Arthur Miller
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2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Arthur Miller's Contentious Dialogue with America
Louise Callinan Revered Abroad, Abused at Home: Arthur Miller’s contentious dialogue with America A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy at St Patrick’s College, Dublin City University Supervisor: Auxiliary Supervisor: Dr Brenn a Clarke Dr Noreen Doody Dept of English Dept of English St Patrick’s College St Patrick’s College Drumcondra Drumcondra May 2010 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work and has not been taken from the work of others save and to the extent that such work has-been cited and acknowledged within the text of my work. Signed: Qoli |i/U i/|______________ ID No.: 55103316 Date: May 2010 ACKNOWLEDGEMENTS I am forever indebted to Dr. Brenna Clarke for her ‘3-D’ vision, and all that she has so graciously taught me. A veritable fountain of knowledge, encouragement, and patient support, she- has-been a formative force to me, and will remain a true inspiration. Thank you appears paltry, yet it is deeply meant and intended as an expression of my profound gratitude. A sincere and heartfelt thank you is also extended to Dr. Noreen Doody for her significant contribution and generosity of time and spirit. Thank you also to Dr. Mary Shine Thompson, and the Research Office. A special note to Sharon, for her encyclopaedic knowledge and ‘inside track’ in negotiating the research minefield. This thesis is an acknowledgement of the efforts of my family, and in particular the constant support of my parents. -
Danzigergallery
DANZIGERGALLERY Inge Morath – Masquerades & Enoc Perez – Cut Shapes May 7 – June 13, 2015 Danziger Gallery is pleased to present a two-person show of photographs by Inge Morath and photo collages by Enoc Perez. Created half a century apart, both works share a sense of humor, an interest in concealment, and a delight in cutting and making shapes out of paper. Inge Morath (1923 – 2002) and artist Saul Steinberg (1914 – 1999) engaged in a unique collaboration by having friends and acquaintances don his paper bags drawn with fantastic faces and then posing them for her photographs. In a delightful series of individual and group portraits taken from 1959 to 1963 the images convey both humor and an unnerving psychological depth. We may not know who is beneath each bag, but we seem to know the type they are playing. Between Morath's deadpan style and Steinberg's flights of fantasy they created a veritable encyclopedia of attitudes, postures, and mannerisms.! Inge Morath joined the photographic cooperative Magnum in Paris by invitation of Robert Capa in 1953 and was assistant to Henri Cartier-Bresson before becoming a full member. Her work was widely published in magazines, including Life, Paris Match, and Vogue, and in numerous books. Ms. Morath was married to Arthur Miller and they had one daughter, the film director Rebecca Miller. In 2015 the Bienecke Library at Yale acquired the bulk of the Inge Morath Estate. DANZIGER GALLERY 521 W. 23rd ST. NEW YORK CITY NY 10011 Enoc Perez was born in San Juan, Puerto Rico in 1967. He currently lives and works in New York. -
GENIAL HIJA DE ARTHUR MILLER I Derebtcca
LA GENIAL HIJA DE ARTHUR MILLER DEREBtCCAI Cineasta, pintova, actuiz y ahoua escvitova. Su primer libvo, Velocidad persona/, fue elegido el mejov de 2001 pov el Washington Post. Gasto 200 mil dolaues en llevau a1 cine sus cuentos y en menos de seis meses vecaudo mas de un millon de dolaues. Bella, vefinada, ha hecho de su vida el pavadigma del exito. Casada con Daniel Day-Lewis, a quien divige pov estos dias en Rose and the snake, Rebecca Miller es un icon0 dentvo del mundo autistic0 cultural de Estados Unidos. MARCELOSIMONETTI ebecca Miller no es s610 la hija el famoso fotdgrafo franc& Henri Cartier- cumplir 10s 36 afios. Luna loca de atar? Seria del dramaturgo Arthur Miller. Bresson era quien le leia las memorias de un rnis justo decir que Rebecca es una mujer Referirse a ella como la mujer cortesano franc& del siglo dieciocho, a ori- condenada a su imaginaci6n. Un refinado de Daniel Day-Lewis seria un llas del lago que habia frente a la casa de sus genio de ojos azules y piernas largas que, error imperdonable. Lo mismo padres, en Connecticut. Con ese tip0 de re- para fortuna de quienes han visto sus peli- , queR mencionar nada rnis que su lado de es- laciones -Arthur Miller como padre, Daniel culas -Angela y Velocidad personal-, tuvo la critora primeriza y exitosa. 