R^Srln Was Mother and His Sister

Total Page:16

File Type:pdf, Size:1020Kb

R^Srln Was Mother and His Sister Wednesday, April 7, 1943 DETROIT EVENING TIM E S (riJOXE CHERTS 8Mo~) PAGE 17 A NEW ROMANCE FOR DEANNA R. McDowall PRETTY PASSENGER Honor Miss Main Louella SCREEN COMEDIENNE Mar- jorie Main will bo one of the guests Here on a tea sponsored by the •* of honor at Parsons Lon Angeles Alliance of her college Thursday sorority, Delta Delta Delta, for China Relief. United t in . J*fol(ijiupoil LITTLE RODDY McDOVVALL - is coming to town Thursday. BIG SHOWS TODAY f the tike who AllY OKNIN6 April Y«*u recall little Zs mil I if" 9>o A M going stole your heart away a*- ihe 9 Jr •HOLLYWOOD,hit of nows that is 6-Here’s|to - hero, Huw, delight all the Myrna Loy fans. youngster ol ‘How K l»l » M A U Through the underground route I Green Was M Valley?" makes trip learn that she is going to return Well the lad hi* fii*t to Hollywood for her famed role to Detroit in advance of hi* latest “My the next “Thin Man”' film. Friend Frieka.” in of Nora in which be plays hi* first all-Ameri- picture. Myrna still has a con- can role. tract with Metro-Goldwyn-Mayer Because Roddy ha* brennie an and since no other star seemed American. He can't go hack to England and he has had to com- willing to follow in Loy's foot-j pletely change his outlook and way steps and play her Nora to Wil-I of living since he arrived here, liam Powell’s Nick Charles, a right when the blitz was ai its request was put in to the lady her- worst. self to come hack and make her Since then he has discovered American games, gone to an Amer- fans happy. ican school and learned that bts So it is as good as settled. After English speaking oou>m* are “a all she and Bill Powell are so bit of all right” or a* he'd rather “Okay.” • firmly fixed in the minds of the put it, rifOCY MMim ma iaio IflKiLii \ CCyIT IAIIC »•* UNO lam as Mr and Mrs. Nick Charles LONDON BORN 1 in milinlit iaio WggtUßar that it would lie difficult to find He was born in London, and DF SC? a satisfactory substitute. lived there for the first 11! years HIT PARADE 1943*1 life, big \V A SPEGILATEh of his in a comfortable YNE house near the Creyden airport. JOHN WAYNL ha< been doing That is. he lived there until the a little >|ierulatmg. spending $2."),- Nazis began dropping the bombs all b(H) loi the film lights to the life that shattered the windows and rut a hole through the tool so that story Maj Harry 1.. Torgerson of r Roddy couldn't go upstair* in take of the marines. Torgerson led tfie a hath. Susan Miller, stage and screen cutie, tonight joins the first paratroopers at Guadalcanal He lived there with hi* mother ‘‘Merry-Go-Rounders," the variety revue at the Wilson. and dynamited the Jaf/s out of and father, Mr. and Mi*. Thomas Andrew McDowall, and a 13-year Murfin will adapt Pearl Buck’s their caves. old si*ter. Virginia. There was a His exploits aie one of the high- cat called Mutz, and a parrot of, A $25,000 Raphael "Dragon Seed’’ for the screen. lights m “Guadalcanal* Diary.” obstreperous nature. Production will start s<x>n on the Naturally hn|ies to play story John Tor- LIKED EXITEMENT of China in war. gerson and it looks as if he may' Discovered in Garage has*- hi* wish lor Frank Ross is Roddy didn't want to come to may Ote country, >».<¦ \%ioe4 Win. T- Wwt interested and produce ; America. He likes our but ' ALBUQUERQUE. X. M.t April story at R-K-O as soon as he hr didn’t want to leave the excite- 7 <lNS>—Discovery of an old W(kn«v(l the treatment being pre- ment behind spy glass reads “I had a painted by pared by T>on 'Red> Parry, now and used to run out on the porch masterpiece, belteved ... HOUSE WITH an R-K-O writer, j Handaome Kdmund O'Brien turn. up comedy drama. ‘‘The Amazing Mrs. Holli- when I heard the air raid signal,” Raphael, tjie great renaissance A &lIL... 2 MEN A as Deanna Durbin's new heartbeat in the day.” which opens the Fox Friday. he said. "I’d watch the RAF' gn painter, was disclosed today. i NESTS... DESK JOB £t saw 1 NINE LOVE after the Jerne*. Sometimes I Brought from Spain in the rally ' ®.T. COMMANDER ROBERT 10 o'clock Van underwent a brain them get a plane, and ihe pilot TEN SCANDALS! MONTGOMERY hasn't seen come down.” jdays of the southwest the painting oj*»ration with everybody in parachuting was unnoticed in a New Mexico many o! In* friends since his re- Yes. England was exciting a Telenews Films