Thedragontale

Total Page:16

File Type:pdf, Size:1020Kb

Thedragontale The DDDragon TTTalealeale THE BARONY OF SELVIERGARD MAY 2012 FROM THE BARON… Unto the Populace of the Barony of Selviergard I send this new missive, That place called Estrella did in fact see much fighting. No sooner had I gotten my lady, the Baroness E'ta'in, to the safety of our camp did the fighting start on the next day’s light. I heard there had been fighting there before, and that this fight was not as big as 3for1the1fun1of1it3 some in the past. Even with the fighting I was blessed by her This is the May 2012 issue of the DragonTale, a company and my daughter’s. I will not bore you with those publication of The Barony of Selviergard of the times, they are meant to be special and private. I would like Society for Creative Anachronism, Inc. (SCA, Inc.). The DragonTale is available from Travis Abe-Thomas, to send a special thanks to Bránn; you were a tremendous PO Box 2254, Palmer, AK 99645. It is not a corporate help! publication of SCA, Inc., and does not delineate SCA, Inc. policies. Enough of wars in foreign or faraway places! I have Copyright © 2012 Society for Creative Anachronism, questions for you: What was the first thing you made in the Inc. SCA? Is it still around? The first things I hacked out were For information on reprinting photographs, articles, armor bits for arms and legs. They were functional and or artwork from this publication, please contact the horrible at the same time, however, I had fun making them. Chronicler by e-mail to [email protected] The ballistae I made are tied for the most fun because of all who will assist you in contacting the original creator of the piece. Please respect the legal rights of our the people that worked on the project, the other is the contributors. marionette stage. Each project had inspired people just Published monthly in electronic format, hard copies trying to learn and make something new. Please share some available by request. of your old projects as well. 3for1the1fun1of1it3 I have seen many wonderful starry nights, but none match the wonder of the Northern lights of Selviergard and Oertha. I continue to work on my return trip to those lands and wish IN THIS EDITION… you well till I get there. The Nine Worthies Fathir Oerthan Summer Coronet Info Selviergard, Baron Irish School of Italian Fence Next Baronia l Business Meeting: Saturday, May 19, AND MORE… 2012 at the Selviergard Spring Pas d'Armes SELVIERGARD'S ESKALYA'S BARONIAL SPRING PAS D'ARMES CHANGEOVER May 18-20, 2012 May 12, 2012 The Knowne World is invited to participate in a With the change of the seasons, and the return of weekend celebrating the Nine Worthies on the Field the Sun to the Greatland, the time also has come for of Honor at the Selviergard Spring Pas d'Armes. the Baronial Circlets to pass to another. Their Both heavy and rapier fighters are asked to come Excellencies, Breock of Whitby and Margret Anne of forth and display your skill in the true spirit of the Somerset request the honor of your company as Dream; with banners and pennants flying in the they welcome their Heir, Elspeth Bouchannane, to breeze. The weekend of Chivalry will inspire not the Baronial Thrones of Eskalya. only the ladies in the gallery, but your honorable and worthy opponents as well. The day's events will include a feast for our outgoing and incoming Baronial Cornets. There will be a prize There are two Arts and Sciences competitions being tourney for both heavy and rapier, details held this weekend. Heraldic Armor Pieces--other forthcoming. Contests of the day include Swans in than shields and surcoats. The Arts and Sciences any mode (documentation a plus) and Baroness' Minister is looking for aillettes, crests, or other whim: Eskalya Pride – best display of Baronial colors. pieces of heraldic display worn while you fight. Two Arts & Sciences exhibits are planned: A display Minimum documentation required, even if it is just of Baronial and personal favors (bring your favorite an illumination from period. The other competition favors to share) and Populace at Work: bring your is Representation of Chivalric Virtues in Any Mode; A&S project, finished or not, for the Populace to any one or more of the virtues shown by the Nine view. The site opens at 11:30. Opening Court will Worthies represented in Any Mode; such as an begin at 1:00 PM. illumination, a subtlety, etc. Site : First Congregational Church--2610 E Northern Site : Little Susitna River Campground / Mi. 57.5 Lights Blvd, Anchorage, AK 99508-4119. The Church Parks Hwy / Houston, AK 99694. The site opens at is located on Northern Lights between Lake