Paper and Book Sizes

Total Page：16

File Type：pdf, Size：1020Kb

Paper and Book Sizes The size of a book’s pages is based on the size of the sheets of paper it is printed on and the number of pages printed per sheet. For example: for quarto, 4 pages are printed on a sheet of paper 19” by 24”. American and English measurements differed from each other. Modern figures from American Library Association These figures come from http://www.trussel.com/books/booksize.htm. I’ve emailed the ALA directly because their webpage is not available due to their updating the site. Quarto – 9 ½”x 12” 24mo. (vincesimo-quarto) Royal Octavo – 7” x 11” 32mo. (Trigesimo-segundo) – 3 ½” x 5 ½” Octavo – 6”x 9” 48mo. (Quadrasedisimo-octavo) – 2 ½” x 4” Duodecimo (12mo) – 5” x 7 3/8” 64mo. (Sexagesimo-quarto) – 2” x 3” Octodecimo (18mo.)– 4” x 6 ½” American Book Sizes (based on The International Directory of Booksellers and Bibliophile’s Manual, Including Lists of The Public Libraries of the World, edited by James Clegg (London: Elliot Stock; New York: Dodd, Mead, & Co., 1899), Clegg's International Directory of the World's Book, (1894) and some math using Royal, Medium and Imperial printer size papers.) From Medium paper 24” x 19” From Royal paper 25” x 20” Medium Folio 19” x 12” Royal folio 20”x12 ½” Medium Quarto 9 ½”x 12” Royal Quarto 10” x 12 ½” Medium Octavo 6”x 9” Royal Octavo 10” x 6 ¼” Medium Duodecimo (12mo) 5” x 7 3/8” Royal Sextodecim (16mo) 5" x 6 ¼” Medium Sextodecim (16mo) 6” x 4 ½” Medium Octodecimo (18mo.) 4” x 6 ½” From Imperial paper 30” x22” Medium 24mo. (vincesimo-quarto) Imperial Folio – 22” x 15” Medium 32mo. (Trigesimo-segundo) 3 ½” x 5 ½” Imperial Quarto – 11” x 15” Medium 48mo. (Quadrasedisimo-octavo) 2 ½” x 4” Imperial Octavos – 11” x 7 ½” 64mo. (Sexagesimo-quarto) – 2” x 3” American Writing Paper Sizes (based on The International Directory of Booksellers and Bibliophile’s Manual, Including Lists of The Public Libraries of the World, edited by James Clegg (London: Elliot Stock; New York: Dodd, Mead, & Co., 1899), Clegg's International Directory of the World's Book, (1894) and some math using Royal, Medium and Imperial printer size papers.) Empire 72”x48” Super Royal 27”x19 Pott 15”x12 ½” Antiquarian 53”x31” Royal 24”x19” Sheet & Half Post 22 ½”x12 ½” Double Elephant 40”x26 ¾” Demy 20”x15 ½” Sheet & Third Cap 22”x13 ½” Atlas 33”x26” Large Post 21”x16 ½” Sheet & Half Cap 24 ½”x13 ½” Columbier 34 ½”x23 ½” Copy 20”x16” Double Foolscap 26 ½”x16 ¾” Imperial 34”x22” Post 19”x15 ¼” Elephant 28”x23” Foolscap 17”x13 ½” .

Copy Link

Recommended publications

Lost Incunable Editions: Closing in on an Estimate
chapter 3 Lost Incunable Editions: Closing in on an Estimate Jonathan Green and Frank McIntyre Imagine, if you will, that you are a lepidopterist stationed in the butterfly-rich environment of a tropical Malaysian island. You hope to determine the number of butterfly species that live on the island, and so you resolve to survey an acre- sized patch of it for a month and record the number of individuals of each spe- cies that you find. At the end of the month, you find that a few species of butterfly are represented by a large number of specimens, while many species are repre- sented by only one or a few specimens. These results lead you to suspect that there remain many species of butterfly on the island that your survey has missed, but how many? And how many more species can you expect to discover with additional months of observation? As your opportunity to spend additional months on a tropical island depends on your presenting a convincing argument to your funding agency, these questions are of some urgency for you. This is a brief statement of what is known as the unseen species problem, which has been an area of intense study both within and well outside of the field of ecology for several decades. The example above concerning Malaysian butterflies is drawn from a pathbreaking article published in 1943 by Ronald Fisher, one of the founders of modern biology and statistics, who proposed statistical methods for estimating the number of unseen butterfly species.1 Since then, the development and implementation of these methods has con- tinued, so that several current statistical software packages can provide both an estimate of the number of missing species and determine the confidence interval of that estimation, that is, the range within which one is reasonably certain the actual number lies.2 In an ideal situation, the number of observed butterfly species will rise with each additional month of observation, but the estimate of total species will change only modestly as the confidence interval 1 R.A.
