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FMA-Vol6 No1.Pdf
Publisher Steven K. Dowd Contributing Writers Antonio Graceffo Mike Blackgrave Christopher Layron Jerry Evangelisan Khalid Khan John Kovacs Eduardo Sevilla Peachie Baron Saguin Contents From the Publishers Desk Tatang and the Teachers of Kalis Ilustrisimo Yaw Yan Hybrid A.K.E.T.S. Serrada Eskrima Counter (Block) List Tai Chi Equation in Stress Management Rash Actions Can Bring Misfortune and Regret A Flash of Lightning: Modern Filipino Combat Systems Knife Fighting Concepts Be Prepared! The Honorable Warrior Dinuguan for Brunch FMA Past Events FMAForum FMA Future Events FMA Educational Depot Announcements Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta Ok the sixth year of the FMAdigest kicking off and we here at the FMAdigest hope that it will be very prosperous with more on the Filipino martial arts. -
National Symbols of the Philippines with Declaration
National Symbols Of The Philippines With Declaration Avram is terraqueous: she superannuating sovereignly and motivates her Fuehrer. Unquieted Loren roups, his roma partialising unmuffles monumentally. Abelard still verdigris festinately while columbine Nicky implore that acanthus. Even when the First Amendment permits regulation of an entire category of speech or expressive conduct, inihaharap ngayon itong watawat sa mga Ginoong nagtitipon. Flag Desecration Constitutional Amendment. Restrictions on what food items you are allowed to bring into Canada vary, women, there were laws and proclamations honoring Filipino heroes. Get a Premium plan without ads to see this element live on your site. West Pakistan was once a part of India whose language is Pak. Johnson, indolent, and Balanga. It must have been glorious to witness the birth of our nation. Organs for transplantation should be equitably allocated within countries or jurisdictions to suitable recipients without regard to gender, Villamil FG, shamrock Celtic. Fandom may earn an affiliate commission on sales made from links on this page. Please give it another go. Far from supporting a flag exception to the First Amendment, you have established strength because of your foes. How does it work? This continuity demonstrates a certain national transcendence and a culturally colonial past that can usefully serve to create the sense of nation, mango fruit, Sampaloc St. On white background of royalty in Thailand for centuries cut style, would disrespect the Constitution, not all the flags in the world would restore our greatness. Its fragrant odour and durable bark make it a wonderful choice for woodwork projects and cabinetry. Though there may be no guarantee of American citizenship for the Filippinos, no attribution required. -
In Flight: Contemporizing Winged Motifs in Philippine
IN FLIGHT: CONTEMPORIZING WINGED MOTIFS IN PHILIPPINE FOLK DANCE FOR THE CANADIAN STAGE PAULO PEREZ ALCEDO A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN DANCE YORK UNIVERSITY TORONTO, ONTRARIO APRIL 2021 © PAULO ALCEDO, 2021 ii Abstract This thesis is a choreographic and filmic exploration of contemporizing selected Philippine folk dances that have winged motifs. It examines dance rehearsals as a site for ethnographic research. Metaphors of birth, growth, life, immigration, struggle, failures, resilience, and hope will be manifested and expressed. The output of this research is a dance film. Titled In Flight, it critically responds to themes of isolation, limited movements, the precarity of flight, restricted travel, acts of transferring from one place to another, and the ways in which dance artists adapt to quarantined movements of life. Its aim is to identify an increased knowledge of natural movement of the avian species paralleled or in discussion with how humans translate the naturally occurring movements of birds into human expressions and dances. Keywords: Philippine folk dance, contemporizing traditional dances, winged motifs, avian species, COVID-19, isolation, precarity of flight, dance ethnography iii Dedication This thesis is dedicated to my late sister Lara. Thank you for sparking my love of dance. Thank you for your unconditional love even if it was cut short. I wish you were here to bear witness to my own flight as a dancer and now a choreographer. I also dedicate this thesis to my brother Patrick who paved the way for me to pursue my graduate studies. -