Otis and Noon on Friday and closes at 6PM on Sunday. UAA Drive behind Wendler Middle School. Site Fee : Adults $10.00, Children 5-13 $5.00, Site Fee : Adults $15.00, Children 12 and under children under 5 are free, family cap is $30.00. Be $5.00, Children under 6 free. Family Cap of $40.00. aware of the $5 NMS fee. Make checks payable to SCA Inc-Barony of Selviergard. Autocrats : Anna di Caterina Neri (Georgia Pfile) annahnarie(at)gmail.com. Syr Viresse' de Lighthaven Camping spots have been reserved and are available (Kathy Judge) wingedcup3(at)yahoo.com. on a first-come-first served basis. The campsites are $10 per night for each campsite (a separate fee) and can hold two cars (so people can share a campsite if they so desire). Feast will be potluck so bring something to share! Since we have access to the gril, please bring your own meat for the barbeque Autokratos : Halfdan "Two Bears" Ôzurrson (Travis Abe-Thomas) / [email protected] May 2012 The Drago nTale Page 2 FROM THE MINISTER OF ARTS & SCIENCES… Greetings to the Populace, The A&S activities at the Pas d'Armes will be as follows; As spring is finally upon us, I have a few items to put before Saturday there will be a class on The Good Wife of you. I would like to say that I Paris manuscript—a compendium of information hope all of you are enjoying and advice written for young ladies in the 14 th working on personal projects century on deportment and running a household— working on personal projects and learning new by Magistra Cynehild; and Mistress Trava is planning things. Along those lines--my second quarter reports a class for children on behavior. are coming up this month, and I would like to know what you are personally working on, and whether Competitions are; anyone deserves recognition (i.e. awards) so that I Heraldic Armour Bits : I’m looking for heraldic may add it to my report. Also, I would like to thank representation on the field of battle other than all those who came forth to donate their time and surcoats and shields—crests, aillettes, and such. I energy making ribbon roses for March Crown—the would like to see minimal documentation on your general consensus is that they were a great hit. piece—something on how it was made is always And as spring is here, so is the season for welcome as well. recruitment. I believe that some of us are planning Representations of the Chivalric Virtues, in any on participating in Three Baron’s Faire this year— mode: I’m looking for pieces that display one of the where potential members from all over gather—I Nine Chivalric Virtues, as shown by the Nine would like to see us take the opportunity to attempt Worthies—in keeping with this year's theme. The to snare some future artisans, as well as fighters. So virtues are as follows; courage, generosity, prowess, next time you are doing one of your crafts and truth, purity, loyalty, humility, justice, and faith. someone stops to look, take a moment, and ask if Suggestions are an Illumination, subtlety—let your they are interested in what you’re doing. imagination work on this one. Before I get to more interesting things below, I Other upcoming competitions in Oertha are; would like to reiterate that I am still working on gathering information for my teacher database—so Coronet: Best travel container; Celtic/Norse please send me the data that I have been asking for, knotwork, in any mode; Viking stitches in any mode. that I might expand upon the resources available to Eskalyan Baronial Changeover: Swans, in any mode; our members. Best display of Eskalyan colors; and two display tables. Additional details may be found in their Also; Fighters—my challenge to enter into an A&S respective event copies—if you have accidentally competition or display still stands. I hope that you deleted them, I do have copies. I hope that I see will take me up on this, and remember that any day many entries from the talented hands of our Barony you learn something, is not wasted…. at these (and more) events! I am in need of teachers for the Pas d’Armes this I would like to see our Barony become more active in month, I have one slot filled, but there is still one the fine arts as well. To this end I am trying to get… other. There will be a table (or two, if needed) set aside as an A&S display—so please bring your recent CONTINUED ON PAGE 4 projects, completed or not, to show off. May 2012 The DragonTale Page 3 FROM THE MOAS ; CONTINUED FROM PAGE 3 CALENDAR monthly/bi-monthly dance practices going, as well as OF EVENTS regularly scheduled bardics.
Recommended publications
  • Love's Labour's Lost
    CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo.