[Show full text]
(1604) In/As Print
Early Theatre 20.1 (2017), 43–76 http://dx.doi.org/10.12745/et.20.1.2830 Heather C. Easterling Reading the Royal Entry (1604) in/as Print King James I’s March 1604 entry into London, many recognize, departs from previ- ous royal entry pageants through its use of triumphal arches, employment of profes- sional dramatists, and emphasis on dialogue. But the 1604 entry also was notable for its essential print identity. Print records of royal entries were common by the time of Elizabeth’s accession, and the 1559 text commemorated the event mainly for the queen and court, listing no author. By contrast, James’s entry, staged and performed over one day, generated four different printed texts, each with a declared author or authors. This article considers how all four entry texts together produce a highly contested portrait of ideas about print, authorship, and authority at the outset of the Jacobean period. Oxford’s monumental Thomas Middleton: The Complete Works, dense not only with plays but also with lord mayor’s shows and essays on the spectacles they scripted, offers vivid evidence of new interest in early modern pageantry. Schol- arly reassessments of long neglected public pageantry have newly considered the significance, in their own time and in ours, of such performances, including royal entries.1 As Richard Dutton has argued: To ignore the civic pageants of the Tudor and Stuart period is to ignore the one form of drama which we know must have been familiar to all the citizens of London, and thus an important key to our understanding of those times and of the place of dramatic spectacle in early modern negotiations of national, civic, and personal identity.2 Dutton signals a critical investment that Tracey Hill further enunciates, arguing that we must assess early modern lord mayor’s shows precisely for their public and complexly collaborative nature as spectacles.
[Show full text]
Global Print and Publishing Service Solutions for International Publishers
GLOBAL PRINT AND PUBLISHING SERVICE SOLUTIONS FOR INTERNATIONAL PUBLISHERS If you ship inventory to a common distribution facility in the United States, it’s time you considered partnering with a U.S. printer that can place your publications in the hands of your readers quickly and economically. The companies of CJK Group, Inc. offer a complete range of services including web, sheetfed, inkjet, and toner printing (all the way down to a single copy), as well as warehousing and fulfillment. CJK Group, Inc., headquartered in Brainerd, MN, is a national portfolio of print and publishing-related BANG PRINTING services, and technologies serving book, magazine, catalog, and journal publishers. All CJK Group companies operate independently, while sharing best practices HESS PRINT SOLUTIONS and core values across the organization. CJK Group is comprised of six companies with 11 production locations across the United States. Those companies are: Bang SENTINEL PRINTING COMPANY Printing, Hess Print Solutions, Sentinel Printing Company, Sheridan, Sinclair Printing Company, and Webcrafters, Inc. SHERIDAN When you partner with a CJK Group Company, you will find that our experienced employees are not only committed to delivering a high quality product on time, they ensure SINCLAIR PRINTING COMPANY that you understand the processes too – including the terminology used in the United States – so the product you receive matches your expectations. WEBCRAFTERS, INC Here is a handy guide to understanding printing terms, trim sizes, and text weights in the U.S.
[Show full text]
Quarto Publishing Group USA and Arcadia Publishing Announce a US Distribution Agreement
Quarto Publishing Group USA and Arcadia Publishing announce a US distribution agreement Beverly, MA—Quarto Publishing Group USA, part of The Quarto Group, the leading global illustrated book publisher, and Arcadia Publishing, the largest US publisher of local and regional books, are pleased to announce a US distribution agreement for select Quarto imprints. Arcadia Publishing will be distributing Quarto’s Voyageur Press and Cool Springs Press titles into specialty garden, home improvement and hardware accounts. “I’ve long admired Arcadia’s reach into local markets across the US. Arcadia Publishing has been the shining example of successful distribution into specialty markets. With thousands of active accounts, there is no town too small or too far that their team doesn’t reach,” explained Tara Catogge, VP Sales Director at Quarto Publishing Group USA. “We see a lot of growth opportunity by combining Arcadia’s exceptional field sales force and focused market strategy with Quarto’s expansive regional title list and bestselling garden and branded home- improvement titles.” “As part of our rapid expansion into specialty markets we were looking for a partner to help us reach those small and often remote retailers that are the core market for our garden and home- improvement lists,” said Ken Fund, President and CEO of Quarto Publishing Group, “and we found it in Arcadia. Their publishing and sales team is uniquely skilled at reaching and serving the needs of small business owners in micro markets. Their business model is about immediacy and the art of hand-selling which they do exceptionally well.” Richard Joseph, owner and CEO of Arcadia Publishing, commented, “Arcadia is committed to increasing the availability, depth and breadth of local books, and this distribution partnership with Quarto Publishing Group is a perfect fit with our publishing program.
