Shoreditch & Hoxton
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STYLISH NEW 1, 2 AND 3 BEDROOM APARTMENTS, REDEFINING CITY LIFE PRESENTED BY FEATURE 17 WALTHAMSTOW YOUR NEW HOME IN A STUNNING NEW DEVELOPMENT IF YOU APPRECIATE CUTTING-EDGE DESIGN AND EXCEPTIONAL FACILITIES, THEN YOU’LL LOVE SCENE 2; The next phase of our impressive Feature 17 development at the very centre of the vibrant Wood Street area. The progressive, modern design of Scene 2 sets an ambitious new tone for Walthamstow, located within a diverse tapestry of shops, bars, cafes, galleries, parks, local amenities and travel connections. You’ll find yourself at the heart of a buzzing city community, with everything you need for exercise, culture, retail therapy and socialising - as well as fast access to the City - right on your doorstep. Named after Wood Street’s silent cinema heritage dating back to the early part of the 20th century, Scene 2 comprises 98 stylish, contemporary 1, 2 and 3 bedroom apartments across three blocks where distinctive architecture meets landscaped, open spaces and play parks. With surrounding local shops and further communal spaces planned, Feature 17 sets high standards in urban design creating a new, vibrant community and a place you will love to call home. FEATURE 17 / SCENE 2 | WALTHAMSTOW 03 PLACES PEOPLE LOVE SCENE 2’S POSITION IN THIS DYNAMIC, DIVERSE AND HISTORIC PART OF NORTH-EAST LONDON MEANS YOU CAN FULLY ENJOY ALL OF THE AREA’S MANY OPTIONS FOR EATING, DRINKING, SHOPPING AND TRAVEL. THE UK’S INCREDIBLE CAPITAL PROVIDES THE PERFECT BACKDROP FOR A COMFORTABLE, CREATIVE, WELL-CONNECTED LIFESTYLE. This is a computer generated image. -
SHOREDITCH HIGH STREET, HACKNEY P91/LEN Page 1 Reference Description
LONDON METROPOLITAN ARCHIVES Page 1 SAINT LEONARD, SHOREDITCH: SHOREDITCH HIGH STREET, HACKNEY P91/LEN Reference Description Dates PARISH RECORDS - LMA holdings Parish Records P91/LEN/0001 Monthly list of burial dues Apr 1703-Apr Gives details of persons buried, i.e., name, 1704 man/woman, address, old/new ground, and dues. Paper cover is part of undertaking by Humphry Benning and John Milbanke to pay John Chub for fish taken to Portugal from Newfoundland, John -- of Plymouth, Devon, and Hen------ of Looe, Cornwall, having interest in the ship 28 Nov [1672] P91/LEN/0002 CALL NUMBER NO LONGER USED P91/LEN/0003 Draft Vestry minute book Mar 1833-Aug 1837 P91/LEN/0004 Notices of meetings of Vestry and of Trustees Jul 1779-Jan of the Poor, with note of publication 1785 P91/LEN/0005 Notices of meetings of Vestry, for various Sep 1854-Feb purposes 1856 P91/LEN/0006 Register of deeds, etc. belonging to the parish Dec 1825 and to charities Kept in boxes in the church. Includes later notes of those borrowed and returned P91/LEN/0007 Minute Book of Trustees May 1774-Aug Under Act for the better relief and employment 1778 of the poor within the parish of St Leonard, Shoreditch P91/LEN/0008 Minute Book of Trustees Aug 1778-May Under Act for the better relief and employment 1785 of the poor within the parish of St Leonard, Shoreditch P91/LEN/0009 Minute Book of Trustees Jun 1785-Jun Under Act for the better relief and employment 1792 of the poor within the parish of St Leonard, Shoreditch LONDON METROPOLITAN ARCHIVES Page 2 SAINT LEONARD, SHOREDITCH: -
394 Homerton – Hoxton – Islington
394 Homerton–Hoxton–Islington 394 Mondays to Fridays HomertonHospitalHomertonGrove 0530 0550 0610 0630 0645 0656 0706 0716 0726 0737 0747 0757 0808 0820 0832 0844 0856 0908 HackneyTesco 0533 0554 0615 0635 0650 0701 0712 0722 0732 0744 0756 0806 0818 0830 0842 0854 0906 0918 LondonFieldsBroadwayMarket 0539 0600 0621 0641 0656 0708 0719 0730 0741 0753 0805 0815 0827 0839 0851 0903 0915 0927 WhistonRoadQueensbridgeRoad 0543 0605 0626 0646 0701 0714 0725 0736 0747 0759 0811 0822 0834 0846 0858 0910 0921 0933 CherburyStreet 0550 0613 0634 0654 0709 0722 0734 0746 0758 0810 0822 0834 0846 0858 0910 0922 0932 0944 CityRoadShepherdessWalk 0554 0618 0639 0659 0714 0727 0740 0752 0804 0816 0827 0839 0851 0903 0915 0927 0937 0949 IslingtonTolpuddleStreet 0559 0625 0646 0707 0723 0737 0750 0803 0815 0827 0838 0850 0902 0914 0924 0935 0945 0957 HomertonHospitalHomertonGrove 0921 0934 #$10 #$21 #$32 #$43 1755 1807 1819 1831 1846 1901 1921 1940 HackneyTesco 0930 0942 Then #$18 #$29 #$40 #$51 Then 1803 1815 1827 1839 1854 1909 1928 1946 LondonFieldsBroadwayMarket 0939 0951 every12 #$27 #$38 #$50 1501 every12 1813 1825 1836 1847 1902 1917 1936 1954 WhistonRoadQueensbridgeRoad 0945 0957 minutes #$33 #$45 #$57 1509 minutes 1821 1833 1843 1853 1908 1923 1941 1959 CherburyStreet 0956 1008 until #$44 #$56 1508 1520 until 1832 1843 1853 1903 1918 1933 1950 2008 CityRoadShepherdessWalk 1001 1013 #$49 1501 1513 1525 1837 1848 1858 1908 1923 1938 1955 2013 IslingtonTolpuddleStreet 1009 1021 #$57 1509 1521 1533 1845 1856 1906 1916 1931 1945 2002 2020 HomertonHospitalHomertonGrove -
