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Exhibition Checklist CHECKLIST EXHIBITION EXHIBITION CHECKLIST CHECKLIST This list of works for the exhibition Chaos and Classicism: Art in France, Italy, and Germany, Felice Casorati (1883–1963) André Derain (1880–1954) 1918–1936 represents those included in the presentation at the Solomon R. Guggenheim Hospital (Ospedale), 1927 Alice Derain, undated Oil on panel, 50 x 48.5 cm Cut and engraved metal, 25 x 24.2 x 3.1 cm Museum, New York, October 1, 2010–January 9, 2011. Galleria nazionale d’arte moderna e contemporanea, Rome Musée national d’art moderne, Centre Georges Pompidou, Paris, Bequest of Alice Derain, 1982 Cactus, 1928 Plaster, 91 x 78 x 42 cm (Presumed Portrait of Alice Derain) ([Portrait présumé d’Alice Private collection, Turin Derain]), 1918–19 Cut and engraved metal, 26.5 x 21 x 6 cm Amleto Cataldi (1882–1930) Musée national d’art moderne, Centre Georges Pompidou, Paris, Galatea, ca. 1925 Bequest of Alice Derain, 1982 Bronze, 168 x 47 cm diameter Tullio d’Albisola (1899–1971) Piero Bottoni (1903–1973) Galleria comunale d’arte moderna, Rome Harlequin and Pierrot (Arlequin et Pierrot), 1924 Mural study The Fascist Forces (Le forze fasciste) for the Three chairs for Casa Minerbi, Milan, 1930 Oil on canvas, 175 x 175 cm Architecture Pavilion, Milan Triennale (1936), ca. 1935 Wood, 60 x 44 x 40.5 cm, 84 x 42 x 48 cm, and 70.5 x 44 x 46 cm Giorgio de Chirico (1888–1978) Musée de l’Orangerie, Paris Manufactured by Fabbrica Casa Museo Giuseppe Mazzotti, Collezione Minerbi, Milan The Eventuality of Destiny (Monumental Figures) (Nus antiques), 1927 Albisola (Savona), Italy Oil on canvas, 146 x 114.3 cm Fridel Dethleffs-Edelmann (1899–1982) Glazed earthenware, 46.1 x 88.9 x 3.8 cm Georges Braque (1882–1963) The Art Institute of Chicago, Gift of Mrs. Frederic Clay Bartlett Self-Portrait Wearing an Artist’s Smock (Selbstbildnis in der The Wolfsonian, Florida International University, Miami Beach, Canephorae or Caryatid (Canéphore), 1922 Malkutte), 1932 The Mitchell Wolfson, Jr. Collection Oil on canvas, 180.5 x 73 cm Gladiators at Rest (Gladiateurs au repos), 1928–29 Oil on canvas, 74 x 55 cm Musée national d’art moderne, Centre Georges Pompidou, Oil on canvas, 157 x 198 cm Bayerische Staatsgemäldesammlungen, Sammlung Moderner Yves Alix (1890–1969) Paris, Bequest of Baroness Eva Gourgaud, 1965 Collection Gian Enzo Sperone, Switzerland Kunst in der Pinakothek der Moderne, Munich The Harvest Master (Le maître de moisson), 1921 Commissioned by Léonce Rosenberg Oil on canvas, 200 x 162 cm Canephorae or Caryatid (Canéphore), 1922 Otto Dix (1891–1969) Musée national d’art moderne, Centre Georges Pompidou, Paris, Oil on canvas, 180.5 x 73.5 cm Ballet costume for Nicolas Efimov as a male guest in George The War (Der Krieg), 1924 Gift of the artist, 1949 Musée national d’art moderne, Centre Georges Pompidou, Balanchine’s Le bal (1929), 1929 Portfolio of fifty prints Paris, Bequest of Baroness Eva Gourgaud, 1965 Three-piece wool suit Published by Karl Nierendorf, Berlin, printed by Otto Felsing, Balthus (1908–2001) Wadsworth Atheneum Museum of Art, Hartford, Connecticut, Berlin, edition of 70 The Street (La rue), 1933 Leo Breuer (1893–1975) Purchased through the gift of James Junius Goodwin, and the The