Show for garage for years. It was valued; Min to Hollywood because he is 1 lollywood aayini a littl< prayer 12-year old hoy. Especially when at Charles -Haskell/ still from an attack »<f hi> he front the cameras, 525.000 by weak lor recovery. was in of Angeles art authority. It fever But to a few |*.tl* scene, ban- Los dengue Richard HaJhday, Mary Mar- about to do a and the depicts St. Joseph holding the in-, who drop[*‘d in the other after- Stalingrad shee begin signaling tin’s husband, ha* be* n so seri- Horror wail would fant Jesus. nexm Boh told a must amusing for the recent exclusive nature a mad dash to an air-raid norj amusing and ironic—prov- ously ill with the flu in New INTENSITY OF *tories of an are exciting, Stallngiad. found from captured Nazi shelter. It wasn’t so ing that some people will take pot York that he is coming back to Buttle of while often films. though, for Mr. and Mrs. Mc- mentioned’ :* now re- films the shots at Hollywood with or with- in print. Latest of hitherto un- Dowall, with two young 'Dragon Seed' Hollywood. Mary is still <>n the veaied newsreel German children out cause. Bob was on duty at in new lengthy known fleet are brought to look after. So Roddy’s father road with “Dancing in ihe Street ' Headlining to light a* fir*t shots PANDRO BERMAN an- ¦JiQlptSan Guadalcanal. He was sink sequences. the new are newsreel sairl they had to go to America S It unbearably hot He had >o they could nut be together program at the Downtown and of Nazi Marshall Rommel taken in .Roddy, his nounces that, playwright Jane r^srln was mother and his sister. J Theaters, . Norwood these Mmmmumm . Africa. not been home on leave for almost anyway Did you hear about Telenews I i1,11,10 waiiiHHUwiwiii \ official Soviet Nazi films tell v j % J two years and like all the other the moron who went up on the and FOOD TOPIC'S the entire bloody story ol Hitler's luuxt he was eagerly awaiting tho ‘ / llx?™} l>n\s roof because he heard the drink* and \ The Feminine PIED PIPER —Swinging arrival of some mail from the greatest military disaster. Bo for- Both Downtown Norwood were on the hf»use? vc;v eyes ai< Telen* ws present the ¦Ken? TTV'TVWrTyHrCTTTtron* states. Finally, the day they took your .*<•? n confident Theaters \ Her Children to Safety! But what Nazi legion* mar hing on L>« *ieged first Detroit showing of the latest I him to the hospital, a letter eame < 01.1. EC TED VI R WHOM Stalingrad onlv to !>*• met. halted Time, ' America * \ a she lands in herself! th< « March of Food predicament dipping, ” through with nelosed MARCO, whose "Pretty soft for Boh Montgomeiy RENEE I>E and slowly annihilated by encircling Cri*i* Timely in topic, this docu- with that dosg job he wangled in secret marriage to Jody Hutchin- Soviet troop* But victory i* as- mentary flint answers current //\ THE MERRIEST MIXUP IN YEARS! ~ a* the hring'ng questions RlfiIN SIZZLING Washington!” - son. was first chronicled in this sured city falls about food control. column, expects her baby next the capture* o-f Nazi Field Marshall l ROMANTIC DRAMA* \ PILLARS OF SOCIETY Van Paulu* ar. 1 of his ranking J If 1 \% | month: Marla Shelton the ex- 21 TF WARNERS didn’t make such Mr* Jack Dawn, and Phil Baker, generals. doggone good movies 1 would say Were a derby twosome. ON \l HIC \N FRONT it was quite a lean from their Charlie Ota pi in turning the I ti,i« noteworthy famous gangster and airplane charm on Oona () Neill, Eugene's Included in Ihrillers to Ibsen. But Ibsen it is daughter one of ihe pretty Wilde new* program ar*' the* latc*t film - from the showing - for Jack Warner has just made twin*. Lyn. w ill n; irry Staff Sgt Tunisian front tip hr« mind to film Pillars of Cat heart of the army air force now intensified nctiXity t* th* Ai- Society” which is best described after ihe war; Alice Faye has lie* attempt ar. early showdown as an Ibsen play with more than been ordered to put on weight Of local inti rv*t are scenes its share of the Norwegian poet- before she makes another picture. from Camp Atterl-ury. Ini., in %\ pTr. plavwright's political philosophies. Too bar! beraU'O she looks *o which an filmeti Ixtroit s labor taking three-day tn« NC MB Through all his plays Ibsen pro- pretty thin but her fainting spell leaders a army |J|rr 1 ~| WAR WHILE YOU pounded his favorite theme of th** last week was attributed to her course so a* to better understand BONDS ISSUED WAIT_ modem warfare.
