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Understanding Cultural Routes – Flyer

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Understanding Cultural Routes – Flyer this broChUre is prepared by Understanding CUltUral roUtes the Australia iCoMos national ScientifiC Committee on CUltUral landsCapes and roUtes. www.australia.icomos.org/get-involved/national-scientific-committees The Australia ICOMOS National Scientific Committee on Cultural Landscapes and Routes prepared this brochure. Information on cultural routes case studies can be found at: http://australia.icomos.org/publications/historic-environment/he-vol-16-no-2-2002-making-tracks/ http://australia.icomos.org/publications/historic-environment/he-vol-20-no-1-2007-corrugations/ http://australia.icomos.org/publications/historic-environment/he-vol-25-no-3-2013-connecting- cultures-and-continents-the-heritage-of-routes-and-journeys/ http://australia.icomos.org/publications/historic-environment/he-vol-26-no-1-2014-connecting- cultures-and-continents-the-heritage-of-routes-and-journeys/ Cultural routes make up the connective web of the world’s heritage, tying For information on how to identify, manage and interpret cultural routes consult the Australia ICOMOS International Scientific Committee at: regions, countries and global cultures together. They are the result of humans http://australia.icomos.org/get-involved/international-scientific-committees/ciic-cultural-routes/ travelling across the environment, exchanging ideas and goods over long distances and for many years. Further information on cultural routes is available at: The ICOMOS International Scientific Committee on Cultural Routes (CIIC) Cultural routes can traverse vast distances across a continent or link a country with other peoples. Travellers along cultural routes journey on land, water and increasingly by air. These innumerable travellers have left a heritage of routes and journeys http://www.icomos-ciic.org/INDEX_ingl.htm which is imprinted in landscapes and seascapes, records and living memory. Cultural routes have linked Australia with Asia and The ICOMOS Charter on Cultural Routes http://www.international.icomos.org/charters/ beyond for centuries. culturalroutes_e.pdf Cultural route refers to the whole route, which has a worth over and above the sum of its elements, together with a dynamic quality, through which it gains its cultural significance. A cultural route consists of the following elements: World Heritage Operational Guidelines, pp 92-93 • context – the relationship between a historic cultural route and its natural environment and landscape setting http://whc.unesco.org/en/guidelines/ • content - both the tangible, physical elements and the intangible aspects which give sense and meaning to a historic route • cross cultural significance – the connection of peoples and the sharing of ideas which gives a historic route a greater depth of significance • dynamic quality – the spatial dimensions and historic depth of repeated journeys back and forth combine to create a If you need help protecting a cultural route contact: distinctive cultural route. www.australia.icomos.org www.australia.icomos.org Many cultural routes are valued by communities because they: How to record and protect a cultural route: • connect us to other places, people and ideas Cultural routes can be important locally, for a • Understand how and why communities value cultural • Use digital technologies to map and photograph the • illustrate the movement of people and the exchange state/territory/province, nationally and routes by working with them to document meanings, route, noting that there may be many deviations to the of ideas internationally. Cultural routes relate to all aspects stories and intangible aspects associated with the route route • hold myths, legends and meanings, both spiritual of Australia’s diverse land and seascapes, as well • Research the important stories associated with the • Note any threats to the route and plan management and symbolic as its myriad identities. Themes which recognise region and identify the cultural routes that best express guidance in line with best practice • are highly regarded for their continuity of use this diversity include: the stories • Publicise your findings and send them to your local • tell us about societies’ use and exchanges of resources, • Tracing the natural evolution of Australia • Document the relationship between the cultural route council or state government heritage agency to raise technologies and beliefs. • Peopling Australia and the natural environment and the wider landscape awareness of the need for protection. How can communities protect these cultural routes • Developing local, regional and national economies setting that are important to them? How can communities • Governing • Record how the route has been used over time, its and governments protect those past landscape • Tragic Conflict and/or Resolution/Reconciliation sustainability, benefits to the local community and imprints of routes and journeys for future generations? • Developing Australia’s cultural life. conservation needs • Local (government) environment plans, zoning and other A cultural route may represent more than one of these controls such as state and territory heritage listings thematic groups. • National and Commonwealth heritage listings • World Heritage Inscription. 