Final Media Kit 2006.Indd
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The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Sony Corporation – Restructuring Continues, Problems Remain
BSTR/361 IBS Center for Management Research Sony Corporation – Restructuring Continues, Problems Remain This case was written by Indu P, under the direction of Vivek Gupta, IBS Center for Management Research. It was compiled from published sources, and is intended to be used as a basis for class discussion rather than to illustrate either effective or ineffective handling of a management situation. 2010, IBS Center for Management Research. All rights reserved. To order copies, call +91-08417-236667/68 or write to IBS Center for Management Research (ICMR), IFHE Campus, Donthanapally, Sankarapally Road, Hyderabad 501 504, Andhra Pradesh, India or email: [email protected] www.icmrindia.org BSTR/361 Sony Corporation – Restructuring Continues, Problems Remain “Seven out of eight years, Sony has failed to meet its own initial operating profit forecast. This is probably the worst track record amongst most major exporters. That means that either management is not able to anticipate challenges … or they fail on execution almost every time. Either way, it does not reflect well on Sony’s management.”1 - Atul Goyal, Analyst, CLSA2, in January 2009. SONY IN CRISIS, AGAIN In May 2009, Japan-based multinational conglomerate, Sony Corporation (Sony) announced that it posted its first full year operating loss since 1995, and only its second since 1958, for the fiscal year ending March 2009. Sony announced annual loss of ¥ 98.9 billion3, with annual sales going down by 12.9% to ¥ 7.73 trillion. Sony also warned that with consumers worldwide cutting back on spending in light of the recession, the losses could be to the extent of ¥ 120 billion for the year ending March 2010 (Refer to Exhibit IA for Sony‘s five year financial summary and Exhibit IB for operating loss by business segment). -
360Zine Issue 18
FREE! NAVIGATE Issue 18 | May 2008 360Free Magazine For Xbox 360 Gamers.ZineRead it, Print it, Send it to your mates… PLUS! EXCLUSIVE BOURNE CONSPIRACY SUPPLEMENT MASSIVE PREVIEW INSIDE... NINJA GAIDEN II Tecmo’s latest looks bloody brilliant... FIRST LOOKS! BAJA Could Baja be a MotorStorm beater? STAR WARS: THE FORCE UNLEASHED MASSIVE REVIEW! Preview inside there is... REVIEW! PREVIEW & INTERVIEW OPERATION GTA IV DARKNESS EURO 2008 Here at last! FALLOUT 3 Werewolves & Nazis. Nice! Gearing up for summer CONTROL a NAVIGATE |02 QUICK FINDER Don’t miss! This month’s top highlights Every game’s just a click away! Star Wars: Unreal The Force Unleashed Tournament III Baja Battlefield: Bad Operation Darkness Company Braid Ninja Gaiden II The Wheelman Fallout 3 After months of speculation the wait is finally Mortal Kombat vs. Grand Theft over and the world’s biggest videogame has DC Universe Auto IV now been released on both next-gen consoles. GTA IV Silent Hill: Euro 2008 In short GTA IV is nothing short of a tour de The definitive review Homecoming XBLA force and if you’re old enough to play you simply have to get stuck in today - assuming Ninja Gaiden II MORE FREE MAGAZINES! LATEST ISSUES! you haven’t already that is. Read the review and MASSIVE PREVIEW send us your comments - we’d love to hear your points of view... Not surprisingly there’s not a huge release schedule to trawl through while GTA IV laps up the retail limelight, but there’s plenty-a-coming in the next few weeks and months. -
The Order 1886 Full Game Pc Download the Order: 1886
the order 1886 full game pc download The Order: 1886. While Killzone: Shadow Fall and inFAMOUS: Second Son have given us a glimpse of how Sony's popular franchises can be enhanced and expanded on the PlayStation 4, The Order: 1886 is exciting for a completely different reason. This isn't something familiar given a facelift-- this is a totally new project, one whose core ideas and gameplay were born on next-generation hardware. It's interesting, then, that this also serves as the first original game for developer Ready at Dawn. Ideas for The Order originally began forming in 2006 as a project that crafted fiction from real-life history and legends. Indeed, one of the game's more intriguing elements is that mix of fantasy and reality. This alternate-timeline