Recommended publications
  • Owners, Kentucky Derby (1875-2017)
    OWNERS, KENTUCKY DERBY (1875-2017) Most Wins Owner Derby Span Sts. 1st 2nd 3rd Kentucky Derby Wins Calumet Farm 1935-2017 25 8 4 1 Whirlaway (1941), Pensive (’44), Citation (’48), Ponder (’49), Hill Gail (’52), Iron Liege (’57), Tim Tam (’58) & Forward Pass (’68) Col. E.R. Bradley 1920-1945 28 4 4 1 Behave Yourself (1921), Bubbling Over (’26), Burgoo King (’32) & Brokers Tip (’33) Belair Stud 1930-1955 8 3 1 0 Gallant Fox (1930), Omaha (’35) & Johnstown (’39) Bashford Manor Stable 1891-1912 11 2 2 1 Azra (1892) & Sir Huon (1906) Harry Payne Whitney 1915-1927 19 2 1 1 Regret (1915) & Whiskery (’27) Greentree Stable 1922-1981 19 2 2 1 Twenty Grand (1931) & Shut Out (’42) Mrs. John D. Hertz 1923-1943 3 2 0 0 Reigh Count (1928) & Count Fleet (’43) King Ranch 1941-1951 5 2 0 0 Assault (1946) & Middleground (’50) Darby Dan Farm 1963-1985 7 2 0 1 Chateaugay (1963) & Proud Clarion (’67) Meadow Stable 1950-1973 4 2 1 1 Riva Ridge (1972) & Secretariat (’73) Arthur B. Hancock III 1981-1999 6 2 2 0 Gato Del Sol (1982) & Sunday Silence (’89) William J. “Bill” Condren 1991-1995 4 2 0 0 Strike the Gold (1991) & Go for Gin (’94) Joseph M. “Joe” Cornacchia 1991-1996 3 2 0 0 Strike the Gold (1991) & Go for Gin (’94) Robert & Beverly Lewis 1995-2006 9 2 0 1 Silver Charm (1997) & Charismatic (’99) J. Paul Reddam 2003-2017 7 2 0 0 I’ll Have Another (2012) & Nyquist (’16) Most Starts Owner Derby Span Sts.
    [Show full text]
  • Gloria Swanson
    Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B.
    [Show full text]
  • Jack Oakie & Victoria Horne-Oakie Films
    JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at arsc@cinema.ucla.edu. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives.