Museum of Modern Art, New York, Oil on canvas, 195 x 240 cm The Coal Man (Der Kohlenmann), 1931 Special Gift Account Gift of Abby Aldrich Rockefeller, 1934 The Museum of Modern Art, New York, Oil on panel, 150.5 x 86 cm James Thrall Soby Bequest, 1979 LVR LandesMuseum Bonn, Rheinisches Landesmuseum für Jean Cocteau (1889–1963) Selection of fifteen prints, in order of original appearance: Archäologie, Kunst- und Kulturgeschichte, Germany The Blood of a Poet (Le sang d’un poète), 1930 Willi Baumeister (1889–1955) Excerpt Wounded Man (Autumn 1916, Bapaume) (Verwundeter Rope-jumper (Seilspringerin), ca. 1928 Massimo Campigli (1895–1971) 35 mm black-and-white film, with sound, 50 min. [Herbst 1916, Bapaume] ) Oil on canvas, 110.5 x 80 cm The Dressing Table (La toletta), 1924 Courtesy Comité Jean Cocteau and STUDIOCANAL Etching and aquatint, plate: 19.7 x 29 cm, Staatsgalerie Stuttgart, Germany Oil on canvas, 129.5 x 81 cm sheet: 35 x 47.4 cm Kröller-Müller Museum, Otterlo, Netherlands Le Corbusier (Charles-Edouard Jeanneret) (1887–1965) Still Life with Head (Stilleben mit Kopf ), 1930 Villa Stein-de Monzie, Garches, France, 1926–27 Shock Troops Advance Under Gas Oil on canvas, 66 x 81.9 cm The Constructors (I costruttori), 1928 Site model, painted basswood and birch plywood, scale 1:50 (Sturmtruppe geht unter Gas vor) Saint Louis Art Museum, Missouri, Bequest of Morton D. May Oil on canvas, 162 x 114 cm Manufactured by Thomas Gardner, Daniel Osborne, Nicholas Etching, aquatint, and drypoint, plate: 19.3 x 28.8 cm, MART Museo di arte moderna e contemporanea Waldman, and Aaron Peterman sheet: 34.8 x 47.3 cm Rudolf Belling (1886–1972) di Trento e Rovereto, Italy, Fondazione VAF Head in Brass (Kopf in Messing), 1925 Eyeglasses belonging to Le Corbusier (Charles-Edouard Mealtime in the Trench (Loretto Heights) Brass, 38.7 x 22.4 x 22.1 cm Anne Carlu (1895–1972) Jeanneret) (1887–1965) (Mahlzeit in der Sappe [Lorettohöhe] ) Walker Art Center, Minneapolis, Gift of the Diana the Huntress (Diane chasseresse), 1927 Manufactured by Leroy Opticien, Paris Etching and aquatint, plate: 19.7 x 28.8 cm, T. B. Walker Foundation, 1957 Oil on reinforced paper on panel, 158 x 235 cm Horn, 5 x 16 x 3 cm sheet: 35 x 47.3 cm Musée des années 30, Boulogne-Billancourt, France Fondation Le Corbusier, Paris Renato Bertelli (1900–1974) Corpse in Barbed Wire (Flanders) Continuous Profile of Mussolini (Profilo continuo del Duce), 1933 Carlo Carrà (1881–1966) Alfred Courmes (1898–1993) (Leiche im Drahtverhau [Flandern] ) Bronzed terracotta, 28.7 x 22.9 cm diameter The Daughters of Lot (Le figlie di Loth), 1919 Portrait of Peggy Guggenheim (Portrait de Peggy Guggenheim), Etching and aquatint, plate: 29.8 x 24.5 cm, The Wolfsonian, Florida International University, Miami Beach, Oil on canvas, 111 x 80 cm August 1926 sheet: 47.2 x 35 cm The Mitchell Wolfson, Jr. Collection MART Museo di arte moderna e contemporanea Oil on canvas, 100 x 65 cm di Trento e Rovereto, Italy, Fondazione VAF Musée franco-américaine du château de Blérancourt, France Dance of Death 1917 (Dead Man Heights) Julius Bissier (1893–1965) (Totentanz anno 17 [Höhe Toter Mann] ) Sculptor with Self-Portrait (Bildhauer mit Selbstbildnis), 1928 The Engineer’s Mistress (L’amante dell’ingegnere), 1921 Etching, aquatint, and