0 sea, Rebecca Day-Lewis como marido, Cartier-Bresson voluntad de reaccionar a1 ring del telefono Miller es hija de Arthur Miller, esti casada como lector de historias, y, claro, Inge Mo- antes que cualquiera, gracias a lo cual evit6 con el premiado protagonista de Mi pie iz- rath, fot6grafa de Magnum, como su la desgracia. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
The Crucible
October 4 – October 21, 2017 By Arthur Miller Directed by Jonathan Berry The Crucible When does Index a lie become 2 Welcome Letter 4 Cold, Hard, Wicked Facts: 10 Things You May Not Know About The Crucible the truth? 6 The Crucible Play Synopsis 8 The Crucible Character Descriptions 10 Inside the Mind of Abigail Williams: An Actor Creates Backstory 12 A Loss of Agency, A Loss of Control: The Young Women of The Crucible (Classroom Activity) 14 The World of The Crucible: A Conversation with Director Jonathan Berry 18 What Makes a Witch Hunt?: Mapping the History of the Salem Witch Trials 20 An Allegorical Response: The Crucible and Communism 22 The Truth in Our Actions (Classroom Activity) Dear teachers: story, is able to manipulate the fear of her neighbors, Continuing the Conversation: The Burn fed by a series of distrustful and escalating 26 Thank you for joining Steppenwolf Education for accusations, into a source of individual agency. our 2017/2018 Steppenwolf for Young Adults season In our theater, and in your classrooms, we hope that 28 Additional Resources featuring two plays in conversation: When does a lie this story will spur conversations and encourage a become the truth? careful examination of the ease in which a lie might Common Core State Standards become accepted as reality. 30 For our first show of the season, we are excited to present a fresh take on a familiar entry to the canon. This season, we are also excited to announce the Acknowledgements 31 STUDY GUIDE CURATED BY Written in response to the spread of McCarthyism, creation of Steppenwolf Education, a new Jared Bellot Arthur Miller’s classic work The Crucible explores a department under which Steppenwolf for Young paranoid witch hunt and its very real consequences Adults will be housed and continue its tradition of ARTICLES BY Jared Bellot, Sindy Isabel Castro, in the town of Salem, Massachusetts. -
A Rebecca Miller Film
Presents A REBECCA MILLER FILM Official Selection Sundance Film Festival 2016 Berlin International Film Festival 2016 Toronto International Film Festival 2015 New York Film Festival 2015 98 Mins Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 CAST (In Order of Appearance) Maggie GRETA GERWIG Blind Man GEORGE ASHIOTIS Tony BILL HADER Max MONTE GREENE Guy Childers TRAVIS FIMMEL Beverly FREDI WALKER-BROWNE John Harding ETHAN HAWKE Felicia MAYA RUDOLPH Shakespearean Actor BRENDAN TITLEY Shakespearean Actor's Lover STEPHEN LIN Kliegler WALLACE SHAWN Georgette JULIANNE MOORE Justine MINA SUNDWALL Paul JACKSON FRAZER Lily IDA ROHATYN Al Benthwaithe ALEX MORF Debbie Wasserman ANGELA TRENTO Québécois Cover Band KATHLEEN HANNA TOMMY BUCK Komiko SUE JEAN KIM FILMMAKERS WRITTEN FOR THE SCREEN AND DIRECTED BY REBECCA MILLER BASED ON A STORY BY KAREN RINALDI PRODUCED BY RACHAEL HOROVITZ DAMON CARDASIS REBECCA MILLER EXECUTIVE PRODUCERS PHILIP STEPHENSON TEMPLE WILLIAMS LUCY BARZUN DONNELLY ALEXANDRA KERRY MICHAEL J. MAILIS SUSAN WRUBEL CO-PRODUCER JONATHAN SHOEMAKER CASTING BY CINDY TOLAN, CSA DIRECTOR OF PHOTOGRAPHY SAM LEVY PRODUCTION DESIGNER ALEXANDRA SCHALLER EDITED BY SABINE HOFFMAN, ACE MUSIC BY MICHAEL ROHATYN COSTUME DESIGNER MALGOSIA TURZANSKA MUSIC SUPERVISOR ADAM HOROVITZ A ROUND FILMS / RACHAEL HOROVITZ PRODUCTION FREEDOM MEDIA IN ASSOCIATION WITH LOCOMOTIVE IN ASSOCIATION WITH HYPERION MEDIA IN ASSOCIATION WITH FRANKLIN STREET CAPITAL SONGS "MUSICAL COMMUNION” "RUDY, A MESSAGE TO YOU" Written by Don Drummond & Arthur Stanley Reid AKA Performed by Baba Brooks "A MESSAGE TO YOU RUDY" Courtesy of Push Music / Treasure Isle Written by Robert Livingstone Thompson Courtesy of Sanctuary Records Group Ltd., Performed by Dandy Livingstone a BMG Company Used by permission of Carbert Music Inc. -
