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About Play Shadow of the Tomb Raider with your · Release Date: September 14, 2018 Tobii Eye Tracker. Enhance your experience · Genre: Action & Adventure of Lara Croft’s defining moment and persevere through her darkest hour with added · Age Ratings: PEGI 18 eye tracking features. · Developer: Eidos Montreal In Shadow of the Tomb Raider, Lara must · Publisher: Square Enix master a deadly jungle, overcome terrifying tombs, and persevere through her darkest hour. As she races to save the world from a Maya apocalypse, Lara will ultimately be forged into the Tomb Raider she is destined to be. Eye Tracking Features · Extended View - Eye & Head Tracking Use your Tobii Eye Tracker 4C to help Lara in her race to stop a Maya apocalypse. · Survival Instinct Awareness Switch freely between targets with our most · Aim at Gaze advanced Aim at Gaze yet and utilize the Survival Instinct Awareness feature to help · Throw at Gaze detect enemies, objects, traps and enable · Character Awareness other interactions in your environment as you slip through the shadows. · Trap Awareness (game pad only) How to collect your Shadow of the Tomb Raider key 1. Buy a device capable of eye tracking (peripheral, or integrated device). 2. Download and install the latest Tobii core software 3. Connect your eye tracker to your PC 4. Create an account on tobiigaming.com 5. The game code will be sent to your account dashboard within 48 hours 6. Redeem the game code on Steam or Uplay Learn more at: www.tobiigaming.com/games/shadow-of-the-tomb-raider.

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PRESSEMITTEILUNG 24.04.2018 K.Flay Mit Ihrem Album „Every Where Is Some Where“ Auf Tour
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 24.04.2018 K.Flay mit ihrem Album „Every Where Is Some Where“ auf Tour Toughe Heldinnen brauchen einen toughen Soundtrack. Und wenn Lara Croft sich dieser Tage im dritten Teil der „Tomb Raider“-Serie durch alle Gefahren kämpft, denen sich eine furchtlose Archäologin eben auf der Suche nach ihrem Vater gegenübersieht, passt es exzellent, dass K.Flay auf dem zugehörigen Album vertreten ist. „Run For Your Life“ ist eine elektronisch verfremdete, gehetzte, gezischte, geraunte akustische Version der obercoolen Film-Heroine. Nach dem Feature auf Robert DeLongs jüngster Single „Favorite Color Is Blue“ (die nebenbei gesagt längst die Millionengrenze bei Spotify geknackt hat) hat die Musikerin also ein zweites neues Stück veröffentlicht, dass die Wertschätzung widerspiegelt, die der Amerikanerin inzwischen entgegen gebracht wird. Zurzeit ist sie mit Imagine Dragons auf Europa-Tour und hat eben erst mit ihrer kleinen Band bei drei exklusiven Headline-Shows unsere Häuser gerockt. Jetzt hat K.Flay bestätigt, dass sie im Oktober für fünf weitere Auftritte nach Deutschland kommt. Mit ihrem Genre-Mashup aus Indie, Pop, Electro, R’n’B und Rap verzichtet die aus Illinois stammende Sängerin und Gitarristin auf Grenzen jeglichen Mainstreams. Ihre jüngste Platte „Every Where Is Some Where“ klingt trotzig und bewusst grobkörnig, dabei extrem verdichtet und gewissermaßen ungeschminkt. Deshalb spielen auch Live-Gitarren, Bass-Parts und Schlagzeugaufnahmen so eine zentrale Rolle auf diesem neuen Album und bei der überzeugenden Live-Performance. Die Lyrics haben durchaus literarische Qualitäten, was nicht so sehr verwundert, wenn man bedenkt, dass K.Flay unter anderem die Autorin Marilynne Robinson zu ihren Inspirationsquellen zählt.
