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Stalker a Zóna

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Stalker a Zóna JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Divadelní fakulta Ateliér rozhlasové a televizní dramaturgie a scenáristiky STALKER A ZÓNA fenomén průniku do zakázané oblasti Bakalářská práce Autor práce: Petr Pánek, DiS. Vedoucí práce: doc. MgA. Marek Hlavica, Ph.D. Oponent práce: MgA. Hana Slavíková, Ph.D. Brno 2015 1 BIBLIOGRAFICKÝ ZÁZNAM PÁNEK, Petr, DiS., Stalker a Zóna, Fenomén průniku do zakázané oblasti [Stalker and Zone, The phenomenon of penetration to forbidden zone]. Brno: Janáčkova akademie múzických umění v Brně, Divadelní fakulta, Ateliér rozhlasové a televizní dramaturgie a scenáristiky, 2015, 83 stran. Vedoucí diplomové práce doc. MgA. Marek Hlavica Ph.D. ANOTACE Diplomová práce „Stalker a Zóna“ pojednává o problematice pronikání do zakázané oblasti, kterou představila tři zkoumaná díla: román Piknik u cesty, film Stalker a videoherní série S.T.A.L.K.E.R. ANOTATION Diploma thesis „Stalker and Zone“ deals with issue of penetration to forbidden zone, which is introduced in three researched works: novel Roadside Picnic, film Stalker and videogame series S.T.A.L.K.E.R. KLÍČOVÁ SLOVA Strugackij, Tarkovskij, GSC, Piknik u cesty, Stalker, S.T.A.L.K.E.R., zóna, komparace, tabu, evoluce, sci-fi, východní Evropa KEYWORDS Strugatsky, Tarkovsky, GSC, Roadside Picnic, Stalker, S.T.A.L.K.E.R., zone, comparison, tabu, evolution, sci-fi, Eastern Europe 2 Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně, svými slovy a použil a citoval jsem jen uvedené prameny a literaturu. Současně dávám svolení k tomu, aby tato diplomová práce byla umístěna v Knihovně JAMU a používána ke studijním účelům. V Brně, dne Petr Pánek, DiS. 3 Na tomto místě bych rád poděkoval svému vedoucímu práce doc. Markovi Hlavicovi, který projevil trpělivost během doby mého psaní a pomohl mi nasměrovat mé bádání tak, aby práce byla hodnotná a přínosná. Petr Pánek, DiS. 4 PŘEDMLUVA ........................................................................................................................ 9 ÚVOD ................................................................................................................................. 10 ANALÝZA A VYMEZENÍ POJMŮ STALKER A ZÓNA ................................................................ 11 STALKER ............................................................................................................................................. 11 ZÓNA ................................................................................................................................................. 13 ÚDAJE Z ČESKÉHO NÁRODNÍHO KORPUSU ........................................................................................ 14 O AUTORECH ..................................................................................................................... 15 ARKADIJ A BORIS NATANOVIČ STRUGAČTÍ ........................................................................................ 15 4.1.1. ARKADIJ NATANOVIČ STRUGACKIJ (28. 8. 1925 – 12. 10. 1991) ................................................... 15 4.1.2. BORIS NATANOVIČ STRUGACKIJ (14. 4. 1933 – 19. 11. 2012) ....................................................... 16 ANDREJ ARSEŇJEVIČ TARKOVSKIJ (4. 4. 1942 – 29. 12. 1986) ............................................................. 17 GSC GAMEWORLD ............................................................................................................................. 19 ANALÝZA NOVELY PIKNIK U CESTY ...................................................................................... 22 FABULE .............................................................................................................................................. 22 SYŽET ................................................................................................................................................. 23 POSTAVY ........................................................................................................................................... 24 5.3.1. RODERICK „ZRZEK“ SHOEHARDT .................................................................................................... 24 5.3.2. RICHARD G. NOONAN ..................................................................................................................... 25 5.3.3. GUTA ............................................................................................................................................... 25 5.3.4. AGNES ............................................................................................................................................. 25 5.3.5. MRCHOŽROUT BARBRIDGE ............................................................................................................ 25 5.3.6. PROF. VALENTIN PILLMAN ............................................................................................................. 25 5.3.7. ARTHUR BARBRIDGE ...................................................................................................................... 26 5.3.8. DALŠÍ POSTAVY ............................................................................................................................... 26 VÝRAZOVÉ PROSTŘEDKY ................................................................................................................... 27 TÉMATA ............................................................................................................................................. 28 5.5.1. TABU ............................................................................................................................................... 28 5.5.2. VNITŘNÍ PŘÁNÍ ............................................................................................................................... 29 5.5.3. SETKÁNÍ DVOU CIVILIZACÍ NA ODLIŠNÝCH STUPNÍCH VÝVOJE ..................................................... 29 5.5.4. EVOLUCE ......................................................................................................................................... 30 5.5.5. PORUŠENÍ ZÁKONA ........................................................................................................................ 30 5.5.6. HLEDÁNÍ IDENTITY .......................................................................................................................... 30 POZADÍ A HISTORIE VZNIKU............................................................................................................... 31 INTERPRETACE ................................................................................................................................... 32 5 ANALÝZA FILMU STALKER ................................................................................................... 34 FABULE .............................................................................................................................................. 34 SYŽET ................................................................................................................................................. 35 POSTAVY ........................................................................................................................................... 36 6.3.1. STALKER (Alexandr Kajdanovskij) .................................................................................................. 36 6.3.2. SPISOVATEL (Anatolij Solonicyn) ................................................................................................... 37 6.3.3. PROFESOR (Nikolaj Griňko) ............................................................................................................ 37 6.3.4. STALKEROVA ŽENA (Alisa Frejdlich) ............................................................................................... 37 6.3.5. STALKEROVA DCERA MARTYŠKA (Nataša Abramova) ................................................................... 38 6.3.6. DALŠÍ POSTAVY ............................................................................................................................... 38 TVŮRČÍ POSTUPY ............................................................................................................................... 39 6.4.1. OBRAZ ............................................................................................................................................. 39 6.4.2. MIZANSCÉNA .................................................................................................................................. 40 6.4.3. HUDBA ............................................................................................................................................ 41 6.4.4. ZVUK ................................................................................................................................................ 42 6.4.5. HERCI ............................................................................................................................................... 42 6.4.6. REŽIE ................................................................................................................................................ 43 TÉMATA FILMU .................................................................................................................................. 44 6.5.1. TABU ............................................................................................................................................... 44 6.5.2. VNITŘNÍ PŘÁNÍ ..............................................................................................................................
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