[Show full text]
Octavo Digital Imaging Laboratory
O® Announcing a turnkey digitization system for libraries and museums to help preserve and provide access to rare books and manuscripts. Octavo Digital Imaging Laboratory Digital preservation systems for rare materials and collections The Imaging Laboratory Library and museum vaults are home to collections containing some of the most significant and Many of the books selected for beautiful material ever produced. Earlier efforts to republish these books and manuscripts have digitization are priceless cultural artifacts. Octavo has developed resulted in modern paper editions or plain text on the Internet—versions that are limited in techniques for treating these books their ability to convey the essence of the complex originals. No previous publisher, institution, or with the respect and care they technology has been able to unlock the beauty or history of these materials. deserve during our imaging process. The Octavo Digital Imaging Laboratory (ODIL) represents a revolutionary new approach to Every title that Octavo images undergoes a systematic evaluation the preservation and presentation of archival materials. By combining a system that brings state- by a professional book conser- of-the-art digital imaging technology to institutional users with an acclaimed publishing program, vator, both before and after ODIL promises to expand on Octavo’s ongoing participatory activities with partner libraries, shooting. Individual cradles are hand-constructed for each book so archives, museums, and consortia. Key features include: that no damage occurs during han- dling. The lights in the Octavo Digi- Scope: A license to use the ODIL system to convert rare library content into digital form. tal Imaging Laboratory (ODIL) are Publication: Octavo will publish for the licensee; fees & terms for publication.
[Show full text]
Two Unrecorded Incunables: Rouen, Circa 1497, and Lyons, Circa 1500
TWO UNRECORDED INCUNABLES: ROUEN, CIRCA 1497, AND LYONS, CIRCA 1500 DAVID J.SHAW FOR a number of years, I have been re-examining the British Library's books printed in France between 1501 and 1520 for a typographical catalogue of the Library's French post-incunables. This catalogue is a revision of the unpublished manuscript of Col. Frank Isaac's Index to the British [Museum] Library's books printed in France between 1501 and 1520 which remained incomplete at his death in 1943. The Indexes of books printed between 1501 and 1520 were started by Robert Proctor, who pubUshed the volume for Germany in 1903 as an outgrowth from his incunable catalogue, and were continued by Isaac for Italy (published in 1938)^ and for France (unpublished).^ As with the incunable catalogues, these Indexes are arranged according to Proctor's methodology - by place of printing, then by printer, and for each printer the books are hsted in chronological order. The main function of the work is to attribute unsigned books to their printer when possible and to order the production of each workshop chronologically, assigning dates where necessary. As with the incunable catalogues, a large part of this task involves the identification and classification of each printer's typographical material. I have tried to extend this aspect of the work, so that the finished catalogue should present important new evidence on the supply of type in France in the early sixteenth century and on its use in the printing-houses of the time. The undated books pose problems at both ends of the chronological span.
[Show full text]
EARLY BOOK ILLUSTRATION in SPAIN Only Five Hundred Copies of This Work Have Been Printed for Sale in Europe and America
23ii40 EARLY BOOK ILLUSTRATION IN SPAIN Only five hundred copies of this work have been printed for sale in Europe and America. This copy is NO.^É£1. f m mutotm : uiit kMmn mire t ños otroa fcõarfcgií la oiúí (m ftefta?. Pedro de la Vega. Flos Sanctorum. Zaragoza, G. Coei, c. 1521 23U40 Carly Book TMation in Spain BY JAMES P. R. LYELL AUTHOR OF "CARDINAL XrMBNES," BTC. WITH AN INTRODUCTION BY DR. RONRAD HAEBLER UlUSTRATEn WITS IfVMEROUS XEPRODUCTIONS LONDON, W.C. 1 GRAFTON & CO. COPTIC HOUSE 1926 (From Histoviay Milagros de mestra Señora de Montserrat, 1550) Printed in Great Britain EGREGIO • DOCTORI • CONRADO • HAEBLER PIETATIS • ERGO HOC • OPUSCULUM MAGISTRO • DISCIPULUS D. D. D. OI i 5 PREFACE. As far as I am aware, no book has ever been written in any lan• guage dealing with the special subject of early book decoration and illustration in Spain in the fifteenth and sixteenth centuries. The attempt made in these pages, to give a brief outline of the subject, suffers from all the disadvantages and limita• tions which are associated with pioneer work of this kind. I am fully conscious of the inadequate qualifications I possess for any critical and technical study of early woodcuts, and can therefore only crave the indulgence of experts, while respect• fully venturing to hope that a perusal of these pages may lead some recognised authority on the art of the early woodcutter to turn his attention to a branch of the subject which hitherto has been neglected in a manner, at once remarkable and much to be regretted.