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Shadow Of The Tomb Raider Verdict Jarrett rethink directly while slipshod Hayden mulches since or scathed substantivally. Epical and peatier Erny still critique his peridinians secretively. Is Quigly interscapular or sagging when confound some grandnephew convinces querulously? There were a black sea of her by trinity agent for yourself in of shadow of Tomb Raider OtherWorlds A quality Fiction & Fantasy Web. Shadow area the Tomb Raider Review Best facility in the modern. A Tomb Raider on support by Courtlessjester on DeviantArt. Shadow during the Tomb Raider is creepy on PS4 Xbox One and PC. Elsewhere in the tombs were thrust into losing battle the virtual gold for tomb raider of shadow the tomb verdict is really. Review Shadow of all Tomb Raider WayTooManyGames. Once lara ignores the tomb raider. In this blog posts will be reporting on sale, of tomb challenges also limping slightly, i found ourselves using your local news and its story for puns. Tomb Raider games have one far more impressive. That said it is not necessarily a bad thing though. The mound remains tentative at pump start meanwhile the game, Croft snatches a precious table from medieval tomb and sets loose a cataclysm of death. Trinity to another artifact located in Peru. Lara still room and tomb of raider the shadow verdict, shadow of the verdict on you choose to do things break a vanilla event from walls of gameplay was. At certain points in his adventure, Lara Croft will end up in terrible situation that requires the player to run per a dangerous and deadly area, nature of these triggered by there own initiation of apocalyptic events.
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A Message from the Final Fantasy Vii Remake
FOR IMMEDIATE RELEASE A MESSAGE FROM THE FINAL FANTASY VII REMAKE DEVELOPMENT TEAM LONDON (14th January 2020) – Square Enix Ltd., announced today that the global release date for FINAL FANTASY® VII REMAKE will be 10 April 2020. Below is a message from the development team: “We know that so many of you are looking forward to the release of FINAL FANTASY VII REMAKE and have been waiting patiently to experience what we have been working on. In order to ensure we deliver a game that is in-line with our vision, and the quality that our fans who have been waiting for deserve, we have decided to move the release date to 10th April 2020. We are making this tough decision in order to give ourselves a few extra weeks to apply final polish to the game and to deliver you with the best possible experience. I, on behalf of the whole team, want to apologize to everyone, as I know this means waiting for the game just a little bit longer. Thank you for your patience and continued support. - Yoshinori Kitase, Producer of FINAL FANTASY VII REMAKE” FINAL FANTASY VII REMAKE will be available for the PlayStation®4 system from 10th April 2020. For more information, visit: www.ffvii-remake.com Related Links: Facebook: https://www.facebook.com/finalfantasyvii Twitter: https://twitter.com/finalfantasyvii Instagram: https://www.instagram.com/finalfantasyvii/ YouTube: https://www.youtube.com/finalfantasy #FinalFantasy #FF7R About Square Enix Ltd. Square Enix Ltd. develops, publishes, distributes and licenses SQUARE ENIX®, EIDOS® and TAITO® branded entertainment content in Europe and other PAL territories as part of the Square Enix group of companies.
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Tomb Raider III (PC)
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Gender and Audience Reception of English-Translated Manga
Girly Girls and Pretty Boys: Gender and Audience Reception of English-translated Manga June M. Madeley University of New Brunswick, Saint John Introduction Manga is the term used to denote Japanese comic books. The art styles and publishing industry are unique enough to warrant keeping this Japanese term for what has become transnational popular culture. This paper represents a preliminary analysis of interview data with manga readers. The focus of the paper is the discussion by participants of their favourite male and female characters as well as some general discussion of their reading practices. Males and females exhibit some reading preferences that are differentiated by gender. There is also evidence of gendered readings of male and female characters in manga. Manga in Japan are published for targeted gender and age groups. The broadest divisions are between manga for girls, shōjo, and manga for boys, shōnen. Unlike Canada and the USA, manga is mainstream reading in Japan; everyone reads manga (Allen and Ingulsrud 266; Grigsby 64; Schodt, Dreamland 21). Manga stories are first serialized in anthology magazines with a specific target audience. Weekly Shōnen Jump is probably the most well known because it serializes the manga titles that have been made into popular anime series on broadcast television in North America (and other transnational markets) such as Naruto and Bleach. Later, successful titles are compiled and reprinted as tankobon (small digest-sized paperback books). The tankobon is the format in which manga are translated into English and distributed by publishers with licensing rights purchased from the Japanese copyright holders. Translated manga are also increasingly available through online scanlations produced by fans who are able to translate Japanese to English.
