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Home , Deux Nus, Erich Heckel, Frederic Clay Bartlett, Georg Kolbe, Georg Scholz, Hannah (horse)

EXHIBITION exhibition checklist CHECKLIST

This list of works for the exhibition Chaos and Classicism: Art in France, Italy, and , Felice Casorati (1883–1963) André Derain (1880–1954) 1918–1936 represents those included in the presentation at the Solomon R. Guggenheim Hospital (Ospedale), 1927 Alice Derain, undated Oil on panel, 50 x 48.5 cm Cut and engraved metal, 25 x 24.2 x 3.1 cm Museum, New York, October 1, 2010–January 9, 2011. Galleria nazionale d’arte moderna e contemporanea, Musée national d’art moderne, Centre Georges Pompidou, , Bequest of Alice Derain, 1982 Cactus, 1928 Plaster, 91 x 78 x 42 cm (Presumed Portrait of Alice Derain) ([Portrait présumé d’Alice Private collection, Derain]), 1918–19 Cut and engraved metal, 26.5 x 21 x 6 cm Amleto Cataldi (1882–1930) Musée national d’art moderne, Centre Georges Pompidou, Paris, , ca. 1925 Bequest of Alice Derain, 1982 , 168 x 47 cm diameter Tullio d’Albisola (1899–1971) Piero Bottoni (1903–1973) Galleria comunale d’arte moderna, Rome Harlequin and (Arlequin et Pierrot), 1924 Mural study The Fascist Forces (Le forze fasciste) for the Three chairs for Casa Minerbi, , 1930 Oil on canvas, 175 x 175 cm Architecture Pavilion, Milan Triennale (1936), ca. 1935 Wood, 60 x 44 x 40.5 cm, 84 x 42 x 48 cm, and 70.5 x 44 x 46 cm (1888–1978) Musée de l’Orangerie, Paris Manufactured by Fabbrica Casa Museo Giuseppe Mazzotti, Collezione Minerbi, Milan The Eventuality of (Monumental Figures) (Nus antiques), 1927 Albisola (Savona), Italy Oil on canvas, 146 x 114.3 cm Fridel Dethleffs-Edelmann (1899–1982) Glazed earthenware, 46.1 x 88.9 x 3.8 cm (1882–1963) The Art Institute of , Gift of Mrs. Frederic Clay Bartlett Self-Portrait Wearing an Artist’s Smock (Selbstbildnis in der The Wolfsonian, Florida International University, Miami Beach, Canephorae or Caryatid (Canéphore), 1922 Malkutte), 1932 The Mitchell Wolfson, Jr. Collection Oil on canvas, 180.5 x 73 cm Gladiators at Rest (Gladiateurs au repos), 1928–29 Oil on canvas, 74 x 55 cm Musée national d’art moderne, Centre Georges Pompidou, Oil on canvas, 157 x 198 cm Bayerische Staatsgemäldesammlungen, Sammlung Moderner Yves Alix (1890–1969) Paris, Bequest of Baroness Eva Gourgaud, 1965 Collection Gian Enzo Sperone, Kunst in der , The Harvest Master (Le maître de moisson), 1921 Commissioned by Léonce Rosenberg Oil on canvas, 200 x 162 cm Canephorae or Caryatid (Canéphore), 1922 (1891–1969) Musée national d’art moderne, Centre Georges Pompidou, Paris, Oil on canvas, 180.5 x 73.5 cm Ballet costume for Nicolas Efimov as a male guest in George (Der Krieg), 1924 Gift of the artist, 1949 Musée national d’art moderne, Centre Georges Pompidou, ’s Le bal (1929), 1929 Portfolio of fifty prints Paris, Bequest of Baroness Eva Gourgaud, 1965 Three-piece wool suit Published by Karl Nierendorf, , printed by Otto Felsing, (1908–2001) Wadsworth Atheneum Museum of Art, Hartford, Connecticut, Berlin, edition of 70 The Street (La rue), 1933 Leo Breuer (1893–1975) Purchased through the gift of James Junius Goodwin, and the The