    [Show full text]
  • Love's Labour's Lost
    Love’s Labour’s Lost by William Shakespeare Know-the-Show Audience Guide researched and written by the Education Department of The Shakespeare Theatre of New Jersey Artwork: Scott McKowen The Shakespeare Theatre of New Jersey LOVE’S LABOUR’S LOST: Know-the-Show In This Guide – LOVE’S LABOUR’S LOST: An Introduction ............................................................................... 2 – The Life of William Shakespeare ............................................................................................... 3 – LOVE’S LABOUR’S LOST: A Synopsis ....................................................................................... 4 – Sources of the Play ................................................................................................................... 5 – Who’s Who in the Play ............................................................................................................. 6 – Changing Views of LOVE’S LABOUR’S LOST ............................................................................ 7 – The Language of LOVE’S LABOUR’S LOST ............................................................................... 8 – Food for Thought....................................................................................................................... 9 – Commentary & Criticism ........................................................................................................ 10 – In this Production ..................................................................................................................
    [Show full text]
  • A Study of the British Library Manuscripts of the Roman De Troie by Benoit De Sainte-Maure: Redaction, Decoration, and Reception
    A Study of the British Library Manuscripts of the Roman de Troie by Benoit de Sainte-Maure: Redaction, Decoration, and Reception Sian Prosser Doctor of Philosophy University of Sheffield Department of French January 2010 IMAGING SERVICES NORTH Boston Spa/ Wetherby West Yorkshire/ LS23 7BQ www.bl.uk THIS THESIS CONTAINS A CD IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk PAGE NUMBERING AS ORIGINAL Summary Recent studies of the Roman de Troie have highlighted the need for more research on the extant manuscripts, because of the unreliable nature of the critical edition and the importance of the text to scholars of twelfth -century literature. This study seeks to contribute to knowledge of one of the most popular versions of the Troy legend in medieval France by describing and analysing two little-known manuscripts of the text. London, British Library, Additional 30863 (L2) presents an abridged version of the poem that provides insights into the reception of the poem in the early thirteenth century. London, British Library, Harley 4482 (L 1) contains a series of decorated initials which exhibit a higher than suspected level of engagement with the text on the part of the manuscript's makers. Part I of the thesis concentrates on L2, beginning in chapter 1 with a codicological and palaeographical description, and a discussion of its likely provenance. Chapter 2 develops the codicological analysis, looking at specific evidence of scribal editing and comparing the manuscript with its closest relative to see which abridgments are unique to L2. It concludes with case studies that illustrate the scribe's abridgement techniques via the presentation of the principal female characters.
    [Show full text]
  • The Comedies on Film1
    The Comedies on Film1 MICHAEL HATTAWAY Compared with screen versions of the tragedies and histories, there have been few distinguished films based on the comedies. Max Reinhardt’s A Midsummer Night’s Dream (1935) may be the only film in this genre to be acclaimed for its pioneering cinematography,2 and Franco Zeffirelli’s The Taming of the Shrew (1967), Kenneth Branagh’s Much Ado About Nothing (1993) 3, and Michael Radford’s The Merchant of Venice (2004) are the only three to have achieved popular (if not necessarily critical) success: the first for its use of actors (Richard Burton and Elizabeth Taylor) who were the co-supremes of their age, the second for cameo performances by photogenic stars, high spirits, and picturesque settings,4 and the third for fine cinematography and superb performances from Jeremy Irons and Al Pacino. Shakespeare’s comedies create relationships with their theatre audiences for which very few directors have managed to find cinematic equivalents, and it is not surprising that some of the comedies (The Comedy of Errors, The Merry Wives of Windsor, and The Two Gentlemen of Verona) have not been filmed in sound and in English for the cinema (although a couple have been the basis of adaptations). The problem plays or ‘dark comedies’ been have not been filmed for the cinema: presumably their sexual politics and toughness of analysis have never been thought likely to appeal to mass audiences, while The Taming of the Shrew, open as it is to both the idealisation and subjugation of women, has received a lot of attention, including versions from D.W.
