TARO INDUSTRY ANALYSIS Number 4
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Taro Systematik Unterklasse: Froschlöffelähnliche (Alismatidae
Taro Taro (Colocasia esculenta) Systematik Unterklasse: Froschlöffelähnliche (Alismatidae) Ordnung: Froschlöffelartige (Alismatales) Familie: Aronstabgewächse (Araceae) Unterfamilie: Aroideae Gattung: Colocasia Art: Taro Wissenschaftlicher Name Colocasia esculenta (L.) Schott Traditioneller Taroanbau auf Terrassen aus Lavagestein auf der Insel Kauaʻi Taro (Colocasia esculenta) ist eine Nutzpflanze aus der Familie der Aronstabgewächse (Araceae), die seit mehr als 2000 Jahren als Nahrungspflanze kultiviert wird. Ein anderer Name für Taro ist Wasserbrotwurzel. In alten Nachschlagewerken, wie z. B. Pierer's Universal-Lexikon findet sich für die Pflanze auch die Bezeichnung Tarro. Genutzt werden vorwiegend die stärkehaltigen Rhizome der Pflanze. Sie werden wie Kartoffeln gekocht. In den Anbauländern werden auch die Blätter und Blattstiele als Gemüse gegessen. Sie enthalten viel Mineralien, Vitamin A, B und C. Taro wird heute weltweit in feuchten, tropischen und subtropischen Klimazonen angebaut. Für den Export wird er in Ägypten, Costa Rica, der Karibik, Brasilien und Indien angepflanzt. In Hawaii ist die dort kalo[1] genannte Pflanze eine der wichtigsten traditionellen Nutzpflanzen. Aus den Rhizomen wird poi, eine Paste, hergestellt. Die Aborigines in Australien nutzen diese Pflanze um daraus Busch-Brot zu backen, indem sie aus dem Rhizom Mehl herstellten. Siehe auch [Bearbeiten] Sumpfpflanzen Wasserpflanzen Weblinks [Bearbeiten] Rhizome der Taro Commons: Taro – Album mit Bildern, Videos und Audiodateien Taro – eine Nahrungs- und eine Giftpflanze Beschreibung und Verwendungsmöglichkeit Einzelnachweise [Bearbeiten] 1. ↑ taro, kalo in Hawaiian Dictionaries Von „http://de.wikipedia.org/wiki/Taro― Kategorien: Aronstabgewächse | Nutzpflanze | Blattgemüse | Wurzelgemüse Taro From Wikipedia, the free encyclopedia Jump to: navigation, search This article is about the plant. For other uses, see Taro (disambiguation). It has been suggested that this article or section be merged with Colocasia esculenta. -
Glossary for Hawaiian and Other Polynesian Terms
Glossary for Hawaiian and Other Polynesian Terms Pronunciation Hawaiian vowels are as in English: a, e, i, o, and u. But with respect to pronunciation, the letter “a” is pronounced as the soft ah sound in papa; “e” as the ā sound in play; “i” as the ē sound in need; “o” as used in bowl; and “u” as the ew sound in tune. Diacritical marks are used to indicate stress on particular vowels, and as glottal stops. Te macron (called kahakō in Hawaiian) is used to stress and elongate any of the vowel sounds. For example, the ā sound in pāhoe- hoe (sheet lava) is stressed and lengthened, as in pahh-ho-ay-ho-ay. Te reverse apostrophe (called an okina in Hawaiian) is used as a glot- tal stop, as in the closed throat sound that should precede formation of the word ‘ahi (pronounced ah-hee), or between sounds, as in Punalu‘u (pronounced poo-nah-lew-ew). Certain vowel combinations (diph- thongs) are also pronounced in a manner dissimilar to the way they are pronounced in English, with stress on the frst vowel. For instance, the “ou” sound in Hawaiian is pronounced with stress on the o, as in pouli © Te Editor(s) (if applicable) and Te Author(s), under exclusive license 247 to Springer Nature Switzerland AG 2019 E. W. Glazier, Tradition-Based Natural Resource Management, Palgrave Studies in Natural Resource Management, https://doi.org/10.1007/978-3-030-14842-3 248 Glossary for Hawaiian and Other Polynesian Terms (Hawaiian for dark or eclipse, pronounced poh-lee). -
The History of the Hawaiian Culture August 15, 2011