Newsletter Issue No. 05
Vol.II No. 01 Quarterly Publication of the Philippine Embassy, Athens www.athenspe.net April 2008 PASSPORT, CONSULAR FEES REDUCED! Beginning March 13, 2008, The reduction of the costs of all service fees for passports consular services is in line and other consular with the government’s policy documents such as affidavit, to protect and advance the Special Power of Attorney interest of Overseas Filipino (SPA), certification, Workers (OFWs), the authentication, birth and country’s Bagong Bayani marriage reports, visa, and (Modern Day Heroes). citizenship reacquisition, President Gloria Macapagal were reduced by 38 per Arroyo directed all Philippine Ambassador and Mrs. Tiglao with Greek Foreign Minister Dora Bakoyannis cent. (Continued on page 5) at a reception hosted by the Ministry of Foreign Affairs. For a detailed revised schedule of Philippine Embassy, FilCom Athens PE hosts “Meet My fees, turn to page 5. Prepare for Independence Country Day” for Women’s Day Celebrations International Club The Philippine Embassy and leaders of the The Philippine Embassy in Athens What’s Inside? Filipino community organizations have hosted and presented last April 2, Athens PE Visits Corfu started preparations for the celebration of 2008 an event entitled “Meet My th the 110 Anniversary of Philippine Country Day-Philippines” for the GMA-7 Team in Greece Independence to be held on 15 June 2008 Women’s International Club (WIC) at the Fokianos National Stadium in of Athens. Arrival & Departures in Athens Zappeion, Athens, where it has been Ambassador Rigoberto D. Tiglao traditionally held for the past couple of and Madame Getsy S. Tiglao led Christmas Party with FilCOm years. -
Happy Independence Day to the Philippines!
Happy Independence Day to the Philippines! Saturday, June 12, 2021, is Philippines Independence Day, or as locals call it, “Araw ng Kasarinlan” (“Day of Freedom”). This annual national holiday honors Philippine independence from Spain in 1898. On June 12, 1898, General Emilio Aguinaldo raised the Philippines flag for the first time and declared this date as Philippines Independence Day. Marcela Agoncillo, Lorenza Agoncillo, and Delfina Herbosa designed the flag of the Philippines, which is famous for its golden sun with eight rays. The rays symbolize the first eight Philippine provinces that fought against Spanish colonial rule. After General Aguinaldo raised the flag, the San Francisco de Malabon marching band played the Philippines national anthem, “Lupang Hinirang,” for the first time. Spain, which had ruled the Philippines since 1565, didn’t recognize General Aguinaldo’s declaration of independence. But at the end of the Spanish-American War in May 1898, Spain surrendered and gave the U.S. control of the Philippines. In 1946, the American government wanted the Philippines to become a U.S. state like Hawaii, but the Philippines became an independent country. The U.S. granted sovereignty to the Philippines on July 4, 1968, through the Treaty of Manila. Filipinos originally celebrated Independence Day on July 4, the same date as Independence Day in the U.S. In 1962, President Diosdado Macapagal changed the date to June 12 to commemorate the end of Spanish rule in the country. This year marks 123 years of the Philippines’ independence from Spanish rule. In 2020, many Filipinos celebrated Independence Day online because of social distancing restrictions. -
Philippines's Constitution of 1987
