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Sis U Line 3 SISU–LINE #3 põhineb sisearhitektuuri sümpoosionil Graafiline disain 3—6 Juhtkiri / Editorial “SISU 2016: Welcome Stranger!” Stuudio Stuudio Tüüne-Kristin Vaikla 1.–3.6.2016 Hobuveski, Tallinn Tõlkijad 3 Juta Ristsoo Võõrastamise ja võõrustamise võimalikkus Väljaandja Martin Rünk Eesti Sisearhitektide Liit The Potential of Alienating and Hosting Keeletoimetaja Peatoimetaja Tiina Hallik Welcome Stranger Welcome 7—28 Uurimus / Research Tüüne-Kristin Vaikla, PhD Alari Allik [email protected] Kontakt Eesti Sisearhitektide Liit Tegevtoimetaja Kairi Rand, [email protected] Liikumata rändamine Eva Näripea, PhD Rüütli 4, 10130 Tallinn, Estonia [email protected] Tel: +372 646 4056 Wandering without Moving Kolleegium Trükikoda 29—46 Uurimus / Research Edina Dufala-Pärn (Eesti Kunstiakadeemia) Tallinna Raamatutrükikoda Eva Storgaard Jüri Kermik, PhD (Brightoni Ülikool) Martin Melioranski (Eesti Kunstiakadeemia) Triin Ojari (Eesti Arhitektuurimuuseum) Jagatud ruumi tähtsus LINE LINE The Significance of Shared Space 47—64 Praktika / Practice Gerrit Schilder Jr., Hill Scholte Inimestelt inimestele For People by People ! 65—76 Välitööd / Fieldwork Monica Knoll SISU Tere tulemast Palestiinasse SISU–LINE #3 is based on the Interior Architecture Graphic design Welcome to Palestine Symposium SISU 2015: Welcome Stranger! Stuudio Stuudio 1–3 June 2016, Hobuveski, Tallinn 77—86 Välitööd / Fieldwork Translations Eva Sepping Publisher Juta Ristsoo Welcome Estonian Association of Interior Architects Martin Rünk Stranger Kahe trikolooriga kodud Editor-in-Chief Proofreading Tüüne-Kristin Vaikla, PhD Tiina Hallik The Homes of Two Tricolours [email protected] Contact 87—118 SISU film Editor Estonian Association of Interior Architects Eva Näripea, PhD Kairi Rand, [email protected] Symbolic Threats, Modulor, E42 [email protected] Rüütli 4, 10130 Tallinn, Estonia Tel: +372 646 4056 Editorial Board 119—130 Intervjuu / Interview Edina Dufala-Pärn (Estonian Academy of Arts) Printed by Pille Lausmäe Jüri Kermik, PhD (University of Brighton) Tallinn Book Printers Martin Melioranski (Estonian Academy of Arts) Jüri Kermik Triin Ojari (Museum of Estonian Architecture) 131—142 Magistritööd 2016 MA Theses 2016 Sisearhitektuuri Uurimusi ISSN 2382-9397 #3 SISU—LINE The Journal of Interior Architecture Research architecten SchilderScholte photo: Cover / Kaanefoto SISU Sisearhitektuuri Uurimusi The Journal of Interior Architecture Research Welcome Stranger! 2 Tüüne-Kristin Vaikla Võõrastamise ja võõrustamise võimalikkus “Welcome Stranger!” nime kannab baarikett, kuhu paari aasta eest Melbourne’i RMIT ülikooli jõudnuna esimesel õhtul maandusin. Avastamise võlu ajendab inimesi liikuma, et luua terviklikumat maailmapilti, selle osana ka minapilti. Selleks et minna, peab olema koht, kuhu tagasi tulla. Kaugemalt vaadates näivad asjad selgemad, fookus teravneb või koguni nihkub. Püsimatus on tänapäeva maailmas normiks muutumas. Liikumine ja Juhtkiri peatumine on ühtlasi piiride ületamine ja seadmine. Missugust ruumi vajab kaasaegne nomaad, missugused on tema eluolu ootused ja vajadused? Eesti on olukorras, kus juba pikka aega maad võtnud väljaränne on muutumas igapäevaseks normaalsuseks. SISU III sümpoosion “Welcome Stranger!” oli provokatiivne üleskutse astuda Euroopa rändekriisi taustal oma mugavustsoonist välja, et arutleda ruumilise keskkon- na vaatepunktist selle üle, kes on võõras ja millal saab võõrast oma. Ränne on tänases maailmas põletav teema – liikumine võib olla nii sund kui ka vaba voli. Siin peegelduvad inimeste kodunemise ja kohanemise teisenenud käitumismustrid tänapäeva reaalses ruumis. Räägime ruumilisest intelligentsusest ehk koha, arhitektuurse ruumi ja inimeste omavahelisest suhestumisest, milles avaldub võime luua teistsuguses kultuuriruumis ja maastikus, poliitilises ja klimaatilises keskkonnas uusi inspireerivaid lahendusi – kasu- tada ruumi teistmoodi. 3 Tüüne-Kristin Vaikla The Potential of Alienating and Hosting The bar where I landed on the first night that I arrived at RMIT University in Melbourne was called Welcome Stranger! The allure of discovery motivates people to move, to create a more complete picture of the world, and a picture of oneself as a part thereof. In order to go, there must be a place to come back to. Viewed from afar, things seem clearer; one’s focus is sharpened or may even shift. Mobility is becoming the norm in today’s world. Moving and stopping also means the crossing and establishing of bound- Editorial aries. What kind of space do modern nomads need? What are their expectations and needs? Estonia is in a situation where emigration, which has been gathering steam for a long time, is becoming the everyday normality. The third SISU Symposium called Welcome Stranger! was a provocative call, against the