Victorian London is covered in a layer of grit and grime true to that era, contrasted by dirigibles flying through the sky and fantastical weapons used by the game's protagonists, four members of a high-tech (for the times) incarnation of the Knights of the Round Table. That idea of blending different aspects together may be what's most compelling about The Order: 1886 beyond just its premise. The first thing you notice is the game's visual style. There's a cinematic, film-like look to everything, and not only are the overall graphical qualities and camera angles tweaked to reflect that, but The Order also runs in widescreen the entire time--not just during cutscenes like in other games. It's a decision that some have bemoaned, since those top and bottom areas of the screen are now "missing" during game-play. -
UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
The Videogame Style Guide and Reference Manual
The International Game Journalists Association and Games Press Present THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL DAVID THOMAS KYLE ORLAND SCOTT STEINBERG EDITED BY SCOTT JONES AND SHANA HERTZ THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL All Rights Reserved © 2007 by Power Play Publishing—ISBN 978-1-4303-1305-2 No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher. Disclaimer The authors of this book have made every reasonable effort to ensure the accuracy and completeness of the information contained in the guide. Due to the nature of this work, editorial decisions about proper usage may not reflect specific business or legal uses. Neither the authors nor the publisher shall be liable or responsible to any person or entity with respects to any loss or damages arising from use of this manuscript. FOR WORK-RELATED DISCUSSION, OR TO CONTRIBUTE TO FUTURE STYLE GUIDE UPDATES: WWW.IGJA.ORG TO INSTANTLY REACH 22,000+ GAME JOURNALISTS, OR CUSTOM ONLINE PRESSROOMS: WWW.GAMESPRESS.COM TO ORDER ADDITIONAL COPIES OF THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL PLEASE VISIT: WWW.GAMESTYLEGUIDE.COM ACKNOWLEDGEMENTS Our thanks go out to the following people, without whom this book would not be possible: Matteo Bittanti, Brian Crecente, Mia Consalvo, John Davison, Libe Goad, Marc Saltzman, and Dean Takahashi for editorial review and input. Dan Hsu for the foreword. James Brightman for his support. Meghan Gallery for the front cover design. -
Resident Evil 3 Ships 2 Million Units Just Five Days After Release
April 13, 2020 Press Release 3-1-3, Uchihiranomachi, Chuo-ku Osaka, 540-0037, Japan Capcom Co., Ltd. Haruhiro Tsujimoto, President and COO (Code No. 9697 First Section of Tokyo Stock Exchange) Resident Evil 3 Ships 2 Million Units Five Days After Release - Following Resident Evil 2, Capcom again succeeds in reimagining iconic IP - Capcom Co., Ltd. (Capcom) today announced that shipments of Resident Evil 3 for the PlayStation®4 computer entertainment system, the Xbox One family of devices including Xbox One X, and PC exceeded 2 million units worldwide five days following release. The Resident Evil franchise features survival horror games in which players utilize a variety of weapons and other items to escape terrifying situations. Cumulative sales of the games in the series now total 95 million units* since the first title debuted in 1996. More than 20 years later, continuous support from the passionate fan base across the globe makes it Capcom’s flagship game series. The new Resident Evil 3 is a reimagining of the 1999 release of Resident Evil 3: Nemesis, which went on to sell a cumulative 3.5 million units. The new game incorporates fresh ideas and utilizes the latest technology, leveraging Capcom’s proprietary RE Engine. In addition to putting a fresh twist on the original’s story and setting, the game boasts new play experiences even for fans who played the predecessor. Further, the title gives players the chance to enjoy both single player and multiplayer fun with the inclusion of Resident Evil Resistance, an asymmetrical online multiplayer title that was honored with an award in the Future Division of the Japan Game Awards: 2019. -
Saranac Lake Free Library |
