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International Art Exhibitions 2019.02 International 02 Art Exhibitions 2019 International 01.02.2019 > 02.06.2019 Art Exhibitions 2019 Opposite page English Painting of the Frederick Sandys Vivien Victorian Period 1837-1901 1863, Oil on canvas 64 x 52.5 cm 1 From Turner to Whistler © Manchester Art Gallery / Bridgeman Images Fondation de l’Hermitage Fondation This exhibition comprises a selection of 1 nearly 60 works, most of which are on Joseph Mallord William show for the first time in Switzerland. Turner The paintings illustrate the diversity Landscape with Water and fascinating originality of 19th 1840-45, Oil on canvas century English art. The great upheavals 121.9 x 182.2 cm of the Industrial Revolution are © Tate, London 2019 reflected in striking genre scenes 2 depicting different facets of modern life George William Joy in the Golden Age of the British Empire, The Bayswater Omnibus from the expansion of cities and public 1895, Oil on canvas transport to the emergence of the 120.6 x 172.5 cm middle classes and homeworking. © George William Joy / Other artists choose to focus on land- Museum of London scape painting or portray their ideals of 3 beauty in subjects taken from history Alfred Edward Emslie and literature. 2 Bending Sail after a Gale 1881, Oil on canvas The exhibition foregrounds three These included John Everett Millais Antiquity was also central to the work 68 x 102 cm generations of painters active in the (1829-1896), Dante Gabriel Rossetti of Lawrence Alma-Tadema (1836-1912), Private collection Victorian era, starting with J M W Turner (1828-1882) and William Holman Hunt who achieved immense success in his 4 (1775-1851), one of the most celebrated (1827-1910). In the 1860s a second own lifetime with his precisely detailed James Abbott McNeill British landscape artists of his day, generation of artists headed by Edward style. The exhibition culminates in a Whistler Lausanne whose magisterial oeuvre was a fore- Burne-Jones (1833-1898), and usually presentation of two singular figures of Red and Black : The Fan runner of Impressionism. The focus then known as the Aesthetic Movement, the Victorian period, James Abbott 1891-94, Oil on canvas shifts to the Pre-Raphaelite Brother- drew on a wide range of sources, from McNeill Whistler (1834-1903) and John 187.4 x 89.8 cm hood, founded in 1848 by students at mediaeval legends to literature, poetry, Singer Sargent (1856-1925), both cosmo- © The Hunterian, the Royal Academy in London. British theatre and Antiquity. politan artists of American origin. University of Glasgow 2019 The loan of a very fine set of Victorian photogravures from the Fondation William Cuendet & Atelier de Saint- Prex has enabled us to enhance the exhibition with a selection of works by the most important British photo- graphers of the 19th century, including Thomas Annan, Julia Margaret Cameron, Peter Henry Emerson, Francis Frith, David Octavius Hill, Robert Adamson, Robert Howlett, Henry Peach Robinson and William Henry Fox Talbot. To complete this section we present a portfolio of portraits of Jane Morris, one 3 of the Pre-Raphaelite muses. 4 www.fondation-hermitage.ch International 02.02.2019 > 16.03.2019 Art Exhibitions 2019 Opposite page Convento de Santo All works Domingo Oaxaca IV © Candida Höfer, Köln Candida Höfer 2015, C-print VG Bild-Kunst, Bonn Paper 226.3 x 180 cm Courtesy: Sean Kelly, New York 1 In Mexico Framed 230.3 x 184 cm Sean Kelly GallerySean Kelly Internationally recognized for her meticulously composed, large-scale colour images of architectural interiors, Höfer traveled to Mexico in 2015 to make this body of work as part of the cultural exchange program ‘Mexico- Germany Dual Year’, which brought different cultural, scientific, musical and educational projects to Mexican audiences in 2016-17. Over the course of a four-decade career, Höfer who was born in Eberswalde, Germany in 1944, has produced a photographic oeuvre that explores the psychological impact of architecture by focusing attention on the contrast between its intended and actual uses. Her archetypal images New York capture the interiors of grand spaces including libraries, theatres, churches and museums – spaces of public congre- gation that in her photographs are rendered devoid of people. 