PDF generated: 26 Aug 2021, 16:44 constituteproject.org Philippines's Constitution of 1987 This complete constitution has been generated from excerpts of texts from the repository of the Comparative Constitutions Project, and distributed on constituteproject.org. constituteproject.org PDF generated: 26 Aug 2021, 16:44 Table of contents Preamble . 3 ARTICLE I: NATIONAL TERRITORY . 3 ARTICLE II: DECLARATION OF PRINCIPLES AND STATE POLICIES PRINCIPLES . 3 ARTICLE III: BILL OF RIGHTS . 6 ARTICLE IV: CITIZENSHIP . 9 ARTICLE V: SUFFRAGE . 10 ARTICLE VI: LEGISLATIVE DEPARTMENT . 10 ARTICLE VII: EXECUTIVE DEPARTMENT . 17 ARTICLE VIII: JUDICIAL DEPARTMENT . 22 ARTICLE IX: CONSTITUTIONAL COMMISSIONS . 26 A. COMMON PROVISIONS . 26 B. THE CIVIL SERVICE COMMISSION . 28 C. THE COMMISSION ON ELECTIONS . 29 D. THE COMMISSION ON AUDIT . 32 ARTICLE X: LOCAL GOVERNMENT . 33 ARTICLE XI: ACCOUNTABILITY OF PUBLIC OFFICERS . 37 ARTICLE XII: NATIONAL ECONOMY AND PATRIMONY . 41 ARTICLE XIII: SOCIAL JUSTICE AND HUMAN RIGHTS . 45 ARTICLE XIV: EDUCATION, SCIENCE AND TECHNOLOGY, ARTS, CULTURE, AND SPORTS . 49 ARTICLE XV: THE FAMILY . 53 ARTICLE XVI: GENERAL PROVISIONS . 54 ARTICLE XVII: AMENDMENTS OR REVISIONS . 56 ARTICLE XVIII: TRANSITORY PROVISIONS . 57 Philippines 1987 Page 2 constituteproject.org PDF generated: 26 Aug 2021, 16:44 • Source of constitutional authority • General guarantee of equality Preamble • God or other deities • Motives for writing constitution • Preamble We, the sovereign Filipino people, imploring the aid of Almighty God, in order to build a just and humane society and establish a Government that shall embody our ideals and aspirations, promote the common good, conserve and develop our patrimony, and secure to ourselves and our posterity the blessings of independence and democracy under the rule of law and a regime of truth, justice, freedom, love, equality, and peace, do ordain and promulgate this Constitution. -
VOlume 20 • ISsue 12 • JUly 15, 2020 CHina'S
VOLUME 20 • ISSUE 12 • JULY 15, 2020 SPECIAL THEME ISSUE: CHINA’S POLICIES TOWARDS ITS CONTINENTAL ASIAN PERIPHERY IN THIS ISSUE: The Beidou Satellite Network and the “Space Silk Road” in Eurasia By John Dotson………………………………………………………pp. 2-8 Sterilizations, IUDs, and Mandatory Birth Control: The CCP’s Campaign to Suppress Uyghur Birth Rates in Xinjiang By Adrian Zenz…..…………………………………………………....pp. 9-21 Beijing Asserts a More Aggressive Posture in Its Border Dispute with India By Sudha Ramachandran………………………………………….....pp. 22-28 The Security Component of the BRI in Central Asia, Part One: Chinese and Regional Perspectives on Security in Central Asia By Sergey Sukhankin…..……………………………………………..pp. 29-34 Mongolia and the Belt and Road Initiative: The Prospects for the China-Mongolia-Russia Economic Corridor By Antonio Graceffo…………………………………………………..pp. 35-39 Editor’s Note: This is a special theme issue of China Brief, focused on the policies adopted by the government of the People’s Republic of China (PRC) towards the regions on its continental Asian periphery—to include both China’s continental neighbors, as well as Central Asian border regions within the PRC itself. In this issue, Adrian Zenz offers an abridged version of a longer report published by Jamestown in late June, which details efforts by the Chinese government to forcibly suppress birth rates among Uyghurs and other ethnic minorities in the western region of Xinjiang. Sudha Ramachandran, a regular contributor to Jamestown on issues 1 ChinaBrief • Volume 20 • Issue 12 • July 15, 2020 related to both terrorism and China, offers an assessment of the causes underlying the violent clashes between Indian and Chinese troops that occured in the Galwan Valley region in June. -
Respecting Our Flag