[Show full text]
The Octavo Package Stefan A
TUGboat, Volume 23 (2002), No. 3/4 269 The Octavo Package Stefan A. Revets Abstract The Octavo package is a modification of the standard LATEX book class, written to help produce books of clas- sical design, format and layout. The page sizes made available are the classical octavo sizes and the margins are calculated according to late Gothic precepts. An at- tempt is made to maintain the uniformity of the printing grid, and display is kept unobtrusive. − − ∗ − − 1 Introduction Donald Knuth developed TEX because of his grow- ing dissatisfaction with the commercial typesetting of his books `The Art of Computer Programming' [4]. The program grew into a typesetting system, with a great deal of attention and ingenuity devoted to the calculations of the placement of letters, words and paragraphs on the page. The preface of the TEXbook begins with the words `This is a handbook about TEX, a new typesetting system intended for the creation of beautiful books . ' [3]. More people began to use TEX, and, with the advent of LATEX, ready-made class files became part of the system. The standard style and class files tended to show off the capabilities of the system, rather than con- form to good design. Philip Taylor put it with some humour and considerable precision: `Knuth, in his closing exhortation, wrote: \Go forth now and create masterpieces of the publishing art." Nowhere, so far as I can trace, did he write: \and let every one of them shriek `TEX' from every page". ' [9]. Class files have been proposed and are available from CTAN which give the more fastidious user the means with which to moderate at least some of the excesses of these standard LATEX styles.
[Show full text]
A Leaf from a Gutenberg Bible Illuminated in England
A LEAF FROM A GUTENBERG BIBLE ILLUMINATED IN ENGLAND EBERHARD KONIG OLD libraries, even those with a great tradition in providing information of a high standard, may sometimes benefit from visitors who insist on not confining themselves to what is listed or catalogued, although the outcome will frequently be—to the annoyance of all concerned—that the search was for something that does not necessarily exist. This situation is all too familiar to those art historians who are experts of illumination and who trace special styles of decoration in manuscripts or printed books; moreover, they do not very often meet librarians who take them to the shelves or are willing to waste days looking for one item which cannot be identified by a precise shelf-mark. It has happened several times that I wished to find objects in the British Library which I could not properly identify, and I have encountered the kindest possible help on each occasion, even when in the end we had to conclude that the book we had looked for did not really exist. ^ But the last time this happened the search was successful: to her own astonishment Lotte Hellinga found in the British Library collection of incunabula a forgotten leaf of a Gutenberg Bible which is not listed in its catalogue, BMC^ one of tbe greatest of all catalogues of incunabula.^ It was not by divination that I asked to see this leaf. Seymour de Ricci had listed it in 1911,-^ and Paul Schwenke, perhaps the only scholar to make a thorough study of all the copies of the Gutenberg Bible known during his lifetime, and who was well acquainted with questions of binding and decoration, described the leaf in his Ergdnziingsband (1923) to the first (and brilliant) facsimile of the Berlin copy of the Gutenberg Bible."^ Subsequently the fragment vanished from the Gutenberg literature, and apparently also from the memories of incunabulists.
