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Gay Pride on Stolen Land: Homonationalism, Queer Asylum
Gay Pride on Stolen Land: Homonationalism, Queer Asylum and Indigenous Sovereignty at the Vancouver Winter Olympics Paper submitted for publication in GLQ: A Journal of Lesbian and Gay Studies August 2012 Abstract In this paper we examine intersections between homonationalism, sport, gay imperialism and white settler colonialism. The 2010 Winter Olympics, held in Vancouver, Canada, produced new articulations between sporting homonationalism, indigenous peoples and immigration policy. For the first time at an Olympic/Paralympic Games, three Pride Houses showcased LGBT athletes and provided support services for LBGT athletes and spectators. Supporting claims for asylum by queers featured prominently in these support services. However, the Olympic events were held on unceded territories of four First Nations, centered in Vancouver which is a settler colonial city. Thus, we examine how this new form of ‘sporting homonationalism’ emerged upon unceded, or stolen, indigenous land of British Columbia in Canada. Specifically, we argue that this new sporting homonationalism was founded upon white settler colonialism and imperialism—two distinct logics of white supremacy (Smith, 2006).1 Smith explained how white supremacy often functions through contradictory, yet interrelated, logics. We argue that distinct logics of white settler colonialism and imperialism shaped the emergence of the Olympic Pride Houses. On the one hand, the Pride Houses showed no solidarity with the major indigenous protest ‘No Olympics On Stolen Land.’ This absence of solidarity between the Pride Houses and the ‘No Olympics On Stolen Land’ protests reveals how thoroughly winter sports – whether elite or gay events — depend on the logics, and material practices, of white settler colonialism. We analyze how 2 the Pride Houses relied on colonial narratives about ’Aboriginal Participation’ in the Olympics and settler notions of ‘land ownership’. -
Barry Humphries (1934 - ) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 90, NUMBER 2, DECEMBER 2019 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Victorian Historical Journal has been published continuously by the Royal Historical Society of Victoria since 1911. It is a double-blind refereed journal issuing original and previously unpublished scholarly articles on Victorian history, or occasionally on Australian history where it illuminates Victorian history. It is published twice yearly by the Publications Committee; overseen by an Editorial Board; and indexed by Scopus and the Web of Science. It is available in digital and hard copy. https://www.historyvictoria.org.au/publications/victorian-historical-journal/. The Victorian Historical Journal is a part of RHSV membership: https://www. historyvictoria.org.au/membership/become-a-member/ EDITORS Richard Broome and Judith Smart EDITORIAL BOARD OF THE VICTORIAN HISTORICAL JOURNAL Emeritus Professor Graeme Davison AO, FAHA, FASSA, FFAHA, Sir John Monash Distinguished Professor, Monash University (Chair) https://research.monash.edu/en/persons/graeme-davison Emeritus Professor Richard Broome, FAHA, FRHSV, Department of Archaeology and History, La Trobe University and President of the Royal Historical Society of Victoria Co-editor Victorian Historical Journal https://scholars.latrobe.edu.au/display/rlbroome Associate Professor Kat Ellinghaus, Department of Archaeology and History, La Trobe University https://scholars.latrobe.edu.au/display/kellinghaus Professor Katie Holmes, FASSA, Director, Centre for the Study of the Inland, La Trobe University https://scholars.latrobe.edu.au/display/kbholmes Professor Emerita Marian Quartly, FFAHS, Monash University https://research.monash.edu/en/persons/marian-quartly Professor Andrew May, Department of Historical and Philosophical Studies, University of Melbourne https://www.findanexpert.unimelb.edu.au/display/person13351 Emeritus Professor John Rickard, FAHA, FRHSV, Monash University https://research.monash.edu/en/persons/john-rickard Hon. -