2 I realized that what people do in 1 those places – and what the spaces Hospicio Cabañas do to them – is more obvious when Guadalajara III nobody is present, just as an absent 2015, C-print guest can often become the topic of Paper 180 x 245 cm conversation. Framed 184 x 249 cm Candida Höfer 2 Teatro Degollado For her first project in Mexico, Höfer Guadalajara I traveled throughout the country photo- 2015, C-print graphing a diverse group of buildings Paper 180 x 286.9 cm that range from the Baroque extrava- Framed 184 x 290.9 cm gance of the Museuo Nacional del 3 Virreinato to the Neoclassical order Hospicio Cabañas of Palacio de Bellas Artes Ciudad de Capilla Tolsá from México, with its Art Nouveau and Art Daniel Buren work in Deco interiors. Capturing over 600 years situ Guadalajara I of architectural history, Höfer’s photo- 2015, C-print graphs capture not only the physical Paper 180 x 223.2 cm details of these interiors but also the Framed 184 x 227.2 cm 3 spirit and essence of each space. www.skny.com International 03.02.2019 > 26.05.2019 Art Exhibitions 2019 The Young Picasso Blue & Rose Period Fondation Beyeler Beyeler Fondation This exhibition, the most ambitious ever staged by the Fondation Beyeler, is devoted to the paintings and sculptures of the young Pablo Picasso from the so-called Blue & Rose periods (1901-06). For the first time in Europe, the master- pieces of these crucial years, each one a milestone on Picasso’s path to pre- eminence as the 20th century’s most famous artist, are presented together to a standard that is unparalleled. Picasso’s pictures from this phase are some of the finest and most emotion- ally compelling examples of modern painting, and are counted among the most valuable and sought-after works Basel in the entire history of art. 6 3 Woman in Shirt (Madeleine) 1904-05, Oil on canvas 72.7 x 60 cm Tate, London 4 Acrobat & Jeune Harlequin 1905, Gouache on cardboard 105 x 76 cm Private collection 5 Woman with the Fan 1905, Oil on canvas 100.3 x 81 cm 3 4 National Gallery of Art, Washington 1 2 At the age of just 20, the rising genius that can be considered central to his 6 Mallorca Island Woman Family of Acrobats with embarked on a quest for new themes entire oeuvre, paving the way for the Nude on Red Background 1905, Tempera, watercolour Monkey and forms of expression, which he epochal emergence of Cubism, which c1906, Oil on canvas and gouache on cardboard 1905, Gouache, watercolour immediately refined to a pitch of perfec- developed from Picasso’s previous work, 81 x 54 cm 67 x 51 cm and ink on cardboard tion. One artistic revolution followed in 1907. Here, the show converges with Musée de l’Orangerie, Paris 104 x 75 cm another, in a rapid succession of chang- the museum’s permanent collection, Göteborg Konstmuseum ing styles. The focus of the show is on whose earliest picture by Picasso is a All works the Blue & Rose periods, and thus on the study, dating from this pivotal year, for © Succession Picasso/ 5 six years in the life of the young Picasso the Demoiselles d’Avignon. ProLitteris, Zürich 2018 www.fondationbeyeler.ch International 07.02.2019 > 05.05.2019 Art Exhibitions 2019 1 Viewfinder Emily Mae Smith 2015, Oil on linen Collection of Laura Belgray 3 Matrix 181 & Steven Eckler Wadsworth Atheneum Museum of Art Atheneum Wadsworth Matrix is the Wadsworth Atheneum’s groundbreaking contemporary exhibition series which embrace experimental art, performance art, and explore new developments in painting. In looking at contemporary painting the Wadsworth found a unique vision in the work of Emily Mae Smith. For her ‘Matrix’ project, Smith engages with a masterpiece from the Wadsworth’s permanent collection: William Holman Hunt’s ‘The Lady of Shalott’ (c1888-1905). Emily Mae Smith was chosen by Artsy as one of twenty female artists pushing 6 figurative painting forward. 2 Still Life 2015, Oil on linen Private collection 3 Brooms with a View 2019, Oil on linen 4 Unruly Thread 2019, Oil on linen 5 The Drawing Room 2018, Oil on linen Private collection Photo by Dario Lasagni 1 | 2 4 5 Photos of images 1-4 by Charles Benton With a nod to distinct painting move- seven paintings, dated 2015 to 2018, that Smith’s signs and symbols begins with All images © Emily Mae Smith Hartford ments from the history of art, such as relate to ‘The Lady of Shalott’, and has her avatar, inspired by the broomstick Courtesy of the artist and Symbolism,Surrealism, and Pop art, created three new paintings, dated 2019, figure from Disney’s Fantasia (1940). Simone Subal Gallery, New York Smith creates lively compositions that directly inspired by Hunt’s masterwork. Simultaneously referring to a painter’s 6 offer sly social and political commentary. In ‘The Lady of Shalott’ Smith finds a brush, a domestic tool associated with William Holman Hunt Teeming with symbols, Holman Hunt’s familiar image, she’s had a postcard of women’s work, and the phallus, the The Lady of Shalott ‘The Lady of Shalott’ (6) is the catalyst for the painting since she was a teenager. figure transforms across Smith’s body c1888-1905, Oil on canvas this project, in which Smith provides a It became the perfect source to address of work.
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