Museum of , New York, Oil on canvas, 195 x 240 cm The Coal Man (Der Kohlenmann), 1931 Special Gift Account Gift of Abby Aldrich Rockefeller, 1934 The , New York, Oil on panel, 150.5 x 86 cm James Thrall Soby Bequest, 1979 LVR LandesMuseum , Rheinisches Landesmuseum für Jean Cocteau (1889–1963) Selection of fifteen prints, in order of original appearance: Archäologie, Kunst- und Kulturgeschichte, Germany The Blood of a Poet (Le sang d’un poète), 1930 Willi Baumeister (1889–1955) Excerpt Wounded Man (Autumn 1916, Bapaume) (Verwundeter Rope-jumper (Seilspringerin), ca. 1928 (1895–1971) 35 mm black-and-white film, with sound, 50 min. [Herbst 1916, Bapaume] ) Oil on canvas, 110.5 x 80 cm The Dressing Table (La toletta), 1924 Courtesy Comité Jean Cocteau and STUDIOCANAL Etching and aquatint, plate: 19.7 x 29 cm, Staatsgalerie Stuttgart, Germany Oil on canvas, 129.5 x 81 cm sheet: 35 x 47.4 cm Kröller-Müller Museum, Otterlo, Le Corbusier (Charles-Edouard Jeanneret) (1887–1965) Still Life with (Stilleben mit Kopf ), 1930 Villa Stein-de Monzie, Garches, France, 1926–27 Shock Troops Advance Under Gas Oil on canvas, 66 x 81.9 cm The Constructors (I costruttori), 1928 Site model, painted basswood and birch plywood, scale 1:50 (Sturmtruppe geht unter Gas vor) Saint Louis Art Museum, Missouri, Bequest of Morton D. May Oil on canvas, 162 x 114 cm Manufactured by Thomas Gardner, Daniel Osborne, Nicholas Etching, aquatint, and drypoint, plate: 19.3 x 28.8 cm, MART Museo di arte moderna e contemporanea Waldman, and Aaron Peterman sheet: 34.8 x 47.3 cm Rudolf Belling (1886–1972) di Trento e Rovereto, Italy, Fondazione VAF Head in Brass (Kopf in Messing), 1925 Eyeglasses belonging to Le Corbusier (Charles-Edouard Mealtime in the Trench (Loretto Heights) Brass, 38.7 x 22.4 x 22.1 cm Anne Carlu (1895–1972) Jeanneret) (1887–1965) (Mahlzeit in der Sappe [Lorettohöhe] ) Walker Art Center, Minneapolis, Gift of the Diana the Huntress (Diane chasseresse), 1927 Manufactured by Leroy Opticien, Paris Etching and aquatint, plate: 19.7 x 28.8 cm, T. B. Walker Foundation, 1957 Oil on reinforced paper on panel, 158 x 235 cm Horn, 5 x 16 x 3 cm sheet: 35 x 47.3 cm Musée des années 30, Boulogne-Billancourt, France Fondation Le Corbusier, Paris Renato Bertelli (1900–1974) Corpse in Barbed Wire (Flanders) Continuous Profile of Mussolini (Profilo continuo del Duce), 1933 Carlo Carrà (1881–1966) Alfred Courmes (1898–1993) (Leiche im Drahtverhau [Flandern] ) Bronzed terracotta, 28.7 x 22.9 cm diameter The Daughters of Lot (Le figlie di Loth), 1919 Portrait of (Portrait de Peggy Guggenheim), Etching and aquatint, plate: 29.8 x 24.5 cm, The Wolfsonian, Florida International University, Miami Beach, Oil on canvas, 111 x 80 cm August 1926 sheet: 47.2 x 35 cm The Mitchell Wolfson, Jr. Collection MART Museo di arte moderna e contemporanea Oil on canvas, 100 x 65 cm di Trento e Rovereto, Italy, Fondazione VAF Musée franco-américaine du château de Blérancourt, France Dance of Death 1917 (Dead Man Heights) Julius Bissier (1893–1965) (Totentanz anno 17 [Höhe Toter Mann] ) Sculptor with Self-Portrait (Bildhauer mit Selbstbildnis), 1928 The Engineer’s Mistress (L’amante dell’ingegnere), 1921 Etching, aquatint, and drypoint, plate: 24.5 x 29.5 cm, Oil on canvas, 77 x 61 cm Oil on canvas, 55.1 x 39.9 cm sheet: 34.8 x 46.6 cm Museum für Neue Kunst, Städtische Museen Freiburg, Germany Gianni Mattioli Collection, On long-term loan to the Peggy Guggenheim Collection, Venice exhibition checklist

