The Crucible
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The Crucible's Legacy of Appropriation and Sexual Shame in Popular Culture
Illinois State University ISU ReD: Research and eData Theses and Dissertations 4-5-2021 Bewitching The Blame: The Crucible'S Legacy Of Appropriation And Sexual Shame In Popular Culture Hope Kristine Morris Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Morris, Hope Kristine, "Bewitching The Blame: The Crucible'S Legacy Of Appropriation And Sexual Shame In Popular Culture" (2021). Theses and Dissertations. 1395. https://ir.library.illinoisstate.edu/etd/1395 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. BEWITCHING THE BLAME: THE CRUCIBLE ’S LEGACY OF APPROPRIATION AND SEXUAL SHAME IN POPULAR CULTURE HOPE MORRIS 61 Pages In The Crucible Arthur Miller uses tropes of female characters, Abigail and Tituba, to tell a story of male heroism. In the process, he dismisses and appropriates the true stories of women who suffered during the Salem witch trials for his own political and personal gain. In this thesis, I argue that Miller’s appropriation and sexualization of women continues into contemporary popular culture depictions of the Salem witch trials including the movie adaptation of The Crucible and the television shows Salem and American Horror Story: Coven . These depictions appropriate and sexualize women’s stories in order to fulfill the male gaze. This thesis also explores how three contemporary women playwrights are writing new plays that address the sexism of Arthur Miller, show how The Crucible perpetuates abuse, and encourage women to confront sexism by creating their own works about the Salem trials. -
From Tongue to Text: the Transmission of the Salem Witchcraft Examination Records
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records by Peter Grund 2007 This is the author’s accepted manuscript, post peer-review. The original published version can be found at the link below. Grund, Peter. 2007. “From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records.” American Speech 82(2): 119–150. Published version: http://dx.doi.org/10.1215/00031283-2007-005 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Peter Grund. 2007. “From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records.” American Speech 82(2): 119–150. (the accepted manuscript version, post-peer review) From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records1 Peter Grund, Uppsala University Introduction In the absence of audio recordings, scholars interested in studying the characteristics of spoken language in the early Modern period are forced to rely on written speech-related sources.2 These sources include, among others, drama and fiction dialogue, trial proceedings, and witness depositions. However, at the same time, it has been shown that, although purporting to represent spoken conversation, these texts probably reflect actual spoken language only partially and to different degrees (for the evaluation of the degree of “spokenness” of these text categories, see Culpeper and Kytö 2000; see also Kryk-Kastovsky 2000; Moore 2002). Drama and fiction dialogue, for example, represents constructed speech produced by an author who may have been more or less successful in mimicking contemporaneous spoken conversation. -
A Comprehensive Look at the Salem Witch Mania of 1692 Ashley Layhew
The Devil’s in the Details: A Comprehensive Look at the Salem Witch Mania of 1692 __________ Ashley Layhew Nine-year-old Betty Parris began to convulse, seize, and scream gibber- ish in the winter of 1692. The doctor pronounced her bewitched when he could find no medical reason for her actions. Five other girls began ex- hibiting the same symptoms: auditory and visual hallucinations, fevers, nausea, diarrhea, epileptic fits, screaming, complaints of being bitten, poked, pinched, and slapped, as well as coma-like states and catatonic states. Beseeching their Creator to ease the suffering of the “afflicted,” the Puritans of Salem Village held a day of fasting and prayer. A relative of Betty’s father, Samuel Parris, suggested a folk cure, in which the urine of the afflicted girls was taken and made into a cake. The villagers fed the cake to a dog, as dogs were believed to be the evil helpers of witches. This did not