Annex C – The History of the Hawaiian Culture August 15, 2011 Origins of the Ancient Hawaiians and Their Culture The first major Hawaiian island, Kauai emerged from the Pacific only six million years ago. This was millions of years before modern man walked out of Africa, but a blip in time compared to the 4.5 billion year history of our ancient planet. The Hawaiian Islands were formed above a 40 million year old volcano creating a hot spot under the Pacific Plate. As the pacific plate moves to the Northwest, the static hotspot continues to create islands. The effect of this is an island chain, one of which, the big Island, became the 5th highest island in the world. The next island in the chain, the seamount of Loihi is building and will surface in 10,000 years. The isolation of the Hawaiian Islands in the middle of the Pacific Ocean, and the wide range of environments to be found on high islands located in and near the tropics, has resulted in a vast array of endemic flora and fauna. Hawaii has more endangered species per square mile than anywhere else. Ancient tribal Polynesians arrived on this virgin scene after long, amazing sea voyages in their double-hulled canoes. The early Polynesians were an adventurous seafaring people with highly developed navigational skills. They used the sun, stars and wave patterns to find their directions. Ancient Polynesians even created incredible maps of wave patterns by binding sticks together. Bird flight paths and cloud patterns were used to discern where islands were located. -
Taonga Pasifika World Heritage in the Pacific
Taonga Pasifika WORLD HERITAGE IN THE PACIFIC Australian Government Department of the Environment and Water resources Glossary akua gods Hawaiian ‘aumakua guardian spirits Hawaiian fonualoto fa’itoka burial vault Tongan kiore Pacific rat Maori kümara sweet potato Maori langi royal tombs Tongan laulau ai dining table Samoan lupe pigeons Niuean/Samoan marae meeting house Maori matai chief Samoan naflak political system Vanuatu nofoa papa chair Samoan ‘ohi to gather Hawaiian pä fortified settlement Maori peka bats Niuean/Tongan pu sea shell trumpet Hawaiian rai whale Yapese rahui reserves Niuean siapo bark cloth Samoan tapa bark cloth Polynesian origin tanoa faiava bowl buried in sand Samoan taonga treasures Maori tapu taboo Polynesian origin taoga treasures Niuean Contents Introduction 2 Message from Tumu te Heuheu 3 Voyaging 4 The Pacific’s Crested Voyager 5 Voyaging for Stone Money 6 Adaptation 8 Kuk—origins of agriculture in the Pacific 10 Lapita—Pacific ancestors 11 Marae Taputapuatea 12 Ha’amonga ‘a Mau’i—the Tongan trilithon 14 Lapaha Tombs—a link with Tonga’s ancient royal heritage 15 Chief Roi Mata’s Domain—a journey through life and legend 16 Tapa Cloth 17 Nan Madol—sacred islets of Pohnpei 18 Rapa Nui’s Magnificent Moai 20 Front cover image: Masked Booby Map of the Pacific 22 (Sula dactylatra) Photo: C. Grondin Levuka—a colonial Pacific port 24 Hawai‘i—people of the land 26 Fagaloa Bay—Uafato/Tiavea Conservation Zone 28 Living their Ancestors’ Lives 30 Huvalu Forest 31 New Caledonia’s Sea of Treasures 32 East Rennell 34 Kakadu National Park—indigenous management 36 For the Good of Mankind 38 New Zealand’s World Heritage Sites 40 Country Profiles 42 1 Introduction Kia orana, ni sa bula, fakaalofa lahi atu, malo e lelei, halo olaketa, la orana, kia ora, talofa lava, kam na mauri and welcome to Taonga Pasifika. -
Pe Structure Cf Tongan Dance a Dissertation
(UNIVERSITY OF HAWAII LIBRARY P E STRUCTURE CF TONGAN DANCE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION CF THE UNIVERSITY OF HAWAII IN PARTIAL FUIFILDffiNT CF THE REQUIREMENTS FOR THE DEGREE CF DOCTOR OF PHILOSOPHY IN ANTHROPOLOGY JUNE 1967 By _\G Adrienne L? Kaeppler Dissertation Committee: Alan Howard, Chairman Thomas W. Maretzki Roland W. Force Harold E. McCarthy Barbara B. Smith PREFACE One of the most conspicious features of Polynesian life and one that has continually drawn comments from explorers, missionaries, travelers, and anthropologists is the dance. These comments have ranged from outright condemnation, to enthusiastic appreciation. Seldom, however, has there been any attempt to understand or interpret dance in the total social context of the culture. Nor has there been any attempt to see dance as the people themselves see it or to delineate the structure of dance itself. Yet dance has the same features as any artifact and can thus be analyzed with regard both to its form and function. Anthropologists are cognizant of the fact that dance serves social functions, for example, Waterman (1962, p. 50) tells us that the role of the dance is the "revalidation and reaffirmation of the aesthetic, religious, and social values shared by a human society . the dance serves as a force for social cohesion and as a means to achieve the cultural continuity without which no human community can persist.” However, this has yet to be scientifically demonstrated for any Pacific Island society. In most general ethnographies dance has been passed off with remarks such as "various movements of the hands were used," or "they performed war dances." In short, systematic study or even satisfactory description of dance in the Pacific has been virtually neglected despite the significance of dance in the social relations of most island cultures. -