    [Show full text]
  • I^Tisssn MUSIC by Dean SCHWARTZ W ( CATHERINE BALL! J«*Cs3ee2e3e3e*S Re a Ballroom Dancing, Rhythm, Poise, Icing, Stretching, Routines-, Positions for MRS
    'AMUSEMENTS.'* 2 THE SfcDAY STATU TTASHINGTON, T>. C., OCTOBER 14, 1928—PART 4.' AMUSEMENTS/ BELIEVES IN YOUTH Every One a Talkie. More of Craig’s “Macbeth.” AMES says he does not SILENCE IN THE STUDIOS I? VERY picture made by First Na- ¦yjy/INTHROP *“* Personality Counts. fear youth in the theater. tional hereafter will be a dialogue picture. His career producer of notable J~)QUGLAS ROSS, the producer, who > and epitomize pure evil, hate and de- as a This announcement was made by A1 plays is marked by his discovery of 1-1 AS your family cat screen per- who struts her stuff at sls a is staging Gordon Craig’s produc- . struction. The witches are not playful a Rockett, production and studio man- x 1 ¦, chicken , little dames; they are the anti-type of ager upon sonality? ! day and keeps so busy uplifting the 4tion of “Macbeth,” a George C. Tyler number of players who since have be- at the Burbank plant, his re- angels. turn from New York recently. If no. there's a chance for him—or standard of screen acting that she promised coming come prominent on the stage. When her—in scarcely lay eggs, attraction of the sea- “The castle courtyard, with its men- I While in the East he conferred with Hollywood. ! has time to son, has this to say: acing masses, will suggest mystery, a he brought out Maurice Maeterlinck's Irving Cats playing just extra roles, so to i A monkey that has played in more firm belief D. Rossheim. president of the speak, 50 dollar pictures “My in this production is sense of dread.
    [Show full text]
  • THE FILM Weeklyimportance, and All the Time Uses Herinblackface
    VW -44;T: 22 The Billboard MOTION PICTURES February 13, 1937 Communications to 1564 Broadway, New York City Ritz Brothers and likely hits of Berlinslain and she returns to her lover after "You Only Live Once" will seeit thru for some time. "Mysterious Crossing" (WALTER WANGER) giving up all her possessions to repay APPEAL-General audience. for her husband's swindles. (UNIVERSAL) TIME -87 minutes. EXPLOITATION-Names and tunes. CAST-Kay Francis, Claude Rains, Ian RELEASE DATE-January 30. Hunter,AlisonSkipworth,Alexander TIME -64 minutes. PLOT-Joan Graham (Sylvia Sidney) D'Arcy, Betty Lawford, Walter Kings- RELEASE DATE-Not given. loves an ex -convict, Eddie Taylor (Henry "Kidnaped in Shanghai" ford,CharlesHalton,FrankReicher. PLOT-James Dunn, cast as a news- Fonda), and theyget married.Soon (REPUBLIC) Frank Conroy, EgonBrecher,Robertpaper man -detective, gets his man in this the natural antipathy and discrimina- Strange.Francis did well but seemedopus, a rather dull yarn with little com- TIME -71 minutes. miscast, Rains and Hunter deliverededy, some melodrama and a dose of tionagainstex -consbecomesover- RELEASE DATE-Not given. murder. Trouble occurs on a ferryboat bearing and Taylor is on the verge of PLOT-PiececoncernsPhilRegan,capably. committing a crimein ordertogeterstwhile singing policeman of Brooklyn, DIRECTOR-Michael Curtiz. Nothingcrossing the Mississippi, ..there the father money. At that time a bank robbery sensational, but treatmentokehandof Jean Rogersis dumped overboard. in the dual role of tenor in a musicalinterest moderately paced. Dunn runs hither and yon in his at- is staged and Taylor is brought to trialcomedy in Shanghai and aviator, who tempt to grab off the villian, then writes and found guilty, even tho heisnotleaves California in a plane to test an AUTHORS-Original by Warren Duffabout it for his paper.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • 1937-09-18 [P C-20]
    New In New Film Crosby-Raye Film Farce at n? ——----Stirring Witty Capitol tTnKiuxii&fll Has Moments Big Kids Newspaper Films Mat. at * 30. Tealftkt at S:30 I But Better Parts or of “Double Edna May Oliver Garries Show Nothing” Are Placed Against To Pinnacle of Laughter. Some Stuff. Hackneyed D. G. Tearn on Stage. BY JAY CABMODY. BY ROBERT B. left out PHILLIPS. Jr. Prlera tlnal. Bob Burns, substituted Andy Devine, and made anothf Tail: E?ee.—(trail, ft* tOt week Loews Baleen*. Bing Crosby-Martha Capitol Theater, nee Loew s Fox. double nee the Fox, kl.KI and SI Ui lleeead Bal- Raye picture out at Paramount not long ag< •nn r. Mr is celebrating its tenth anniversary as a major presentation house in Mata.—Entire Orek., SI .Ms The film, "Double or Nothing,” at the Palace an Tnlira kirat opened yesterday and Balaam, Sl.lOt Entire those who like this city, perhaps the most welcome surprise at its birthday party Srrnnd Baleonr, S6*. THEY Bing Crosby and Martha Raye are to be s going it THISis a rather choice comedy known as "My Dear Miss Aldrich.” Dis- pleased won t make a bit of difference how we felt. We felt disappointe< ONE In of the mirth tinctly labeled "class B" when it left the M-G-M studio, this parcel of celluloid WEEK STARTING spite and laughter which Director Reed and his cast manage when unwrapped, unreeled, or whatever it is do to NEXT MON. EVE. AT S:30 to into -————— you celluloid, reveals itself get spots, there were others John Goltri as an and a1*-=-—-— into wmch let old wrinkles intelligent witty farce, ~ they come.