Annual Report 2013 | 2014
Annual Report 2013 | 2014 THE SOVEREIGN HILL MUSEUMS ASSOCIATION i ii Sovereign Hill Annual Report 2013 | 2014 ar 2 Contents President’s Report 07 Chief Executive Officer’s Report 11 Marketing 15 Outdoor Museum 21 Education 31 Gold Museum 39 Narmbool 45 Tributes 49 Special Occasions 50 The Sovereign Hill Foundation 52 Major Sponsors, Grants, Donors & Corporate Members 53 Sovereign Hill Prospectors & Sir Henry Bolte Trust 54 The Sovereign Hill Museums Association 55 Staff 58 Volunteers 59 Financial & Statutory Reports 61 3 Charter PURPOSE Our purpose at Sovereign Hill and the Gold Museum is to inspire an understanding of the significance of the central Victorian gold rushes in Australia’s national story, and at Narmbool of the importance of the land, water and biodiversity in Australia’s future. VALUES Service We will ensure that every visitor’s experience is satisfying, and that their needs are paramount in our decision-making. Respect We will act with respect and free from any form of discrimination in what we say and do towards our colleagues, our visitors, and all with whom we do business; we will respect each other’s dignity and right to privacy; and respect the assets we share in doing our jobs. Safety We will maintain a safe and healthy workplace for all our visitors and for all who work on our sites. Integrity We will act in accordance with international and national codes of ethical practice for museums, including respect for the tangible and intangible heritage we collect, research and interpret; for the primary role of museums as places of life-long learning; and as individuals, work to help and support colleagues, work diligently to complete tasks, and at all times act honestly. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Annual Report Tot the Minister 2006-07
Public Record Office Victoria Annual Report to the Minister 2006–2007 Published by Public Record Office Victoria 99 Shiel Street North Melbourne VIC 3051 Tel (03) 9348 5600 Public Record Office Victoria Annual Report to the Minister 2006–2007 September 2007 © Copyright State of Victoria 2007 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Also published on www.prov.vic.gov.au. ISSN: 1320-8225 Printed by Ellikon Fine Printers on 50% recycled paper. Cover photo: A 1954 petition concerning the proposed closure of the Ferntree Gully to Gembrook railway line (VPRS 3253/P0 Original Papers Tabled in the Legislative Assembly, unit 1195). 1 Public Record Office Victoria Annual Report to the Minister 2006–2007 A report from the Keeper of Public Records as required under section 21 of the Public Records Act 1973 2 The Hon. Lynne Kosky, MP Minister for the Arts The Honourable Lynne Kosky, MP Minister for the Arts Parliament House Melbourne VIC 3002 Dear Minister I am pleased to present a report on the carrying out of my functions under the Public Records Act for the year ending 30 June 2007. Yours sincerely Justine Heazlewood Director and Keeper of Public Records 30 June 2007 Contents 3 5 Public Record Office Victoria 6 Purpose and Objectives 7 Message from the Director 8 Highlights 2006–2007 12 Public Records Advisory Council 14 Overview 14 Administration 15 Contacts 16 Organisational structure 18 Output measures 2006–2007 19 Leadership – records management -
Parliamentary Debates (Hansard)
PARLIAMENT OF VICTORIA PARLIAMENTARY DEBATES (HANSARD) LEGISLATIVE COUNCIL FIFTY-NINTH PARLIAMENT FIRST SESSION WEDNESDAY, 11 NOVEMBER 2020 hansard.parliament.vic.gov.au By authority of the Victorian Government Printer The Governor The Honourable LINDA DESSAU, AC The Lieutenant-Governor The Honourable KEN LAY, AO, APM The ministry Premier........................................................ The Hon. DM Andrews, MP Deputy Premier, Minister for Education and Minister for Mental Health .. The Hon. JA Merlino, MP Minister for Regional Development, Minister for Agriculture and Minister for Resources ........................................ The Hon. J Symes, MLC Minister for Transport Infrastructure and Minister for the Suburban Rail Loop ....................................................... The Hon. JM Allan, MP Minister for Training and Skills and Minister for Higher Education .... The Hon. GA Tierney, MLC Treasurer, Minister for Economic Development and Minister for Industrial Relations ........................................... The Hon. TH Pallas, MP Minister for Public Transport and Minister for Roads and Road Safety . The Hon. BA Carroll, MP Minister for Energy, Environment and Climate Change and Minister for Solar Homes ................................................ The Hon. L D’Ambrosio, MP Minister for Child Protection and Minister for Disability, Ageing and Carers ...................................................... The Hon. LA Donnellan, MP Minister for Health, Minister for Ambulance Services and Minister for Equality ................................................... -
An Intersectional Analysis of Sexual Violence Policies, Responses, and Prevention Efforts at Ontario Universities
An intersectional analysis of sexual violence policies, responses, and prevention efforts at Ontario universities Emily M. Colpitts A dissertation submitted to the Faculty of Graduate Studies in partial fulfilment of the requirements for the degree of Doctor of Philosophy Graduate program in Gender, Feminist and Women’s Studies York University Toronto, Ontario August 2019 © Emily Colpitts, 2019 Abstract In the context of public scrutiny, heightened media attention, and the introduction of provincial legislation on campus sexual violence, Canadian post-secondary institutions are facing unprecedented pressure to respond. This dissertation critically analyzes how sexual violence is being conceptualized in post-secondary institutions’ policies, responses, and prevention efforts. Specifically, the dissertation engages with the qualitative findings emerging from discourse analysis of post-secondary institutions’ sexual violence policies and interviews with 31 stakeholders, including students, faculty, and staff involved in efforts to prevent and address sexual violence at three Ontario universities and members of community anti-violence organizations. The project is grounded in an intersectional analysis of sexual violence, which de- centres the ‘ideal’ survivor and challenges the dominant depoliticized framing of sexual violence as an interpersonal issue by revealing its structural dimensions and its intersections with systems of oppression. While a number of Ontario universities reference intersectionality in their sexual violence policies, -
Bracken's Back - Spreading Sunshine
OCTOBER, 1987 Vol 11 No 9 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Eddie Bracken as Willie Clarke in THE SUNSHINE BOYS Bracken's back - spreading sunshine THE SUNSHINE BOYS blades (he can't hold with his shaking As well as the comedy we can always by Neil Simon hands). It is the role played by Walter expect from Neil Simon this play also Directed by Eddie Bracken Matthau in the film version of the play. has touches of pathos. It has been writ Cast includes: Eddie Bracken, Ray Eddie Bracken knew the two men ten out of love and deep affinity with Barrell, Pat McDonald and John portrayed in the play and claims never the theatrical scene and temperament. The New York Daily News said of the Orscik to have heard even a cross word pass between them. But altercations and play "another hit for Simon in this resh from his success in the lead role conflict make for interest and fun in the shrewdly balanced, splendidly per F of SUGAR BABIES which has just play. formed and rather touching slice of completed a national tour for the Trust, Ray Barrett plays Willie's partner Al showbiz life". Lewis, the role played by the-still-alive Eddie Bracken will direct and star in BOOKlNG INFORMATION THE SUNSHINE BOYS which comes after-all-these-years, George Bums. Pat McDonald will be returning to the stage Her Majesty's Theatre to Sydney's Her Majesty's Theatre next Tue Nov 24 to Sat Dec 12 month. Eddie Bracken plays Willie after five years as Aunt Fiona in TV's Mon to Sat at 8 p.m. -