Cultural Etiquette in the Pacific Guidelines for Staff Working in Pacific Communities Tropic of Cancer Tropique Du Cancer HAWAII NORTHERN MARIANA ISLANDS
Cultural Etiquette in the Pacific Guidelines for staff working in Pacific communities Tropic of Cancer Tropique du Cancer HAWAII NORTHERN MARIANA ISLANDS GUAM MARSHALL PALAU ISLANDS BELAU Pacic Ocean FEDERATED STATES Océan Pacifique OF MICRONESIA PAPUA NEW GUINEA KIRIBATI NAURU KIRIBATI KIRIBATI TUVALU SOLOMON TOKELAU ISLANDS COOK WALLIS & SAMOA ISLANDS FUTUNA AMERICA SAMOA VANUATU NEW FRENCH CALEDONIA FIJI NIUE POLYNESIA TONGA PITCAIRN ISLANDS AUSTRALIA RAPA NUI/ NORFOLK EASTER ISLAND ISLAND Tasman Sea Mer De Tasman AOTEAROA/ NEW ZEALAND Tropic of Cancer Tropique du Cancer HAWAII NORTHERN MARIANA ISLANDS GUAM MARSHALL PALAU ISLANDS BELAU Pacic Ocean FEDERATED STATES Océan Pacifique OF MICRONESIA PAPUA NEW GUINEA KIRIBATI NAURU KIRIBATI KIRIBATI TUVALU SOLOMON TOKELAU ISLANDS COOK WALLIS & SAMOA ISLANDS FUTUNA AMERICA SAMOA VANUATU NEW FRENCH CALEDONIA FIJI NIUE POLYNESIA TONGA PITCAIRN ISLANDS AUSTRALIA RAPA NUI/ NORFOLK EASTER ISLAND ISLAND Tasman Sea Mer De Tasman AOTEAROA/ NEW ZEALAND Cultural Etiquette in the Pacific Guidelines for staff working in Pacific communities Noumea, New Caledonia, 2020 Look out for these symbols for quick identification of areas of interest. Leadership and Protocol Daily Life Background Religion Protocol Gender Ceremonies Dress Welcoming ceremonies In the home Farewell ceremonies Out and about Kava ceremonies Greetings Other ceremonies Meals © Pacific Community (SPC) 2020 All rights for commercial/for profit reproduction or translation, in any form, reserved. SPC authorises the partial reproduction or translation of this material for scientific, educational or research purposes, provided that SPC and the source document are properly acknowledged. Permission to reproduce the document and/or translate in whole, in any form, whether for commercial/for profit or non-profit purposes, must be requested in writing. -
Cultural Landscapes of the Pacific Islands Anita Smith 17
Contents Part 1: Foreword Susan Denyer 3 Part 2: Context for the Thematic Study Anita Smith 5 - Purpose of the thematic study 5 - Background to the thematic study 6 - ICOMOS 2005 “Filling the Gaps - An Action Plan for the Future” 10 - Pacific Island Cultural Landscapes: making use of this study 13 Part 3: Thematic Essay: The Cultural Landscapes of the Pacific Islands Anita Smith 17 The Pacific Islands: a Geo-Cultural Region 17 - The environments and sub-regions of the Pacific 18 - Colonization of the Pacific Islands and the development of Pacific Island societies 22 - European contact, the colonial era and decolonisation 25 - The “transported landscapes” of the Pacific 28 - Principle factors contributing to the diversity of cultural Landscapes in the Pacific Islands 30 Organically Evolved Cultural Landscapes of the Pacific 31 - Pacific systems of horticulture – continuing cultural landscapes 32 - Change through time in horticultural systems - relict horticultural and agricultural cultural landscapes 37 - Arboriculture in the Pacific Islands 40 - Land tenure and settlement patterns 40 - Social systems and village structures 45 - Social, ceremonial and burial places 47 - Relict landscapes of war in the Pacific Islands 51 - Organically evolved cultural landscapes in the Pacific Islands: in conclusion 54 Cultural Landscapes of the Colonial Era 54 Associative Cultural Landscapes and Seascapes 57 - Storied landscapes and seascapes 58 - Traditional knowledge: associations with the land and sea 60 1 Part 4: Cultural Landscape Portfolio Kevin L. Jones 63 Part 5: The Way Forward Susan Denyer, Kevin L. Jones and Anita Smith 117 - Findings of the study 117 - Protection, conservation and management 119 - Recording and documentation 121 - Recommendations for future work 121 Annexes Annex I - References 123 Annex II - Illustrations 131 2 PART 1: Foreword Cultural landscapes have the capacity to be read as living records of the way societies have interacted with their environment over time. -