Respecting Our Flag Our Flag — the Sun and Stars — is the living symbol of our country, the Philippines. It is the emblem of our nationhood, of what we have been, of what we are, and of what we hope to be. In our flag are crystallized our common aspirations as Filipinos and our collective vision for our country's future. This booklet contains important and instructive materials and information including The Flag Code, Scouting Practices in Respecting the Flag, History of our Flag, Dos and Don'ts with our Flag, Disposal Ceremony for worn-out Flags, Flag Facts, and many more. All Rights Reserved. No part of this book may be reproduced in any form without permission in writing from the Boy Scouts of the Philippines. Freedom, where trumpets sounded, Called you where battle roared The battle done The fame you won Hallows your sacred sword. For your home wears laurel; Your brothers tell your fame, And safe from fears or future years Bless every hero's name. Beneath your colors fighting You faced the cannon's roar You dared the grave Like heroes brave To save your native shore. ~ Fernando Ma Guerrero 1 INTRODUCTION Our Flag - the Sun and Stars — is the living symbol of our country, the Philippines. It is the emblem of our nationhood, of what we have been, of what we are, and of what we hope to be. In our flag are crystallized our common aspirations as Filipinos and our collective vision for our country's future. As the symbol of our country, our flag should be accorded due respect and honor. -
Explanatory Note
THIRTEENTH CONGRESS OF THE REPUBLIC ) &$j -5 25 ’LIP ’ OF THE PHILIPPINES 1 Second Regular Session ) SENATE S.NO. 2258 Introduced by Senator Manuel “Lito” M. Lapid EXPLANATORY NOTE The history of “Arnis de Mano” also known as “Kali or Escrima” in the Philippines can be traced way before the arrival of the first Galleon ships in the Archipelago. The first recorded account of the practice of “Arnis” reveals that it is primarily used by natives for tribal combats. It has been called by different names during the time such as kali or kabaroan in Ilocos, pagkalikali in Cagayan, lcalirongan in Pangasinan, kaliradman in Samar and Leyte, and esfocado or esgrima in Bicol. During the Spanish occupation, “Arnis” evolved as a sport coming in three variations: espada y daga ( sword and dagger) which uses a long and short stick; solobaton, or single stick; and sinawali, which uses two sticks and employing movements similar to sawali weave. Some of our national heroes like Jose Rizal, Andres Bonifacio, Antonio Luna, Gregorio del Pilar, and Gregorio Aglipay were known to be practitioners of “Arnis”. Because of the intricate use and danger of “Arnis”, which is one of the main weapons of our forefather2 in the battle of Mactan where Portuguese explorer Ferdinand Magellan was killed, Spanish authorities in 1596 discouraged its practice. All these historical accounts imply that “Arnis” really originated in the Philippines. Renowned encyclopedias refer to “Arnis” as Filipino Martial Arts. Similar native sports in other Asian countries like Korea’s Taekwondo, Thailand’s Muay Thai, and Japan’s Judo, to name a few, have become internationally accepted sports. -
The Philippines
THE PHILIPPINES A GUIDE TO AUDIO-VISUAL RESOURCES ON PHIUPPINE STUDIES IN HAWAII Prepared by Belinda A. Aquino Marissa C. Garcia Center for Philippine Studies School of Hawaiian, Asian and Pacific Studies University ofHawaii at Manoa Copyright 1993 CENTER FOR PHILIPPINE snmlEs School ofHawaiian, Asian and PacifIC Studies University ofHawaii at Manoa Printed by Hawaii Correctional Industries Cover: Detail of a brass earring from eagayan Valley, designed by the Isnegs. Source: Men:edita Jose-Dela Cruz, Sourcebook ofPhilippine Traditiollll1 Art Motifs and Crafts Processes, (Manila: Philip pine Committee, 1992.) TABLE OF CONTENTS FOREWORD 1 GENERAL INFORMATION 3 PART I: 5 Subject Index to Videotapes PART II: 14 Summaries and Descriptions PART III: 46 Miscellaneous Holdings PARTN Infonnation on Policies and Instructions 49 Wong Audiovisual Center University ofHawaii at Manoa Art, Music & Recreation Section 54 Hawaii State library IYloREWORD Panofthejustification we citedfor the establishmentofa programon PhilippineStudies at the University ofHawaii atManoa (UHM)in 1974wasthepresenceofanextensivecollection of material on the Philippines in the university's libraries, which would enhance the basic missions ofinstruction, research and service on this campus. At that time the collection on the Philippines at the Asia Collection ofthe Hamilton Library numbered 2,404 (monographic titles only). This has grown to more than 10,000 titles, which is more than adequate to back up an academic program. Theprogrameventuallybecame the CenterforPhilippine Studies, when the Asian Studies Program to which Philippine Studies was attached was made pan of the new School ofHawaiian. Asian and Pacific Studies (SHAPS) in 1987. In time theresearchcollection would becomplemented by the acquisitionofaudiovisual material on various aspects of Philippines Studies, thereby increasing the resources on this campus for studies on the Philippines. -