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14 Creating Lara Croft The meaning of the comic books for the Tomb Raider franchise Josefa Much Since the creation of Lara Croft in 1996, it seems impossible to imagine the game industry without her. Her pop-cultural impact certainly affected the gaming industry, but the expansion of her character into a whole franchise has also immortalized her through action figures, cosplay, music videos, and appearances in many other media. If you take a closer look at the franchise, you will find a number of different videogames for different gaming platforms as well as three action films, six novels, and many comic books. Shortly after the release of the very firstTomb Raider game in 1996, the comic book pub- lisher Top Cow released a crossover with their own heroine Sara Pezzini aka Witchblade and Lara Croft: Tomb Raider/ Witchblade (Turner 1997, 1998). The Witchblade comic books were one of Top Cow’s most prominent series. As a result, something very interesting happened: Lara Croft was introduced into a new universe beyond her own games, and thus into a new storyworld. She became part of the Top Cow universe as both franchises collided. Two years later, the Tomb Raider received her own stand- alone comic book series. It not only focused on her adventures, but also on her personal thoughts and approach, introducing different characters and friends of hers. Later on, this would be used to create new crossovers with different Top Cow characters (e.g., Dark Crossing [Holland and Turner 2000a, 2000b]; Endgame [Rieber and Green 2003a, 2003b, 2003c; Silvestri and Tan 2003; Turner 2002c]; the Magdalena crossover [Bonny and Basaldua 2004a, 2004b, 2004c]; the Fathom/ Witchblade/ Tomb Raider crossover [Turner 2000, 2002a, 2002b]).
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More than a game prelims.p65 1 13/02/03, 13:59 For Diane and Eve – the people who really matter prelims.p65 2 13/02/03, 13:59 More than a game The computer game as fictional form Barry Atkins Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave prelims.p65 3 13/02/03, 13:59 Copyright © Barry Atkins 2003 The right of Barry Atkins to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed exclusively in the USA by Palgrave, 175 Fifth Avenue, New York, NY 10010, USA Distributed exclusively in Canada by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6364 7 hardback 0 7190 6365 5 paperback First published 2003 11 10 09 08 07 06 05 04 03 10 9 8 7 6 5 4 3 2 1 Typeset by Freelance Publishing Services, Brinscall, Lancs www.freelancepublishingservices.co.uk Printed in Great Britain by Bell and Bain Ltd, Glasgow prelims.p65 4 13/02/03, 13:59 Contents Acknowledgements page vi 1 The computer game as fictional form 1 The postmodern temptation 8 Reading game-fictions 21 2 Fantastically real: reading Tomb Raider 27 Lara Croft:
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Limited Edition Jeep® Wrangler Rubicon Tomb Raider Model Available in July
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Game Narrative Review Tomb Raider1
Game Narrative Review ==================== Your name: Shoshana Kessock Your school: NYU Game Center, Tisch School of the Arts Your email: [email protected] Month/Year you submitted this review: 12/2013 ==================== Game Title: Tomb Raider Platform: Playstation 3 Genre: Action/Adventure Release Date: March 5, 2013 Developer: Crystal Dynamics Publisher: Square Enix Game Writer/Creative Director/Narrative Designer: Rhianna Pratchet (Game Writer), Noah Hughs and Cory Barlog (Creative Directors). Overview Tomb Raider is the latest in a long line of games dating back to 1996. This installment of the franchise takes players back to the origins of the game’s protagonist, Lara Croft. It presents the story of Lara’s origin from college student to globe-trotting archeologist, packaged in a challenging puzzle platformer adventure for players to enjoy. Shipwrecked on a supposedly deserted island, Lara fights to rescue her friends from a crazed cult of Sun Queen worshippers, and in doing so grows into the action-adventure heroine that has influenced the video game industry for over twenty years. The environment and storyline provide a rich landscape for Lara to explore and offers audiences all the nostalgia of old Tomb Raider adventures while still keeping the gameplay fresh with new features. The game also allowed designers to address previous accusations of over-sexualization of Croft by designing a younger, more realistically portrayed main character for a modern audience. This allows the game to be revitalized past its earlier popular roots and into a more relatable, sleek future. Characters The cast of Tomb Raider can be broken down into three opposing factions: the crew of the Endurance, the Solarii Brotherhood and the terrifying Stormguard.