SARANAC LAKE FREE LIBRARY Acquisitions List – January, 2019 Adult Fiction Ahnhem, Stefan Eighteen Below Baldacci, David Long Road to Mercy Berenson, Alex Faithful Spy Clark, Mary Higgins You Don’t Own Me Dabos, Christelle A Winter’s Promise Evanovich, Janet Look Alive, Twenty-Five Jones, Stan The Big Empty Leroux, Catherine Madame Victoria Patterson, James Target Alex Cross Perry, Anne A Christmas Revelation Stuckart, Diane Fool’s Moon Womersley, Chris City of Crows Woods, Stuart A Delicate Touch Adult Non-Fiction 080 McPhee, John The Patch 253.2 Sipe, A.W. Richard A Secret World 297.2 Miles, Jack God in the Qur’an 303.48 Bridle, James New Dark Age, Technology and the End of the Future 320.973 Comey, James A Higher Loyalty 344.73 Driver, Justin The Schoolhouse Gate 359.9 Ballantyne, Iain The Deadly Deep 360.4 Kugel, Seth Rediscovering Travel: A Guide for the Globally Curious 363.25 Rinek, Jeffrey L. In the Name of the Children 364.152 Vronsky, Peter Sons of Cain 365 Marcus, Chelsia Rose Wild Escape 599.7730 Blakeslee, Nate American Wolf 741.5 Emma The Mental Load 921 Skaife, Christopher The Ravenmaster: My Life with the Ravens at the Tower of London * 973.933 Shields, David Nobody Hates Trump More than Trump * Reference REF Large Print - Fiction LP Clark, Mary Higgins You Don’t Own Me LP Contreras, Ingrid Rojas Fruit of the Drunken Tree LP Fowler, Therese Anne A Well-Behaved Woman LP Jefferies, Dinah Sapphire Widow LP Johansen, Iris Vendetta LP Mayor, Archer Bury the Lead LP Rosnay, Tatiana de The Rain Watcher LP Shapiro, B.A. -
Recommendations for Integrating a P300-Based Brain–Computer Interface in Virtual Reality Environments for Gaming: an Update
computers Review Recommendations for Integrating a P300-Based Brain–Computer Interface in Virtual Reality Environments for Gaming: An Update Grégoire Cattan 1,* , Anton Andreev 2 and Etienne Visinoni 3 1 IBM, Cloud and Cognitive Software, Department of SaferPayment, 30-150 Krakow, Poland 2 GIPSA-lab, CNRS, Department of Platforms and Project, 38402 Saint Martin d’Hères, France; [email protected] 3 SputySoft, 75004 Paris, France; [email protected] * Correspondence: [email protected] Received: 19 September 2020; Accepted: 12 November 2020; Published: 14 November 2020 Abstract: The integration of a P300-based brain–computer interface (BCI) into virtual reality (VR) environments is promising for the video games industry. However, it faces several limitations, mainly due to hardware constraints and limitations engendered by the stimulation needed by the BCI. The main restriction is still the low transfer rate that can be achieved by current BCI technology, preventing movement while using VR. The goal of this paper is to review current limitations and to provide application creators with design recommendations to overcome them, thus significantly reducing the development time and making the domain of BCI more accessible to developers. We review the design of video games from the perspective of BCI and VR with the objective of enhancing the user experience. An essential recommendation is to use the BCI only for non-complex and non-critical tasks in the game. Also, the BCI should be used to control actions that are naturally integrated into the virtual world. Finally, adventure and simulation games, especially if cooperative (multi-user), appear to be the best candidates for designing an effective VR game enriched by BCI technology. -
Writing Deliverables (Pdf)
Hsin-Tze Wang Draft #3 Working Title of Thesis: “GENESIS” 30 October 2019 Thesis Instructor: Sharita Towne Advisor Selections (list 3 in order of preference): Teagan Smiley Wolfe, Chuck Lukacs, Laura Heit For my thesis project, I am examining the relationship between Transhumanism and modern media depictions of cyborgs and androids. With most of scientific advancement funded by militarism and capitalism, is it possible for that technology to break away from its corrupt origins and become its own independent being? Can that being, created for and from violence, reclaim their humanity? Or will they be doomed to continue the violent path set forth by their creators? With my research, I am going to create a concept art package that includes character concept art, 3D character models, and test animations. Science fiction, technology, and Transhumanism evolve alongside each other. With the rapid evolution of technology, people are becoming more and more anxious as to what it could become, and what it could make us. In my thesis, I will