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Fma Digest Volume 5 Number 4

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Fma Digest Volume 5 Number 4 Publisher Steven K. Dowd Contributing Writers Nel Malabonga Ken DeJesus' Jon Escudero Antonio Graceffo Ned Racaza Nepangue Ted Rabino Sr. Brian Collins Frank Aycocho Contents From the Publishers Desk Paclibar Bicol Arnis Master Frank Aycocho Ismael “Boy” Garcia: Yaw-Yan Champion A Glimpse of the Man: Guro Maning Bonsa A General View of Serrada Concepts in Lightning Arnis Grandmaster Mike Vasquez: Modified Tapado / Modified Karate Manong Ireneo “Eric” Olavides Rizal the Budoka? The Subconscious and Super-Conscious Mind and the Flow in the Philippine Martial Arts Meeting the Masters in the Philippines Filipino Martial Arts in Arizona Dinuguan for Brunch FMA Past Events FMAForum FMA Future Events FMA Educational Depot Concept of Aycocho Arnis Korambit (AAK) Christmas Shopping Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta Well another year is coming to an end and the Filipino martial arts, continues to flourish and grow throughout the world. In this issue the FMAdigest is proud to bring Maestro Jaime C. Paclibar of Paclibar Bicol Arnis, Master Frank Aycocho of Kuntaw and Manong Ireneo “Eric” Olavides of Eskrima de Campo System so you the reader can get to know a little about them and the art they promote. Guro Limuel “Maning” Bonsa of Arnis Rapado was in the last issue, now it is time to get to know the man and his art in depth and Grandmaster Mike Vasquez of Modified Tapado / Modified Karate talks about why he modified these arts, “not to say they are better, but to add speed, and power.” Ismael “Boy” Garcia a Yaw-Yan Champion from 1981 to 1998 a respectful, determined, fascinating individual, a real champion. Master Jon Escudero of Lightning Scientific Arnis tells about one of cores of Lightning Scientific Arnis “Serrada.” Author Ned Nepangue who co-authored the book “Cebuano Eskrima - Beyond the Myth” writes offering an alternative perspective on Rizal’s alleged Japanese martial art background and Guro Brian Collins and Guro Ken DeJesus' brings a light about the Subconscious and Super-Conscious Mind and the Flow in the Philippine Martial Arts. Antonio Graceffo talks about meeting the Masters in Manila and talking about Mixed Martial Arts vs. Traditional Martial Arts. Filipino martial arts, has commenced to bloom in Arizona and Mike Butz of the Kada Anan Eskrima Group and Ted Rabino Sr. are going all the way to bring the best practitioners out in the open to promote the art. Of course Jeff Finder is adding spice in his Editorial of Dinuguan for Brunch, and Roberto Trinidad is bringing you the hot topics and gossip from his forum FMAF. Don’t forget Luis Rafael C. Lledo (aka Guro Lou) sharing his basics of the Filipino martial arts in the FMA Educational Depot, got a questions on the arts Email him for the Educational Depot answer. And of course the past Filipino martial arts events you missed, or if you attended can remember the great time you had, and the future Filipino martial arts events you should not miss if you are able to attend. And last but not least, Christmas is around the corner get your fellow practitioners, loved one’s or students something. The FMAdigest highly suggests the vendors listed for quality products and great service. Maraming Salamat Po Paclibar Bicol Arnis Maestro Jaime C. Paclibar “When you direct your opponents’ energy, you force him to change his position and you learn to exploit him, learn to adapt and to be fluid.” Paclibar Bicol Arnis is a system of drilling by which students master all body movements, such as bending, rotating, pushing, balancing by learning to move limbs and moving the body backwards and forwards, left and right, and also dodging up and down, freely and uniformly. The techniques of striking must be well controlled with power directed at the target accurately and attack directed to the target using the appropriate technique and maximum power in the shortest time possible, hurting the opponent momentarily following up with a lethal technique. A unique system in which one learns to adapt to the combat self defense by acquiring the important skill of transitioning from one technique to another, smoothly and instinctively. Maestro Paclibar is dedicated to train others and to help propagate the growth of his system of Paclibar Bicol Arnis and Otso Tiradas systems. Maestro Paclibar focuses on every aspect of fighting from long range, medium range