[Show full text]
Download Ebook ^ the Lord Is My Shepherd (Psalm 23) Format
[PDF] The Lord Is My Shepherd (Psalm 23) Format: Choral Octavo The Lord Is My Shepherd (Psalm 23) Format: Choral Octavo Book Review A really wonderful book with perfect and lucid information. I actually have study and i am sure that i am going to gonna read through once more yet again in the future. I am pleased to explain how this is actually the finest ebook we have study inside my personal daily life and might be he finest book for at any time. (K rist y St rom an) THE LORD IS MY SHEPHERD (PSA LM 23) FORMAT: CHORA L OCTAV O - To download The Lord Is My Shepherd (Psalm 23) Format: Choral Octavo eBook, make sure you click the link below and download the file or gain access to other information which might be relevant to The Lord Is My Shepherd (Psalm 23) Format: Choral Octavo book. » Download The Lord Is My Shepherd (Psalm 23) Format: Choral Octavo PDF « Our web service was released with a hope to serve as a complete on the internet electronic catalogue that gives access to great number of PDF e-book assortment. You could find many different types of e-book and other literatures from your papers data bank. Specific well-liked issues that spread on our catalog are trending books, solution key, exam test questions and solution, manual example, skill guideline, quiz sample, consumer manual, owners guide, service instruction, restoration handbook, and so on. All e book packages come as-is, and all rights stay together with the creators. We have ebooks for every single topic readily available for download.
[Show full text]
American Antiquarian Society Manuscript Collections Orderly Books Collection, 1758-1813 Contents List
American Antiquarian Society Manuscript Collections NAME OF COLLECTION: LOCATION: Orderly Books Collection, 1758-1813 Octavo vols. BO Folio vols. “0” SIZE OF COLLECTION: 35 octavo volumes; 5 folio volumes SOURCES OF INFORMATION ON COLLECTION: SOURCE OF COLLECTION: Gifts of Benjamin Russell, 1814; William B. Sprague, 1846; William N. Banister, 1886; Charles P. Greenough, 1909; Richard Ward Greene, 1917; Charles A. Peters, 1947; Verner A. Frost, 1956; Mary Stone, 1958; and Andrew K. Peters, 1973 COLLECTION DESCRIPTION: This collection of orderly books encompasses the French and Indian War, the U.S. Revolution, and the War of 1812 with the majority of books dating from the Revolutionary period. Of special importance are those kept during the Siege of Boston (1775) and for the final years of the Revolution in the Highlands region of New York. Unless the cover or fly leaf cite the name of the owner, regiment, or brigade, it is often difficult to identify the volume positively, and general orders, are, for lack of more precise identification, occasionally described as “Headquarters Orderly Book” or “Brigade Orderly Book.” See Contents List. 21 June 1974 revised 25 July 2011 American Antiquarian Society Manuscript Collections Orderly Books Collection, 1758-1813 Contents List OCTAVO VOLUME 1758 Col. Jonathan Bagl[e]y (1717-1785), Commander Massachusetts Regiment Provincial Camp at Lake George 20 August to 11 September 1758 34 pp. 2 1764 Col. John Bradstreet (1711-1774) Oswego, Fort Ontario, Niagara, Erie, Detroit, Albany Suppression of Pontiac’s Rebellion, 1764, with miscellaneous notes in the back of the volume 27 June to 29 November 1764 180 pp.
[Show full text]
Bibliographic Data Science: from Records to Research
Bibliographic Data Science: from records to research Oct 9, 2019, CERL Annual Seminar, Göttingen Mikko Tolonen & Leo Lahti University of Helsinki | University of Turku Openly available bibliographic records: crossing the borders ● Overcoming the nationally delineated perspective. Not a new phenomena: this is how our history has been written since the early modern period. We have to change it. ● We need a genuinely cross-European take on public discourse of the past (metadata work enables this), combined when possible to opportunity for text mining. ● But, we are nowhere near yet that this would be reality. It has to be accepted. To understand public communication covering the early modern Europe Movement of ideas Conceptual change - Metadata work based on - concepts are crucial, but several different library not directly jumping into catalogues this for various reasons - genres (poetry, - Theoretical pamphleteering); underpinning (historians intellectual traditions + linguists) (natural law tradition, - Concepts as linguistic ancient texts objects (linguists + - text reuse: genres historians + CS) (historical works, quoting practices) Research data releases Tools for others - ESTC; Fennica; - UIs, APIs, Kunglica; CERL; shiny apps ECCO text reuse (+ etc. EEBO text reuse); Finnish Newspapers Research potential of library catalogues has been debated for decades. From library catalogues to research & reports Research potential Open bibliographic data science ecosystem Research cases Octavo and the Enlightenment & vernacularization in Europe “I have observed that the Author of a Folio, in all Companies and Conversations, sets himself above the Author of a Quarto; the Author of a Quarto above FOLIO the Author of an Octavo; and so on, by a gradual Descent and Subordination, to an Author in Twenty Fours.
[Show full text]