work, however, and the girls were pressed to name the peo- ple who were hurting them.1 The girls accused Tituba, a Caribbean slave who worked in the home of Parris, of being the culprit. They also accused two other women: Sarah Good and Sarah Osbourne. The girls, all between the ages of nine and sixteen, began to accuse their neighbors of bewitching them, saying that three women came to them and used their “spectres” to hurt them. The girls would scream, cry, and mimic the behaviors of the accused when they had to face them in court. They named many more over the course of the next eight months; the “bewitched” youth accused a total of one hundred and forty four individuals of being witches, with thirty sev- en of those executed following a trial. -
The Crucible by Arthur Miller Lesson Plan Length: 60 Minutes Lesson Plan the Crucible
VIRTUAL LEARNING LESSON PLAN ENGLISH THE CRUCIBLE BY ARTHUR MILLER LESSON PLAN LENGTH: 60 MINUTES LESSON PLAN THE CRUCIBLE LEARNING OBJECTIVES By the end of this lesson, students will be able to: • Feel confident as they begin an early stage analysis of the complex characters, situations and ideas/themes within the play • Immerse themselves in the world of the play by participating in a variety of practical exercises • Think critically about character motivations and choices • Discuss and evaluate connections between themes in the play, current events and contemporary issues To teach this lesson, you will need the following resources: • The Crucible Study Guide • Video – On Acting: Jack Ellis • Video – On Acting: Adrian Schiller • Video – On Acting: Natalie Gavin • Video – On Acting: Richard Armitage • Video – Arthur Miller: BBC Documentary • Vi deo – Richard Armitage in Conversation • Headlines • Character Cards For further resources to help you teach The Crucible, including our full-length production, and Study Guide, visit www.digitaltheatreplus.com 2 LESSON PLAN THE CRUCIBLE Plus: • A video conference link to your chosen platform* • For Exercise 2 – access to an online messaging service/chat feature; a prepared Google Doc • For Exercise 4 – an email with instructions for students • For Exercise 5 – an additional prepared Google Doc • For Exercise 6 – an email with instructions for students (Tip: Press 'Share' to copy the link to your Doc and make sure to change the settings to 'Anyone with the link can edit'). *Keeping students and teachers safe during remote education is essential. Please ensure any online platform you are using to communicate or coordinate with students is suitable for their age group and check privacy settings. -
F, Sr.Auifuvi
NATHANIEL HAWTHORNE' S USE OF WITCH AND DEVIL LORE APPROVED: Major Professor Consulting Professor Iinor Professor f, sr. auifUvi Chairman of" the Department of English Dean of the Graduate School Robb, Kathleen A., Nathaniel Hawthorne;s Fictional Use of Witch and Devil Lore. Master of Arts (English), December, - v 1970, 119 pp., bibliography, 19 titles. Nathaniel Hawthorne's personal family history, his boy- hood in the Salem area of New England, and his reading of works about New England's Puritan era influenced his choice of witch and Devil lore as fictional material. The witch- ci"aft trials in Salem were evidence (in Hawthorne's inter- pretation) of the errors of judgment and popular belief which are ever-present in the human race. He considered the witch and Devil doctrine of the seventeenth century to be indicative of the superstition, fear, and hatred which governs the lives of men even in later centuries. From the excesses of the witch-hunt period of New England history Hawthorne felt moral lessons could be derived. The historical background of witch and Devil lore, while helpful in illustrating moral lessons, is used by Hawthorne to accomplish other purposes. The paraphernalia of witchcraft with its emphasis on terrible and awesome ceremonies or practices such as Black Sabbaths, Devil compacts, image-magic, spells and curses, the Black Man in'the forest, spectral shapes, and familiar spirits is used by Hawthorne to add atmospheric qualities to his fiction. Use of the diabolic creates the effects of horror, suspense, and mystery. Furthermore, such 2 elements of witch and Devil doctrine (when introduced in The Scarlet Letter, short stories, and historical sketches) also provide an aura of historical authenticity, thus adding a v dimension of reality and concreteness to the author's fiction. -