Nocturnal Encounter with a Lunatic Léon-Ernest Drivier (1878–1951) Barthel Gilles (1891–1977) Hannah Höch (1889–1978) (Nächtliche Begegnung mit einem Irrsinnigen) Bust of Madame X (Buste de Madame X ), ca. 1932 Ruhr Battle (Barricade) (Ruhrkampf [Barrikade]), 1929–30 Rome (Roma), 1925 Etching, aquatint, and drypoint, plate: 25.7 x 19.4 cm, Bronze, 90 x 54 x 35 cm Egg tempera on panel, 100.5 x 69.5 cm Oil on canvas, 90 x 106 cm sheet: 47.3 x 34.7 cm Musée national d’art moderne, Centre Georges Pompidou, Paris, Suermondt-Ludwig-Museum, Aachen, Germany, Purchased with a Berlinische Galerie, Berlin On long-term loan to the Musée des années 30, Boulogne-Billancourt, subsidy from the federal state of Nordrhein-Westfalen, 1984 Dying Soldier (Sterbender Soldat) France Heinrich Hoerle (1895–1936) Etching, aquatint, and drypoint, plate: 19.3 x 14.3 cm, (1887–1927) Greeting Virgin (Grüßende Jungfrau), 1928 sheet: 47.2 x 34.5 cm Jean Droit (1884–1961) Seated Harlequin (L’arlequin assis), 1920 Oil and sand on panel, 78 x 57 cm Paris Olympics poster, 1924 Oil on canvas, 100.3 x 71.1 cm LVR LandesMuseum Bonn, Rheinisches Landesmuseum für Seen on the Escarpment at Cléry-sur-Somme Linen-backed lithograph, 115.6 x 76.8 cm Los Angeles County Museum of Art, David E. Bright Bequest Archäologie, Kunst- und Kulturgeschichte, Germany (Gesehen am Steilhang von Cléry-sur-Somme) Collection of Jack Rennert, New York Etching, aquatint, and drypoint, plate: 25.7 x 19.5 cm, Marcel Gromaire (1892–1971) Masks (Masken), 1929 sheet: 47 x 34.7 cm (1877–1953) The Banks of the Marne (Les ), 1925 Oil on canvas, 68.5 x 95.5 cm The Five Swimmers vase, 1926 Oil on canvas, 130 x 97 cm , , Haubrich Donation, 1946 Found While Digging a Trench (Auberive) (Gefunden beim Earthenware, 27.8 x 18.8 cm diameter Musée d’art moderne de la Ville de Paris, Bequest of Grabendurchstich [Auberive] ) The Metropolitan Museum of Art, New York, Bequest of Dr. Maurice Girardin, 1953 Carl Hofer (1878–1955) Etching and aquatint, plate: 19 x 28.3 cm, James H. Stubblebine, 1987 Self-Portrait in the Studio (Selbstbildnis im Atelier), 1932 sheet: 35.2 x 46.6 cm War (La guerre), 1925 Oil on canvas, 101 x 80 cm Ernesto de Fiori (1884–1945) Oil on canvas, 130 x 96.5 cm Staatsgalerie Stuttgart, Germany Skull (Schädel) Great Walking Man (Großer Schreitender), 1921 Musée d’art moderne de la Ville de Paris, Bequest of Etching, plate: 25.5 x 19.6 cm, Bronze, 210 cm high Dr. Maurice Girardin, 1953 George Hoyningen-Huene (1900–1968) sheet: 46.4 x 34.8 cm Staatliche Museen zu Berlin, Nationalgalerie Toto Koopman, Fashion Augustabernard, 1934 Auguste Guénot (1882–1966) Gelatin silver print, 35.6 x 27.9 cm Shot to Pieces (Zerschossene) Youth (Jeunesse), 1933 Courtesy Staley-Wise Gallery, New York Peter Foerster (1887–1948) Etching, aquatint, and drypoint, plate: 14.6 x 19.7 cm, Bronze, 175.5 x 59 x 50 cm Still Life