Nielsen Television Services
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Putting National Party Convention
CONVENTIONAL WISDOM: PUTTINGNATIONAL PARTY CONVENTION RATINGS IN CONTEXT Jill A. Edy and Miglena Daradanova J&MC This paper places broadcast major party convention ratings in the broad- er context of the changing media environmentfrom 1976 until 2008 in order to explore the decline in audience for the convention. Broadcast convention ratings are contrasted with convention ratingsfor cable news networks, ratings for broadcast entertainment programming, and ratings Q for "event" programming. Relative to audiences for other kinds of pro- gramming, convention audiences remain large, suggesting that profit- making criteria may have distorted representations of the convention audience and views of whether airing the convention remains worth- while. Over 80 percent of households watched the conventions in 1952 and 1960.... During the last two conventions, ratings fell to below 33 percent. The ratings reflect declining involvement in traditional politics.' Oh, come on. At neither convention is any news to be found. The primaries were effectively over several months ago. The public has tuned out the election campaign for a long time now.... Ratings for convention coverage are abysmal. Yet Shales thinks the networks should cover them in the name of good cit- izenship?2 It has become one of the rituals of presidential election years to lament the declining television audience for the major party conven- tions. Scholars like Thomas Patterson have documented year-on-year declines in convention ratings and linked them to declining participation and rising cynicism among citizens, asking what this means for the future of mass dem~cracy.~Journalists, looking at conventions in much the same way, complain that conventions are little more than four-night political infomercials, devoid of news content and therefore boring to audiences and reporters alike.4 Some have suggested that they are no longer worth airing. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
What Are They Doing There? : William Geoffrey Gehman Lehigh University
Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context .................................. -
Nickelodeon's Groundbreaking Hit Comedy Icarly Concludes Its Five-Season Run with a Special Hour-Long Series Finale Event, Friday, Nov
Nickelodeon's Groundbreaking Hit Comedy iCarly Concludes Its Five-season Run With A Special Hour-long Series Finale Event, Friday, Nov. 23, At 8 P.M. (ET/PT) Carly Shay's Air Force Colonel Father Appears for First Time in Emotional Culmination of Beloved Series SANTA MONICA, Calif., Nov. 14, 2012 /PRNewswire/ -- Nickelodeon's groundbreaking and beloved hit comedy, iCarly, which has entertained millions of kids and made random dancing and spaghetti tacos pop culture phenomenons, will end its five- season run with an unforgettable hour-long series finale event on Nickelodeon Friday, Nov. 23, at 8 p.m. (ET/PT) . (Photo: http://photos.prnewswire.com/prnh/20121114/NY13645 ) In "iGoodbye," Spencer (Jerry Trainor) offers to take Carly (Miranda Cosgrove) to the Air Force father-daughter dance when their dad, Colonel Shay, isn't able to accompany her because of his overseas deployment. When Spencer gets sick and can't take her, Freddie (Nathan Kress) and Gibby (Noah Munck) try to cheer Carly up by offering to go with her. Colonel Shay surprises everyone when he arrives just in time to take Carly to the dance. When they return from their wonderful evening together, Carly is disappointed to learn her dad must return to Italy that evening and she is faced with a very difficult decision. "iCarly has been a truly definitional show that was the first to connect the web and TV into the fabric of its story-telling, and we are so very proud of it and everyone who worked on it," said Cyma Zarghami, President, Nickelodeon Group. -
Rating the Audience: the Business of Media