background of Europe’s migration crisis, to step out of one’s comfort zone and dis- cuss, from the viewpoint of the spatial environment, who is a stranger and when does a stranger become one of us. Migration is a hot topic in today’s world – movement can be forced or voluntary. The altered behavioural patterns of people’s acclimatisation and adaptation are reflected in real space. We are speaking about spatial intelligence, or the interaction of place, architectural space and people, which is expressed in the ability to create new inspiring solutions in different kinds of cultural spaces and landscapes, politi- cal and climatic environments – to use space in a different way. SISU moderaatorid mõtestasid sümpoosioni teemat nii: Aet Ader: “Viimase paarikümne aasta jooksul on meie elu põhjalikult muutunud. Eelkõige pean siin silmas uusi sotsiaalseid suhteid, perekonnastruktuure ja soorollide muutumist, samuti elatustaseme erinevust, massimigratsiooni ja elanikkonna vanane- mist. Veneetsia arhitektuuribiennaali kuraator Alejandro Aravena tegeles niisuguste teemadega Saksamaa paviljonis, mis kandis pealkirja “Making Heimat: Germany, Arrival Country”. Väljapanekus arutleti, kuidas luua kodutunne (sks Heimat) moel, et inimesed selle omaks võtaksid. Sakslased jõudsid järeldusele, et see on eelkõige kahepool- ne protsess, millesse tuleb kaasata nii vastuvõtjad kui ka saabujad ehk immigrandid, kes seisavad silmitsi oma uue kodu tingimustega. Saksamaa on praeguses keerukas olukorras silmitsi suurima väljakutsega pärast Ida- ja Lääne-Saksamaa taasühinemist. Briti paviljon deklareeris, et elu muutusi tuleb disainida ise. Nende ekspositsioon “Home Economics” näitlikustas, kuidas korraldada kodust elu sõltuvalt viiest ajaskaalast: tunnid, päevad, kuud, aastad ja dekaadid – olenevalt sellest, kui pikaajaliselt “kodu” kasutatakse. Kas saame kujundada elamist, lähtudes ajalisest vaatepunktist?” Martin Melioranski: “Esimene raamat, mida pidin aastal 2000 New Yorki elama koli- des ja kolmandat korda arhitektuuriõpinguid alustades (loe: aspirantuuris) lugema, oli Tüüne-Kristin Vaikla Tüüne-Kristin prantsuse mõtleja Michel de Certeau teose “L’invention du quotidien” (1980) inglis- keelne tõlge. Nüüdseks ka eesti keeles pealkirja all “Igapäevased praktikad” (2005) ilmunud ning arvatavasti paljudele tuttava raamatu saab võtta kokku autori enda sõna- dega, mis suunavad kaasaegses maailmas, kesk linlikke ja küberneetilisi muutusi, täht- sustama ja tähistama seda, mis on tihti märkamatu ja tavaline, kuid tundub erilisena, eriti inimeses. Need argised pisiasjad New Yorgis, mida raamatus esile tõstetakse, aitasid mul selles suurlinnas õppida tundma mitte ainult minust endast väljaspool olevat, vaid ka omaenda sisemaailma. Sisimas oleksin oma isikliku Manhattani piirkonna tundma- õppimisel eelistanud teiste prantslaste, Gilles Deleuze’i ja Félix Guattari vaatenurki ja loomingut, millest olin juba mitu aastat vaimustunud. Eelkõige köitis mind nende 4 The SISU moderators interpreted the theme of the symposium as follows: Aet Ader: ‘During the last few decades, our life has thoroughly changed. What I mean are the new social relations, changes in family structure and gender roles, as well as differences in living standards, mass migration and the aging of the popula- tion. Alejandro Aravena, the curator of the Venice Biennale of Architecture dealt with these topics in the German pavilion, with an exhibition entitled Making Heimat: Germany, Arrival Country. The exhibition discussed how to create a Heimat or home- land, in such way that people will accept it. The Germans arrived at the conclusion that this is essentially a two-sided process, which must involve the hosts and the arrivals, i.e. the immigrants, who are facing the conditions of a new home. In the current complicated situation, Germany is facing its greatest challenge since the reunification of East and West Germany. The British pavilion declared that people must design their own life changes. The exposition called Home Economics illustrated how to organise one’s home life based on five temporal scales: hours, days, months, years, and decades – depend- ing on how long the “home” is in use. Can we really design our living based on a SISU—LINE #3 SISU—LINE temporal viewpoint?’ Martin Melioranski: ‘The first book I had to read when I moved to New York in 2000 and started my architectural studies for the third time (i.e. my post-graduate studies) was the English translation of L’invention du quotidien (1980) by the French scholar Michel de Certeau. The book, which is probably familiar to many people, can be summarised in the author’s own words, which, amidst the urban and cyber- netic changes in the contemporary world, encourage us to value and celebrate that which is ordinary and often unnoticed,
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