1 2 3 4 5 6 Image 1: Seven Sisters Songline. (Source: Spiritual routes appeal to contemporary travellers Josephine Watjaari Mick 1993) who appreciate the experience of walking historic trails and may share the intangible spiritual values Aboriginal law includes stories and songlines embodied in the route. that map the travels of their creation ancestors across the continent of Australia. This painting by Image 4: Cave No. 45, Southern wall, Mogao a Western Desert artist captures a section of the Caves. Merchants from the Western Regions extensive journeys of the Seven Sisters creation Encounter Bandits. (Photo: Wu Jian) ancestors from of the Pleiades. This ancient Aboriginal oral mapping tradition links many The Mogao Caves are located on the World different cultural and language groups over vast Heritage Listed Silk Roads: the Routes Network of distances of time and space. The songline route Chang’an-Tianshan Corridor. The Routes Network demonstrates how cultural routes may traverse weaves tangible and intangible cultural heritage 7 8 9 10 values together as the actions of the ancestors vast distances, linking one or more countries with is embodied in the physical landscape. National other peoples who trade goods and share ideas. or World Heritage recognition of Australian Image 5: The trade route connects the Indonesian historic route and natural environment, being appropriating their land and water sources, Image 9. Recording oral history. (Source: Diana Aboriginal songlines may assist in accessing Recording a cultural route means trepang trade from Makassar north to China and intentionally designed to follow the lines of nature becoming ‘a corridor of contestation’ (Diana James, Canning Stock Route Project, 2009) the financial and practical resources needed working with communities along the south to Australia. (Prepared by Peter Johnson and make this spectacular coastline publicly James 2013). Today, the Martu and Puntu people to protect and sustain the linked traditional from research by Sandy Blair and Nicholas Hall) accessible. The Great Ocean Road is entered in have successfully claimed native title over Recording Martu people’s stories at Thring Rock route to understand the meanings knowledge and significant places along these Australia’s National Heritage List as an exemplar most of the Canning Stock Route and manage on the Canning Stock Route, a collaborative routes. (Diana James 2013) Trade route connecting the Indonesian Macassan and stories and other intangible route of a scenic journey. Managing linear heritage its four wheel drive tourism and cultural and project of Traditional Owners and researchers seafarers with the north Australian coast. The from the Australian National University. These aspects of the route. Image 2: The Malay prau, painted on bark by is complex as it requires the cooperation of all environmental heritage to produce sustainable historic maritime trading route illustrates the Aboriginal stories of place are told in oral history, the Anindilyakwa artist Minimini Mamarika from land managers along the route. The Great Ocean benefits for local communities. theme of Exchange and shows the dynamics of archival photographs and artefacts, modern film It includes documenting the physical Groote Eylandt (off the eastern coast of Arnhem Road includes four local shires, state and national cross cultural exchange. Lack of identification Image 8. Route map from ‘Your flight souvenir’, and paintings as the Aboriginal peoples up and Land) Northern Territory 1948. (Source: Gift of government agencies who work with local elements such as roads, bridges, of features and recognition of values as well as QEA in association with BOAC. Artist and date down the stock route tell their stories. Charles P Mountford 1960, Art Gallery of South communities to coordinate heritage management railways, watering points and wells. large scale development can threaten sites and with tourism. unknown. (Source: State Library of NSW) Australia, Adelaide) the tangible values identified with the trade Image 10. On the Overland Telegraph Route 1929. The variety of associated elements Probably issued in the early 1950s, this version of (Source: NT Library) The Aboriginal painting of the Malay prau provides route. Sea routes can vary greatly, and with few Image 7: Canning Stock Route
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