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Re-Thinking Water and Food Security
RE-THINKING WATER AND FOOD SECURITY Re-thinking Water and Food Security Fourth Botín Foundation Water Workshop Editors Luis Martínez-Cortina Spanish Geological Survey (IGME), Spain Alberto Garrido Research Centre for the Management of Agricultural and Environmental Risks (CEIGRAM), Spain; Technical University of Madrid (UPM), Spain; Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain Elena López-Gunn Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain; London School of Economics (LSE), UK Cover photo: Courtesy of M. Campos and M. Rica Izquierdo. CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business © 2010 Taylor & Francis Group, London, UK Typeset by MPS Ltd. (A Macmillan Company), Chennai, India Printed and bound in Poland by Poligrafia Janusz Nowak, Poznán All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise, without written prior permission from the publisher. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein. Library of Congress Cataloging-in-Publication Data Marcelino Botín Water Forum (4th : 2009 : Santander, Spain) Re-thinking water and food security : fourth Marcelino Botín Foundation water workshop / editors, Luis Martínez-Cortina, Alberto Garrido, Elena López-Gunn. p. cm. Includes index. ISBN 978-0-415-58790-7 (hard cover : alk. -
CONTENTS Preface Introduction Claudia Karvan Tara June Winch
CONTENTS Preface by Clare Bowditch ��������������������������������������������������������������������������������������������������v Introduction by Rachel Power. 1 Claudia Karvan Actor . 11 Tara June Winch Author . 25 Holly Throsby Musician. 35 Jocelyn Moorhouse Filmmaker. 47 Del Kathryn Barton Artist . 57 Brenda Walker Author . 69 Felicity Bott Dancer and choreographer . 81 Deline Briscoe Musician. 93 Cate Kennedy Author . .103 20150203_Motherhood_Internals_FA.indd 13 3/02/2015 4:46 pm Rachel Griffiths Actor . .115 Tegan Bennett Daylight & Beth Norling Author & Artist and illustrator . .129 Sarah Tomasetti Artist . .145 Clare Bowditch Musician. .155 Lisa Gorton Poet and author . .167 Pip Lincolne Craft maker and blogger . .177 Joanna Murray-Smith Playwright and author . .187 Nikki Gemmell Author . .203 Lily Mae Martin Artist . .215 Alice Garner Actor, musician and author ������������������������������������������������������������������������������223 Martine Murray & Sally Rippin Children’s authors and illustrators ������������������������������������������������������������������233 Notes on Contributors . .243 20150203_Motherhood_Internals_FA.indd 14 3/02/2015 4:46 pm Claudia Karvan Actor or women of my generation, Claudia Karvan is the actor we have grown up with. From her movies High Tide, The Big Steal and The Heartbreak Kid, to her Froles in some of the country’s most successful television series, including The Secret Life of Us, Love My Way and The Time of Our Lives, her characters’ lives have mirrored ours across the years. The fact that she has largely remained in Australia throughout her career makes this particularly the case. Claudia is the mother of two children, Audrey and Albee, with environmental engineer Jeremy Sparks, and stepmother to his daughter, Holiday. As a child, Claudia’s mother and stepfather ran the ultra-cool, bohemian nightclub Arthur’s, in Kings Cross, and the family lived in a part of Sydney considered so dubious that her school declared it permanently ‘out of bounds’. -
MICHAEL YEZERSKI Composer FILM CREDITS
MICHAEL YEZERSKI Composer Michael Yezerski’s musical works are highly evocative, original and diverse. From the symphonic grittiness of THE TAX COLLECTOR to the quiet drama of BLINDSPOTTING; from the avant- garde horror drones of THE DEVIL’S CANDY to the heartfelt FEEL THE BEAT and THE BLACK BALLOON; Michael brings a signature musical intensity to every project he takes on. Hailing originally from Australia, and with a background in both contemporary concert music and electronic music production, Michael blends styles and influences in a way that pushes the boundaries of what dramatic film music can be. Rich in technique and sitting comfortably at the border with avant-garde music design, Michael’s work is nevertheless fundamentally human and melodic at its core. Born in Sydney, Michael is a multiple award-winning composer who creates music that is shaped from the perspective of an outsider – constantly fluid, ever changing, unbound by system – curious and always evolving. Recent projects include the hit international series MR INBETWEEN, Keith Thomas’ wondrously terrifying THE VIGIL and the Stephen Dorff starrer DEPUTY for FOX / Cedar Park. Earlier career highlights include HBO’s ONLY THE DEAD SEE THE END OF WAR, his first feature film THE BLACK BALLOON (winner of 8 AFI/AACTA Awards including Best Picture), PJ Hogan’s MENTAL, WOLF CREEK SERIES 2, CATCHING MILAT, PETER ALLEN, the Academy Award winning animated short, THE LOST THING and his collaboration with Richard Tognetti and the Australian Chamber Orchestra, THE RED TREE. Michael -
THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son. -
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16 發光的城市 A R O U N D T O W N FRIDAY, MAY 7, 2010 • TAIPEI TIMES FILM REVIEW OTHER RELEASES orn and raised in a day of rest turns into an students at New York University. playing guitar on their couch as to whether the GIO wants COMPILED BY IAN BartHOLOmeW Malaysia, educated in adventure in which the two When Ho decided to bring to if they were taking a boat trip to encourage creativity or North America and wayfarers encounter various life an image inspired by Roman back to their seaside hometown. bureaucracy. We’d like to having worked and characters as they trek through Polanski’s 1958 short Two Men The film may be upbeat discuss with the [GIO] how The Cove lived in Taipei for the Taipei’s urban hinterland. and a Wardrobe through a tale in tone, but the prospect of to make the regulations more A documentary about an industry that Bpast nine years, Ho Wi-ding (何 Pinoy Sunday shows a of Filipino migrant workers, it reaching a great number of flexible for movies about new kills thousands of dolphins every year 蔚庭) knows what it is to be an different side of Taipei that is he embarked on an intense audiences is not. Despite the immigrants,” Ho said. that combines elements of the heist outsider. This no doubt is part foreign to most of the city’s year-long research project that favorable reviews the film has Foreign migrant workers movie with agitprop. National Geographic of the reason why the director inhabitants. -
Daybreakers and the Vampire Movie
16 • Metro Magazine 164 THERE WILL BE BLOOD Daybreakers and the Vampire Movie The enduring popularity of the vampire figure has led to some truly creative and original films as well as some downright disasters. Rjurik Davidson examines the current fascination with this genre and explores why the latest Australian offering fails to deliver despite its very promising beginning. HE VAMPIRE is the fantasy figure of the moment. Where only five years ago it was the ubiquitous boy magician Harry Potter who dominated fan- Ttasy film, now it is the vampire. Almost like a symbol of itself – transmit- ting dangerously out of control like a virus – the vampire has spread throughout popular culture, largely on the back of Stephenie Meyer’s wildly popular Twilight books and movies (Twilight [Catherine Hardwicke, 2008], New Moon [Chris Weitz, 2009]), so that there are now vampire weddings, vampire bands, a flurry of vampire novels and vampire television shows like True Blood. Recently, The Age reported that we are a nation obsessed with ‘vampires and AFL’ and that New Moon and Twilight were the most Googled movies in Australia during 2009.1 One of the great attractions of the vampire is that it can be a symbol for many things. As a symbol for the decaying aristocracy in Bram Stoker’s classic 1897 novel Dracula, the vampire has the allure of charisma and sex. Indeed, Dracula drew upon John Polidori’s 1819 portrait of Lord Byron in The Vampyre. In the symbol of the vampire, sex and death are entwined in the single act of drinking some- one’s blood. -
The Paul Hogan Story
Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart. -
A SCREENTIME Production for ABC TV They Know the Law Backwards
A SCREENTIME production for ABC TV They know the law backwards … … but they have a lot to learn about life! As at 30.7.11 Delving into the extraordinary world of the Department of Public Prosecutions and its young eager lawyers, CROWNIES is the new 22 x 1 hour drama produced by SCREENTIME Australia for ABC TV. CROWNIES follows five young solicitors, as they face the pressures and endearing madness of modern single life - in a fast paced workplace that highlights the moral dilemmas and big issues facing an apparently civilized society. In a world that exists solely to see ‘wrong-doers’ brought to justice, and where the average age of the solicitors is 27, there is a big divide between these young solicitors and the barristers at the top. Yet they are the initial point of contact with the police, and it is they who do most of the liaising with the victims and the witnesses - and recommend what goes to court. They are committed, idealistic and hard-working, but their lives away from the office are riddled with aspirations, explorations, fragile relationships and partying. A SCREENTIME production for ABC TV Page 2 ABOUT THE PRODUCTION Currently in production, the outstanding ensemble cast includes Todd Lasance (Cloudstreet, Underbelly Files – Tell Them Lucifer Was Here, Rescue Special Ops, Home & Away) Hamish Michael (Spirited, City Homicide, Lucky Miles); Ella Scott Lynch (City Homicide, All Saints, The Falls); Andrea Demetriades (Bell Shakespeare Company, All Saints) and Indiana Evans (A Model Daughter: The Killing of Caroline Byrne, H2O -
Annual Report 2006-2007 Pacific Film and Television Commission