Balnaves, Mark, Tom O'Regan, and Ben Goldsmith. "Bibliography." Rating the Audience: The Business of Media. London: Bloomsbury Academic, 2011. 256–267. Bloomsbury Collections. Web. 2 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 14:23 UTC. Copyright © Mark Balnaves, Tom O'Regan and Ben Goldsmith 2011. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Bibliography Adams, W.J. (1994), ‘Changes in ratings patterns for prime time before, during, and after the introduction of the people meter’, Journal of Media Economics , 7: 15–28. Advertising Research Foundation (2009), ‘On the road to a new effectiveness model: Measuring emotional responses to television advertising’, Advertising Research Foundation, http://www.thearf.org [accessed 5 July 2011]. Andrejevic, M. (2002), ‘The work of being watched: Interactive media and the exploitation of self-disclosure’, Critical Studies in Media Communication , 19(2): 230–48. Andrejevic, M. (2003), ‘Tracing space: Monitored mobility in the era of mass customization’, Space and Culture , 6(2): 132–50. Andrejevic, M. (2005), ‘The work of watching one another: Lateral surveillance, risk, and governance’, Surveillance and Society , 2(4): 479–97. Andrejevic, M. (2006), ‘The discipline of watching: Detection, risk, and lateral surveillance’, Critical Studies in Media Communication , 23(5): 392–407. Andrejevic, M. (2007), iSpy: Surveillance and Power in the Interactive Era , Lawrence, KS: University Press of Kansas. Andrews, K. and Napoli, P.M. (2006), ‘Changing market information regimes: a case study of the transition to the BookScan audience measurement system in the US book publishing industry’, Journal of Media Economics , 19(1): 33–54. -
080905 Tv Land Premieres Tv Land Confidential, a New Original Series
Contacts: Jennifer Zaldivar Vanessa Reyes TV Land & Nick at Nite MTV Networks 212/846-8964 310/752-8081 IT USED TO BE CLASSIFIED INFORMATION BUT NOT ANYMORE… TV LAND PREMIERES TV LAND CONFIDENTIAL, A NEW ORIGINAL SERIES ON SEPTEMBER 14 Series Reveals Untold Stories from Television’s Celebrated Shows and Stars New York, NY, August 9, 2005 – What happened when Barbara Eden found out she was pregnant the same day the I Dream of Jeannie pilot was picked up by NBC? How did Garry Marshall handle network objections to Fonzie wearing a leather jacket on Happy Days ? What did Phil Rosenthal do when he was asked to make Everybody Loves Raymond sexier? You’ve seen the shows and you know all the characters. Now, the network that brings you America’s most beloved television shows, shares the stories you haven’t heard with the debut of its next original series, TV Land Confidential . Beginning September 14, 2005 at 10 p.m. (ET/PT), this seven episode series kicks off with “Network Notes,” and airs every Wednesday at 10 p.m. through October 26. The series is executive produced by David P. Levin of BrainStorm Inc. “These are the untold stories behind some of the greatest shows on TV,” explains Sal Maniaci, Vice President, Development and Production, TV Land and Nick at Nite. “We are thrilled to continue to create originals for TV Land that celebrate all that is special about television.” Each 30-minute episode of TV Land Confidential is filled with anecdotes and clips, bringing viewers the tales behind their favorite comedies, dramas and commercials on and off the screen, from the earliest days of the Golden Age of television through today’s current hits. -
Forecasting with Twitter Data: an Application to Usa Tv Series Audience
L. Molteni & J. Ponce de Leon, Int. J. of Design & Nature and Ecodynamics. Vol. 11, No. 3 (2016) 220–229 FORECASTING WITH TWITTER DATA: AN APPLICATION TO USA TV SERIES AUDIENCE L. MOLTENI1 & J. PONCE DE LEON2 1Decision Sciences Department, Bocconi University, Milan, Italy. 2Target Research, Milan, Italy. ABSTRACT Various researchers and analysts highlighted the potential of Big Data, and social networks in particular, to optimize demand forecasts in managerial decision processes in different sectors. Other authors focused the attention on the potential of Twitter data in particular to predict TV ratings. In this paper, the interactions between television audience and social networks have been analysed, especially considering Twitter data. In this experiment, about 2.5 million tweets were collected, for 14 USA TV series in a nine-week period through the use of an ad hoc crawler created for this purpose. Subsequently, tweets were classified according to their sentiment (positive, negative, neutral) using an original method based on the use of decision trees. A linear regression model was then used to analyse the data. To apply linear regression, TV series have been grouped in clusters; clustering is based on the average audience for the individual series and their coefficient of variability. The conclusions show and explain the existence of a significant relationship between audience and tweets. Keywords: Audience, Forecasting, Regression, Sentiment, TV, Twitter. 1 INTRODUCTION Many authors in these years highlighted the potential of Big Data in general to support better quantitative forecasting approaches to economic data. In particular, a recent and very interesting work from Hassani and Silva [1] summarized the problems and potential of Big Data forecasting. -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