    [Show full text]
  • Download Worthies & Ternionen, 2Nd Revised, Pdf, 530 KB
    The Nine Worthies and other Ternionen A survey of the literature and iconography by Steen Clemmensen 2nd Revised Edition Personalized virtues 2 Variations in iconography 3 Representations of the Nine Worthies and other Ternionen 4 References 7 Variations of arms ascribed to the Ternionen 10 Ordinary of arms 36 © 2017 Steen Clemmensen, Farum, Denmark, www.armorial.dk 1 Personalized virtues The imagery of the Ternionen or three best of each is one of several forms of presentation of knightly virtues and the bases of society. In this case based on the magical number three, as found in arts (The three Graces), constitutions (parliament, executive, judicial), behaviour (faith, hope, and charity), and life (youth, middle age, old age) &c. Though coats-of-arms were assigned to imaginary heroes from the early 13th century (Charlemagne), the first known occurrence of the triad: pagan law – jewish law – christian law, was the French poem Voeux du paon or Vows of the peacock from 1312 by Jean de Longuyon. Law is here including virtues and commendable social behaviour. Longuyon selected nine champions to represent the triads: Hector, Alexander, and Caesar for the pagans; David, Joshua and Judas Maccabeus for the jews; and Charlemagne, Arthur of Britain, and Godfrey of Bouillon for the christians. This theme of the Nine Worthies / Neuf Preux / Neun Helden / Nove Prodi rapidly became a common and enduring theme in Western Europe, being repeated in artworks and literature through England, France, Germany, Spain and Italy. From time to time the worthies were in competition as well as union with other real or fabulous groupings: e.g.
    [Show full text]
  • A HISTORY of the PAINTED CEILING of Balquhidder
    A HISTORY OF THE PAINTED CEILING of Balquhidder The Renaissance that swept through Europe changed everything that it touched. Effecting everything from social mores to art, architecture, literature and a rather extravagant lifestyle, especially for the nobility and gentry. As the power of the Catholic Church began to wane, a new artistic freedom was unleashed. Music, art, fashion, all fell under the spell of the wild doings at the King’s Court of France. Under the reign of King James the VI, the Scottish Renaissance reached its zenith. The arts especially took on a joyous glow of freedom from the Church. Castles and manors were rebuilt or re-dressed to suit the style of the day. One of the most striking examples of this new view of art was the painted ceiling. From manors to great halls, the marvelous painted ceilings of Scotland showed off in indulgent detail the most popular designs of the time. The Scottish painted ceiling is, in a way, also the story of the fantastic change, the very attitude of the upper classes to reach the very top level of display. From Court costumes to the castellated style of buildings, done more for show than defense, this was just a taste of the intricate interior decoration. The Renaissance was not all fun and games however. The lords and ladies walked a fine ecclesiastical tight rope. Outwardly supporting the just birthing concepts of Protestant theology, while inwardly holding on to the generational life based in catholic teachings, these centuries old beliefs would not surrender easily. The Painted Ceiling followed the newest trends from Paris using images of parables, fables, bestiaries and scenes from the Bible-copied from Flemish pattern books.
    [Show full text]
  • William Shakespeare. Love's Labour's Lost
    1 William Shakespeare. Love’s Labour’s Lost Bibliographie établie par Sophie Chiari * Une étoile signale un article ou un ouvrage particulièrement utile dans le cadre de la préparation au concours. ** Deux étoiles indiquent les textes à consulter en priorité. I. Bibliographie HARVEY, Nancy Lenz et Anna Kirwan Carey, Love’s Labor’s Lost : An Annotated Bibliography New York, Garland, 1984. II. Éditions (19 e et 20 e siècles) Note : l’in-quarto de la pièce (1598) est consultable sur le site de la British Library, http://www.bl.uk/treasures/shakespeare/labours.html • En anglais ——. A New Variorum Edition of Love’s Labour’s Lost (1904), Réimprimée par Dover Publications, New York, 1964. ——. Love’s Labour’s Lost , ed. H.C. Hart, Londres, The Arden Shakespeare, 1 st Series, 1906. ——. Love’s Labour’s Lost , eds. Arthur Quiller-Couch et John Dover Wilson, Cambridge, Cambridge University Press, The New Shakespeare, 1923 (2 e édition de Dover Wilson seul, 1962). ——. Love’s Labour’s Lost , ed. Richard David, Londres, Methuen & Co Ltd, 1951. ——. Love’s Labour’s Lost , ed. Alfred Harbage, Londres, Penguin, The Pelican Shakespeare, 1963 (édition révisée, 1973). ——. Love’s Labour’s Lost , ed. John Arthos, New York, Signet, Signet Classic Shakespeare, 1965 (édition révisée, 1988; 2e édition révisée, 2004). **—. Love’s Labour’s Lost , ed. John Kerrigan, Harmondsworth, Penguin Books, The New Penguin, (1982), 1986. ——— in The Complete Works , eds. Stanley Wells et Gary Taylor, Oxford, Clarendon Press, (1986), 2005. **——. Love’s Labour’s Lost , ed. G. R. Hibbard, Oxford, Oxford University Press, 1990. ——. Love’s Labour’s Lost , eds.