The Legitimation of Economic and Political Power in Tonga: A
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. The Legitimation of Economic and Political Power in Tonga: A Critique of Kauhala'uta and Kauhalalalo Moieties A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Social Anthropology at Massey University, Albany 'Opeti Manisela Taliai 2007 Abstract This thesis is a study of the legitimation of economic and political power in Tonga as a critique of Ka uhala'uta and Kauhalalalo social moieties. It adopts a socio historical method of approach but logical considerations inform every aspect of the analysis. This is done in the conviction that logic and fact do not clash but converge and concur at every point such that when they clash we should take it as a sign that either our logical theory needs revision or our observation of the actual process has been amiss. In this, I follow the main lines of the critique of illusions, romanticism, and personalism developed in the philosophical realism of John Anderson. As the central issue of my thesis is legitimation, I have asked whether the evidence and logic square with each other. First, whether the development of legitimation language is later than the social facts, for example, later than the power which the language is designed to legitimate, as seems to be the implication in the relevant literature, or, second, whether the legitimation language has an origin different from that of the social reality it is usually associated with. -
Cultural Sentivity Manual 2
Produced by the Secretariat of the Pacific Community CULTURAL ETIQUETTE IN THE PACIFIC ISLANDS Noumea, New Caledonia 2005 © Copyright Secretariat of the Pacific Community, 2005 All rights for commercial / for profit reproduction or translation, in any form, reserved. SPC authorises the partial reproduction or translation of this material for scientific, educational or research purposes, provided that SPC and the source document are properly acknowledged. Permission to reproduce the document and/or translate in whole, in any form, whether for commercial / for profit or non-profit purposes, must be requested in writing. Original SPC art- work may not be altered or separately published without permission. Original text: English Secretariat of the Pacific Community Cataloguing-in-publication data Cultural etiquette in the Pacific Islands / Secretariat of the Pacific Community 1. Etiquette – Oceania 2. Social norms – Oceania 3. Manners and customs - Oceania I. Title II. Secretariat of the Pacific Community 395.395 AACR2 ISBN: 982-00-0030-9 This publication may be cited as: Secretariat of the Pacific Community. 2005. Cultural etiquette in the Pacific Islands. Noumea, New Caledonia: Secretariat of the Pacific Community. Coordinating editors: Rhonda Griffiths, Mark Smaalders and Rika Hotere Design and layout : Muriel Borderie Printed at SPC, Noumea iiii CONTENTS Foreword . .1 Preface . .3 General guidelines . .4 Commonly used terms . .12 Country guidelines: American Samoa . .15 Australia . .19 Commonwealth of the Northern Mariana Islands . .23 Cook Islands . .27 Federated States of Micronesia . .31 Fiji Islands . .37 French Polynesia . .43 Guam . .47 Hawaii . .51 Kiribati . .59 Marshall Islands . .65 Nauru . .69 New Caledonia . .73 Aotearoa / New Zealand . .79 Niue . .85 Norfolk Island . -
Movement Characteristics of Three Samoan Dance Types