Effective 7/12/20
Daniel Boone EFFECTIVE 7/12/20 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a I Love Lucy The Beverly Hillbillies 6:30a 7:00a The Beverly Hillbillies Bat Masterson Saved by the Bell (E/I) 7:00a 7:30a My Three Sons Bat Masterson Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:00a 8:30a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:30a 9:00a Have Gun, Will Travel Saved by the Bell (E/I) 9:00a Perry Mason 9:30a Have Gun, Will Travel Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Flintstones 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p Gunsmoke Gunsmoke 1:00p 1:30p Gunsmoke Gunsmoke 1:30p 2:00p Happy Days 2:00p Bonanza Bonanza 2:30p Happy Days 2:30p 3:00p The Rifleman Laverne & Shirley 3:00p Rawhide 3:30p The Rifleman Laverne & Shirley 3:30p 4:00p Wanted: Dead or Alive Happy Days 4:00p Wagon Train 4:30p Wanted: Dead or Alive Happy Days 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C. -
031906 It's a Parade of Stars As Tv Land Honors Dallas
Contacts: Jennifer Zaldivar Vanessa Reyes TV Land TV Land 646/228-2479 310/752-8081 IT’S A PARADE OF STARS AS TV LAND HONORS DALLAS, CHEERS, GOOD TIMES, BATMAN AND GREY’S ANATOMY Diana Ross, Billy Crystal, Hilary Swank, Patrick Dempsey, Robert Downey Jr., Mary Tyler Moore, Sid Caesar, Patrick Duffy, Larry Hagman, Ted Danson, Kelsey Grammer, John Amos, Jimmy “JJ” Walker, Jeremy Piven and Quentin Tarantino Among Dozens of Performers Celebrating Classic TV Santa Monica, CA, March 19, 2006 – It was an unforgettable evening as celebrities from television, music and film bestowed special tribute awards tonight to some of television’s most beloved series and stars at the fourth annual TV Land Awards: A Celebration of Classic TV . The honored shows included Cheers (Legend Award), Dallas (Pop Culture Award), Good Times (Impact Award), Batman (40 th Anniversary) and Grey’s Anatomy (Future Classic Award). The TV Land Awards was taped at The Barker Hangar on Sunday, March 19 and will air on TV Land (and simulcast on Nick at Nite) Wednesday, March 22 from 9 p.m. to 11 p.m. ET/PT. This star-studded extravaganza featured some unforgettable moments such as when actor and comedian Billy Crystal presented TV icon Sid Caesar with The Pioneer Award. Grammy award-winning superstar Diana Ross performing a medley of her famous hits including “Touch Me in the Morning,” “The Boss,” “Do You Know,” and “Ain’t No Mountain High Enough.” Acclaimed actor Robert Downey Jr. presented two-time Oscar winner Hilary Swank with the Big Screen/Little Star award. -
Math in the Media: Syndicated Programming
Math in the Media: Syndicated Programming Math In The Media Syndication Ratings: Talk Shows, Game Shows Finish Season Strong First-Run Strips Gear Up for Sept. 10 Season Premieres By Paige Albiniak — Broadcasting & Cable, 9/5/2007 The 2006-07 syndication season came to a close in the week ending Aug. 26, with talk and game shows hitting a high note while most first-run strips prepared for their Sept. 10 season premieres. In talk, the week’s big winner was NBC Universal’s The Martha Stewart Show, which will also begin running in primetime on Scripps’ Fine Living Sept. 10. The show gained 11% to a 1.0 household rating, according to Nielsen Media Research. That’s thanks in part to a 1.2 rating after Donny Osmond appeared Aug. 21. Warner Bros.’ Ellen also had a good showing, jumping 7% to a 1.6. Ellen kicked off her fifth season Tuesday with an appearance by Sen. Hillary Clinton (D-N.Y.). That show, which aired from New York, averaged a 2.5 rating/7 share in 55 metered markets. That’s up 19% from Ellen’s September 2006 launch, at a 2.1/6, and up 39% from her 1.8/6 average lead-in. The third-largest gain in talk went to NBC Universal’s Maury, which jumped 5% to a 2.1. Among the top three, CBS’ Oprah was flat at a 4.4; CBS’ Dr. Phil was down 5% to a 3.5; and Disney-ABC’s Live with Regis and Kelly dropped 10% to a 2.6 with a week of “repackaged” episodes.