chapter Mapping Cultural 5 Identities
Culture as a Geographical Process 190 Culture and Identity 220 Building Cultural Complexes 191 Culture and the Physical Environment 226 Cultural Systems 196 Globalization and Cultural Change 230
photo to come Main Points 189
o celebrate the millennium, the Royal Bank of Canada produced a 60-minute Tvideo entitled Royal Bank’s Over Canada.1 It consists of stunningly pho- tographed aerial views of this country, carefully edited to take us on a journey from Newfoundland to Nunavut to British Columbia. It highlights the enormity of this country and the great differences in physical geography that exist across it. But it also makes evident the great impact on the landscape of human endeavour, whether it be from roads, railroads, canals, fortifications, farms, villages, or cities. Even the unsettled and supposedly wild or remote areas of Canada have been included in the video. These are all places that have been mapped, named, and appropriated by us as an important part of our image of “Canada.” Over the course of the hour-long video, viewers realize that human impacts have combined to create distinctive patterns across the landscape. For example, the small, scattered cottages and wharves of Newfoundland fishing villages such as Twillingate are strung out around small bays, facing the sea, the source of their livelihood. In Manitoba, on the other hand, viewers catch a glimpse of the regimented line of grain elevators along the railroad at Inglis and the small grid-planned town laid out behind them. In the distance stretch hectares of farmland laid out according to vast rectangular surveys, dotted with regularly spaced farmhouses, each surrounded by a windbreak of trees. Such a view con- trasts with other agricultural scenes, such as one shown along Quebec’s Richelieu River, where the “long lot” field boundaries of the first French colonists still survive in today’s landscape. Geographers suggest that an important reason why these human land- scapes are so distinctive is that they have been shaped by different cultures. Cultures may respond differently to the challenges of the physical realm, and different cultural attitudes toward living arrangements or land ownership can have very different impacts on the “look of the land.” In short, that “look of the land” is what geographers have called the cultural landscape. Culture has been and continues to be a central concept in geography, although our understanding of its meaning and its impact have changed con- siderably over the last two decades. In this chapter, we examine the many ways that geographers have explored the concept of culture and the insights they have gained from these explorations. We explore the questions, What counts as culture? How do geographers study it? In this chapter, we distinguish between a geographer’s approach and an anthropologist’s approach to culture. After providing background on some of the earliest approaches to cultural geography, we examine the many new ways that geographers have begun to address culture. Main Points Though culture is a central, complex concept in geography, it may be thought of as a way of life involving a particular set of skills, values, and meanings. Geographers are particularly concerned about how place and space shape culture and, conversely, how culture shapes place and space. They recognize that culture is dynamic, and is contested and altered within larger social, political, and economic contexts. Like other fields of contemporary life, culture has been profoundly affected by globalization. However, globalization has not produced a homogenized culture so much as it has produced distinctive impacts and outcomes in different societies and geographical areas as global forces come to be modified by local cultures.
1Royal Bank’s Over Canada: An Aerial Journey Over Canada for the Millennium. The Jim Pattison Group in association with Gary McCartie Productions and KCTS Television, Royal Bank of Canada, 1999, 60-minute video cassette. 190 Chapter 5 Mapping Cultural Identities