be creating three characters, using each character as an exploration of their relationship to an aspect of Transhumanism. For example, Lilith is a customizable service android created for the pleasure of others. She takes control of her body and uses her shapeshifting ability to escape. She weaponizes her body by freely changing her appearance, using her own body to challenge gender and race binaries in a cis-het and white dominant world. This blurring of gender binaries is tied to Donna Haraway’s “A Cyborg Manifesto,” where she describes the cyborg as “a creature in a postgender world.” The main inspirations for the project itself are the video games Metal Gear Rising: Revengeance and Nier:Automata, both developed by the game studio PlatinumGames. -
Gamepro Media and Princeton Review Once Again Awarded the California University the Two Top Prizes in Their "Top Schools for Video Game Design Study."
GamePro Media and Princeton Review once again awarded the California university the two top prizes in their "Top Schools for Video Game Design Study." Wed, 2 Mar 2011 SAN FRANCISCO -- While the top game designers, programmers and artists gather at the world's largest Game Developers Conference at the San Francisco Moscone Convention Center this week, many of the top minds in interactive entertainment are coming through the University of California's undergraduate and graduate video game design programs. For the second year in a row, GamePro Media and The Princeton Review awarded USC the two top prizes in their "Top Schools for Video Game Design Study for 2011." The ranking, now in its second year, recognizes the top 10 undergraduate and top 10 graduate programs for video game design out of approximately 150 surveyed in North America. USC ranked highest in both categories. The university's video game design programs are interdisciplinary, involving the Interactive Media Division of the USC School of Cinematic Arts and the GamePipe program in the Department of Computer Science at the USC Viterbi School of Engineering. "In the short span of five years since its inception, the USC GamePipe program has become the national leader in education and professional game development," said Dean Yannis C. Yortsos of the USC Viterbi School. "It is a testament to the program quality, its leadership and the interdisciplinary strength at USC, which combines computer science, cinematic arts and fine arts in a unique partnership." The survey, which included more than 50 questions, covered a wide range of topics, from academics and faculty credentials to graduates' employment and career achievements. -
Rapport Annuel Document De Reference
atari IDEF08 rapport.qxd 19/08/08 15:34 Page 1 RAPPORT ANNUEL DOCUMENT DE REFERENCE Le présent document de référence a été déposé auprès de l’Autorité des Marchés Financiers le 1er août 2008, conformément à l’article 212-13 de son Règlement général. Il pourra être utilisé à l’appui d’une opération financière s’il est complété par une note d’opération visée par l’Autorité des Marchés Financiers. Le présent document ne contient pas d’informations pro forma . En application de l’article 28 du règlement de la Commission Européenne (CE) n° 809/2004, les informat ions suivantes seront incluses par référence dans le présent document de référence : les comptes consolidés et le rapport des Commissaires aux comptes y afférent pour l’exercice clos le 31 mars 2007, tels que présentés dans le document de référence enregistré le 31 juillet 2007 sous le numéro D 07-0784, tel qu’actualisé le 19 décembre 2007 sous le numéro D 07-0784 A01. les comptes consolidés et le rapport des Commissaires aux comptes y afférent pour l’exercice clos le 31 mars 2006, tels que présentés dans le document de référence enregistré le 22 septembre 2006 sous le numéro D 06-0869. Comptes consolidés Exercice clos le 31 mars 2008 1 SOMMAIRE PRESENTATION GENERALE........................................................................................................................ 4 PROFIL ........................................................................................................................................................... 4 STRATEGIE ...................................................................................................................................................