MOVEMENT CHARACTERISTICS OF THREE SAMOAN DANCE TYPES: MA'ULU'ULU, SASA AND TAUALUGA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN DANCE AUGUST 2004 By Jennifer Radakovich Thesis Committee: Judy Van Zile, Chairperson Betsy Fisher John Mayer © Copyright 2004 by Jennifer Radakovich III ACKNOWLEDGEMENTS I would like to thank: many people for providing support during my graduate studies and for making this thesis possible. First, I would especially like to thank all of the wonderful individuals with whom I worked in American Samoa for sharing their love and knowledge of Samoan dance and culture with me. Without these individuals, this thesis could not have been written. A special thank you is owed to the Tuiasosopo family for graciously taking me into their home during my fieldwork stay in Fagatogo. In addition, I would like to extend my appreciation to the Center for Pacific Island Studies for providing several tuition waivers and to the Foreign Language Area Scholarship for providing tuition waivers and monetary support throughout portions of my graduate studies. I would also like to acknowledge the Arts and Sciences Advisory Council for providing me with a monetary award that allowed me to conduct my research in American Samoa. I would also like to thank: my committee members, Judy Van Zile, Betsy Fisher and John Mayer, for their time, effort and patience during the writing process and Brian Diettrich for helpful comments on later drafts ofthe thesis. Finally, I would like to thank my family and friends for their patience and understanding. -
Ko E Tala-Tukufakaholo 'O Tonga
KO E TALA-TUKUFAKAHOLO ‘O TONGA: An Alter-Native Holistic Historiography of Tonga history from their own traditional oral culture and through their own people’s eyes.1 A thesis re-submitted in fulfilment of the requirement for the degree of Doctor of Philosophy at the University of Canterbury, Christchurch, New Zealand. Paula Onoafe Latu 2017. 1 This title re-defines History and re-views historiography in the logic and philosophy encapsulated in the Tongan term TALA-TUKUFAKAHOLO meaning Historio-arts-and-crafting; Historio-graphing; and Historio-grafting of social realities in holistic terms to suggest an alter-native historiography of Tongan (national) history from their stories, tradition, culture, genealogies, Tala-e-fonua and through people’s perspective. 1 | P a g e Dedication God first be the Glory, ‘Son of the carpenter, receive This humble work of mine; Worth to my meanest labour give by joining it to Thine.’2 And “Let this be recorded for a generation to come, so that a people yet unborn may praise the LORD:….” (Psalm 102.18, NRSV.) 3 To my father Tevita (Haveatuli) Latu and my mother ‘Anapapa Lolomani Latu; to my ongo matu’a Kavafusi Taniela Mahe Liava’a and Polopolomo’ufitunu, who walked on in life during the course of the writing of this thesis; their words and love framed my views on Tonga History, and greatly inspired my heart to achieve this work as my tribute to God and Tonga. 2 Adapted from C.M Churchward, "Introduction," in Tongan Dictionary (Tongan-English, and English-Tongan), ed. C.M Churchward(Tonga: Government printing Press, 1959). -
Nationalism and Sovereignty in Niue, the Cook Islands, Fiji and Hawai'i
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-30-2018 12:30 PM Nationalism and Sovereignty in Niue, the Cook Islands, Fiji and Hawai‘i Craig Spurrier The University of Western Ontario Supervisor Clark, Samuel The University of Western Ontario Co-Supervisor Young, Carl The University of Western Ontario Graduate Program in Sociology A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Craig Spurrier 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Spurrier, Craig, "Nationalism and Sovereignty in Niue, the Cook Islands, Fiji and Hawai‘i" (2018). Electronic Thesis and Dissertation Repository. 5887. https://ir.lib.uwo.ca/etd/5887 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation explores the ways in which sovereignty and nationalism are expressed within four small island nations of Oceania. These four nations represent significant variation in the level of sovereignty and types of nationalism. Hawaiʻi, though the largest of the four, remains a part of the United States following the overthrow of the Kingdom of Hawaiʻi. An active nationalist movement continues to fight for the end of U.S. occupation. Fiji, whilst legally fully independent, has seen considerable nationalist activity including four coups. Niue and the Cook Islands are in free association with New Zealand. Though independent nations, they have elected to outsource several government functions including foreign affairs and defence to New Zealand.