Pacifi c Film and Television Commission Annual Report 2006-2007 Contents Vision 1 Chair’s Message 2 CEO’s Message 4 Corporate Plan 2004-2009 6 2006-2007 Highlights 7 Objective 1 8 Objective 2 24 Production Listing 29 Overseas Travel and Consultancy Costs 30 Financial Statements 32 (cover main image) Claudia Karvan in Daybreakers | Lionsgate and Paradise Pty Ltd (cover smaller images left to right) Brisbane International Film Festival featured guest Bob Randall, co-producer and narrator, Kanyini Joel Edgerton in Acolytes | Stewart Wall Entertainment Fool’s Gold | Warner Brothers Crew on location at Mission Beach, Far North Queensland Jeremy Lindsay Taylor, Ian Stenlake and Lisa McCune in TV series Sea Patrol | McElroy All Media 2 The Pacifi c Film & Television Commission Pty Ltd Annual Report 2007 Vision Chris Brown, Peter Spierig, Claudia Karvan, Ethan Hawke, Michael Spierig at Daybreakers (Lionsgate and Paradise Pty Ltd) press conference at Warner Roadshow Studios The Pacifi c Film and Television Commission (PFTC) will be a world leader in initiating, facilitating and celebrating a sustainable and creative fi lm and television industry. PFTC’s two objectives are: Industry Development: Develop a sustainable screen industry that provides signifi cant social, cultural and economic benefi ts for Queensland; and Screen Culture: Develop a screen culture for Queensland audiences. The Pacifi c Film & Television Commission Pty Ltd Annual Report 2007 1 Chair’s Message The Pacifi c Film and Television Commission (PFTC) to ensure Queensland’s screen industry continues to is committed to developing a sustainable screen grow and remain a competitive force. industry and culture that provides signifi cant social, While 2006-07 heralded a resurgence in production, cultural and economic benefi ts to Queenslanders. -
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Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
Global Consumptive Water Use for Crop Production: the Importance of Green Water and Virtual Water Junguo Liu,1,2 Alexander J
WATER RESOURCES RESEARCH, VOL. 45, W05428, doi:10.1029/2007WR006051, 2009 Click Here for Full Article Global consumptive water use for crop production: The importance of green water and virtual water Junguo Liu,1,2 Alexander J. B. Zehnder,3 and Hong Yang2 Received 19 March 2007; revised 19 January 2009; accepted 24 March 2009; published 28 May 2009. [1] Over the last 4 decades the use of blue water has received increasing attention in water resources research, but little attention has been paid to the quantification of green water in food production and food trade. In this paper, we estimate both the blue and green water components of consumptive water use (CWU) for a wide range of agricultural crops, including seven cereal crops, cassava, cotton, groundnuts, potatoes, pulses, rapeseed, soybeans, sugar beets, sugarcane, and sunflower, with a spatial resolution of 30 arc min on the land surface. The results show that the global CWU of these crops amounted to 3823 km3 aÀ1 for the period 1998–2002. More than 80% of this amount was from green water. Around 94% of the world crop-related virtual water trade has its origin in green water, which generally constitutes a low-opportunity cost of green water as opposed to blue water. High levels of net virtual water import (NVWI) generally occur in countries with low CWU on a per capita basis, where a virtual water strategy is an attractive water management option to compensate for domestic water shortage for food production. NVWI is constrained by income; low-income countries generally have a low level of NVWI. -
Law & Disorder
LAW & DISORDER RAKE LAW & DISORDER RAKE SERIES FOUR / 8 X ONE HOUR TV SERIES THURSDAY MAY 19 8.30PM STARRING RICHARD ROXBURGH WRITTEN BY PETER DUNCAN & ANDREW KNIGHT PRODUCED BY IAN COLLIE, PETER DUNCAN & RICHARD ROXBURGH ESSENTIAL MEDIA & BLOW BY BLOW MEDIA CONTACT Kristine Way / ABC TV Publicity T 02 8333 3844 M 0419 969 282 E [email protected] SERIES SYNOPSIS Last seen dangling from a balloon road leading straight to our dark drifting across the Sydney skyline, corridors of power. Cleaver Greene (Richard Roxburgh) Twisting and weaving the stories of crashes back to earth - literally and the ensemble of characters we’ve metaphorically, when he’s propelled grown to love over three stellar through a harbourside window into the seasons, Season 4 of Rake continues unwelcoming embrace of chaos past. the misadventures of dissolute Cleaver Fleeing certain revenge, Cleaver Greene and casts the fool’s gaze on all hightails it to a quiet country town, the levels of politics, the legal system, and reluctant member of a congregation our wider fears and obsessions. led by a stern, decent reverend and ALSO STARS Russell Dykstra, Danielle his flirtatious daughter. Before long Cormack, Matt Day, Adrienne Cleaver’s being chased back to Sin City. Pickering, Caroline Brazier, Kate Box, But Sydney has become a dark Keegan Joyce and Damien Garvey. place: terrorist threats and a loss of GUEST APPEARANCES from Miriam faith in authority have seen it take a Margolyes, Justine Clarke, Tasma turn towards the dystopian. When Walton, John Waters, Simon Burke, Cleaver finally emerges, he will be Rachael Blake, Rhys Muldoon, Louise accompanied by a Mistress of the Siversen and Sonia Todd.