roger G. Miller 22 Genesis of the Aerospace Concept Frank W. Jennings 46 Airhead Operations in Kuwait: The 436th ALCE John L. Cirafici 56 Slanguage: Part II, Letters C-D Brian S. Gunderson 64 Departments: From the Editor 3 Book Reviews 66 Books Received 72 Coming Up 74 History Mystery 76 Letters, News, Notices, and Reunions 77 Upcoming Symposium 79 In Memoriam 80 COVER: A trio of F–15s soar over the southwestern United States. The Air Force Historical Foundation PostScript Picture (APH.eps) Air Force Historical Foundation 1535 Command Drive – Suite A122 Andrews AFB, MD 20762-7002 (301) 981-2139 (301) 981-3574 Fax The Journal of Air and Space History (formerly Aerospace Historian) Spring 2001 Volume 48 Number 1 Officers Contributing Members President The individuals and companies listed are contributing Gen. William Y. Smith, USAF (Ret) members of the Air Force Historical Foundation. The Publisher Vice-President Foundation Trustees and members are grateful for their Brian S. Gunderson Gen. John A. Shaud, USAF (Ret) support and contributions to preserving, perpetuating, Secretary-Treasurer and publishing the history and traditions of American Editor Maj. Gen. John S. Patton, USAF (Ret) aviation. Jacob Neufeld Executive Director Col. Joseph A. Marston, USAF (Ret) Benefactor Technical Editor Mrs. Ruth A. (Ira C.) Eaker Estate Robert F. Dorr Advisors Book Review Editor Michael L. Grumelli Gen. Michael E. Ryan, USAF Patron Lt. Gen. Tad J. Oelstrom, USAF Maj. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
1937-09-18 [P C-20]
New In New Film Crosby-Raye Film Farce at n? ——----Stirring Witty Capitol tTnKiuxii&fll Has Moments Big Kids Newspaper Films Mat. at * 30. Tealftkt at S:30 I But Better Parts or of “Double Edna May Oliver Garries Show Nothing” Are Placed Against To Pinnacle of Laughter. Some Stuff. Hackneyed D. G. Tearn on Stage. BY JAY CABMODY. BY ROBERT B. left out PHILLIPS. Jr. Prlera tlnal. Bob Burns, substituted Andy Devine, and made anothf Tail: E?ee.—(trail, ft* tOt week Loews Baleen*. Bing Crosby-Martha Capitol Theater, nee Loew s Fox. double nee the Fox, kl.KI and SI Ui lleeead Bal- Raye picture out at Paramount not long ag< •nn r. Mr is celebrating its tenth anniversary as a major presentation house in Mata.—Entire Orek., SI .Ms The film, "Double or Nothing,” at the Palace an Tnlira kirat opened yesterday and Balaam, Sl.lOt Entire those who like this city, perhaps the most welcome surprise at its birthday party Srrnnd Baleonr, S6*. THEY Bing Crosby and Martha Raye are to be s going it THISis a rather choice comedy known as "My Dear Miss Aldrich.” Dis- pleased won t make a bit of difference how we felt. We felt disappointe< ONE In of the mirth tinctly labeled "class B" when it left the M-G-M studio, this parcel of celluloid WEEK STARTING spite and laughter which Director Reed and his cast manage when unwrapped, unreeled, or whatever it is do to NEXT MON. EVE. AT S:30 to into -————— you celluloid, reveals itself get spots, there were others John Goltri as an and a1*-=-—-— into wmch let old wrinkles intelligent witty farce, ~ they come. -
British Nineteenth-Century Literature and the Hollywood Studio
ADAPTATION AS AN INTERTEXTUAL MODE OF PRACTICE: British Nineteenth-Century Literature and the Hollywood Studio Era Penny Chalk BA (Hons), MA This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth April 2018 1 DECLARATION While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………………………………… Date…………………………………… Total word count 71,051 i ABSTRACT This thesis is an interdisciplinary study of adaptations produced in the Hollywood studio era, focussing on British nineteenth-century literature adapted between the years 1930 to 1949. Based on the critical fields of adaptation criticism and historical scholarship of film, it emphasizes adaptations in relation to production practices, examining how and why a range of British literary texts were adapted in this era. The study uses a specially-created dataset collected from the American Film Institute Catalog of Motion Pictures, and archival evidence from the Margaret Herrick library, New York Public Library and British Film Institute. The introductory chapter provides an overview of the period, considering the impact of economic constraints, censorship, and war. This chapter argues that adaptations were an integral part of the industry in this period, driving innovation and production trends. Following this overview of the period, five case studies are presented in order to consider the diverse range of strategies employed in the adaptation of literary texts. -
R^Srln Was Mother and His Sister
Wednesday, April 7, 1943 DETROIT EVENING TIM E S (riJOXE CHERTS 8Mo~) PAGE 17 A NEW ROMANCE FOR DEANNA R. McDowall PRETTY PASSENGER Honor Miss Main Louella SCREEN COMEDIENNE Mar- jorie Main will bo one of the guests Here on a tea sponsored by the •* of honor at Parsons Lon Angeles Alliance of her college Thursday sorority, Delta Delta Delta, for China Relief. United t in . J*fol(ijiupoil LITTLE RODDY McDOVVALL - is coming to town Thursday. BIG SHOWS TODAY f the tike who AllY OKNIN6 April Y«*u recall little Zs mil I if" 9>o A M going stole your heart away a*- ihe 9 Jr •HOLLYWOOD,hit of nows that is 6-Here’s|to - hero, Huw, delight all the Myrna Loy fans. youngster ol ‘How K l»l » M A U Through the underground route I Green Was M Valley?" makes trip learn that she is going to return Well the lad hi* fii*t to Hollywood for her famed role to Detroit in advance of hi* latest “My the next “Thin Man”' film. Friend Frieka.” in of Nora in which be plays hi* first all-Ameri- picture. Myrna still has a con- can role. tract with Metro-Goldwyn-Mayer Because Roddy ha* brennie an and since no other star seemed American. He can't go hack to England and he has had to com- willing to follow in Loy's foot-j pletely change his outlook and way steps and play her Nora to Wil-I of living since he arrived here, liam Powell’s Nick Charles, a right when the blitz was ai its request was put in to the lady her- worst.