    [Show full text]
  • British Nineteenth-Century Literature and the Hollywood Studio
    ADAPTATION AS AN INTERTEXTUAL MODE OF PRACTICE: British Nineteenth-Century Literature and the Hollywood Studio Era Penny Chalk BA (Hons), MA This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth April 2018 1 DECLARATION While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………………………………… Date…………………………………… Total word count 71,051 i ABSTRACT This thesis is an interdisciplinary study of adaptations produced in the Hollywood studio era, focussing on British nineteenth-century literature adapted between the years 1930 to 1949. Based on the critical fields of adaptation criticism and historical scholarship of film, it emphasizes adaptations in relation to production practices, examining how and why a range of British literary texts were adapted in this era. The study uses a specially-created dataset collected from the American Film Institute Catalog of Motion Pictures, and archival evidence from the Margaret Herrick library, New York Public Library and British Film Institute. The introductory chapter provides an overview of the period, considering the impact of economic constraints, censorship, and war. This chapter argues that adaptations were an integral part of the industry in this period, driving innovation and production trends. Following this overview of the period, five case studies are presented in order to consider the diverse range of strategies employed in the adaptation of literary texts.
    [Show full text]
  • 99Th Bomb Group Historical Society
    � . ,·, ---�-� �·.,,41� ·.� THE 99th Bomb Group Historical Society NEWS LETTE·R Vol. 9 No 3 May. 1 1989 SOCIETY OFFICERS, 1989-1990 PRESIDENT BILL SMALLWOOD VICE-PRESIDENT - FRED HUEGLIN TREASURER - WALTER BUTLER HISTORIAN - GEORGE F. COEN SECRETARY - H.E.CHRISTIANSEN EDITOR - GEORGE F. COEN THE PRESIDENT'S MESSAGE I am honored to be writing as your new president, and am well aware of the fine traditions established by my predecessors. We now have in place a group of officers and directors who will work to continue these traditions. Astrong word of thanks is extended by all of us to Joe Kenney I am honored to be writing as your new president, and am well aware of the fine traditions established by my· predecessors. We now have in place a group of officers and directors who will work to continue these traditions. A strong word of thanks is extended by all of us to Joe Kenney for his leadership over the past two years. Also retiring directors Rex Greathouse, Mike Yarina, and Joe Kenney have our thanks. The reunion in McAllen, Texas in February was highlighted by the visit to the Confederate Air Force Show at Harlingen. Although thousands were in attendance, members of the 99th had the special opportunity to make a personal inspection of a B-17 parked inside a hangar. Mounting a stepladder fixed to the nose hatch Ninety Niners, some with their•wives, worked theirr way through the fuselage, to the accompaniment of occasional grunts and wheezes, of this plane that, for many, had once served as a home away from home.
