"Daybreakers" Starring Ethan Hawke, Willem Dafoe, Sam Neill and Claudia Karvan

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Presenta DAYBREAKERS VAMPIROS DEL DÍA con Ethan Hawke Y Willem Dafoe En el año 2019, el recurso natural más preciado somos nosotros: los humanos SINOPSIS Los vampiros toman una nueva dirección en este thriller futurista. Estamos en 2019. Una plaga ha transformado a la mayor parte de la población mundial en vampiros. La población humana se acerca a la extinción y los vampiros deben capturar a los que quedan y crear granjas humanas, o encontrar un sustituto de la sangre lo antes posible. Sin embargo, un grupo secreto de vampiros hace un descubrimiento que tiene el poder de salvar la raza humana. Luego del éxito de su film de horror, UNDEAD, los escritores y directores Peter and Michael Spierig decidieron incursionar en las películas de vampiros con DAYBREAKERS, VAMPIROS DEL DIA, un thriller de ciencia ficción. Pero en lugar de hacer referencia a Bram Stoker o a Anne Rice, los hermanos ubican a los vampiros en el futuro, imaginando un mundo no tan distante en el cual todas las personas, desde un niño de escuela hasta el presidente de una compañía, es un bebedor de sangre. DAYBREAKERS, VAMPIROS DEL DIA reflexiona sobre lo que pasaría y como nos adaptaríamos si todos nos convirtiéramos en vampiros mañana, explica Michael Spierig. Cambia las reglas de las películas típicas de vampiros sin descartar ni maltratar lo que más nos gusta del género. ELENCO Ethan Hawke ... Edward Dalton Willem Dafoe ... Lionel ‘Elvis’ Cormac Claudia Karvan ... Audrey Bennett Michael Dorman ... Frankie Dalton Vince Colosimo ... Christopher Caruso Isabel Lucas ... Alison Bromley Sam Neill ... Charles Bromley FICHA ARTISTICA Escrita y dirigida por The Spierig Brothers Producida por Sean Furst, Bryan Furst y Chris Brown Productores ejecutivos: Jason Constantine y Peter Block Co-Productores: Todd Fellman Director de fotografía: Ben Nott ACS Edición: Matt Villa Diseño de vestuario: George Liddle Música: Christopher Gordon Efectos especiales: Postmodern Sydney, Kanuka Studio y The Spierig Brothers Maquillaje: Steve Boyle Casting: Nikki Barrett FICHA TECNICA Título Original: Daybreakers Género: Thriller/ Ciencia Ficción/ Acción/ Drama Año: 2009 Duración: 98 minutos Idioma: Inglés País: Australia / Estados Unidos Sitio Web: http://www.daybreakersmovie.com/ 2.

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CONTENTS Preface Introduction Claudia Karvan Tara June Winch
CONTENTS Preface by Clare Bowditch ��v Introduction by Rachel Power. 1 Claudia Karvan Actor . 11 Tara June Winch Author . 25 Holly Throsby Musician. 35 Jocelyn Moorhouse Filmmaker. 47 Del Kathryn Barton Artist . 57 Brenda Walker Author . 69 Felicity Bott Dancer and choreographer . 81 Deline Briscoe Musician. 93 Cate Kennedy Author . .103 20150203_Motherhood_Internals_FA.indd 13 3/02/2015 4:46 pm Rachel Griffiths Actor . .115 Tegan Bennett Daylight & Beth Norling Author & Artist and illustrator . .129 Sarah Tomasetti Artist . .145 Clare Bowditch Musician. .155 Lisa Gorton Poet and author . .167 Pip Lincolne Craft maker and blogger . .177 Joanna Murray-Smith Playwright and author . .187 Nikki Gemmell Author . .203 Lily Mae Martin Artist . .215 Alice Garner Actor, musician and author ��223 Martine Murray & Sally Rippin Children’s authors and illustrators ��233 Notes on Contributors . .243 20150203_Motherhood_Internals_FA.indd 14 3/02/2015 4:46 pm Claudia Karvan Actor or women of my generation, Claudia Karvan is the actor we have grown up with. From her movies High Tide, The Big Steal and The Heartbreak Kid, to her Froles in some of the country’s most successful television series, including The Secret Life of Us, Love My Way and The Time of Our Lives, her characters’ lives have mirrored ours across the years. The fact that she has largely remained in Australia throughout her career makes this particularly the case. Claudia is the mother of two children, Audrey and Albee, with environmental engineer Jeremy Sparks, and stepmother to his daughter, Holiday. As a child, Claudia’s mother and stepfather ran the ultra-cool, bohemian nightclub Arthur’s, in Kings Cross, and the family lived in a part of Sydney considered so dubious that her school declared it permanently ‘out of bounds’.