drypoint, plate: 24.5 x 29.5 cm, Oil on canvas, 77 x 61 cm Oil on canvas, 55.1 x 39.9 cm sheet: 34.8 x 46.6 cm Museum für Neue Kunst, Städtische Museen Freiburg, Germany Gianni Mattioli Collection, On long-term loan to the Peggy Guggenheim Collection, Venice EXHIBITION CHECKLIST Nocturnal Encounter with a Lunatic Léon-Ernest Drivier (1878–1951) Barthel Gilles (1891–1977) Hannah Höch (1889–1978) (Nächtliche Begegnung mit einem Irrsinnigen) Bust of Madame X (Buste de Madame X ), ca. 1932 Ruhr Battle (Barricade) (Ruhrkampf [Barrikade]), 1929–30 Rome (Roma), 1925 Etching, aquatint, and drypoint, plate: 25.7 x 19.4 cm, Bronze, 90 x 54 x 35 cm Egg tempera on panel, 100.5 x 69.5 cm Oil on canvas, 90 x 106 cm sheet: 47.3 x 34.7 cm Musée national d’art moderne, Centre Georges Pompidou, Paris, Suermondt-Ludwig-Museum, Aachen, Germany, Purchased with a Berlinische Galerie, Berlin On long-term loan to the Musée des années 30, Boulogne-Billancourt, subsidy from the federal state of Nordrhein-Westfalen, 1984 Dying Soldier (Sterbender Soldat) France Heinrich Hoerle (1895–1936) Etching, aquatint, and drypoint, plate: 19.3 x 14.3 cm, Juan Gris (1887–1927) Greeting Virgin (Grüßende Jungfrau), 1928 sheet: 47.2 x 34.5 cm Jean Droit (1884–1961) Seated Harlequin (L’arlequin assis), 1920 Oil and sand on panel, 78 x 57 cm Paris Olympics poster, 1924 Oil on canvas, 100.3 x 71.1 cm LVR LandesMuseum Bonn, Rheinisches Landesmuseum für Seen on the Escarpment at Cléry-sur-Somme Linen-backed lithograph, 115.6 x 76.8 cm Los Angeles County Museum of Art, David E. Bright Bequest Archäologie, Kunst- und Kulturgeschichte, Germany (Gesehen am Steilhang von Cléry-sur-Somme) Collection of Jack Rennert, New York Etching, aquatint, and drypoint, plate: 25.7 x 19.5 cm, Marcel Gromaire (1892–1971) Masks (Masken), 1929 sheet: 47 x 34.7 cm Raoul Dufy (1877–1953) The Banks of the Marne (Les bords de la Marne), 1925 Oil on canvas, 68.5 x 95.5 cm The Five Swimmers vase, 1926 Oil on canvas, 130 x 97 cm Museum Ludwig, Cologne, Haubrich Donation, 1946 Found While Digging a Trench (Auberive) (Gefunden beim Earthenware, 27.8 x 18.8 cm diameter Musée d’art moderne de la Ville de Paris, Bequest of Grabendurchstich [Auberive] ) The Metropolitan Museum of Art, New York, Bequest of Dr. Maurice Girardin, 1953 Carl Hofer (1878–1955) Etching and aquatint, plate: 19 x 28.3 cm, James H. Stubblebine, 1987 Self-Portrait in the Studio (Selbstbildnis im Atelier), 1932 sheet: 35.2 x 46.6 cm War (La guerre), 1925 Oil on canvas, 101 x 80 cm Ernesto de Fiori (1884–1945) Oil on canvas, 130 x 96.5 cm Staatsgalerie Stuttgart, Germany Skull (Schädel) Great Walking Man (Großer Schreitender), 1921 Musée d’art moderne de la Ville de Paris, Bequest of Etching, plate: 25.5 x 19.6 cm, Bronze, 210 cm high Dr. Maurice Girardin, 1953 George Hoyningen-Huene (1900–1968) sheet: 46.4 x 34.8 cm Staatliche Museen zu Berlin, Nationalgalerie Toto Koopman, Fashion Augustabernard, 1934 Auguste Guénot (1882–1966) Gelatin silver print, 35.6 x 27.9 cm Shot to Pieces (Zerschossene) Youth (Jeunesse), 1933 Courtesy Staley-Wise Gallery, New York Peter Foerster (1887–1948) Etching, aquatint, and drypoint, plate: 14.6 x 19.7 cm, Bronze, 175.5 x 59 x 50 cm Still Life with Oranges (Orangenstilleben), ca.
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