Quidditas Volume 33 Article 9 2012 Modernizing Matthew Paris: The Standards and Practices of the First Printed Editions Kristen Geaman University of Southern California Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Geaman, Kristen (2012) "Modernizing Matthew Paris: The Standards and Practices of the First Printed Editions," Quidditas: Vol. 33 , Article 9. Available at: https://scholarsarchive.byu.edu/rmmra/vol33/iss1/9 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact
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[email protected]. Quidditas 33 (2012) 117 Modernizing Matthew Paris: The Standards and Practices of the First Printed Editions Kristen Geaman University of Southern California This article discusses the first printed editions of Mathew Paris’s thirteenth-cen- tury chronicle, Chronica Maiora, arguing that these editions show a much higher level of editorial sophistication than has yet been recognized. Written between 1235 and 1259, the Chronica Maiora is one of the most extensive and detailed chronicles of medieval England; yet the work was not printed until 1571, as part of a series of historical publications overseen by Matthew Parker, Archbishop of Canterbury. Although the text of Parker’s edition has been almost universally criticized by scholars, this work suggests that he actually set a high editorial stan- dard, especially by collating several manuscripts to produce his edition. His suc- cessor, William Wats, who republished Matthew Paris in 1640, went even further with his collations, adding at the end of his edition an appendix that detailed the differences among the seven manuscripts used.