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MICHAEL YEZERSKI Composer FILM CREDITS
MICHAEL YEZERSKI Composer Michael Yezerski’s musical works are highly evocative, original and diverse. From the symphonic grittiness of THE TAX COLLECTOR to the quiet drama of BLINDSPOTTING; from the avant- garde horror drones of THE DEVIL’S CANDY to the heartfelt FEEL THE BEAT and THE BLACK BALLOON; Michael brings a signature musical intensity to every project he takes on. Hailing originally from Australia, and with a background in both contemporary concert music and electronic music production, Michael blends styles and influences in a way that pushes the boundaries of what dramatic film music can be. Rich in technique and sitting comfortably at the border with avant-garde music design, Michael’s work is nevertheless fundamentally human and melodic at its core. Born in Sydney, Michael is a multiple award-winning composer who creates music that is shaped from the perspective of an outsider – constantly fluid, ever changing, unbound by system – curious and always evolving. Recent projects include the hit international series MR INBETWEEN, Keith Thomas’ wondrously terrifying THE VIGIL and the Stephen Dorff starrer DEPUTY for FOX / Cedar Park. Earlier career highlights include HBO’s ONLY THE DEAD SEE THE END OF WAR, his first feature film THE BLACK BALLOON (winner of 8 AFI/AACTA Awards including Best Picture), PJ Hogan’s MENTAL, WOLF CREEK SERIES 2, CATCHING MILAT, PETER ALLEN, the Academy Award winning animated short, THE LOST THING and his collaboration with Richard Tognetti and the Australian Chamber Orchestra, THE RED TREE. Michael
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THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son.
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Reminder List of Productions Eligible for the 86Th Academy Awards
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16 發光的城市 A R O U N D T O W N FRIDAY, MAY 7, 2010 • TAIPEI TIMES FILM REVIEW OTHER RELEASES orn and raised in a day of rest turns into an students at New York University. playing guitar on their couch as to whether the GIO wants COMPILED BY IAN BartHOLOmeW Malaysia, educated in adventure in which the two When Ho decided to bring to if they were taking a boat trip to encourage creativity or North America and wayfarers encounter various life an image inspired by Roman back to their seaside hometown. bureaucracy. We’d like to having worked and characters as they trek through Polanski’s 1958 short Two Men The film may be upbeat discuss with the [GIO] how The Cove lived in Taipei for the Taipei’s urban hinterland. and a Wardrobe through a tale in tone, but the prospect of to make the regulations more A documentary about an industry that Bpast nine years, Ho Wi-ding (何 Pinoy Sunday shows a of Filipino migrant workers, it reaching a great number of flexible for movies about new kills thousands of dolphins every year 蔚庭) knows what it is to be an different side of Taipei that is he embarked on an intense audiences is not. Despite the immigrants,” Ho said. that combines elements of the heist outsider. This no doubt is part foreign to most of the city’s year-long research project that favorable reviews the film has Foreign migrant workers movie with agitprop. National Geographic of the reason why the director inhabitants.
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Daybreakers and the Vampire Movie
16 • Metro Magazine 164 THERE WILL BE BLOOD Daybreakers and the Vampire Movie The enduring popularity of the vampire figure has led to some truly creative and original films as well as some downright disasters. Rjurik Davidson examines the current fascination with this genre and explores why the latest Australian offering fails to deliver despite its very promising beginning. HE VAMPIRE is the fantasy figure of the moment. Where only five years ago it was the ubiquitous boy magician Harry Potter who dominated fan- Ttasy film, now it is the vampire. Almost like a symbol of itself – transmit- ting dangerously out of control like a virus – the vampire has spread throughout popular culture, largely on the back of Stephenie Meyer’s wildly popular Twilight books and movies (Twilight [Catherine Hardwicke, 2008], New Moon [Chris Weitz, 2009]), so that there are now vampire weddings, vampire bands, a flurry of vampire novels and vampire television shows like True Blood. Recently, The Age reported that we are a nation obsessed with ‘vampires and AFL’ and that New Moon and Twilight were the most Googled movies in Australia during 2009.1 One of the great attractions of the vampire is that it can be a symbol for many things. As a symbol for the decaying aristocracy in Bram Stoker’s classic 1897 novel Dracula, the vampire has the allure of charisma and sex. Indeed, Dracula drew upon John Polidori’s 1819 portrait of Lord Byron in The Vampyre. In the symbol of the vampire, sex and death are entwined in the single act of drinking some- one’s blood.
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Ftonews#202 2
24 November 2006 Subject: FTONEWS#202 Date: 24 November 2006 From: ftonews <[email protected]> Conversation: FTONEWS#202 --------------------------------------------------------------------------------------------------------------------- FTONEWS #202: --------------------------------------------------------------------------------------------------------------------- FTO ANNUAL REPORT 05/06 AVAILABLE ONLINE The NSW Film and Television Office (FTO) Annual Report 2005/2006 can be downloaded from the FTO website or a hardcopy can be obtained from the office. PH: 9264 6400 http://www.fto.nsw.gov.au/content.asp?content=5&Id=23 --------------------------------------------------------------------------------------------------------------------- FTO CONGRATULATES NSW INSIDE FILM AWARD WINNERS The FTO congratulates the cast and crew of the feature film SUBURBAN MAYHEM, winner of three Inside Film Awards. SUBURBAN MAYHEM, supported by the FTO with development and production investment and a Regional Filming Fund grant, won major three awards - Best Actress (Emily Barclay), Best Music (Mick Harvey, Norman Parkhill) and Best Editing (Stephen Evans). SUBURBAN MAYHEM was filmed entirely on location in New South Wales, in and around the regional centre of Newcastle. The FTO would also like to congratulate NSW producer and former FTO Board Member Jan Chapman who received the Living Legend IF Award for her contribution to the Australian screen industry. ---------------------------------------------------------------------------------------------------------------------
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A SCREENTIME Production for ABC TV
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Damon Gameau
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