and close range, grappling, stickfighting and knife fighting. Training his students for realistic street fighting, which is different than fighting in a tournament, however he does teach his students the principles of tournament sport fighting for this also has its values. He has turned Paclibar Arnis with Kaikijutsu into a hard and soft style with an avenue of response to any kind of attack. The Saia and Otso Tiradas system is the system or form of fighting which uses the natural weapons of the body from striking, kicking, throwing and joint reversals. Maestro Paclibar is a firm believer that the basics are the foundation of any art, and when learning and practicing correctly will give the student a firm foundation in techniques, speed and power. Forms are just another training method in learning basics. Paclibar Bicol Arnis builds towards the unity of the mind, body and the heart, bringing confidence and peace within ones self. The 6/8 Tiradas fighting techniques, is an offensive form moving in a graceful, but forceful flowing movement, which demonstrates the power and agility of the Paclibar system. The Paclibar Bicol Arnis system focus on the use of a simple stick, kinamot, locking dumog, dulo-dulo concentrating to largo mano and then medium range and finished on close range fighting tactics. It can be classified as a modern system, a composite of several fighting principles of physics, the quality of force and counter force. All tempered by good timing, speed, power deceptiveness, power to the mind, concentration of power, relaxation, visualization, breath control and effective counter attacking, reaction force, calm mind, lower abdomen and hip jerking role of muscular power and rhythm. Maestro Paclibar instructs in Saia Tiradas and Otso Tiradas like Serrada, Abierta, Aldabis, Saboy, Tochar, and number six is Herada. The student is taught that there is a counter to every counter and that continuous research and discovery is basic knowledge. Only those with faster reflex, coordination and agility will prevail. To achieve perfection in the art, you need speed + timing + reflex, (S + T + R) which is necessary to acquire a defensive posture and fluidity in movement. To harness one’s natural body movement refine it with S + T + R = vector and awaken one’s sense to move and react to it. In Paclibar Bicol Arnis the student is first taught with the baston and empty hand later. The student learns the six (6) Tiradas or Biradas, the counters, disarming, locking. Footwork and body shifting is very important in the aspect of training. Triangle (tatsulok) the student performs many repetitions of stepping left and right on the triangle diagram, (this is taped on the floor). In Saia Biradas or the six (6) Cardinal Birada (strikes), this is patterned around the areas of the body divided by an “X” with a dot in the center for thrust. 1 & 2: Small ekis 3 & 4: Big ekis 5: Dot (.) 6: Number 1 or letter l No. Style of Strike Vital Point Pattern Angle 1. Abierta Right Temple 2. Serada Left Temple Small ekis 3. Aldabis Right Leg 4. Saboy Left Leg Large ekis 5. Tochar / Sungkite Abdomen Period 6. Herada Crown Number 1 Saia Tiradas / Biradas (Six Strikes) 1. Birada isa/one - A backward diagonal strike aimed downward at the opponents’ right temple. (Abierta) 2. Birada dalawa/two - Forehand diagonal strike aimed downward at the opponents left temple. (Serada) 3. Birada tatlo/three - A downward diagonal backhand strike to the opponents’ right leg area. (Aldabis) 4. Birada apat/four - A reverse downward diagonal forehand strike to the opponents left leg area. (Saboy) 5. Birada lima/five - A thrust to the abdominal area. (Tochar / Sungkite) 6. Birada anim/six - A strike to the opponents crown (Herada) The student learns the six strikes which are designated to attack various areas of the opponents’ body. With the six angles of attack understood, then the student is taught cutting, checking with the baston which is often accompanied by disarming. (As the student matures in his training he begins to realize that the disarming he initially learned is interchangeable and will work with various attacks like miscellaneous striking patterns from other systems as well, like wetik, pitik, lastiko, bartikal, buhat araw, abanico, rapillon, florete, tercia, serada, saboy, abierta, amara, rompida, tinulisan, and many more.) Mastery of the fundamental concepts, builds a strong foundation and a working knowledge for the more advanced techniques.
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