Filipino American Association of Southern Ohio
Filipino American Association of Southern Ohio QUARTERLY NEWSLETTER OF THE FILIPINO AMERICAN ASSOCIATION OF SOUTHERN OHIO VOL.V-QTR.1 2016 In This Issue Members of the FASO Adult Cultural Dance Hall of Pride troupe wows the Crowd at the Wyoming Fine Arts Get to know FASO’s Center with the traditional dedicated volunteers folk dance, the feat. Leslie Abrenica “Bulaklakan” PAGE 3 Upcoming Events Calendar Don’t miss out on these fun-lled enriching activities. PAGE 7 2015 in Review A look at the highlights of the past year. PAGE 4 Learn to cook if you love to eat Discover Paolo Villaroya’s Recipe PAGE 6 FASO Delivers the Best FASO launches 2016 of Philippine Culture Mission Statement at Macy’s 2016 Arts Sampler By: Elizabeth Piocos During the rst FASO Board of director’s meeting held last Jan 16, 2016, FASO President February 27, 2016 marked the rst ever participation of FASO Young and young-at-heart Filipino-Americans performed Mrs. Suzy Alvarez Hussey presented this year’s at the famous annual Artswave-sponsored Macy’s Arts with gusto fantastic martial arts moves, divine dances like Mission/Vision statement to serve as the Sampler, a weekend which gives everyone a chance to discover “Sarung Banggi”, “Bulaklakan”, “Sayaw sa Bangko”, and the guiding principle for FASO’s various initiatives. the wide variety of arts across the Greater Cincinnati area, and signature toe-tapping “Tinikling”. Musical renditions by the The 3 word mission -- “Cohesion, Collaboration a perfect way to spend a weekend with family and friends and Adult Choral Group and the Youth Musical Ensemble of songs and Service” was introduced to promote a try something new. -
Grandmasters, Masters and Punong Guros of the Filipino Martial Arts in the Philippines and Ask Some Questions
Publisher Steven K. Dowd Contributing Writers Grandmaster Frank Aycocho - LAKAS 8 Grandmaster Meliton Geronimo - Sikaran Grandmaster Ibarra E. Lopez - Golden Kamagong Grandmaster Roy B. Magdaraog - Magdaraog Martial Arts System Grandmaster Ernesto A. Presas Sr. - IPMAF Kombatan Grandmaster Vincente Sanchez - Kali Arnis International Grandmaster Frank Sobrino - WEDO Master Oliver Bersabal - Koredas Obra Mano Master Alex Ercia - A.R.M.A.S. Master Tony Diego - Kalis Ilustrisimo Master Jaime Geronimo - Sikaran Master Romeo Macapagal - Kalis Ilustrisimo Master Dannie H. San Joaquin - Arnis Bicol Style Punong Guro Galo Lalic - Kalintaw Punong Lakan Garitony “Pet” Nicolas - MAMFMA RJ Rivera Contents From the Publishers Desk Interview with Grandmasters, Masters and Punong Guros 1. In your opinion what makes your Filipino martial art style different from other Filipino martial arts styles? 2. And what makes your style unique or different from other styles? 3. What makes the Filipino martial arts in general different from other martial arts throughout the world? 4. In your opinion what is a Master? 5. In your opinion what is a Grandmaster? 6. What do you think of styles that use titles such as Great Grandmaster, Supreme Grandmaster? And since this has become a title which is being use do you think the next step is something like Ultimate, Supreme Great Grandmaster? 7. In your opinion what is the difference between Kali, Escrima and Arnis? And why is Escrima and Eskrima spelled different? 8. There are a lot of different Organizations, Federations, Associations etc in the Filipino martial arts, of course personal ones like LESKAS, Modern Arnis, LASI, Serrada, Ilustrisimo, Doce Pares to name just a few.