01 All My Sons Pp. I
01 A View from the Bridge pp. i- 9/2/10 15:37 Page i ARTHUR MILLER A View from the Bridge with commentary and notes by STEPHEN MARINO Series Editor: Enoch Brater METHUEN DRAMA 01 A View from the Bridge pp. i- 9/2/10 15:37 Page ii Methuen Drama Student Edition 10 9 8 7 6 5 4 3 2 1 This edition first published in the United Kingdom in 2010 by Methuen Drama A & C Black Publishers Ltd 36 Soho Square London W1D 3QY www.methuendrama.com Copyright © 1955, 1957 by Arthur Miller Subsequently © 2007 The Arthur Miller 2004 Literary and Dramatic Property Trust Commentary and notes copyright © 2010 by Methuen Drama The right of the author to be identified as the author of these works has been asserted by them in accordance with the Copyright, Designs and Patents Act, 1988 ‘Chronology of Arthur Miller by Enoch Brater, with grateful thanks to the Arthur Miller Society for permission to draw on their ‘Brief Chronology of Arthur Miller’s Life and Works’. A CIP catalogue record for this book is available from the British Library ISBN 978 1 408 10840 6 Commentary and notes typeset by SX Composing DTP, Rayleigh, Essex Playtext typeset by Country Setting, Kingsdown, Kent Printed and bound in Great Britain by CPI Cox & Wyman Ltd, Reading, Berkshire CAUTION Professionals and amateurs are hereby warned that these plays are subject to a royalty. They are fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and of all countries with which the United States has reciprocal copyright relations. -
BAKALÁŘSKÁ PRÁCE Selected American Drama
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra Anglistiky BAKALÁŘSKÁ PRÁCE Selected American Drama Adapted to Film Vybraná americká dramata a jejich filmové adaptace Vypracoval: Matěj Jakoubek Ročník: 3 Studijní kombinace: Anglický jazyk – Německý jazyk Vedoucí práce: PhDr. Christopher Koy, M.A., Ph.D. Rok odevzdání: 2019 v Českých Budějovicích I Prohlášení Prohlašuji, že svoji bakalářskou práci jsem vypracoval samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. České Budějovice, dne 26. dubna 2019 ….………………………………. Matěj Jakoubek II Poděkování Rád bych touto cestou poděkoval PhDr. Christopher Koy, MA, Ph.D. za odborné vedení této bakalářské práce, jakožto i pomoc a podporu při jejím zpracování. III Anotace Cílem této práce je provedení analýzy tří světově proslulých amerických dramat a jejich moderních filmových adaptací. Analyzovanými díly jsou Anna Christie od Eugena O’Neilla, Čarodějky ze Salemu od Arthura Millera a Láskou posedlí od Sama Sheparda. -
Naskah Publikasi Dilemma and Depression Living As A
NASKAH PUBLIKASI DILEMMA AND DEPRESSION LIVING AS A WOMAN IN REBECCA MILLER’S MOVIE THE PRIVATE LIVES OF PIPPA LEE (2009): A PSYCHOANALYTIC APPROACH Ditulis oleh : YULIAN ILHAM A 320 080 101 PENDIDIKAN BAHASA INGGRIS FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS MUHAMMADIYAH SURAKARTA 2012 APPROVAL DILEMMA AND DEPRESSION LIVING AS A WOMAN IN REBECCA MILLER’S MOVIE THE PRIVATE LIVESOF PIPPA LEE (2009): A PSYCHOANALYTIC APPROACH Written by: YULIAN ILHAM A 320 080 101 Approved to be Examined by the Consultants Consultant I Consultant II (Dr. Phil. Dewi Candraningrum, M. Ed) (Titis Setyabudi, S. S., M. Hum) ii ACCEPTANCE DILEMMA AND DEPRESION LIVING AS A WOMAN IN REBECCA MILLER’S MOVIE THE PRIVATE LIVES OF PIPPA LEE (2009): A PSYCHOANALYTIC APPROACH RESEARCH PAPER Prepared and Arranged by: YULIAN ILHAM A 320 080 101 Accepted and Approved by the Board of Examiners School of Teacher Training and Education Muhammadiyah University of Surakarta On........... 1. Dr. Phil. Dewi Candraningrum, M. Ed. ( ) NIK. 772 2. Titis Setyabudi, S. S, M. Hum. ( ) NIK. 948 3. Drs. H. Abdillah Nugroho, M. Hum. ( ) NIK. 589 Approved by School of Teacher Training and Education Muhammadiyah University of Surakarta Dean Drs. Sofyan Anif, M. Si. NIK. 547 iii DILEMMA AND DEPRESSION LIVING AS A WOMAN IN REBECCA MILLER’S MOVIE THE PRIVATE LIVES OF PIPPA LEE (2009): A PSYCHOANALYTIC APPROACH Yulian Ilham (Student) Dewi Candraningrum (Consultant I) Titis Setyabudi (Consultant II) (School of Teacher Training and Education, Muhammadiyah University of Surakarta) [email protected] ABSTRACT The problem of the study is to reveal how major character reflects her dilemma and depression living as a woman. -