    [Show full text]
  • 379 '4/1 A'o, 7/Yv
    379 '4/1 A'O, 7/YV THE CONFIDENT AMAZON: WARRIOR-WOMEN IN THE COLLECTED WORKS OF CHRISTINE DE PIZAN THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Nona Faye Appel, B.F.A. Denton, Texas August, 1995 Appel, Nona Faye, The Confident Amazon: Warrior-Women in the Collected Works of Christine de Pizan. Master of Arts (Art History), August, 1995. 115 pp., 23 illus- trations, references, 52 titles. The purpose of this thesis is to analyze and discuss the relationship between the images and texts concerning Amazons and warrior-women in the collected works of Christine de Pizan (London, BL, Harley MS 4431). It evaluates Christine's interpretation of the ancient story in light of her career as an author and publisher, and it compares her imagery to other representations of Amazons and warrior-women. This study indicates that Christine reworked the myth in a way that reflects her positive view of women and her desire to influence the queen of France, Isabeau de Baviere, who was the original owner of the manuscript. ACKNOWLEDGEMENT TO THE THREE LADIES Christine, Charity, and Sandra iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS..........................................iii LIST OF ILLUSTRATIONS......................................vi Chapter 1. AMAZONS: THEIR MISOGYNIST BEGINNINGS...............1 Introduction.................................... 1 Statement of the Problem.........................5 Methodology..................................... 6 Review of the Literature.........................6 2. CHRISTINE DE PIZAN'S LITERARY CAREER...............11 A Summary of Christine's Life and Works....................................11 Christine's Patronage...........................20 Christine's Manuscript Workshop Career.......................................23 The Manuscript of Christine's Collected Works..............................25 3.
    [Show full text]
  • Troy Myth and Reality
    Part 1 Large print exhibition text Troy myth and reality Please do not remove from the exhibition This two-part guide provides all the exhibition text in large print. There are further resources available for blind and partially sighted people: Audio described tours for blind and partially sighted visitors, led by the exhibition curator and a trained audio describer will explore highlight objects from the exhibition. Tours are accompanied by a handling session. Booking is essential (£7.50 members and access companions go free) please contact: Email: [email protected] Telephone: 020 7323 8971 Thursday 12 December 2019 14.00–17.00 and Saturday 11 January 2020 14.00–17.00 1 There is also an object handling desk at the exhibition entrance that is open daily from 11.00 to 16.00. For any queries about access at the British Museum please email [email protected] 2 Sponsor’sThe Trojan statement War For more than a century BP has been providing energy to advance human progress. Today we are delighted to help you learn more about the city of Troy through extraordinary artefacts and works of art, inspired by the stories of the Trojan War. Explore the myth, archaeology and legacy of this legendary city. BP believes that access to arts and culture helps to build a more inspired and creative society. That’s why, through 23 years of partnership with the British Museum, we’ve helped nearly five million people gain a deeper understanding of world cultures with BP exhibitions, displays and performances. Our support for the arts forms part of our wider contribution to UK society and we hope you enjoy this exhibition.
    [Show full text]
  • English Exam
    Part One. Parts of the Sentence. Identify the function of the underlined portion in sentences 1-26. 1. Enthusiasm and a willingness to work with a dedicated effort are two important qualities of a successful student at Scranton Preparatory School. A. object of the preposition B. subject C. predicate nominative D. direct object 2. Mrs. Thurston, one of Scranton Prep’s knowledgeable World Cultures teachers, is always exploring new and challenging research projects for her freshman students. Excited with their interesting projects during the year, Mrs. Thurston’s freshmen strive to complete these assignments with great determination to perform well. A. past participial phrase B. adverbial phrase C. gerund phrase D. adverbial clause 3. For her freshman second-quarter PowerPoint project, Mrs. Thurston decided that a study of the Nine Worthies would benefit her students by expanding their knowledge of key figures whom many scholars credit with establishing the foundations of western culture. A. infinitive phrase B. noun phrase C. gerund phrase D. adverbial phrase 4. Introducing this topic to her fourth-period class, Mrs. Thurston began, “The Nine Worthies are nine figures from religion, legend, and history who have emerged as archetypes or original models of chivalry and virtue. As a result, this project will link outstanding heroes from Greek, Roman, Jewish, and European history, religion, and legend.” A. adverbial clause B. present participial phrase C. noun clause D. gerund phrase 5. Chuck McMaster, a history enthusiast, raised his hand and said, “Mrs. Thurston, I have read that these men are from the military or priestly class and are extraordinarily famous for their nobility as leaders.” A.