Salem 1692 Brochure
1 2 3 4 Today Salem, Massachusetts, strives The numbers on the map to be a city of diversity and tolerance, correspond with the sites that but it is important to remember that the appear on the numbered panels. 20 men and women who were executed in All sites except for the Rebecca 1692 were not seeking tolerance. They Nurse Homestead are in Salem. were not witches. They were ordinary men and women seeking justice. 1. Rebecca Nurse Homestead (Danvers, MA) 2. House of the Seven Gables 3. Cemeteries of Salem (3 sites) 4. Salem Witch Trials Memorial Welcome … 5. Salem Witch Hunt: Examine the Evidence to 1692 6. Salem Witch Museum 7. The True 1692 The Rebecca Nurse Homestead The House of the Seven Cemeteries of Salem The Salem Witch Trials 8. Cry Innocent: The People vs. Gables Memorial Bridget Bishop … … … … 9. Witch Dungeon Museum What happened in Salem Town and Salem The Rebecca Nurse Homestead, located in Danvers, The imposing House of the Seven Gables, which has Salem has three cemeteries that are significant to the The Salem Witch Trials Memorial is a place of 10. The Witch House Village (modern-day Danvers) more than MA, (formerly known as Salem Village) is the 17th loomed over Salem Harbor since 1668, remains one of Witch Trials of 1692. Dating back to 1637, Charter meditation, remembrance, and respect for the 20 men 320 years ago still resonates as a measure of century home of Rebecca Nurse, a 71 year old matriarch the oldest surviving timber-framed mansions in North Street Burial Point is the oldest and most visited of and women who were put to death between June and the failure of civility and due process in the who was arrested on suspicion of practicing witchcraft. -
The Case of Elizabeth Howe
Walton 1 Claire Walton HIST 2090 29 November 2017 Final Paper A Pious Woman Condemned by Rumor, Church, and Court: The Case of Elizabeth Howe “Though shee wer condemned before men shee was Justefyed befor god”1 -Goody Safford Prior to the year 1682, Goody Elizabeth Howe enjoyed a reputation defined by piety, honesty, and neighborliness. Two distinct disputes in 1682 would come together ten years later during the Salem witch crisis to place Elizabeth’s life in mortal peril. A “faling [out]” between Samuel Perley and the Howes preceded fits suffered by Samuel’s daughter, who reportedly identified Elizabeth as her tormentor. Although ministerial accounts contested Elizabeth’s culpability, rumors spread and stained Elizabeth’s holy reputation. Her rejection from the Ipswich Church approximately two or three years later, informed by the rumor of witchcraft and other reports from neighbors, exacerbated suspicion, as those involved in the church’s decision attributed maleficium to Elizabeth.2 The second dispute occurred on June 14, 1682, the same year Samuel Perley’s daughter first reported afflictions. The Topsfield men, Thomas Baker, Jacob Towne, and John Howe, Elizabeth’s brother-in-law, challenged John Putnam of Salem Village over his claim to land along the Ipswich River. This dispute pitted the Howe family against the Putnam family, a driving force behind the Salem witch trials of 1692. Ultimately, Elizabeth’s reputation of witchcraft coupled with her relationship to John Howe and by extension association with the Putnam land dispute influenced her conviction as a witch. Although numerous individuals 1 Bernard Rosenthal, et al., eds., Records of the Salem Witch-Hunt (New York: Cambridge University Press, 2009), 341 (Hereafter RSWH). -
Section B Revision Notes the Play: the Crucible by Arthur Miller the Background to the Play and What It Is Based On