Download a PDF Version of This News Release
FOR IMMEDIATE RELEASE Media Contact: December 7, 2015 Elizabeth Latenser 435.658.3456 [email protected] SUNDANCE INSTITUTE COMPLETES FEATURE FILM LINEUP FOR 2016 SUNDANCE FILM FESTIVAL Premieres, Documentary Premieres, Spotlight, Sundance Kids and Special Events: Bright Stars, New Stories and Fest Favorites Round Out Robust Festival Program (L-R) 11.22.63, Credit: Alex Dukay; Sundance Film Festival, Credit: Jemal Countess; Eagle Huntress, Credit: Asher Svidensky. Park City, UT — Sundance Institute today completed its feature film lineup for the 2016 Sundance Film Festival with the highly anticipated narratives, documentaries, episodic work and events in the Premieres, Documentary Premieres, Spotlight, Sundance Kids and Special Events sections. The Festival takes place January 21-31 in Park City, Salt Lake City, Sundance and Ogden, Utah. Among the films that have premiered in these sections in recent years are Boyhood, Brooklyn, Twenty Feet from Stardom, Life Itself, The End of the Tour, Mistress America, Frank, Going Clear: Scientology and the Prison of Belief, Shaun the Sheep and The Jinx: The Life and Deaths of Robert Durst. John Cooper, Director of the Sundance Film Festival, said, “The Sundance Film Festival is truly a place for discovery. We have seen an increase in younger audiences in recent years, showing that the next generation of independent film fans is culturally adventurous and drawn to the diverse lineup we offer each year.” Trevor Groth, Director of Programming for the Sundance Film Festival, said, “Many of our selections this year reveal that what resides at the core of captivating stories are fascinating, and at times heroic, characters. In shining light on these people, independent filmmakers are doing what they've always done best: connecting the dots of human existence with a deeply charged emotional current.” In addition to those announced today, selections for the U.S. -
Catching the Sun Impact Report
CATCHING THE SUN was made possible with generous support from The Ford Foundation, Just Films The John D. and Catherine MacArthur Foundation Sundance Documentary Film Program The Chorus Foundation The Fledgling Fund Firelight Media Producers Lab Robert Rauschenberg Foundation Compton Foundation Surdna Foundation Chicken and Egg Pictures The San Francisco Foundation Women Donors Network CATCHING THE SUN "Shines a light on a clean energy future" LEONARDO DICAPRIO "Award winning filmmaker and eco-activist Shalini Kantayya's documentary broadens the often climate change debate to include people of color and explore the possibilities of social and economic justice in a soon to be solar powered world" - JULIE ANDERSON, LA FILM FESTIVAL Synopsis An unemployed American worker, a Tea Party activist, and a Chinese solar entrepreneur race to lead the clean energy future. But who wins and who loses the battle for power in the 21st century? Through the stories of workers and entrepreneurs in the U.S. and China, Catching the Sun captures the global race to lead the clean energy future. Over the course of a solar jobs training program, Catching the Sun follows the hope and heartbreak of unemployed American workers seeking jobs in the solar industry. With countries like China investing in innovative technologies and capitalizing on this trillion-dollar opportunity, Catching the Sun tells the story of the global energy transition from the perspective of workers and entrepreneurs building solutions to income inequality and climate change with their own hands. Their successes and failures speak to one of the biggest questions of our time: will the U.S.