St. Margaret's in Eastcheap
ST. MARGARET'S IN EASTCHEAP NINE HUNDRED YEARS OF HISTORY A Lecture delivered to St. Margaret's Historical Society on January 6th, 1967 by Dr. Gordon Huelin "God that suiteth in Trinity, send us peace and unity". St. Margaret's In Eastcheap : Nine hundred years of History. During the first year of his reign, 1067, William the Conqueror gave to the abbot and church of St. Peter's, Westminster, the newly-built wooden chapel of St. Margaret in Eastcheap. It was, no doubt, with this in mind that someone caused to be set up over the door of St. Margaret Pattens the words “Founded 1067”. Yet, even though it seems to me to be going too far to claim that a church of St. Margaret's has stood upon this actual site for the last nine centuries, we in this place are certainly justified in giving' thanks in 1967 for the fact that for nine hundred years the faith has been preached and worship offered to God in a church in Eastcheap dedicated to St. Margaret of Antioch. In the year immediately following the Norman Conquest much was happening as regards English church life. One wishes that more might be known of that wooden chapel in Eastcheap, However, over a century was to elapse before even a glimpse is given of the London churches-and this only in general terms. In 1174, William Fitzstephen in his description of London wrote that “It is happy in the profession of the Christian religion”. As regards divine worship Fitzstephen speaks of one hundred and thirty-six parochial churches in the City and suburbs. -
Igniting Change and Building on the Spirit of Dalston As One of the Most Fashionable Postcodes in London. Stunning New A1, A3
Stunning new A1, A3 & A4 units to let 625sq.ft. - 8,000sq.ft. Igniting change and building on the spirit of Dalston as one of the most fashionable postcodes in london. Dalston is transforming and igniting change Widely regarded as one of the most fashionable postcodes in Britain, Dalston is an area identified in the London Plan as one of 35 major centres in Greater London. It is located directly north of Shoreditch and Haggerston, with Hackney Central North located approximately 1 mile to the east. The area has benefited over recent years from the arrival a young and affluent residential population, which joins an already diverse local catchment. , 15Sq.ft of A1, A3000+ & A4 commercial units Located in the heart of Dalston and along the prime retail pitch of Kingsland High Street is this exciting mixed use development, comprising over 15,000 sq ft of C O retail and leisure space at ground floor level across two sites. N N E C T There are excellent public transport links with Dalston Kingsland and Dalston Junction Overground stations in close F A proximity together with numerous bus routes. S H O I N A B L E Dalston has benefitted from considerable investment Stoke Newington in recent years. Additional Brighton regeneration projects taking Road Hackney Downs place in the immediate Highbury vicinity include the newly Dalston Hackney Central Stoke Newington Road Newington Stoke completed Dalston Square Belgrade 2 residential scheme (Barratt Road Haggerston London fields Homes) which comprises over 550 new homes, a new Barrett’s Grove 8 Regents Canal community Library and W O R Hoxton 3 9 10 commercial and retail units. -
John Leland's Itinerary in Wales Edited by Lucy Toulmin Smith 1906
Introduction and cutteth them out of libraries, returning home and putting them abroad as monuments of their own country’. He was unsuccessful, but nevertheless managed to John Leland save much material from St. Augustine’s Abbey at Canterbury. The English antiquary John Leland or Leyland, sometimes referred to as ‘Junior’ to In 1545, after the completion of his tour, he presented an account of his distinguish him from an elder brother also named John, was born in London about achievements and future plans to the King, in the form of an address entitled ‘A New 1506, probably into a Lancashire family.1 He was educated at St. Paul’s school under Year’s Gift’. These included a projected Topography of