    [Show full text]
  • Dissolution of IBC Upheld by Supreme Court, 5 to 3
    Dissolution of IBC Upheld By Supreme Court, 5 to 3 JKjßto£JjijmA Mm tt^ 1 ' mH^^ Norris, Wertz Hp| \ L. Mlikijfffip «§H*g London Choice Sfaf Must Dispose of y'^fT Stock in Garden Cooper By Over in the Associated Press The Supreme Court today up- PORTS held a lower court ruling re- S' quiring dissolution of the Inter- Title Defense THE EVENING STAR national Boxing Clubs of New Washington, C., Monday, January 12, LONDON, Jan. 12 (AP).— D. 1959 A-13 York and Illinois. Young Brian London is a The ruling, by United States' slight favorite to turn back the District Judge Sylvester J. GIFFORD TOP STAR IN PRO BOWL Ryan in New York, also held challenge of blond Henry that the Madison Square Gar- Cooper here tonight in a de- den Corp. and its majority fense of his British heavyweight stockholders—James D. Norris boxing championship. Howell Thinks Win of New York and Arthur M. London weighed in at 209% Wirtz of Chicago—had violated today and Cooper at 192%. the Sherman antitrust few along with the two clubs. A TKO over Willie Pastrano Proves East Superior - of New Orleans moved London Justice Clark delivered the LOS ANGELES, (AP). into the higher echelon of the Jan. 12 Supreme Court’s 5-3 decision. heavyweight division last Sep- —Coach Jim Lee Howell of theI STATISTICS Justice Harlan dissented. Joined I by Justices Frankfurter and tember. He had won the Brit- Giants had a little salt for the ' East West ish title by knocking out Joe wounds of the opposition after „ First downs 17 17 Whittaker.
    [Show full text]
  • Hedy Lamarr, Radio Inventor, an Archivist's Note
    Hedy Lamarr, Radio Inventor, An Archivist’s Note; and A Biography of Hedy Lamarr, following: A Tribute to Radio Inventor Hedy Lamarr By David Harris, CHRS Fellow and Assistant Librarian I suggest CHRS create a “tribute room” to movie icon Hedy Lamarr somewhere prominently in the Radio Central building in Alameda (perhaps alongside another such room for another California radio pioneer, Lee DeForest). From 1938 to the early 1950s, Hedy Lamarr was the beautiful, iconic leading lady of MGM's “Golden Age” and afterwards, famous in 1 the roles of Delilah, Helen of Troy, Joan of Arc, Gaby (Algiers), Dolores Ramirez (Tortilla Flat), Tondelayo (White Cargo), Karen Vanmeer (Boom Town), Lizzie (Comrade X), and the female lead in two dozen other films. Millions around the world only knew of her as the gorgeous, exotic Hollywood actress. But to her family and a few friends she lived a secret life as a self-taught inventor. 1 Her off-screen life was very private. In her spare time she experimented with, and diagrammed concepts for inventions. She said these ideas “kept popping into” her head. One of these involved the idea of using Radio-Frequency-Hopping to prevent the jamming of radio- controlled torpedoes being used in World War Two against the Nazis. Lamar hated the Nazis, having escaped from them. She worked on this invention with the help of her friend, pianist and composer George Antheil. Lamarr and Antheil were awarded patent US 2292387A for a “Secret Communication System” device on August 11, 1942, filed under Lamarr’s married name at the time, Hedy Kiesler Markey.
    [Show full text]
  • The John Ford Collection
    The John Ford Collection The John Ford collection of manuscripts at the Lilly Library offers a view of Ford's entire motion picture career, from the silent era to his last movie in 1966. The material in this collection was acquired from Ford's children and grandson after his death . It was used extensively, but not exhaustively, by Ford's grandson Dan Ford in writing his biography Pappy: The Life of John Ford and includes much of the research material accumulated by Dan Ford for his book. The collection covers the years from 1906 to 1976 and contains approximately seven thousand items, of which twenty-five hundred are correspondence. John Ford was born Sean Aloysius Feeney in Portland, Maine, in 1895. He changed his name after joining his older brother Fran­ cis, who had taken the name of Ford, in Hollywood in 1913. He began his career as a prop man, stunt man, and actor, moving to directing in 1917 with a two-reeler entitled The Tornado. He spent the rest of his life directing films, through the transition from silents to sound, making over 130 in all and winning six Academy Awards. From 1917 until 1930 Ford directed at least 66 films, a great many of which were westerns starring the cowboy actor Harry Carey. Early in his career Ford was most often associated with Universal Studio but by the early twenties he was under contract to the Fox Film Corporation (later the Twentieth Century-Fox Film Corporation) until after World War II. It was at Fox that he had his first major success, with The Iron Horse in 1924.
    [Show full text]