Ciné-Livres Léo Bonneville

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Ciné-Livres Léo Bonneville Document generated on 09/30/2021 5:39 p.m. Séquences La revue de cinéma Ciné-livres Léo Bonneville Number 103, January 1981 URI: https://id.erudit.org/iderudit/51076ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Bonneville, L. (1981). Review of [Ciné-livres]. Séquences, (103), 54–56. Tous droits réservés © La revue Séquences Inc., 1981 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ia discussion. En effet, l'auteur part des affinités Ciné-ti\i\e& de Jean Renoir avec le parti communiste français (cela fait rire) et tente de montrer ce que dissi­ Léo Bonneville mulent ou traduisent des films comme Boudu sauvé des eaux, Nana, La Règle du jeu et surtout La Marseillaise. Bref, ce livre ne fait qu'alimenter L'ENCYCLOPEDIE DU CINEMA, par Roger le débat sans rien conclure. Boussinot, Bordas, Paris, 1980, 2 tomes, 1 536 pages. CINÉMA SUPER 8 ET VIDÉO LÉGÈRE, par Michel Karlof, Denoël, Paris, 1980, 268 En 1968, Roger Boussinot avait publié une première version de cette Importante encyclo­ pages. pédie, qui comprenait un second tome exclusi­ Décidément le livre le plus complet pour vement réservé à l'illustration. celui qui veut apprendre à faire du cinéma. Les Cette fois, avec de nombreux collaborateurs, nombreuses photos, les graphiques et les expli­ Il a revu et amplifié cette encyclopédie, la parta­ cations aident à comprendre tous les secrets geant en deux parties pour un usage plus autant de la technique que de la pratique du pratique- cinéma. L'auteur traite du tournage, de la sono­ En fait, c'est une suite de 3 200 articles risation, du montage, de la projection et l'ensem­ classés par ordre alphabétique que nous trouvons ble constitue une véritable encyclopédie du ciné­ dans ces deux tomes. Les articles portent sur les ma amateur. sujets les plus divers : films, producteurs, réali­ sateurs, scénaristes, compositeurs, opérateurs, AVENTURES D'UN GENTLEMAN TRAPPEUR monteurs, décorateurs, interprètes, techniques, AU NOUVEAU MONDE, par Victor Revil- trucages, langage, genres, mouvements cinéma­ lon, Hachette, Paris, 1980, 430 pages. tographiques comme le néo-réalisme, la nouvelle Ce livre a l'allure d'un roman. On le dévore vague ... Sans oublier ce qui concerne l'industrie avec passion. C'est l'histoire vécue de Victor du cinéma avec les différentes compagnies qui Revillon qui s'est aventuré dans le Grand Nord se sont imposées avec les années. canadien pour y faire le commerce de la fourrure Cette fois, 196 pages de photos sur papier et rencontrer mille misères. L'on sait que c'est glacé, en noir et blanc et en couleur, viennent la famille Revillon qui a financé le projet de Robert illustrer cette abondante documentation. Flaherty de tourner Nanook of the North. Et justement, à la page 338, nous saluons le petit On regrette l'absence impardonnable de cer­ Nanook, « un bel enfant à la peau cuivré, aux tains noms de réalisateurs comme Jan Troell yeux rieurs ...» qui deviendra la « vedette » d'un (Les Emigrants, Le Nouveau Monde), Krzyzstof des plus beaux films de toute l'histoire du cinéma. Zanussi (Camouflage, Constance, Le Contrat), Jerry Schatzberg (Panic at Neddie Park, Scare- scrow)... Quant au Canada, il se résume au nom ERROL FLYNN, par Michael Freedland, Édi­ de Norman MacLaren (toujours mal orthographié) tion France-Empire, Paris, 1980, 300 et à ceux de Michel Brault et Gilles Carie. C'est pages. un peu court pour une encyclopédie I Jamais peut-être comédien américain ne fut Toutefois on peut affirmer que ces deux aussi vivement discuté. -. dans sa vie privée. tomes forment une source considérable de ren­ On l'accusa de bien des tares. Et la légende seignements dont aucune institution sérieuse ou fit le reste. Michael Freedland essaie de dire cinéphile averti ne peut se dispenser. la vérité. Après s'être documenté et avoir consulté bien des hommes et des femmes qui ont connu JEAN RENOIR ou LA DOUBLE MÉPRISE, par ce «mal-aimé du cinéma», il tente un portrait Claude Gauteur, Les Éditeurs français d'Errol Flynn qui prend les traits à la fois de Bacchus et de Casanova. Cet aventurier a quand réunis, Paris, 1980, 212 pages. même laissé des films qui ne manquent pas de Jean Renoir a beaucoup été discuté de son panache : The Charge of the Light Brigade, The vivant. Et ce petit livre contribuera à continuer Adventures of Robin Hood, Kim.... 54 SEQUENCES 103 VINGT MILLE ET UN JOURS, par Philippe LES ÉPERONS DE LA LIBERTÉ, par Paul Meu- Soupault, Belfond, Paris, 