with Oranges (Orangenstilleben), ca. 1924 sheet: 35 x 46.8 cm Musée d’art moderne de la Ville de Paris Albert Janesch (1889–1973) Oil on panel, 54 x 65 cm Water Sports (Wassersport), 1936 Berlinische Galerie, Berlin House Destroyed by Aerial Bombs (Tournai) (1883–1970) Tempera on canvas, 153 x 208 cm (Durch Fliegerbomben zerstörtes Haus [Tournai] ) The Bedini-Taffani (Die Bedini-Taffani ), 1928 Deutsches Historisches Museum, Berlin Etching, aquatint, and drypoint, plate: 29.8 x 24.6 cm, (1890–1972) Oil on canvas on panel, 165.7 x 65.5 cm sheet: 47 x 35 cm Publius Horatius Murders His Sister (Publio Orazio uccide la sorella), Museum Ludwig, Cologne Charles-Edouard Jeanneret (Le Corbusier) (1887–1965) 1932 Vertical Guitar (second version) (Guitare verticale Skin Graft (Transplantation) Oil on canvas, 230 x 200 cm Florence Henri (1893–1982) [deuxième version]), 1920 Etching, aquatint, and drypoint, plate: 19.9 x 14.7 cm, Staatliche Museen zu Berlin, Nationalgalerie Composition (The Glory that Greece), ca. 1933, printed 1977 Oil on canvas, 100 x 81 cm sheet: 47 x 34.6 cm Photomontage, gelatin silver print, 21.9 x 28.2 cm Fondation Le Corbusier, Paris Guido Galletti (1893–1977) Musée national d’art moderne, Centre Georges Pompidou, Paris, Dead Man (St. Clément) (Toter [St. Clément] ) Prometheus Unbound (Prometeo liberato), ca. 1935 Gift of the artist and Galleria Martini e Ronchetti, Genoa, Italy, 1978 Georg Kolbe (1877–1947) Etching, aquatint, and drypoint, plate: 29.9 x 25.7 cm, Bronze, 165 x 67 x 62 cm Morning (Der Morgen), 1925, cast ca. 1985 sheet: 47 x 34.5 cm Galleria comunale d’arte moderna, Rome Rome, 1933–34 Plaster, 265 cm high Photomontage, gelatin silver print, 29 x 22.2 cm Georg-Kolbe-Museum, Berlin Dead Men before the Position near Tahure Pablo Gargallo (1881–1934) Galleria Martini e Ronchetti, Genoa, Italy (Tote vor der Stellung bei Tahure) Antinous, 1932 Young Warrior (Junger Streiter), 1935 Etching, aquatint, and drypoint, plate: 19.6 x 25.8 cm, Iron on a black marble base, 84 x 33 x 19.5 cm Rome, 1936, printed 1977 Bronze, 224 x 87 x 70 cm sheet: 35.3 x 46.8 cm Stiftung Wilhelm , Zentrum Internationaler Photomontage, gelatin silver print, 29 x 22 cm Georg-Kolbe-Museum, Berlin Skulptur, Duisburg, Germany Musée national d’art moderne, Centre Georges Pompidou, Paris, Self-Portrait (Selbstbildnis), 1931 Gift of the artist and Galleria Martini e Ronchetti, Genoa, Italy, 1978 (1885–1954) Oil and tempera on panel, 100 x 80 cm Alf (Alfredo) Gaudenzi (1908–1980) Reclining Woman (Femme accoudée), 1927 Museum Ludwig, Cologne Design for plate, 1930 (1882–1960) Alabaster, 16.1 x 32.4 x 9.5 cm Gouache over ink on paper, 30.5 x 33 cm Boules Players No. 2 (Les joueurs de boules n°2), 1923 Hirshhorn Museum and Garden, Smithsonian Institution, Donghi (1897–1963) The Wolfsonian, Florida International University, Miami Beach, Oil on canvas, 146 x 114 cm Washington, D.C., Gift of Joseph H. Hirshhorn, 1966 Circus (Circo equestre), 1927 The Mitchell Wolfson, Jr. Collection Musée national d’art moderne, Centre Georges Pompidou, Paris Oil on canvas, 150 x 100 cm Fernand Léger (1881–1955) Gerolamo and Roberta Etro, Milan Franco Gentilini (1909–1981) Anton Hiller (1893–1985) Three Women by a Garden (Personnages dans un jardin), 1922 Youths at the Seashore (Giovani in riva al mare), ca. 1934 Female Wood Figure (Weibliche Holzfigur), 1932 Oil on canvas, 64.8 x 91.4 cm Tempera on canvas, 162 x 130 cm Oak, 159.5 x 45 x 28 cm The Metropolitan Museum of Art, New York, Bequest of Galleria comunale d’arte moderna, Rome Stiftung Museum, Zentrum Internationaler Mr. and Mrs. Allan D. Emil, in honor of S. Lieberman, 1987 Skulptur, Duisburg, Germany exhibition checklist

Two Women (Deux femmes), 1922 (1883–1956) Amédée Ozenfant (1886–1966) Woman in White (Femme assise, les bras croisés), 1923 Oil on canvas, 90.8 x 58.4 cm Still Life with Green Head, 1927 Cup, Glasses, and Bottles in front of the Window Oil, water-based paint, and crayon on canvas, 99.1 x 80 cm National Gallery of Art, Washington, D.C., Oil on canvas, 65 x 92 cm (Tasse, verres et bouteilles devant la fenêtre), 1922 The Metropolitan Museum of Art, New York, Rogers Fund, 1951; Gift of Richard S. Zeisler, 1991 Kröller-Müller Museum, Otterlo, Netherlands Oil on canvas, 130.5 x 96.5 cm acquired from the Museum of Modern Art, Lillie P. Bliss Collection Kunstmuseum Basel, Gift Raoul , 1963 Woman Holding a Vase [definitive state] (Femme tenant un vase (1886–1969) Gio (Giovanni) Ponti (1891–1979) [état définitif]), 1927 Original table from the Barcelona Pavilion, 1928 Sideboard (Le buffet), 1925 Noble Activities: Our Ancestors (Le attività gentili. I progenitori) Oil on canvas, 146.3 x 97.5 cm Manufactured by Berliner Metallgewerbe Josef Müller, Berlin Oil on canvas, 150.5 x 176 cm plate, designed 1923 Solomon R. Guggenheim Museum, New York 58.1508 Chrome-plated flat steel and glass, 99.5 x 110 x 59 cm Musée national d’art moderne, Centre Georges Pompidou, Paris, Manufactured by Richard Ginori, Doccia, Italy, 1924 Neue Galerie, New York Gift of Raoul La Roche, 1962 Glazed porcelain and gold, 3.2 x 31.4 cm diameter Lorenzo Lorenzetti (active 1900–1950) The Wolfsonian, Florida International University, Miami Beach, Boy Diving (Ragazzo che si tuffa), before 1931 Barcelona Pavilion, 1928–29 Willy Petzold (1885–1978) The Mitchell Wolfson, Jr. Collection Bronze, 116 x 34.5 x 60 cm Exterior view from front, 1929 International Hygiene Exhibition (Internationale Hygiene-Ausstellung), Galleria comunale d’arte moderna, Rome Gelatin silver print, 16.5 x 22.2 cm , poster, 1930 An Archaeological Stroll (La passeggiata archaeologica), The Museum of Modern Art, New York, Mies van der Rohe Archive, Linen-backed offset lithograph, 90 x 58.4 cm urn with cover, 1925 (1861–1944) gift of the architect Collection of Mr. William W. Crouse, New York Manufactured by Richard Ginori, Doccia, Italy Ile-de-France, 1925 Porcelain, 50.2 cm high Bronze, 168.3 x 43.2 x 55.9 cm Barcelona Pavilion, 1928–29 Suzanne Phocas (1897–1984) The Metropolitan Museum of Art, New York, Purchase, Philadelphia Museum of Art, Gift of R. Sturgis and Exterior view with Georg Kolbe’s Morning (Der Morgen, 1925), 1929 Portrait of Metzinger (Portrait de Metzinger), 1926 Edward C. Moore Jr. Gift, 1931 Marion B. F. Ingersoll, 1957 Gelatin silver print, 16.5 x 22.2 cm Oil on oilcloth, 115 x 