Section B Revision Notes The Play: The Crucible by Arthur Miller The background to the play and what it is based on: The play is about the Salem witch trials that took place in the Province of Massachusetts Bay during 1692 and 1693. Early in the year 1692, in the small Massachusetts village of Salem, a collection of girls fell ill, falling victim to hallucinations and seizures. In extremely religious Puritan New England, frightening or surprising occurrences were often attributed to the devil or his cohorts. The unfathomable sickness spurred fears of witchcraft, and it was not long before the girls, and then many other residents of Salem, began to accuse other villagers of consorting with devils and casting spells. Old grudges and jealousies spilled out into the open, fuelling the atmosphere of hysteria. The Massachusetts government and judicial system, heavily influenced by religion, rolled into action. Within a few weeks, dozens of people were in jail on charges of witchcraft. By the time the fever had run its course, in late August 1692, nineteen people (and two dogs) had been convicted and hanged for witchcraft. Set in: 1692. Puritan times What happens in each scene: The scene that we focus on in class and the scenes that you will need to learn are written in bold. Act one Rev. Parris is praying over his daughter, Betty Parris, who lies as if unconscious in her bed. Conversations between Rev. Parris, his niece Abigail Williams and several other girls reveal that the girls, including Abigail and Betty, were found dancing around a fire and a cooking pot in a nearby forest, apparently led by Tituba, Parris's slave from Barbados. -
Words of the Bewitched (1692)
Words of the Bewitched (1692) New Englanders believed that witches were capable of using their occult powers to cause bad things to happen to people. Usually, they believed, witches were in league with the devil, who used them as his agents to cause havoc. During the seventeenth century, approximately three hundred New Englanders were accused in court of being witches, about four-fifths of them women. The largest and most famous outbreak of witchcraft accusations occurred at Salem in 1692. The prominent Puritan minister Cotton Mather summarized the testimony against some of the accused witches in his book Wonders of the Invisible World (1692), the source of the following testimony against Bridget Bishop. Bishop was a married, middle-aged woman; both she and her husband were church members. Eight days after her trial, she was executed by hanging. Testimony against Accused Witch Bridget Bishop, 1692 The trial of Bridget Bishop ... at the Court of Oyer and Terminer held at Salem, June 2, 1692. I. She was indicted for bewitching of several persons in the neighborhood, the indictment being drawn up, according to the form in such cases usual. And pleading, not guilty, there were brought in several persons, who had long undergone many kinds of miseries, which were preternaturally inflicted, and generally ascribed unto a horrible witchcraft. There was little occasion to prove the witchcraft; it being evident and notorious to all beholders. Now to fix the witchcraft on the prisoner at the bar, the first thing used was, the testimony of the bewitched; whereof, several testified, that the shape of the prisoner did oftentimes very grievously pinch them, choke them, bite them, and afflict them; urging them to write their names in a book, which the said specter called, ours. -
Perjurium Maleficis: the Great Salem Scapegoat
Perjurium Maleficis: The Great Salem Scapegoat by Alec Head The Salem Witch Trials, often heralded as a sign of a religious community delving too deep into superstition, were hardly so simple. While certainly influenced by religion, the trials drew upon numerous outside elements. Though accusations were supposedly based in a firm setting of religious tradition, an analysis of individual stories—such as those of Rebecca Nurse, John Alden, and George Burroughs—shows that the accused were often targeted based on a combination of either fitting the existing image of witches, personal feuds, or prior reputations. The Puritans of Salem considered themselves to be “God’s chosen people,” building a new land, a heaven on earth.1 As with many endeavors in the New World, the Puritans faced innumerable struggles and hardships; their path would never be an easy one. However, rather than accepting their hurdles through a secular perspective, the Puritans viewed matters through a theological lens to explain their difficulties. While other, non-Puritan colonies faced similar challenges, the Puritans took the unique stance that they lived in a “world of wonders,” in which God and Satan had hands in the daily lives of humanity.2 In effect, this led to desperate—eventually deadly— searches for scapegoats. Upon his arrival in Salem, Reverend Samuel Parris publicly insisted that the hardships were neither by chance nor mere human hand. After all, if they were God’s chosen people, any opposition must have been instigated by the devil.3 Satan would not simply content himself with individual attacks. Rather, Parris insisted, grand conspiracies were formed by diabolical forces to destroy all that the Puritans built. -