England, a fifty volume work the noted scholar William Lily, where he enjoyed the patronage of a certain Thomas on the Antiquities and Civil History of Britain, a six volume Survey of the islands Myles. From there he proceeded to Christ’s College, Cambridge where he graduated adjoining Britain (including the Isle of Wight, the Isle of Man and Anglesey) and an B.A. in 1522. Afterwards he studied at All Souls, Oxford, where he met Thomas Caius, engraved map of Britain. He also proposed to publish a full description of all Henry’s and at Paris under Francis Sylvius. Royal Palaces. After entering Holy Orders in 1525, he became tutor to the son of Thomas Howard, Sadly, little or none of this materialised and Leland appears to have dissipated Duke of Norfolk. While so employed, he wrote much elegant Latin poetry in praise of much effort in seeking church advancement and in literary disputes such as that with the Royal Court which may have gained him favour with Henry VIII, for he was Richard Croke, who he claimed had slandered him. -
London and Middlesex in the 1660S Introduction: the Early Modern
London and Middlesex in the 1660s Introduction: The early modern metropolis first comes into sharp visual focus in the middle of the seventeenth century, for a number of reasons. Most obviously this is the period when Wenceslas Hollar was depicting the capital and its inhabitants, with views of Covent Garden, the Royal Exchange, London women, his great panoramic view from Milbank to Greenwich, and his vignettes of palaces and country-houses in the environs. His oblique birds-eye map- view of Drury Lane and Covent Garden around 1660 offers an extraordinary level of detail of the streetscape and architectural texture of the area, from great mansions to modest cottages, while the map of the burnt city he issued shortly after the Fire of 1666 preserves a record of the medieval street-plan, dotted with churches and public buildings, as well as giving a glimpse of the unburned areas.1 Although the Fire destroyed most of the historic core of London, the need to rebuild the burnt city generated numerous surveys, plans, and written accounts of individual properties, and stimulated the production of a new and large-scale map of the city in 1676.2 Late-seventeenth-century maps of London included more of the spreading suburbs, east and west, while outer Middlesex was covered in rather less detail by county maps such as that of 1667, published by Richard Blome [Fig. 5]. In addition to the visual representations of mid-seventeenth-century London, a wider range of documentary sources for the city and its people becomes available to the historian. -
Visuality and the Theatre in the Long Nineteenth Century #19Ctheatrevisuality
Visuality and the Theatre in the Long Nineteenth Century #19ctheatrevisuality Henry Emden, City of Coral scene, Drury Lane, pantomime set model, 1903 © V&A Conference at the University of Warwick 27—29 June 2019 Organised as part of the AHRC project, Theatre and Visual Culture in the Long Nineteenth Century, Jim Davis, Kate Holmes, Kate Newey, Patricia Smyth Theatre and Visual Culture in the Long Nineteenth Century Funded by the AHRC, this collaborative research project examines theatre spectacle and spectatorship in the nineteenth century by considering it in relation to the emergence of a wider trans-medial popular visual culture in this period. Responding to audience demand, theatres used sophisticated, innovative technologies to create a range of spectacular effects, from convincing evocations of real places to visions of the fantastical and the supernatural. The project looks at theatrical spectacle in relation to a more general explosion of imagery in this period, which included not only ‘high’ art such as painting, but also new forms such as the illustrated press and optical entertainments like panoramas, dioramas, and magic lantern shows. The range and popularity of these new forms attests to the centrality of visuality in this period. Indeed, scholars have argued that the nineteenth century witnessed a widespread transformation of conceptions of vision and subjectivity. The project draws on these debates to consider how far a popular, commercial form like spectacular theatre can be seen as a site of experimentation and as a crucible for an emergent mode of modern spectatorship. This project brings together Jim Davis and Patricia Smyth from the University of Warwick and Kate Newey and Kate Holmes from the University of Exeter. -