80 cm The Museum of Modern Art, New York, Mies van der Rohe Archive, Musée d’art moderne de la Ville de Paris Ernesto Puppo (1904–1987) (1878–1941) gift of the architect Gate, 1933 Le Corbusier, ca. 1932–36 (1881–1973) Manufactured by Officina Matteucci, Faenza, Italy Graphite on paper, 40 x 39 cm Barcelona Pavilion, 1928–29 Three Bathers (Trois ), August 1920 Aluminum, two parts, 118.1 x 51.4 x 6 cm each; Musée national d’art moderne, Centre Georges Pompidou, Paris Interior view from living room, 1929 Pastel, oil, ink, and graphite on paper, 47.8 x 61.4 cm 118.1 x 102.8 x 6 cm overall Gelatin silver print, 16.5 x 22.5 cm Solomon R. Guggenheim Museum, New York, Thannhauser Collection, The Wolfsonian, Florida International University, Miami Beach, Marino Marini (1901–1980) The Museum of Modern Art, New York, Mies van der Rohe Archive, Gift, Justin K. Thannhauser 78.2514.49 The Mitchell Wolfson, Jr. Collection Pugilist (Fragment) (Pugile [Frammento]), 1934 gift of the architect Bronze, 102 x 45.5 cm Large Bather (Grande baigneuse), 1921 Leni Riefenstahl (1902–2003) GAM Galleria civica d’arte moderna e contemporanea, Turin Column cover for the Barcelona Pavilion, 1928–29 Oil on canvas, 182 x 101.5 cm Olympia, 1936–38 Chrome-plated metal, 301 x 16.5 x 16.5 cm Musée de l’Orangerie, Paris Excerpt from the prologue of Festival of Nations (Fest der Völker) Arturo Martini (1889–1947) The Museum of Modern Art, New York, Purchase 1986 35 mm black-and-white film, with sound, original German release, The Stars (Le stelle), 1920 The Source (La source), 1921 two parts, Festival of Nations (Fest der Völker), 119 min.; Festival of Bronze, 62.5 x 38 x 38 cm Barcelona Chair, designed 1929 Oil on canvas, 64 x 90 cm Beauty (Fest der Schönheit), 99 min. Private collection, courtesy Claudia Gian Ferrari, Milan Chrome frame with Sabrina white leather, 76.8 x 74.9 x 76.2 cm Moderna Museet, Stockholm, Donation 1970 from Courtesy the US Olympic Committee Courtesy Knoll Inc. Grace and Philip Sandblom Centaur (Centauro), 1921 Emile-Jacques Ruhlmann (1879–1933) Terracotta, 27 x 30 x 10 cm Barcelona Ottoman, designed 1929 Bust of a Woman, Arms Raised (Buste de femme, les bras levés), Two side chairs with slip seats, 1923 Private collection Chrome frame with Sabrina white leather, 37.5 x 63.5 x 59 cm 1922 Makassar-ebony veneer with ivory inlay, reupholstered with brown Courtesy Knoll Inc. Oil on canvas, 65.4 x 54 cm velour fabric, 67.8 x 42.9 x 38.1 cm each Athena, 1934 Collection Michael and Judy Steinhardt, New York Brooklyn Museum, New York, Purchased with funds given by Bronze, 135 x 56 x 38 cm Edward Molyneux (1891–1974) Joseph F. McCrindle, Mrs. Richard M. Palmer, Charles C. Paterson, Galleria nazionale d’arte moderna e contemporanea, Rome Grecian dress, ca. 1935 Olga, 1923 Raymond Worgelt, and an anonymous donor Embossed rayon crepe Oil on canvas, 130 x 97 cm Beverley Birks Collection Private collection, on loan to the Van Gogh Museum, Amsterdam August Sander (1876–1964) The Drinker or Thirst or Drinking Man The Notary (Der Notar), 1924 (Il bevitore o La sete o Uomo che beve), 1934–35 Giorgio Morandi (1890–1964) Two Groups of Bathers (Deux groupes de baigneuses), 