Why Stonewall Still Matters…
PrideLife Magazine 2019 / pridelifemagazine 2019 @pridelife YOUR ESSENTIAL th 2020 ELECTION 50 PRIMER stonewall P.68 anniversaryspecial issue STEP INSIDE THE NIGHT OF WHY THE RIOTS STONEWALL P.50 STILL MATTERS… THE FIERCE WITH EXCLUSIVE AND TRIBUTES FROM FABULOUS Asia Kate Dillon Jesse Tyler Ferguson Madonna Christian Siriano Kamala Harris Indigo Girls Gus Kenworthy Bethany Meyers George Takei BILLY Margaret Cho Rufus Wainwright Carson Kressley Adore Delano Daya And more... PORTERP.46 PLUS! INTRODUCING THE INTERPRIDELIFE SEAL OF APPROVAL P.14 B:17.375” T:15.75” S:14.75” Important Facts About DOVATO Tell your healthcare provider about all of your medical conditions, This is only a brief summary of important information about including if you: (cont’d) This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider • are breastfeeding or plan to breastfeed. Do not breastfeed if you SO MUCH GOES about your condition and treatment. take DOVATO. You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? INTO WHO I AM If you have both human immunodeficiency virus-1 (HIV-1) and ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. hepatitis B virus (HBV) infection, DOVATO can cause serious side ° Talk with your healthcare provider about the best way to feed your baby. -
WATERGATE: WHY NIXON FEARS DEAN's ~-=TESTIM -Page 13
JUNE 29, 1973 25 CENTS VOLUME 37 /NUMBER 25 A SOCIALIST NEWSWEEKLY/PUBLISHED IN THE INTERESTS OF THE WORKING PEOPLE WATERGATE: WHY NIXON FEARS DEAN'S ~-=TESTIM -page 13 Millions of, people think Nixon would fail lie detector test, but this David Levine drawing was re;ected by the New York Times and the Washington Post as 'too hot to handle: It was first published by Rights, magazine of the Nationa1 1Emergency Civil Liberties Committee. For watergate news, see pages 13-16. Brezhnev-Nixon deals= no step ·toward pea~~ In Brief NEW DEATH SENTENCES IN IRAN: A military tri largely on testimony given by a well-known professional bunal in Teheran condemned six men 'to death on June witness for the L.A. police department in drug cases in 10 and one woman, Simeen Nahavandi, to a 10-year volving Blacks. Seven other witnesses testified that Smith term in solitary confinement. The verdict has been ap was nowhere near the place where he allegedly sold the pealed to a military review board, which ordinarily gives drugs on that day. There were no Blacks on the jury. speedy approval to such sentences. (For more information Smith, whose sentencing is scheduled for July 10, faces on the repression in Iran, see the World Outlook section.) five years to life under California's indeterminate sen tencing law. The Mongo Smith Defense Committee is THIS YSA LEADER CONDEMNS PERSECUTION OF IRAN looking into appealing his conviction. IAN STUDENTS: The recent indictment of six Iranian students accused of assaulting an Iranian consular official WEEK'S CHICANOS WIN FIGHT FOR A NEW SCHOOL: Chi in San Francisco March 26 has been strongly condemned canos in Chicago's Pilsen community won a significant by Andrew Pulley, national secretary of the Young So MILITANT victory when the board of education agreed recently to cialist Alliance. -
The Rise and Fall of Australian Maoism
The Rise and Fall of Australian Maoism By Xiaoxiao Xie Thesis submitted for the degree of Doctor of Philosophy in Asian Studies School of Social Science Faculty of Arts University of Adelaide October 2016 Table of Contents Declaration II Abstract III Acknowledgments V Glossary XV Chapter One Introduction 01 Chapter Two Powell’s Flowing ‘Rivers of Blood’ and the Rise of the ‘Dark Nations’ 22 Chapter Three The ‘Wind from the East’ and the Birth of the ‘First’ Australian Maoists 66 Chapter Four ‘Revolution Is Not a Dinner Party’ 130 Chapter Five ‘Things Are Beginning to Change’: Struggles Against the turning Tide in Australia 178 Chapter Six ‘Continuous Revolution’ in the name of ‘Mango Mao’ and the ‘death’ of the last Australian Maoist 220 Conclusion 260 Bibliography 265 I Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968.