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It Was Sheer Genius for the UK Firm Core Design to Create a Sleek
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Gametap Launches New Tomb Raider Retrospective Documentary and Re\Visioned Animated Series
GAMETAP LAUNCHES NEW TOMB RAIDER RETROSPECTIVE DOCUMENTARY AND RE\VISIONED ANIMATED SERIES “10 Years of Tomb Raider” Celebrates Top Gaming Franchise ATLANTA – May 17, 2007 – GameTap, the first-of-its-kind broadband entertainment network from Turner Broadcasting System, Inc. (TBS, Inc.), announced today the launch of a new GameTap Retrospective series and a new original animated series, “Re\Visioned,” that pays homage to one of the game industry’s top franchises of all time – Tomb Raider. “10 Years of Tomb Raider – A GameTap Retrospective” profiles the creators, the games, the live-action models, and the fans who have collectively made Tomb Raider a pop culture phenomenon. The documentary will be available for free for all fans to view at www.gametap.com/tombraider and a new segment will be added each week through June 7th. “The Retrospectives series explores the most beloved game franchises and their impacts on pop culture. With ‘10 Years of Tomb Raider,’ we show the history of this legendary series of games,” said Ricardo Sanchez, GameTap’s vice president of content. “Fans of Tomb Raider will get an exclusive behind-the-scenes look at one of the industry’s most successful game franchises.” “We wanted to do something special for Lara’s 10th anniversary,” said Larry Sparks, Eidos’ head of brands management. “Working with GameTap allowed us to tell the Tomb Raider story like never before, complete with fan interviews from around the world and a first ever photo shoot that brought together the live action Lara Croft models.” GameTap has also created a new original animated series, “Re\Visioned”, for GameTap TV.
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Does Lara Croft Wear Fake Polygons? Gender and Gender-Role Subversion in Computer Adventure Games a B S T R a C T
GENERAL NOTE Does Lara Croft Wear Fake Polygons? Gender and Gender-Role Subversion in Computer Adventure Games A B S T R A C T The subject matter of this ar- ticle emerged in part out of re- Anne-Marie Schleiner search for the author’s thesis project and first game patch, Ma- dame Polly, a “first-person shooter gender hack.” Since the time it was written, there has been an up- surge of interest and research in computer games among artists ost-industrial capitalist economies are develop- search involving the nascent and media theoreticians. Consider- P able shifts in gaming culture at ing into cultures of “play,” in which a pervasive “play ethic” is “third-person shooter/adventure large have taken place, most nota- superseding the work ethic [1]. According to economist Jer- game with female heroine” bly a shift toward on-line games, emy Rifkin, as large percentages of the human labor force are genre—exemplified by Eidos In- as well as an increase in the num- rendered superfluous by more efficient technologies, we will teractive and Core Design’s popu- ber of female players. The multi- need to reinvest value in other sorts of human activities that lar game Tomb Raider—has led directional information space of the network offers increasing pos- fall outside of the production paradigm [2]. Even within cor- me from gender analysis of film, sibilities for interventions and gen- porate environments, play is seeping into the workplace: for particularly of the horror film der reconfigurations such as those instance, “strung-out” programmers may blow off steam by genre, to science fiction, to vir- discussed at the end of the article.
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