1923 Gelatin silver print, 26 x 18.9 cm Pietra di Finale, 70 x 96 x 224 cm Self-Portrait (Autoritratto) (recto), 1919 / Ink on wove paper, 25.9 x 35.2 cm Printed 1991 by Gerd Sander, edition 4/12 Galleria nazionale d’arte moderna e contemporanea, Rome Cactus (verso), ca. 1918–19 Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Courtesy Deborah Bell Photographs, New York Oil on canvas, 44 x 32.5 cm Gift, Justin K. Thannhauser 78.2514.54 (1869–1954) Private collection The Wife of Painter Peter Abelen, Cologne (Frau eines Malers. Large Seated Nude (Grand nu assis), 1922–29 Two Nudes (), 1923 Verheiratet mit Peter Abelen, Köln), 1926 Bronze with brown patina, 79.4 x 77.5 x 34.9 cm (1889–1942) Ink on stationery paper, 28 x 20.5 cm Gelatin silver print, 26 x 18.7 cm The Steven and Alexandra Cohen Collection The Fishermen of Santo Spirito (I pescatori di Santo Spirito), Musée national d’art moderne, Centre Georges Pompidou, Paris, Printed 1990 by Gerd Sander, edition 11/12 ca. 1924 Gift of Louise and Michel Leiris, 1984 Courtesy Julie Saul Gallery, New York Fausto Melotti (1901–1986) Oil on canvas, 121 x 100 cm Untitled, 1933–34 Galleria nazionale d’arte moderna e contemporanea, Rome Marble, clay, brass, and glass, 182 x 63 x 30 cm Private collection, Milan exhibition checklist

Boxers, Paul Roderstein, Hein Hesse (Die Boxer, Paul Roderstein, (1883–1966) Giuseppe Terragni (1904–1943) Hein Hesse), 1928 The Two Pulchinellas (Les deux Polichinelles), June 1922 Casa del Fascio, Como, Italy, 1932–36 Gelatin silver print, 26 x 16.5 cm Oil on canvas, 92 x 61 cm Site model, painted basswood and birch plywood, scale 1:50 Printed 1992 by Gerd Sander, edition 7/12 Collection Gemeentemuseum Den Haag, The Hague, Netherlands Manufactured by Thomas Gardner, Daniel Osborne, Nicholas Courtesy Julie Saul Gallery, New York Waldman, and Aaron Peterman Mario Sironi (1885–1961) Berlin Coal Carrier (Kohlenträger), 1929 The Architect (L’architetto), ca. 1922 Thayaht (Ernesto Michahelles) (1893–1959) Gelatin silver print, 29.3 x 22.3 cm Oil on canvas, 87 x 75 cm Il Duce (Condottiero [Dux]), 1929 The Museum of Modern Art, New York, Gift of the photographer Private collection, courtesy Claudia Gian Ferrari, Milan Iron, 32 x 26 x 23 cm MART Museo di arte moderna e contemporanea Pharmacist (Apotheker), 1930 Self-Portrait with Female Torso and Architecture di Trento e Rovereto, Italy Gelatin silver print, 25.8 x 15.9 cm (Autoritratto), 1924 Printed 1990 by Gerd Sander, edition 5/12 Graphite on paper, 22.5 x 24.2 cm Luigi Trifoglio (1889–1939) Courtesy Deborah Bell Photographs, New York Kunsthaus Zürich, Grafische Sammlung, Zurich Figure in Black (Figura in nero), ca. 1935 Oil on canvas, 95 x 70 cm Secretary at a West German Radio Station, Cologne Astronomy (L’astronomia), 1934–35 Galleria nazionale d’arte moderna e contemporanea, Rome (Sekretärin beim Westdeutschen Rundfunk in Köln), 1931 Mixed media on canvas, 270 x 138 cm Gelatin silver print, 26 x 17.1 cm MART Museo di arte moderna e contemporanea Madeleine Vionnet (1876–1975) Printed 1990 by Gerd Sander, edition 11/12 di Trento e Rovereto, Italy, Archivio Collezione Romana Sironi Caftan dress, 1921 Courtesy