1692 Fact Sheet1
Voices Against Injustice 1692 Fact Sheet1 January 1692 - start of accusations in Salem Village (now Danvers) with a slave, Tituba, being accused by a bunch of girls. June 10, 1692 - first execution (Bridget Bishop) September 22, 1692 - final executions (8 executions on this day) Almost 200 accused, 140-150 arrested; not all tried 20 executed (19 hanged, 1 crushed) ● 13 women ● 7 men 5 died in prison 6 found guilty and pardoned 4 pled guilty and pardoned 4-5 escaped from prison 13 never indicted (including Tituba) 2 evaded arrest The geographic area covered from Boston to Andover and up to Maine. The executions took place at Proctor’s Ledge at the base of Gallows Hill (now a city-owned memorial is at this place). Exoneration: ● December 17, 1697, Governor issued a proclamation for a day or prayer ● January 15, 1697 the Day of Official Humiliation ● October 17, 1711 Bill voted on clearing some of the names of victims; restitution of 600 pounds split among the claimants ● August 28, 1957 Governor Furcolo signed a bill into law officially apologizing for the witch trials and clearing the names of additional victims ● 1992 the Salem Witch Trials Memorial is built in Salem and The Salem Village Witchcraft Victims Memorial is built in Danvers ● October 31, 2001 the 1957 law is amended to include the remaining names clearing all remaining victims. 1 Sources: historyofmassachusetts.org/salem-witch-trials-victims/ and The Salem Witch Museum Mission The lessons of the Salem Witch Trials compel Voices Against Injustice to celebrate today’s champions of human rights by presenting the annual Salem Awards, stewarding the Salem Witch Trials Memorial and inspiring members of our worldwide community to confront fear and social injustice with courage. -
A Short History of the Salem Village Witchcraft Trials : Illustrated by A
iiifSj irjs . Elizabeth Howe's Trial Boston Medical Library 8 The Fenway to H to H Ex LlBRIS to H to H William Sturgis Bigelow to H to H to to Digitized by the Internet Archive in 2010 with funding from Open Knowledge Commons and Harvard Medical School http://www.archive.org/details/shorthistoryofsaOOperl . f : II ' ^ sfti. : ; Sf^,x, )" &*% "X-':K -*. m - * -\., if SsL&SfT <gHfe'- w ^ 5? '•%•; ..^ II ,».-,< s «^~ « ; , 4 r. #"'?-« •^ I ^ 1 '3?<l» p : :«|/t * * ^ff .. 'fid p dji, %; * 'gliif *9 . A SHORT HISTORY OF THE Salem Village Witchcraft Trials ILLUSTRATED BT A Verbatim Report of the Trial of Mrs. Elizabeth Howe A MEMORIAL OF HER To dance with Lapland witches, while the lab'ring moon eclipses at their charms. —Paradise Lost, ii. 662 MAP AND HALF TONE ILLUSTRATIONS SALEM, MASS.: M. V. B. PERLEY, Publisher 1911 OPYBIGHT, 1911 By M. V. B. PERLEY Saeem, Mass. nJtrt^ BOSTON 1911 NOTICE Greater Salem, the province of Governors Conant and Endicott, is visited by thousands of sojourners yearly. They come to study the Quakers and the witches, to picture the manses of the latter and the stately mansions of Salem's commercial kings, and breathe the salubrious air of "old gray ocean." The witchcraft "delusion" is generally the first topic of inquiry, and the earnest desire of those people with notebook in hand to aid the memory in chronicling answers, suggested this monograph and urged its publication. There is another cogent reason: the popular knowledge is circumscribed and even that needs correcting. This short history meets that earnest desire; it gives the origin, growth, and death of the hideous monster; it gives dates, courts, and names of places, jurors, witnesses, and those hanged; it names and explains certain "men and things" that are concomitant to the trials, with which the reader may not be conversant and which are necessary to the proper setting of the trials in one's mind; it compasses the salient features of witchcraft history, so that the story of the 1692 "delusion" may be garnered and entertainingly rehearsed.