1980, 228 pages. risse, Robert Laffont, Paris, 1970, 288 En quoi ce livre peut-il intéresser les ciné­ pages. philes ? C'est méconnaître la place du surréa­ Ce livre a été écrit la dernière année de la lisme au cinéma. Or, Philippe Soupault a été un vie de Paul Meurisse. On retrouve dans ce texte des trois fondateurs (avec André Breton et Louis le gentleman et l'homme de coeur, le sceptique Aragon) du surréalisme. Et, dans ces entretiens et l'être de foi que fut Paul Meurisse. Lui qui a très vivants, avec Serge Fauchereau, on trouve tenu tête à Clouzot, nous parle avec intelligence des réflexions sur Charlie Chaplin, Jean Vigo, de Jean Renoir et Eric von Stroheim. Et il nous Luis Bunuel, Alexandre Alexéieff... sans oublier situe dans le cinéma comme si nous étions dans le mouvement surréalisme qui a fait sa marque un studio. Un livre plein de renseignements. au cinéma. UN BON PETIT SOLDAT, par Lilli Palmer, LES FRERES MARX, par Robert Benayoun, Robert Laffont, Paris, 1979, 318 pages. Seghers, Paris, 1980, 164 pages. Déjà actrice à Berlin, Lilli Palmer a connu Les soixante-dix premières pages sont con­ une carrière qui l'a conduite de Paris à Londres sacrées à une étude des frères Marx. L'auteur et jusqu'à Hollywood. On la trouve dirigée par tente d'établir les divers niveaux de langage Fritz Lang, Jacques Becker ou encore à côté de ces perturbateurs de la parole et de présenter de Gary Cooper, Gérard Philipe, Romy Schneider. leur « méthode pour le chaos ». Dans une deuxiè­ Mais ce sont des portraits saisissants qu'elle me partie, il fournit des textes tirés des diffé­ nous brosse de ses rencontres avec Greta rents films des Marx Brothers. Garbo, Noel Coward et combien d'autres acteurs célèbres. Bref, un livre qui passionnera les amis PASOLINI : CHRONIQUE JUDICIAIRE, PERSÉ­ du cinéma- CUTION, EXÉCUTION, par Laura Betti, Seghers, 1979, 300 pages. LE CINÉMA, UN MONDE POUR TOUS, par On connaît la fin tragique de P. P. Pasolini. Pierre R. Chapleau, Messier & Perron Ce livre tente de faire l'historique de la c chute » Inc., Saint-Eustache (Québec), 1980, 124 de Pasolini. A travers de nombreux documents pages. sur tous les procès instruits par la société ita­ Il s'agit d'un livre d'initiation à la technique, lienne contre Pasolini durant sa vie, Laura Betti du cinéma. L'auteur part de l'idée d'un film et tente de jeter une lumière vigoureuse. Ainsi donc suit la marche de sa réalisation jusqu'à la salle le lecteur se rend compte de toutes les tribula­ de projection. Ce qu'il faut noter surtout, c'est tions qui ont jalonné la vie du réalisateur-poète. l'abondante iconographie qui vient illustrer les propos de l'auteur. Un livre de chez nous qui MA VIE, par Ingrid Bergman et Alan Burgess, rendra service à tous ceux qui veulent faire du Fayard, Paris, 1980, 596 pages. cinéma. A 65 ans, Ingrid Bergman décide de dire la vérité sur sa vie. Née Suédoise, elle fut décou­ L'HOMME EN JEU, par Michel Bouquet, verte par David Selznick pour devenir l'inter­ Robert Laffont, Paris, 1979, 228 pages. prète de nombreux films dont Casablanca, Ce livre est un long dialogue avec André For Whom the Bell Tolls, The Bells of St. Mary's, Coutin. Si on a pu dire de Michel Bouquet qu'il Joan of Arc. Un jour, elle envoie un billet à sait allier aux qualités latines la violence slave, Roberto Rossellini et c'est une nouvelle série la folie anglaise, le romantisme nordique et de films avec le célèbre réalisateur italien. l'ardeur mystique, il faut reconnaître qu'il est Mais elle retournera aux États-Unis. C'est cette un acteur toujours agréable à voir et à entendre. carrière turbulente qu'Ingrid Bergman, avec Et si ce livre donne une place importante au l'aide d'Alan Burgess, nous raconte avec sim­ théâtre, il ne néglige pas pour autant la partici­ plicité et humour. pation de l'auteur à une cinquantaine de films. JANVIER 1981 VOUS AVEZ DIT GODARD, par Maurice le dernier Petit Larousse illustré. En effet, si Achard, Éditions Libres/Hallier, Paris, l'on feuillette la partie consacrée aux noms propres, on trouve le nom de nombreux cinéastes, 1980, 170 pages. généralement accompagné d'une illustration de Maurice Achard est un fan de Jean-Luc leurs films. J'ai retenu au passage les noms de Godard et il ne s'en cache pas. Au contraire, Bergman, Bresson, Bunuel, Clair, Eisenstein, Hitch­ son livre est un hommage inconditionnel à celui cock, Keaton, Lang, Kurosawa, Losey, Murnau, qu'il considère comme professant, non seule­ Renoir, Resnais, Visconti, Welles.
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