Julie Saul Gallery, New York Silk crepe Leader on Horseback (Condottiero a cavallo), 1934–35 Beverley Birks Collection (1888–1943) Mixed media on canvas, 290 x 275 cm Abstract Figure, Sculpture in the Round (formerly Free-standing MART Museo di arte moderna e contemporanea Adolfo Wildt (1868–1931) Sculpture G) (Abstrakte Figur [Freiplastik G]), 1921–23 di Trento e Rovereto, Italy, Archivio Collezione Romana Sironi Portrait of (Ritratto di Benito Mussolini), ca. 1925 (cast 1962) Bronze, 90 x 145 x 70 cm Nickel-plated bronze, 104.1 x 65.4 x 20 cm, edition 7/7 Soldier (Soldato), 1935–36 Musei civici d’arte e storia di Brescia, Italy Norton Simon Museum, Pasadena, , Mixed media on canvas, 322 x 258 cm Gift of Mrs. Robert A. Rowan MART Museo di arte moderna e contemporanea Franz Würbel (1896–date unknown) di Trento e Rovereto, Italy, Archivio Collezione Romana Sironi Berlin Olympics poster (Dutch version), 1936 Bauhaus Stairway (Bauhaustreppe), 1932 Linen-backed lithograph, 101 x 63.3 cm Oil on canvas, 162.3 x 114.3 cm Milly Steger (1881–1948) Collection of Jack Rennert, New York The Museum of Modern Art, New York, Gift of Philip Johnson, 1942 Walking Woman with Jug (Schreitenden Frau mit Krug), 1934 Bronze, 55 x 20 x 21 cm Ossip Zadkine (1890–1967) (1892–1966) Staatliche Museen zu Berlin, Nationalgalerie Harlequin (Arlequin), 1928 The Friends (Die Freunde), 1924 Bronze, 76.2 x 26.7 x 19.1 cm Oil on canvas, 120.5 x 90.5 cm Edward Steichen (1879–1973) Philadelphia Museum of Art, Gift of Mrs. Morris Wenger, 1964 Staatliche Kunsthalle Karlsruhe, Germany Isadora Duncan at the Portal of the Parthenon, 1920 Gelatin silver print, 49.5 x 34.3 cm Adolf Ziegler (1892–1959) Georg Scholz (1890–1945) The Museum of Modern Art, New York, Gift of the photographer The Four Elements: Fire, Water and Earth, Air (Die vier Elemente. Female Nude with Plaster Bust (Weiblicher Akt mit Gipskopf ), 1927 Feuer, Wasser und Erde, Luft), before 1937 Oil on canvas, 65.5 x 55 cm Isadora Duncan at the Portal of the Parthenon, 1920 Oil on canvas, three panels, left to right: 170.3 x 85.2 cm, Staatliche Kunsthalle Karlsruhe, Germany Gelatin silver print, 49.5 x 35.2 cm 171 x 190.8 cm, and 161.3 x 76.7 cm The Museum of Modern Art, New York, Gift of the photographer Bayerische Staatsgemäldesammlungen, Sammlung Moderner (1889–1938) Kunst in der Pinakothek der Moderne, Munich Women on the Balcony (Auf dem Balkon Isadora Duncan at the Portal of the Parthenon, 1920 [Mädchen auf dem Balkon]), 1927 Gelatin silver print, 49.9 x 38.8 cm Oil on canvas, 94 x 73 cm The Museum of Modern Art, New York, Gift of the photographer Kunstmuseum Basel, Acquired in 1939 with a special grant from the Government of Basel Guido Maria Balsamo Stella (1882–1941) Vase commemorating the twentieth wedding anniversary of (1894–1933) Ugo and Fernanda Ojetti, 1926 Four Men in Front of Factories (Vier Männer vor Fabriken Manufactured by Laboratorio Balsamo, Venice, engraved by [Hoerle–Faust–Seiwert–Haubrich]), 1926 Franz Pelzel Oil on pasteboard, 78.8 x 109.8 cm Glass, 29.2 x 28.6 cm diameter Hamburger Kunsthalle, The Wolfsonian, Florida International University, Miami Beach, The Mitchell Wolfson, Jr. Collection