    [Show full text]
  • Syncretic Memory in Richard Johnson's
    Actes des congrès de la Société française Shakespeare 30 | 2013 Shakespeare et la mémoire “Hys worthy deedes might be eternized in the Bookes of memorie”: Syncretic Memory in Richard Johnson’s Chivalric Romances and Shakespeare’s 2 Henry VI Christophe Hausermann Christophe Hausermann (ed.) Electronic version URL: http://journals.openedition.org/shakespeare/1923 DOI: 10.4000/shakespeare.1923 ISSN: 2271-6424 Publisher Société Française Shakespeare Printed version Date of publication: 1 April 2013 Number of pages: 73-86 ISBN: 2-9521475-9-0 Electronic reference Christophe Hausermann, « “Hys worthy deedes might be eternized in the Bookes of memorie”: Syncretic Memory in Richard Johnson’s Chivalric Romances and Shakespeare’s 2 Henry VI », Actes des congrès de la Société française Shakespeare [Online], 30 | 2013, Online since 03 April 2013, connection on 06 May 2019. URL : http://journals.openedition.org/shakespeare/1923 ; DOI : 10.4000/ shakespeare.1923 © SFS Shakespeare et la mémoire actes du Congrès organisé par la SOCIÉTÉ FRANÇAISE SHAKESPEARE les 22, 23 et 24 mars 2012 textes réunis par Christophe H AUSERMANN sous la direction de Dominique G OY-B LANQUET COUVERTURE d‟après l‟affiche de Claire Colombet conception graphique et logo Pierre Kapitaniak mise en page et corrections Christophe Hausermann © 2012 Société Française Shakespeare Institut du Monde Anglophone Université de Paris III – Sorbonne Nouvelle 5 rue de l‟École de Médecine 75006 Paris www.societefrancaiseshakespeare.org Tous droits de traduction, de reproduction et d‟adaptation réservés pour tous les pays “HYS WORTHY DEEDES MIGHT BE ETERNIZED IN THE BOOKES OF MEMORIE”: SYNCRETIC MEMORY IN RICHARD JOHNSON’S CHIVALRIC ROMANCES AND SHAKESPEARE’S 2 HENRY VI Christophe Hausermann Shakespeare’s 2 Henry VI (1590) and Richard Johnson’s The Nine Worthies of London (1592) and The Seven Champions of Christendom (1596) are literary works focusing on famous historical figures, patron saints and heroic citizens.
    [Show full text]
  • Download PDF Version
    Published on Great Writers Inspire (http://writersinspire.org) Home > Arthurian Afterlives Arthurian Afterlives While Caxton promotes the text as a piece of enjoyable literature that will instruct its readers in the correct way to behave as gentlemen if they 'do after the good and leave the evil', by the sixteenth-century it became seen as an actively bad influence on its readers. Courtier and schoolteacher Roger Ascham rails against the corrupting influence of Malory's text in The Scholemaster, begun in 1563 but published after his death in 1570: In oure forefathers tyme, whan Papistrie, as a standying poole, couered and ouerflowed all England, fewe books were read in our tong, sauyng certaine bookes of Cheualrie, as they sayd, for pastime and pleasure, which, as some say, were made in Monasteries, by idle Monkes, or wanton Chanons: as one for example, Morte Arthure: the whole pleasure of which booke standeth in two speciall poyntes, in open mans slaughter, and bold bawdrye (In our forefathers' time, when Catholicism covered and overflowed over all England like a stagnant pool, few books were read in our language except for certain books of chivalry which were read for pastime and pleasure. These, as some say, were made in monasteries by idle monks or wanton canons: for example, Morte Darthur, the whole pleasure of which book lies in two points: in open manslaughter, and in bold bawdiness.) Ascham also stresses that while Malory may provide 'good stuffe, for wise men to laughe at' ('good stuff for wise men to laugh at'), it is utterly inappropriate for children: 'What toyes, the dayly readyng of such a booke, may worke in the will of a yong ientleman, or a yong mayde..
    [Show full text]